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Interview — Nana Visitor and OPEN A CHANNEL: THE WOMEN OF STAR TREK (Part 2)

We’re back with the second half of our lengthy interview with Star Trek: Deep Space Nine star Nana Visitorcheck out Part 1 right here — the author of the new behind-the-scenes book Open a Channel: The Women of Star Trek.
 
In today’s conclusion, we discuss the author’s beloved character Kira Nerys, revisiting the Star Trek: Voyager and Star Trek: Enterprise eras, and more.
 

This interview has been edited for length and clarity.

Nana Visitor as Kira Nerys. (CBS Studios)

TREKCORE: Can we talk about Kira Nerys a little bit?

NANA VISITOR: Hell, yeah!

TREKCORE: You basically had to interview yourself for the book. Revisiting the character, did you think about Kira differently with the themes of this project?

VISITOR: Oh my god, yes. It’s like Kira was my chance to be the full spectrum human that I happened to be that was unacceptable at the time — but I had a chance, because she was an alien. And I took the chance. I probably ran with it a little bit, but because she existed, this stuck person that I was started thinking and behaving like Kira. Kira taught me how to be me. Does that make sense? I had the ability to think the thoughts that I wouldn’t think before, and to take the chances. That character shifted my brain.

TREKCORE: That’s what the character did to a lot of people watching too, it was just that powerful.

VISITOR:  I wish I had known that at the time. I always had this feeling at conventions —there were some people who would be very appreciative but for the most part, I always felt like I had to keep my head down and go, “It’s okay.” I just felt like I needed to do it. I had to do it this way, and yet I got a lot of flack for it.

TREKCORE: What do you think changed? When did the tide turn and you start to realize you didn’t have to do that?

VISITOR: It’s like night and day. I know exactly when — once Deep Space Nine was available to watch streaming, and people saw it as a serialized show with a progression. They realized they were watching an arc and not just having this idea, maybe they watched the first episode and went, “Oh, no. I can’t stand this character.”

I remember at a convention, this 15-year-old boy came up to me and said, “I love Kira Nerys… and I have a crush on her.” And I thought “that’s so healthy.” I’m so glad to hear that, and now I meet men with wives and they have children and he goes, “I had such a crush on you, and here’s my Kira.” Saying that she is, you know, powerful..

TREKCORE: That’s wonderful. And there isn’t just one box, one type of way to be.

VISITOR: And if you don’t fit in a box, you create your own and say, “This is me.”

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: I feel like that’s the message in this book too — seeing all these different examples of all these different women doing their thing. It’s an important lesson, and I think that’s the promise of Star Trek.

VISITOR: It is. And if supported by men, look, Ira Steven Behr and Peter Allan Fields did so much for my character, gave me so much room. Ben Robinson opened a door and said, “Come on, walk through it. Walk through it. You do it.” It’s huge. That’s the only kind of door opening we need.

TREKCORE: And leaving the door open for more people.

VISITOR: Leave it open for the other women to come through too, all of us.

TREKCORE:  I found it really interesting when Roxann Dawson spoke about directing; how she said you have to be perfect, because you’re representing all of the women in the whole world. Like if you mess up, they’re gonna say, “That’s it. Women can’t do this.”

VISITOR: She is an amazing woman and incredibly strong. And to hear how she had to fight to be a director you go, “I understand why she feels that way.” But you can’t bear that weight when you get creative. You can’t bear that. And there’s not a job that isn’t creative that you don’t need all of your brain for. And if much of it is fearful, you’re screwed.

TREKCORE: How do you feel being a mentor for-for so many women like this?

VISITOR: I think that as an elder, that is my joy and my curiosity, and it feels like the connection I want so much. I want to see young women have an easier time. They are, but even more so. I see the stress and I see the worry and there’s so much that is unnecessary, you know? And just having someone who’s been through it before, but also it’s a conversation because a young woman can tell me, “No, no, that’s not what we’re dealing with anymore.” I need to shift my thinking. [laughs]  It’s a two-way street.

TREKCORE: Right. It has to be beneficial for both parties and they’re dealing with different challenges than we did, right? I think this book is very instructive in that. I really enjoyed hearing from the younger women on the newer shows.

VISITOR: Me too. But we need to know history, we need to know recent history that women said, “That’s just the way it is,” or, “That’s just the way it was.” We need to keep that in mind, because Voyager to Enterprise, right? We need to keep things moving forward.

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: It’s so interesting, as you mention in the book, that nobody mentioned T’Pol or Hoshi to you as characters that were inspirational to them.

VISITOR: Not that I can recall. However, I understand how important — from Linda’s other interviews — how important it was that there was Asian representation in any way on the show.

TREKCORE: Yes, Hoshi is an important character in that respect. I think the biggest thing you could say about Hoshi is that we didn’t get enough Hoshi.

VISITOR: We didn’t get enough Hoshi. I think it was maybe, in my opinion, too soon to give the woman the terror of being in space. That would read differently now. I think it was too soon. I think a man, we could just see it as a human thing that would happen that they would be terrified, you know. But it was too laden at the time for it to be a woman.

TREKCORE: Yes. And I don’t wanna be too harsh on Enterprise. I’m actually a big fan of Enterprise.

VISITOR: A lot of people are. And here’s the thing, they did have some women writers, didn’t they? They had some women writers. But there’s — and one of them told me this — she basically said, “I can have the most progressive idea for a script, but if the person at the top doesn’t want that, it’s not gonna happen.” So you need to have women and then they need to be given the full spectrum of what they want to do.

TREKCORE: So you watched a lot of Star Trek for this book.

VISITOR: I did.

TREKCORE: And you watched with a real critical eye.

VISITOR: And that’s really important because I had the lenses on my eyes of what was this like for women. So it doesn’t mean that Enterprise, if you’re just watching it, you know, falls down in any way. It just means through my eyes, watching for women specifically for this, I go, “Well, wait a minute. This isn’t great.” So that’s important to remember.

TREKCORE: Did you have any surprise favorites? Any episodes that stood out or characters or shows in particular that stood out for you?

VISITOR: Quite a few. I was shocked how good it all was. But I’ll say the character of Seven of Nine. Talk about unconscious bias. Before I watched it, just from what I saw in posters and stuff, I thought I knew what it was — and I absolutely did not.

TREKCORE: You described her as a Trojan horse in your book.

VISITOR: Yes. That character is a Trojan horse. I found that all very, very powerful. That was a real shock to me. Also Strange New Worlds. I resisted watching it but my gosh, it’s so good. I think it’s so good. And I find that Pike is exactly the kind of leader that I would love to see in most hierarchies.

He has an idea of what he thinks, but he takes everybody’s advice in and it’s not about ego. It’s about what’s best for whatever mission or whatever person he’s talking about. I love that example. I think he’s wonderful. Anson Mount is wonderful in it. And I love that no one looks like each other. And they’re all honored for what and who they are. It’s so refreshing.

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: When you revisited Deep Space Nine, did anything strike you as like, “Oh, I don’t remember that,” or “Oh, this was a good one. I did great in this one,” you know?

VISITOR: Oh yeah. It was a lot that I didn’t remember — and don’t forget, at the time we were filming I didn’t record them and watch them, it was just like everybody else, it was catch-it-if-you-can. I was floored by the writing after so many years of being away from it, floored by the writing and how it stands up and how it’s appropriate to our times right now, 30 years later.

TREKCORE: That’s why Deep Space Nine’s the best.

VISITOR: The writing is incredible. Truly incredible. Ira was another one who was so generous with his time in letting me interview him and his wife — who is a force to be reckoned with, and had so much to do with me not having to hide my pregnancy, which was huge.

TREKCORE: That must have been so important to you.

VISITOR: That was was a big shift because I was sure I was gonna get fired. Because you get pregnant, you could get fired. That changed everything for me to go, “I can have a life and a job.” We’re still not there with everybody. It’s a struggle.

It’s a question I asked everybody. What should Star Trek do with childcare? Let’s talk about it because Star Trek has answers for everything. That’s something that we need a little 1,000 years ahead advice about.

TREKCORE: The way they decided to incorporate your pregnancy in “Body Parts” was just such a delightful sci-fi premise. It wasn’t about hiding your pregnancy, that it was just like, “Let’s come up with this little switcheroo.”

VISITOR: It was brilliant because then they wouldn’t have to deal with me raising a child and being my character. It was brilliant. Really brilliant.

TREKCORE: What was the experience of filming the birth (in “The Begotten”) like?

VISITOR: The only thing I remember really, really specifically is I had already had Django. The child I was carrying was recently born. So, I wasn’t pregnant anymore. I was wearing something to make me look pregnant at that point. Although I gained 60 pounds, so they really didn’t need the padding. I was still well padded.

But I was hormonal and enraged because they had such a young baby and they smeared it with what looked like cream cheese and raspberry jam and the baby was shaking. You know, it’s cold on the set. Shaking. And they have baby wranglers, so the mother’s not allowed to touch the baby when it’s working. And I just was beside myself about that.

Kira gives birth in “The Begotten.” (CBS Studios)

TREKCORE: That’s terrible!

VISITOR: Yeah, it was terrible. It was a terrible experience. I’m going, “Look, just make an animatronic. Just make a doll!”

TREKCORE:  I’m gonna look at that episode in a new way! [laughs] Well, thank you, you’ve been so generous with your time. I really appreciate it. This has been such a joy for me.

VISITOR: For me too. And I’m so glad that you enjoyed the book.

Open a Channel: The Women of Star Trek is in stores now.

STAR TREK: PRODIGY 217/218 Review — “Brink” and “Touch of Grey”

As we near the end of Star Trek: Prodigy’s story, “Brink” and “Touch of Grey” lay the groundwork for the finale. “Brink” feels a little like a placeholder — albeit an entertaining one — meant to get the pieces where they need to go. “Touch of Grey,” however, is among my favorites of the season: we are still moving pieces, but the rescue is thrilling and the interactions between the characters adds so much depth and vibrancy, elevating the whole endeavor.
 
“Brink” opens with a flashback of Asencia (Jameela Jamil) working to harness the power of the wormhole. Her lab is full of really interesting looking equipment and panel displays that her scientific henchmen are using to try to figure out how to stabilize the experiment. Enter Wesley Crusher (Wil Wheaton), who issues her a warning about the dangers of time manipulation before he gets easily captured.
 
I was relieved to find out later he did it on purpose, because catching a Traveler shouldn’t be that easy. And that is the missing piece she needs: Asencia’s breakthrough is Wesley Crusher’s thoughts. What a fiendishly cruel and clever plan!
 

Admiral Janeway briefs her senior officers. (CBS Studios)

Admiral Janeway (Kate Mulgrew) and her senior staff have a classic conference room strategy session, and it’s so soothingly Star Trek. Even more so when Gwyn (Ella Purnell) chimes in with her ideas. When Doctor Noum (Jason Alexander) quips, “Who invited the kid to the adult table?” it’s incredibly satisfying when Gwyn shuts him down with a quick: “The Admiral.” Gwyn’s poise and confidence in this scene is a well-earned delight.

Her reasoning is sound. She offers her team to go in and get the intel Janeway needs on Asencia’s time-space manipulation weaponry — off the Starfleet books. It’s a nice way to go around Admiral Jellico’s orders without technically breaking them (or the Primer Directive)l, and a perfect excuse to give our crew what would otherwise be a decidedly adult-level away mission. I love that Prodigy gives us the ability to indulge a little in what these kids would truly be allowed to do in a somewhat credible manor.

Solum is once again stunningly gorgeous, helped rather than hindered by the addition of Asencia’s temporal accelerant vaults, the fury of motion inside which move in a smooth ballet of technology. However, now Drednoks and Watchers patrol the streets, adding a sense of oppression to Asencia’s takeover.

Our gang moves under the Star Trek version of an invisibility cloak, which delighted my kids. My kids’ obvious reference for this is Harry Potter, but I did remind them that Star Trek has had cloaking technology since before Harry was born. The contrast was interesting to them — my son mentioned that it was cool that in Harry Potter, the cloak was magic and here, the cloak is science. I love that… and magic or science, it’s really fun! The visuals here are hilarious and really cute, as such a motley crew of aliens shuffle close together to try to stay under the invisibility bubble.

The present-day version of Asencia. (CBS Studios)

They arrive at Ilthuran’s place, searching for clues to his whereabouts, and are surprised when someone discovers them. Jankom’s (Jason Mantzoukas) scream of “Starfleet disavows us!” really made me laugh. Surprise: it’s Asencia — not the Vindicator, but rather young Asencia from this time period. What a thought provoking addition to the story! Seeing the absolute worst version of yourself has got to make you pretty introspective, so it makes perfect sense that she would be a leader in the resistance. She lets the crew know that older Asencia has Wesley Crusher prisoner and is draining his mind of secrets.

Choose your own adventure time for our away team leader, Gwyn: Do they rescue Ilthuran or Wesley Crusher? There isn’t time to save both, who is more important? Gwyn chooses to ignore this particular version of the trolley problem all together. No one will get left behind. They will split up to save both.

Dal (Brett Grey) disagrees, stating that they should stick together and that they only have one site-to-site transporter. But Dal shows exactly show far he’s come when he respects the fact that Gwyn is in charge and supportively follows her orders. This was a really fun thought experiment for my kids as they decided what they would do if they were Gwyn. For the record, there was one vote to rescue both and two votes to rescue just Wesley — sorry, Ilthuran!

More fun invisibility cloak hijinks as the group of Gwyn, Rok, Zero, and Murf go off to rescue Wesley. The gravimetric distortions have the cloak on the fritz as the guards, who keep getting glimpses of the crew, walk right up to the edge of the cloak. Rok (Rylee Alazraqui) bonking the guard on the head with the cloaking device is satisfying both visually and with the fantastic “clonk” sound that it makes. My kids all cracked up.

Gwyn, Murf, Rok, and Zero hide in invisibility. (CBS Studios)

Meanwhile, the other group, Dal, Jankom, and Maj’el (Michaela Dietz) — along with young Asencia — find Ilthuran (John Noble) on a relocation train. They rescue him and the council members. The irony of our crew breaking The Diviner out of prison is not lost on me!

After some more close calls and hijinks, the first group makes it to Wesley — who was expecting them. He reveals that getting captured was his plan to get Asencia to develop the wormhole tech they need to send the Protostar back to Tars Lamora. Bold move, but I guess the fate of the entire timeline is at stake here. When Wesley finds out they split up, he freaks out, as his plan was contingent on them sticking together. Zero (Angus Imrie) speaks for all of us when they say: “We thought you meant team spirit!” Apparently, what Wesley meant was never separate. Oops!

Now they are in uncharted territory, and Wil Wheaton’s delivery of the line “I am lost” is chilling. That is not something you want to hear from your typically ace-in-the-hole extra-temporal being. And it gets even more dire as he gets the last line of the episode: “We’re all in danger and I don’t know what happens next.” Not good! “Brink” ends with Wesley and Ilthuran using the site-to-site transporter back to Voyager, while the Protostar crew is back together… as Asencia’s prisoners.

Wesley Crusher collapses after escaping Asencia. (CBS Studios)

“Touch of Grey” starts off slightly before the end of “Brink”, where Janeway is anxiously awaiting news from the Protostar crew. We get treated to a lovely conversation between Janeway and Chakotay (Robert Beltran). Maintaining his character trait of gifting Janeway meaningful, symbolic gifts, he gives her an original Voyager-style combadge. It’s the 14th anniversary of her first command, of the start of their journey together.

Although sadly, for Chakotay, it’s been 24 years, as we are reminded of his ten years marooned on Ysida. The dialogue flows so easily between the two here, it’s really one of the best versions of their new dynamic. I’m not saying they are turning me into a Janeway/Chakotay shipper, but I really enjoy the ease and comfort between these two characters who deeply love each other at this stage of their lives.

We get a replay of the final scene from “Brink,” and it’s very effective to get both sides of this coming back together. Wesley gets sent to sickbay and it looks like Asencia’s torturous mind extraction has left him temporarily powerless. A great way to remove an OP character’s advantage. Asencia herself is in peak form, as she publicly goads Janeway into coming to Solum, less something happen to our beloved Protostar crew.

Her demagoguery against offworlders in general — and the Federation in particular — is bone-chilling in its manipulative phrasing and delivery. Please, someone give Jameela Jamil all the awards for elevating this villain way beyond a typical cartoon bad guy.

Dal and Gwyn in Asencia’s prison. (CBS Studios)

Tysess (Daveed Diggs) advises her not to go, but it looks like we are getting the band back together, as Chakotay and the EMH (Robert Picardo) both agree that they are down for a rescue. Wesley Crusher is coming too, and the very idea of an away team featuring these four legends seems almost too good to be true.

Apt that this particular away team uses the Protostar’s vehicle replicator to build a ship to sneak into Solum, as they lost so many shuttles on the original Voyager. While it builds, we get to see what Hologram Janeway has been up to — which is apparently reading EMH holonovels. You can almost hear the smile on Kate Mulgrew’s face as she delivers Holo-Janeway’s fangirl lines complimenting our dear doctor. Such a cute little scene!

We get some more fantastic Solum scenery, as Asencia has trapped our crew in what appears to be old ruins of ancient Solum. Her plan for the crew becomes clear as a platform opens up to reveal a Loom. Seeing this one in such close quarters really shows off the amazing creature design of these time devourers. The danger is palpable as the crew back away and run around avoiding the monster. The arena feels like a video game stage as they dodge the beast, once again reminding my kids of Breath of the Wild and bringing back their nickname for the Loom: “Time-Blight Ganon.”

The arena itself looks just as impressive from the outside, as the away team looks on and strategizes a rescue plan. It’s just such a gift to hear Admiral Janeway’s pep talk to Wesley and her orders to all as they prepare to engage. Wesley and Chakotay’s little heart-to-heart also increases the emotional impact of having these characters back.

The crew faces off against a captured Loom. (CBS Studios)

Janeway boldly goes to confront Asencia, and offers a trade of her for the crew. Asencia finally does something that most fictional villains never do: stops dawdling and starts shooting. She phasers the Admiral! Now, I knew that this was not how they would kill off Admiral Janeway, but it was still shocking to watch her go down. Luckily we didn’t have to wait long to learn that it was really the EMH impersonating Janeway. My kids thought that was so clever, and they laughed at his dramatic overacting during his big death scene.

Chaos ensues as Janeway uses her combadge to scramble signals, releasing the Loom. Asencia looks frightened for the first time since we’ve met her after she discovers the EMH’s trick and the Loom bares down on her henchmen. She is incredibility frustrated as our rescue team and Prodigy crew escape in their shuttle. And more bad news for her as Ilthuran makes a broadcast opposing her as she receives reports of people rising up. It sure is a different way to go into a finale, with the villain not having everything falling into place.

The episode ends and leads into the finale with a gem of a scene on the way back to the Voyager-A. The configuration inside the shuttle really gives the feeling of loading the kids into the minivan, with Mom Janeway and Pop Chakotay in the front. The trip is full of heartwarming interactions between our new heroes and seasoned legends, and it’s fun to watch Rok fanning over Wesley’s tech use.

Maj’el responds to the EMH’s loquacious holonovel title in a way that could have come straight out of the mouth of Tuvok. Our core four of Janeway, Gwyn, Chakotay, and Dal have a wonderful discussion about what’s next, and everyone is on the same page. What needs to be done in the finale is clear: let’s save Solem AND the timeline. Stopping a civil war AND saving an entire universe from blinking out of existence? Not too shabby for a “kid show”!

Janeway, Chakotay, and the gang set a course for the season finale. (CBS Studios)

“Brink” and “Touch of Grey” line up everything perfectly for what is sure to be an epic finale. Satisfying rescues and action and lots of wonderful character interactions. After 18 episodes, the season feels exceptionally “lived in”. This is one incredibly dense season of television, yet not overwhelming at all, even for my kids. They are all in. They know the players and they know the stakes and are ready to see how it ends.

Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.

STAR TREK: LOWER DECKS Review — “The Best Exotic Nanite Hotel”

Star Trek: Lower Decks takes the chance to correct an error in judgement about one of its character relationships by lovingly poking fun at itself — and creating plenty of opportunities for awkward humor along the way — in “The Best Exotic Nanite Hotel.” While not quite as strong as the first two episodes of the season, there is plenty to like in both subplots of this episode, which see Mariner and Jennifer reunited and fun with Boimler and Ransom.
 
Many fans had been disappointed when the relationship between Mariner (Tawny Newsome) and Jennifer (Lauren Lapkus) was unceremoniously dropped after Jennifer refused to side with Mariner in Season 3’s “Trusted Sources.” Given how few LGBTQ+ relationships there are in Star Trek, a lot of fans had been hoping for better.
 
That didn’t necessarily mean that Jennifer and Mariner needed to be together — as established in this episode, it’s probably better that they aren’t — but the dumping of the storyline did not sit right with a number of fans.
 

Mariner and Jennifer confront their behavior. (Paramount+)

Which creates the perfect entrée for “The Best Exotic Nanite Hotel,” whose premise is that Mariner just dropped her relationship with Jennifer in the same way the show did. Now reunited before Jennifer transfers to the USS Manitoba, Jennifer pretends that she still thinks her and Mariner are an item to extract maximum discomfort.

I will certainly confess to being someone who does not do well with emotional conversations, so I understand Mariner’s inclination to let a wordless brush by stand in lieu of a true break up. But the moment of catharsis for the two characters where Jennifer apologizes for how she treated Mariner and their astute recognition of why they are poorly suited for each other was the kind of mature depiction of a mutual end to a relationship that I don’t feel like you see much of on TV.

The nanite plot was fairly rote outside of the Jennifer/Mariner dynamic, but discovering T’Lyn’s (Gabrielle Ruiz) love for Krog and his vibe tubes was pretty delightful. Lower Decks has a very clear ethos around being junior, but it also has a very clear ethos about the joy of being a fan of something, and the show always nails the message that it’s good to love things, and anyone can. Even a Vulcan!

T’Llyn meets musical idol Krog. (Paramount+)

The Boimler/Ransom/Billups story also has its charms, as Boimler (Jack Quaid) continues to grow his confidence, though the absurdity of the plot coupled with the absurdity of the very large ball of nanites did feel like it strained credulity a few times. Lower Decks thrives when it’s stretching the credulity of Star Trek without breaking it, but you could hear the faint cracking of the “Starfleet wants to arrest an admiral who is burned out and a little resentful of his dead end job” set up.

This episode does appear to confirm, though, that the quantum fissures will remain a plot point through the season. I would have liked to see a little more of the “One Little Ship”-style USS Endeavor, but that was a surprising resolution to the rampaging nanites that I thought was a lot of fun.

TREK TROPE TRIBUTES

  • The episode’s subplot with Ransom, Billups, and Boimler plays with the Trek Trope of a Starfleet officer who goes to an alien planet and then prefers to stay there rather than returning to Starfleet, like Captain Tracey in “The Omega Glory.”
Ransom, Billups, and Boimler held in captivity. (Paramount+)

CANON CONNECTIONS

  • A nanite cluster consuming a ship’s raw materials to expand their size and evolve was the premise to the Star Trek: The Next Generation episode “Evolution.”
  • Boimler muses whether they will have to wear the black bodysuits seen in undercover away missions like that in “Chain of Command, Part I.”
  • We finally get to see the Gallamites and their transparent skulls. Gallamites had previously only been referenced (a lot) in Star Trek: Deep Space Nine, in reference to the charming Captain Boday who dated Jadzia Dax, among others.
  • We also see the Kreetassans, of “Vox Sola” and “A Night in Sickbay” fame/infamy.
  • The vibe tubes were previously seen — but not named — being played by a musician at the Café des Artistes in “We’ll Always Have Paris.”
  • Boimler asks Admiral Milius (Toby Huss) whether his space-whale milking duties were in reference to the gormagander or the “Galaxy’s Child” space creatures.
  • The other universe’s Intrepid-class USS Endeavor, commanded by Captain Tersal, still uses the TNG uniform style.
An amoeba-sized Intrepid-class starship… and crew. (Paramount+)

OBSERVATION LOUNGE

  • This episode’s title is an homage to the 2001 film The Best Exotic Marigold Hotel.
  • Admiral Milius is likely named for screenwriter John Milius who wrote Apocalypse Now.
  • The Cosmic Duchess hotel looks to be based off the design for Starbase 1 seen in Star Trek: Strange New Worlds.
  • The crew’s nanite-collection vacuum backpacks bear a striking resemblance to Ghostbusters proton packs.
  • Boimler’s beard doesn’t seem to be growing very fast.
  • “Despite the increasing in cheering, your presence is a comfort,” is probably the nicest thing T’Lyn has ever said to anybody.
  • Given the USS Vancouver and USS Toronto were both Parliament-class ships, one would assume the USS Manitoba is as well, even though it is never seen.
  • Billups orders a Silurian Colada, which may be a winking reference to the sea-dwelling race in Doctor Who.
  • Propinquity is “nearness in space and time” according to Merriam-Webster.
  • An icosahedron has 20 faces.
The often-mentioned, transparent-skulled Gallamites. (Paramount+)

“The Best Exotic Nanite Hotel” has good vibes, but doesn’t quite hit the high notes of last week’s opening two episodes.

It veers a little too far into the absurd for my tastes, but there’s a lot to like in both the Mariner/Jennifer dynamic, and in Boimler slowly evolving into his bearded alternate universe counterpart just as slowly as his actual beard is growing in.

Star Trek: Lower Decks Season 5 continues next week with “A Farewell to Farms,” premiering November 7 on Paramount+.

Interview — Nana Visitor and OPEN A CHANNEL: THE WOMEN OF STAR TREK (Part 1)

In Nana Visitor’s new book, Open a Channel — The Women of Star Trek, she weaves together tales from women of every incarnation of Star Trek into a rich tapestry of trials and triumphs. By centering both the characters and the unique women behind the roles, Visitor explores both the history of women characters in Star Trek, and even more deeply the experiences of the women who brought them to life throughout decades of Hollywood and how each era shaped the women who worked and lived through them.
 
We were lucky enough to get a chance to sit down with Visitor — who of course portrayed Kira Nerys on Star Trek: Deep Space Nine — to talk about the extraordinary experiences she had creating this work and what she learned along the way.
 

This interview has been edited for length and clarity.

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: Let’s start from the beginning. Where did the idea come from, and how did you decide to take on such a big challenge? It’s a really big scope, almost 60 years of Star Trek.

NANA VISITOR: I have to tell you, I spent most of the time overwhelmed going, “I don’t know where to start or keep going,” you know, it was so much. Ben Robinson thought that having a book on the women of Star Trek was a really strong and timely idea, and he came to me and said, “Would you write it? It doesn’t make sense for a man to write this.”

And it was originally going to be a page each of all the women, the actors, what they represented, who they were, maybe some kind of representation of them artistically on the other page. And as I started to think about it, and it was mostly, I guess, subconscious, this desire to go, “Wait a minute, what about — ” To his credit, he let me go. It wasn’t the book that it started out to be.

It was supposed to be really what you think of a coffee table book being, but as I started to think about our lives, the decades we were in, what we dealt with as we were projecting this hopeful future, it seemed I couldn’t see another way to put it down. I thought that was really, really important to say.

TREKCORE: You brought more of a depth to it, right? Because they’re not just  characters on a page, there’s deeper issues at play here.

VISITOR: And that’s why Ben was brilliant to go, “I’m not writing this. I need a woman to do this.” And he trusted me with it.

TREKCORE: You’re doing work as a historian too, a deeper history. One of my favorite interviews in the book is the section with the Original Series guest stars. You’re chronicling not just Star Trek history, but what it was like in Hollywood in general during that time, and you could see the progression of where we were to where we are. What what was it like being a historian in that way?

VISITOR: I talk about being caught in amber, you know, so much of my thinking was what the culture was at the time that I entered society. I was deeply affected by it and made accommodations for it so that I didn’t even know certain things that were affecting me and my thoughts and the way I lived my life. So I became aware of that in the people that I interviewed.

I started off thinking, “Everyone’s gonna protect the franchise.” And I certainly wasn’t looking for anyone to blame. I just wanted to know how it was. Because men are affected by the cultural norms and boxes that they’re put in too. But I realized it wasn’t that at all. Some women I saw go, “Wait a minute. Yeah. What? What did I used to think?” And the phrase, “That’s just the way it was,” which is sort of a hopeless phrase, you know?

What I came away with is we must talk. [laughs] We need to open a channel and have these conversations so that we help lift ourselves out of these ruts of constant pattern thought given to us by somebody else.

“Got it. Reading it. Can’t wait till you can too.” (Photo: Nana Visitor / Instagram)

TREKCORE: You tell a lot of great anecdotes about your own experiences in this book — like when you were little and your mother would pull your hair putting your hair in rollers, saying “You have to suffer to be beautiful.”

That one really struck me because it reminded me so strongly of my own mother who would do the exact same thing. I had to have the rollers in and she would say, “It’s the cost of beauty.” Those were just the things that we grew up with; our moms were both perpetrators and victims of these things.

VISITOR: Because they’re passing down the way it works. And that made sense. You know, President Kennedy gave such a confusing speech for women saying, “Now we need you in the workforce, we welcome you in the workforce, once, basically, you do all your stuff at home.” What? And that was a big lesson of the time. It’s like the Enjoli woman, you know? “I can bring home the bacon, cook it up in a pan, and never let you—

TREKCORE and VISITOR: — “forget you’re a man.”

VISITOR: Yeah. [laughs]. So it’s all about him.

TREKCORE: Oh, yeah. I had that memorized too, as a young girl.

VISITOR: I used to strut around to that song, not even understanding I’m being programmed. And our mothers too, and that generation, I mean, they got it from all sides. As we do right now, in 10 years’ time, I’ll understand what culture is working on me at the moment. Right now, I’m sure I can’t see it.

But the media, the TV, that was so important at the time had these messages of how you’re supposed to look, how you’re supposed to behave, what will get you a man. The all-important thing. There was a lot to consider and a lot to juggle.

TREKCORE: One thing I was struck by how kind you were to everyone in the retelling of these stories. You seem to respect how complicated people are; there isn’t always a hero and a villain in a lot of these tales. How does that perspective inform what you think we should take from these kinds of stories?

VISITOR: Understanding that we don’t know where someone comes from and what they’ve been through, and what deals they’ve made with themselves to move forward, that’s important. So leading with compassion always seems to be a start at the basis of: “you are human”. They are human, so let’s go from there.

I have to say, I was so impressed with Brannon Braga because he did a really long interview with me — he had no idea how I was gonna write this book or how I was going to bring that narrative in, if I was looking for enemies to blame, and he was so forthcoming and so thoughtful. There is an activist who says, “Don’t call people out, call people in.” And I think that that’s one of the best things that I can do, is to explain how I got the way I was.

What you rob of a woman when you make her aware of sexuality when it’s not what we’re talking about at the moment. When it’s a workplace, how that hijacks her brain. I don’t think men know that.

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: Right. It’s just not their lived experience — they might not think in those terms, and that’s part of it. And talking about Braga in particular, there was one thing in the book that really took me aback.

Talking about how when Enterprise came on the air how the thought was, “Oh, we did the woman thing with Voyager. We’re done with that.” [laughs] Like, “We solved sexism, we’re done. Good job, everyone. Now we can do what we wanna do”..

VISITOR: Isn’t that a lesson? That made me realize you must not ever think the work is done. We slide so fast. We have to keep things at the forefront.

TREKCORE: How do you think we help them along — people in power in particular — go from just paying lip service to it to truly changing things?

VISITOR: Well, then I’ll go to Mike McMahan, who said, “If you love a system, keep questioning it. Don’t just go, ‘That’s just the way it is.'” Things will change when women are all through the hierarchy of power, not just at certain levels — and leaders, both men and women who give voice to the people that they’re working with. Cooperation.

I mean, patriarchy doesn’t seem to work so well, but neither does matriarchy. It’s not about that. It’s about leaders who understand that it’s a system. When something is true for the smallest thing, it’s true for the biggest thing, and our bodies rely on all the systems of our bodies being healthy and working together.

A well-oiled machine and that means everything is being cared for and listened to and worked with. So I think to me, that seems to be an answer. And it’s not about taking power away, it’s about hearing voices and hearing what needs to be done.

TREKCORE: Reading the sections about the women in the newer shows was like a healing balm after reading some of the experiences of the other generations of women — and if we could talk about the word “fuckable” for a little bit, which, you know, it’s a haunting word.

Reading that Melissa Navia hadn’t heard that word till she heard it on television, and that Jess Bush said no one would ever say that to her. This was so wonderful to hear.

VISITOR: I was thrilled to hear that.

TREKCORE: How did that feel talking to these women?

VISITOR: It felt thrilling. It was, of course, later in the whole process. And so when I asked this question — and I asked the question to most women because of my personal experience and they were like, “Oh, yeah, yeah. Oh, well.” And then finally, to get to these young women who were looking at me like I had three eyes, it was a sigh of relief.

“Inspiration.” (Photo: Nana Visitor / Instagram)

TREKCORE: I really enjoyed reading about was your early life and your early career before Star Trek — how you had to stereotype yourself and put yourself into these boxes. What did it feel like to focus, to reflect on that part of your life through this lens, your experiences as a girl, and a young woman?

VISITOR: I recommend it to everybody. To look back, and really think about it, and write about it, and think about yourself in terms of a larger system. It was upsetting, and I went through very hard times looking at myself hard. I mean, I had to do some reading to catch up on feminism, on what young women were thinking, on what the realities of bias were. And that was shocking.

If you wanna get shocked, read The End of Bias: A Beginning by Jessica Nordell. It opened my eyes and it made me aware of unconscious bias where I would go, “No, what? I don’t think that way at all.” And then you look deeper and there’s some cleaning up to do. I found that with myself, and it was hard to look so honestly at myself. It was upsetting, but certainly, it caused a big shift in me.

TREKCORE: Did you read these books specifically as research for this book?

VISITOR: Yes, but I didn’t know that I would be doing that. I didn’t sit there and go, “Okay, so I’m gonna research, I’m gonna do this.” I would do an interview, and my interviews were horrible to start with. [laughs] I wouldn’t stop talking. I was leading. I didn’t know how to do it. I learned that by watching them — and I learned when I would interview a woman and get stuck and go, “I don’t know what her experience is. I don’t understand this.”

Like with the guest stars, so like this behavior, they’re just shutting me down. They don’t want to answer. And then I did a look at the history of the time, and I went, “Ah, no, they’re not shutting me down.” This is the way they learned to be women. And this is the way the culture of the time taught them they needed to be. And then I’d talk to somebody else and go, “Oh my God, I don’t know enough about this.”

I’d stop and read and just educate myself with endless books, endless looking at history. There was, it was probably a week that I just went down a rabbit hole of 1960s and ’70s old commercials. I could have just done a section on that. It’s really shocking. And magazines. And then I went down a rabbit hole of popular music and what the messages were.

This is something, you know, we’re shopping and we’re listening to this music. The words are forming patterns in our heads without our awareness. If we’re aware, if we go, “Oh, wow that’s an interesting thing to be singing about,” it lifts us out of that rut. But if we’re not aware, that’s why we need to talk.

TREKCORE: “Open a Channel.”

VISITOR: Exactly.

TREKCORE: How did you come up with that title? When did you realize that was what this book was about?

VISITOR: I had this moment with astronaut Samantha Cristoforetti who is just a remarkable human. I was in Germany at ISA, and I had the opportunity to talk to her while she was on the space station — she really got a lot of encouragement from Star Trek to become an astronaut, an engineer, and everything else that she does. And while I was talking to her, I watched her bounce her way to the camera to talk to me. I was an actor on a set of a space station and this child watched that, got inspiration, now she’s in space and I’m talking to her and saying, “Hi, Samantha. It’s so good to see you again.” My brain did back flips. It was so huge and overwhelming.

And then I came home, and I went to lunch with Brian Fuller. And I was telling him about my experience, and I was telling him about my struggles with the book and I told him: “They said, “Open a channel.” That was my line. This was for real.” He said, “That’s the title of your book.”

TREKCORE: I want to ask you about the power of saying things out loud.

VISITOR: That’s huge.

TREKCORE: Yes — and this book is full of people retelling traumatic events, from little “t” trauma to the brave retelling your own personal trauma with a capital “T.” How do you view the importance of recounting these things that we usually try to avoid talking about directly?

VISITOR: I recently did a TEDx talk at Space Force. And I had young women and men come up to me and be in tears and say, “Thank you.” You know, France is going through this moment and it’s kind of wonderful. There’s this famous trial going on about rape and they are saying the shame is on the wrong person. It’s not ours, it’s theirs.

And to realize that we have shame about it, but it’s human. This is human experience. My mother would always say something, great: “If it happened, you can talk about it.” I’ve noticed is how it takes shame away from somebody else and keeping it in this dark place.

The moment you start talking about it, it absolutely sheds light — and once that shame is gone, we have all kinds of energy and mind possibilities to project in other ways, not in keeping us hidden.

TREKCORE: This book does a lot of that, for people who might not be aware that these things are so common, and the experience of so many people around them. I want men to read this book as much as women.

VISITOR: You know the men that have read it have responded in a really interesting, positive way. Dominic Keating read it and was like, “It makes me thoughtful about what we did on Enterprise. It makes me think about how I’ve been.”

In relationships, one-on-one, the therapist will teach you to say, not, “You did this. You did that,” but, “When this happened, I felt this,” because then you can be heard — instead of the other person shutting down and will freeze, won’t hear it because it’s too scary. But if they can understand your feelings, maybe they can hear you. It’s not an easy process. It’s not an easy process to do but that’s a direction that we can start to take.

TREKCORE: Open the channel?

VISITOR: Open the channel.

Our interview with Nana Visitor continues here.

Open a Channel: The Women of Star Trek is in stores now.

New STAR TREK: LOWER DECKS Images — “The Best Exotic Nanite Hotel”

The final season of Star Trek: Lower Decks continues this Thursday, and today we’ve got new images from “The Best Exotic Nanite Hotel” for your review!
 
This week, the Cerritos crew – including Mariner’s ex-girlfriend, Jennifer (Lauren Lapkus) the Andorian — heads to a Federation resort world to investigate a nanite infestation. Meanwhile, Boimler (Jack Quaid) goes undercover with Ransom (Jerry O’Connell) and Billups (Paul Scheer).
 
Here are four images from this week’s new episode:
 

Mariner, Tendi, Jennifer, Rutherford, and T’Lyn. (Paramount+)

Tendi and Rutherford. (Paramount+)
Ransom and Boimler. (Paramount+)
Billups, Boimler, and Ransom. (Paramount+)

THE BEST EXOTIC NANITE HOTEL  — The Lower Deckers hunt nanites on a resort in space.

Star Trek: Lower Decks Season 5 continues with “The Best Exotic Nanite Hotel,” premiering October 31 on Paramount+.

WeeklyTrek Podcast #262 — The STAR TREK UNIVERSE Hits New York Comic Con

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On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by Marina Kravchuk to discuss all the latest Star Trek news.
 

 
This week, Alex and his guest discuss the following stories from TrekCore and around the web:

In addition, stick around to hear Marina’s wish for another season of Star Trek: Prodigy, and Alex’s reminder to take your time to enjoy the last 10 episodes of the fabulous Star Trek: Lower Decks while they’re still new to us.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Win Tickets to Creation Entertainment’s TREK TOUR Conventions in New Jersey and Dallas This November!

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It’s been a few years since longtime Star Trek convention organizer Creation Entertainment hosted regional events, as their footprint reduced to the annual Las Vegas bash a while back — but they’re getting back into the swing of things, spending 2024 building up local shows in San Francisco, Chicago, and Nashville so far.
 

This contest has ended and our winners have been notified.

 

November brings their “Trek Tour” to two additional cities — and we’ve got free weekend passes for their Secaucus, NJ (November 8-10) and Dallas, TX area (November 15-17) events for two lucky TrekCore readers!

Creation’s Trek to New Jersey begins next Friday, November 8 at the Meadowlands Exposition Center in Secaucus, NJ and has over 30 Star Trek guests scheduled to attend — including Anson Mount, Celia Rose Gooding, Christina Chong, Ethan Peck, and Jess Bush from Star Trek: Strange New Worlds, Tawny Newsome, Eugene Cordero, Dawnn Lewis, and Gabrielle Ruiz from Star Trek: Lower Decks, Star Trek: The Next Generation favorites like Jonathan Frakes, Marina Sirtis, Michael Dorn, Brent Spiner, Gates McFadden, and more.

The subsequent Trek to Dallas convention kicks off Friday, November 15 in the Lone Star state. Hosted at the Marriott Dallas Allen hotel in Allen, TX, thirty Trek celebrities are expected to attend — including Anson Mount, Celia Rose Gooding, Christina Chong, Ethan Peck, and Melissa Navia from Strange New Worlds, Sonequa Martin-Green, Doug Jones, and Elias Toufexis from Star Trek: Discovery, Tawny Newsome, Eugene Cordero and Dawnn Lewis from Lower Decks, plus many more.

If you’d like to win a pair free tickets to one of these November conventions, just complete the entry form below by Tuesday, October 29. We’ll reach out to you directly via email if you’ve been selected to confirm your details.

One winner will be selected for each event.

The contest closes closes at 5pm ET on Tuesday, October 29. Good luck to all entrants!

NYCC Interview — Mike McMahan on STAR TREK: LOWER DECKS Season 5’s “Dream Come True” Legacy Cast Returns and More

Last weekend, Star Trek: Lower Decks creator and showrunner Mike McMahan beamed down to New York City to join the animated series’ stars at New York Comic Con — and ahead of that day’s on-stage panel, the writer/producer sat down with TrekCore and a group of assembled outlets to talk about the show’s final season, his love for Lower Decks‘ five-year mission, teases of things to come, and more.
 

Mike McMahan speaks onstage during the Star Trek Universe Panel at NYCC 2024. (Photo: Santiago Felipe/Getty Images for Paramount+)

Q: What are you most excited for fans to see in Season 5?

MIKE MCMAHAN (Series creator/showrunner): There’s some really funny episodes — that are also very deeply Trek. You know, we have a planet becoming post-scarcity, throwing out all of their money and it’s a big party. There’s also bit of a “Carbon Creek” situation — that’s one of my favorite Enterprise episode – so we have a little fun with that.

 

And there’s also this really funny episode with time dilation, where we get to play with the comedy of time dilation — and the Cerritos crew is like, “Oh, it’s one of those?” They’re used to it! [laughs]

 

Jennifer the Andorian comes back, too. I felt like I had resolved the Mariner/Jennifer story in how Jennifer had treated Mariner when they broke up. Jennifer never saw Mariner for who she was, she saw her for the “bad girl” personality. I also felt like nobody wanted them together, and I clearly misjudged that! So getting to do just one more episode that gives a little more closure on that.

 

We also have some bonkers returning legacy cast — including a couple where I was like, “I was told they don’t answer calls for Trek anymore!”

 

But they came in and had a blast – I guess word has gotten around. I always hear two things from legacy cast now: “Fans keep telling me how much they love this show!” and “When you called to ask me to come onto Lower Decks, I jumped at that opportunity!”

 

After the season airs, I’ll have more to say about that because it was like dream-come-true stuff this year.

Jennifer (Lauren Lapkus) returns following her split with Mariner in Season 3. (Paramount+)

Q: What’s the process behind bringing legacy Star Trek actors back for Lower Decks?

MCMAHAN: Well, we go into the big walk-in freezer… oh, Bob Picardo! [laughs] The first thing is a million discussions with the writing team: who do we want, and how are we going to use them in a way that’s not just window dressing? More than just “Hey, it’s Jonathan Frakes!”

 

It’s about time — we really only have about 22 minutes, and if I’m going to go long, I have to rob minutes from an early episode to add minutes to a later one. We’re really lucky that in the final season — I made a push, and Paramount agreed — to have some longer episodes that kind of broke that rule; the finale has like an entire other act that we got in there.

 

The next questions are: If we have them on the show, does it fit into the Lower Decks era? Does it say something about their character? Is the actor going to love what they did with us? When someone watches the episode, will that viewer feel like something happened for that character? Were they part of the story in a meaningful way?

 

Then we reach out through their representatives, or in some cases we have to basically hunt them down — we’ve had to reach out through social media, reach out to old managers and find last-known contact information from 20 years ago. Shannon Fill, who came back to voice Ensign Sito in Season 4, hadn’t acted since she was on The Next Generation! She came and brought her kids with her, and had a blast. We told her she needed to go to conventions and meet the fans!

 

And other times, it’s Wil Wheaton texting me saying, “When do I get to be on the show? I want to have fun!” and I have to tell him “Wil, it has to be worth it!” Gates McFadden is the same way; every time I hang out with her she asks when she’s going to be on, and I reminder that she was on Picard and I don’t want to step on that — then Season 5 became the end, and now I can’t have her on!

Garrett Wang returns to reprise multiple copies of Harry Kim from STAR TREK: VOYAGER. (Paramount+)

Q: Is there a particular addition to Star Trek canon in Lower Decks that you’re particularly proud of?

MCMAHAN: I’m so proud that we did a Deep Space Nine episode and we didn’t fuck it up; I loved working with Chase Masterson and getting to do a little moving-Ferenginar-towards-joining-the-Federation story, I’m proud of that.

 

I loved building up the Orion stuff, and with them being such a notable species in Star Trek, they’ve been underserviced in a lot of ways. For a really long time, I did not like that whole we-control-men-with-our-sex-pheromones stuff, and I really wanted to shake that up in a way that I don’t think I could have been allowed to 20 years ago.

 

I love the ships we’ve added to the fleet, I love Billups’ homeworld. I love that a normal thing Starfleet has to deal with are PC towers that want to kill everybody — and that they have to gather them up in a room and make them not want that as much! [laughs] I could keep going.

 

There’s a moment this season where I had to call [VP Star Trek Brand Development] John Van Citters and say, “This type of alien can do THIS, but could they do that thing with this other type of alien?” He just stopped and said, “Well, nobody’s done that — and it would hurt – but you can do it!”

 

So that was a big “Hell yeah!” moment.

T’Lyn plays the strange tube instrument seen in “We’ll Always Have Paris.” (Paramount+)

Q: Have you ever had difficulty keeping some of Lower Decks’ ultra-deep-cut nods and references in the show when you were putting these stories together?

MCMAHAN: I remember in the first season, an executive was like, “But this admiral you have, he’s like, bad! Would there be a bad admiral in Star Trek?” And I get it! You don’t become a development executive because you’ve watched every episode of Star Trek. I said, “Well, that’s part of the DNA of Star Trek; knowing how good the Federation is, when you see a BAD admiral…”

 

I’ve never really run into challenges on canon things because everyone knows now that if they question it, they’re going to get a lecture from me about a hundred episodes of Star Trek! [laughs] The stuff we’ve pushed hardest on is the Orion culture, going to the Vulcan ship in “wej Duj,” stuff we’ve done with Klingons — like an episode this season — just growing and expanding the world of Trek just slightly…. I really love doing that stuff.

 

I feel like I earned the studio’s trust in Season 1. And before we made the first episode, I sat down with Rod Roddenberry and he asked me, “Tell me about the Federation.” That was his first question. I said, “Well, let’s talk about the Federation. Let’s talk about Trantor and Foundation, about Coruscant and Star Wars. Let’s talk about what your dad created, and how it’s reflected in Data. Let’s talk about the Prime Directive.” I just started talking, and about 10 minutes later he was like, “Okay, yeah, I get it. I have fewer questions now!”

 

I think he wanted to make sure that the spirit of what he loved about Star Trek was still going to be in the show, even if I had a different expression of it. He’d probably watched some Rick & Morty and thought, “Uh-oh!” — and he wasn’t alone, some fans worried about that too — but it’s like, when you make fun of your best friend in a way that makes your best friend laugh because you share a unique lexicon… after that dinner told me that he couldn’t wait to see the show.

The crew in a STAR TREK: ENTERPRISE-style decon chamber at a Federation Starbase. (Paramount+)

Q: Were there any special moments from making this final season that stand out?

MCMAHAN: I went to the final orchestra record for Season 5, and we had like three extra minutes at the end of the day, so we re-recorded the Lower Decks opening theme one last time – with full percussion, because we had never done that with live percussion before! Everybody recorded at their homes during the pandemic for the first season, and we had to stitch it together for air.

 

I didn’t realize we were going to do that, and I just sat back in my chair and it felt like an amazing bookend. Then all the musicians came up and they were wearing Lower Decks shirts — like the flautists and the harpists and the guy playing the French horn — sixty-something musicians all saying, “Sign my shirt!”

 

I was like, “Wait, the orchestra who works with John Williams and is in the LA Philharmonic, they’re fans?!” Every time that hits, it’s really surprising. I don’t know how this is true, but it feels like there are more Lower Decks fans than Paramount+ subscribers! [laughs]

 

However that’s happening, I couldn’t be prouder of our 50 episodes — but I could keep doing this for another 100 episodes. People have favorite episodes, people have thought we’ve messed up every once in a while, but for me, we got to things in Star Trek that people have never done.

 

That doesn’t mess up Star Trek. We do it all with deep respect, and the only thing I’m sad about is that I will never be able to watch Trek again without thinking, “Oh, I can see what they had to do there, that narrative choice, those prosthetics…” I’ve got work-brain now when I watch it, so I honestly caution anybody from working in Trek — because you’ll gain something special, but you’ll lose that put-it-on-in-the-background comfort that it give you now.

 

I’m glad I didn’t know that when I started!

Mike McMahan, Eugene Cordero, Noël Wells, Jack Quaid and Tawny Newsome at NYCC 2024. (Photo: Santiago Felipe/Getty Images for Paramount+)

Q: What will you miss most about making Lower Decks?

MCMAHAN: Everything. That’s an impossible question. I’m just a Star Trek nerd who wrote on Twitter, then tricked Simon & Schuster into letting me write a book — and in the opening of the book I’m saying, “I’m never going to make a Star Trek show, so this book is my Star Trek show.”

 

Getting to actually make one… it changed my relationship with Trek, it changed my relationship with fans. This is the first show I ever made! I’ve worked on other shows like Rick & Morty, but this was MY first show. I made Lower Decks and Solar Opposites and sold them almost back-to-back, like within a month, and was working on the first season of both at the same time.

 

They’re totally different expressions of my sense of humor. The relationship I have with the casts — especially the Lower Decks cast — we made it through the pandemic together, we made this thing we’re really proud of…

 

We were making it for ourselves! Nobody fuckin’ wanted it at first, right? CBS put out this trailer that not represent the show well, I was going nuts… but we never moved away from the vision we had for the show, and never worried if we were going to find our audience, because we were an audience for ourselves. We love Star Trek almost more than the people who were getting worried and mad about this show they didn’t want.

 

We know what was coming; we know what our goal was. Tawny’s voice, Jack’s voice, Noel and Eugene… having that in Star Trek, in a way that feels like you could go hang out in a bar with their characters and have an amazing night — but that’s literally true! I’ve seen many fans hang out with us, and they’re so inviting, having fun making people laugh.

 

Look — I wrote a Star Trek comedy book. I’m a Trek fan. We’re not famous for having good senses of humor about the stuff that we like. But that’s not true! We do! We’ve been laughing with Star Trek the entire time, but people on the outside think fans like us are like, serious scientists. No! We have “Catspaw,” you know what I mean? We have fun!

 

Getting to make a Star Trek I love, getting to make a comedy I love — with people I love — I’m really, really proud. I’m not going to complaint about getting to make five seasons of this thing that I love.

This interview has been edited for clarity and length.

Star Trek: Lower Decks Season 5 continues next week with “The Best Exotic Nanite Hotel,” premiering October 31 on Paramount+.

STAR TREK: VOYAGER Co-Creator Jeri Taylor Dead at 86

We have sad news to report from the Star Trek world this week, as Star Trek: Voyager co-creator and showrunner Jeri Taylor has passed at age 86.
 
A driving force in the creation of Star Trek: Voyager (along with Michael Piller and Rick Berman), the executive producer ran the writers’ room for the first four years of the series, eventually handing the reigns to Brannon Braga upon her departure. Prior to Voyager, she spent several years at The Next Generation where she rose to the position of showrunner in the final season.
 
(“I was responsible for Troi getting a uniform,” Taylor told fans in 2021.)

Taylor wrote or co-wrote more than thirty episodes of Star Trek during her tenure with the franchise, including “The Wounded,” “The Drumhead,” and “The Outcast” for Star Trek: The Next Generation, the two-part “The Maquis” story for Star Trek: Deep Space Nine, and Voyager episodes like “Caretaker,” “Alliances,” “Resolutions,” and “Day of Honor.”

Outside of the television world, Jeri Taylor also wrote two seminal novels in Pocket Books’ Star Trek: Voyager line — the semi-canonical Mosaic (1996) which tells the story of Kathryn Janeway’s life before her time in command of the USS Voyager, and Pathways (1998) which delves into the lives of other members of Voyager’s crew. (Portions of these two novels have been referenced in Star Trek: Prodigy.)

Her two final contributions for the franchise were the B’Elanna Torres-centric Voyager episode “Nothing Human” in 1998, and an audio commentary for “Unification” when that two-part Next Gen tale was released on standalone Blu-ray.

After her retirement from Voyager, Taylor remained out of the public eye for more than two decades. In 2021, she made a surprising first-time appearance at the annual Star Trek Las Vegas convention to help promote the pending Star Trek: Voyager documentary To The Journey, interacting with fans and signing autographs for attendees.

Here is how some of Taylor’s Star Trek colleagues (and other voices) remembered the writer.

Our thoughts to go out to Jeri Taylor’s family, and all who knew her.

STAR TREK: LOWER DECKS Review — “Shades of Green”

In “Shades of Green,” Star Trek: Lower Decks returns to exploring some of its favorite topics in a fun episode that continues threads from the season opener with Lower Decks staples — like the importance of friendship, getting comfortable with who you are, and the responsibility of command — as Tendi helps her house navigate a war with the Blue Orions and the Cerritos helps a planet transition to being a post-scarcity society.
 
Some of Lower Decks’ best worldbuilding has been of the Orions, and that continues in “Shades of Green” as Tendi (Noel Wells) and D’Erika (Ariel Winter) work to ensure that House Tendi ends up on top in their expanding war with the blue Orions — House Azure, naturally!
 

Tendi (center) and D’Erika lead the crew through the Orion race. (Paramount+)

The political structure to Orion society is interesting, and the solar sailship race is action packed and exciting. It’s also really nice to see D’Vana and D’Erika bond in this episode as sisters, rather than the more adversarial relationship we saw them have in Season 4.

This feels like a great wrap up to the Mistress of the Winter Constellations subplot that really got going with Season 3’s “Hear All, Trust Nothing,” as Tendi prepares to hand over that title to her new niece and returns to Starfleet more comfortable with her Orion heritage but more certain than ever the path that she wants to take. Tendi’s own exploration of and reconciliation with her heritage might be different from Worf’s embrace of Klingon culture, but it’s no less interesting and fulfilling of a storyline.

We also see in this episode the impact that last week’s encounter with the alternate Cerritos had on Boimler (Jack Quaid). After stealing the alternate Brad Boimler’s PADD, our Boimler appears to be slowly aping his counterpart, right down to beginning to grow the thinnest wisps of a beard. Fake it ‘til you make it, right?

Boimler’s story seems to be setting up to be going in a different direction from Tendi’s, with Boimler trying desperately to become something he’s not rather than authentically accepting his true self. I wonder how well that’s going to work out for him long-term.

T’Lyn attempts to provide Rutherford the friendship he’s missed in Tendi’s absence. (Paramount+)

The Rutherford/T’Lyn subplot is also a nice one, once again highlighting the importance for Rutherford (Eugene Cordero) of his relationship with Tendi but also giving T’Lyn (Gabrielle Ruiz) a good insight into human culture and the bonds formed through a collaborative exercise. Her realization that the joy of fixing the Sequoia for Rutherford wasn’t in completing the task, but rather in sharing it with a friend — and her dismantling the shuttle even further to make the task even more challenging, was a sweet act of friendship from T’Lyn.

I loved the comedic bits this episode around the Cerritos supporting a planet transitioning into being a post-scarcity society. The little jokes about abandoning currency and embracing having replicates that can make anything you could desire was a lot of fun, even if this larger subplot didn’t ultimately go anywhere particularly interesting.

Mariner rages to her capitalist captors. (Paramount+)

The capitalist terrorists were a cool idea, but the storyline is basically just dropped for time to get to the end of the episode. I would have liked a little more from it, and a slightly less convenient resolution… but the comedy beats were on top form.

TREK TROPE TRIBUTES

  • The Orion solar sailship race in this episode is like combining the sail ship elements from Deep Space Nine’s “Explorers” with the race plot from Voyager’s “Drive.”

CANON CONNECTIONS

  • Rutherford says the shuttle Sequoia is “an older model” and you can’t treat it like it has sarium krellide cells. Sarium krellide is established in “In Theory” to be a material that stores energy, kind of like a battery.
  • The Pyrithian bat was part of Doctor Phlox’s menagerie and seen most prominently in “A Night in Sickbay.”

OBSERVATION LOUNGE

  • I wonder how similar Boimler’s Bointers are to Lefler’s Laws, another junior officer with a set of rules she lived by in “The Game.”
  • Boimler’s observation that “It is possible to do everything right and still get your away team kidnapped by the corporate elite” is very similar to Picard’s observation to Data in “Peak Performance” that “it is possible to do everything right and still lose.”
  • There is a brief Goodgey sighting at the end of the episode, cowering inside the newly dismantled Sequoia shuttle.
Goodgey hides out inside the disassembled Sequoia shuttle. (Paramount+)

“Shades of Green” appears to bring a satisfying end for Tendi’s Orion adventure and puts her back on the Cerritos — with a deeper appreciation for both her heritage, and for her unique identity that makes her different from other Orions. Coupled with some really funny jokes in the Targallus IX plot, and this makes for a fun and funny episode!

Star Trek: Lower Decks Season 5 continues next week with “The Best Exotic Nanite Hotel,” premiering October 31 on Paramount+.