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STAR TREK: LOWER DECKS Review — “Starbase 80?!”

Star Trek: Lower Decks adds some complexity to the most infamous starbase — and punchline! — in Starfleet history in “Starbase 80?!” when the Cerritos experiences a malfunction in its navigation processor and must seek assistance from the crew of Starbase 80.
 
In a fun caper through the dilapidated space station, “Starbase 80?!” extends and deepens the season’s overall theme about self-acceptance, and it being okay not to match up to others’ expectations… particularly when you don’t consider yourself part of the mainstream.
 

“Starbase 80?!” (Paramount+)

With their navigation process not functional, the Cerritos crew have no choice but to dock at Starbase 80 and make repairs. While there, the crew of the Cerritos begin falling into a zombie-like trance that Mariner (Tawny Newsome) believes is the Starbase 80 curse.

But it turns out it’s not Starbase 80 that is cursed at all, but the Cerritos crew, who are infected with an anaphasic consciousness (think “Sub Rosa”!) With the assistance of the Starbase 80 crew, the entity is captured and communicated with, while the Cerritos and Starbase 80 support each other’s repair needs.

“Starbase 80?!” is an episode about not jumping to conclusions and judging a book by its cover. The Starbase 80 crew are weird, and they do not fit into the traditional Starfleet box of how a crew like this should behavior — but they do allow their crew members to flourish, to get a second chance, and to find their own way a little outside the norm.

What Mariner initially dismisses as cursed or weird is instead what every good Star Trek fan group should be — a space for friends and colleagues to express their unique individuality and find acceptance in it.

“Starbase 80?!” (Paramount+)

The episode is punctuated by two standout guest performances – Nicole Byer’s Commander Kassia Nox and Stephen Root (returning to Star Trek after over 30 years!) as Chief Engineer Gene Jakobowski.

Both provide endearing performances in their own right – Nox, who sees the potential in everyone, and Jakobowski, who isn’t going to let an opportunity for outside help from the rest of Starfleet pass him by. Does it stretch credulity that Jakobowski is quite that bad at his job? Sure, but it makes for some funny scenes with Captain Freeman (Dawnn Lewis) and Commander Ransom (Jerry O’Connell), so I can forgive bending the show’s realism more than I’m usually comfortable with for comedic effect.

“Starbase 80?!” is another episode that fits perfectly within the show’s overarching theme, but after a few episodes in a row about the same topic, in a season that seems to have this broader thematic meaning to its meta-narrative, by the halfway point the “love yourself for who you are and respect everyone’s differences” is a point that has been clearly and definitively made this season.

“Starbase 80?!” (Paramount+)

I am not saying that’s a knock on my enjoyment of the episode — it’s a lot of fun — but I get it already! Mariner learns not to misjudge Starbase 80 for being who they are this week, Ma’ah finds his own Klingon path in “A Farewell to Farms,” Tendi accepts her differences from the rest of Orion culture in “Shades of Greeen,” Rutherford sees the consequences of other choices in “Dos Cerritos,” and Boimler is clearly trying much too hard to be his unflappable alternate universe self… need I go on?

I am really interested to see — here at the halfway point of the season — how after laying these thematic foundations throughout the first half of the season the show will pivot towards its conclusion. The alternate universe trope, which was pretty absent this week, has been a great way of exploring alternative choices for the characters or considering the nature of choice and free will.

It will be interesting to see how the show builds on the foundation to crescendo this season and the show as a whole.

TREK TROPE TRIBUTES

  • The ship experiences a malfunction that prevents it from attending a Starfleet conference is a definite trope. This episode most closely mirrors Captain Picard’s half-hearted attempts to make it in time for a meeting of Starfleet admirals in “Phantasms.”
“Starbase 80?!” (Paramount+)

CANON CONNECTIONS

  • The Cerritos was headed to Casperia Prime for a captain’s conference when its navigation problems waylaid it to Starbase 80. Casperia Prime is the new vacation destination of the Alpha Quadrant, first referenced in DS9’s “Inquisition.”
  • Starbase 80 has not been significantly updated since the 2260s — which means much of the aesthetics matches The Original Series era, including the wall comms, colorful pipes, and slanted Jeffries tubes.
  • Nox and Jakobowskiare both wearing Enterprise-era jumpsuits.
  • Jakobowski also wears a TOS movie era vest over his jumpsuit, just like Scotty in Star Trek V, in Star Trek VI, and in “Relics.”
  • The Acamarians originated in The Next Generation episode “The Vengeance Factor.”
  • In the shop with the uniforms of “long dead men,” there are uniforms from the Original Series, The Motion Picture era, The Wrath of Khan era (both uniform and away team jacket), an Original Series era Klingon uniform, the rather revealing clothes of the Edo (TNG “Justice”) and Ruk’s costume (TOS “What Are Little Girls Made Of?”)
“Starbase 80?!” (Paramount+)

OBSERVATION LOUNGE

  • Lower Decks absolutely nails its decon chamber scene, as we had no doubt they would. Ransom’s obsession with the gel in that scene and then the rest of the episode is hilarious too. “Check me out,” says Boimler, “I’m a total T’Pol over here!”
  • Noel Wells voices the Starbase 80 and Cerritos computers in this episode.
  • Mariner rightly points out that as a 30-something El-Aurian, Kassia Nox doesn’t have anything special about her, a hilarious joke in reference to the fact that the El-Aurians we’ve met before in Star Trek only appear to have distinct behaviors because of their age and wisdom.
“Starbase 80?!” (Paramount+)

“Starbase 80?!” provides a fun complexity and depth to a hilarious punchline to a joke from three seasons ago, and continues to establish Lower Decks’ own unique corner of the Star Trek universe filled with its own original characters and concepts. The “find your place” theme might be a little heavy handed across the first half of this season, but honestly, given the world we’re living in right now? I could probably use hearing it five more times. .

Luckily, there’s five more episodes of this season of Lower Decks as we transition towards the end of the season — and the upcoming series finale.

Star Trek: Lower Decks Season 5 continues next week with “Of Gods and Angles,” premiering November 21 on Paramount+.

Win a STAR TREK: PRODIGY Season 2 Prize Pack!

The Star Trek: Prodigy crew is set to warp into your sector on Blu-ray and DVD this week, and we’ve got a protostar-powered prize pack ready to beam to one of TrekCore’s readers to celebrate!

This contest has ended and our winners have been notified.

Star Trek: Prodigy Season 2 is available on Blu-ray and DVD on November 12, with all 20 episodes along with all-new featurettes including two exclusive cast and crew interviews — and we’ve partnered with Paramount Home Entertainment and CBS Home Entertainment to give one lucky TrekCore reader a fantastic set of Star Trek: Prodigy prizes to commemorate this release.

Along with a copy of Prodigy Season 2 on Blu-ray, one lucky winner will receive a computer mouse and wireless mouse sporting the USS Protostar Starfleet delta, and a deskmat themed around the Protostar-class LCARS inteface design.

We’ll also have copies of Star Trek: Prodigy Season 2 on Blu-ray for three additional runner-up winners.

STAR TREK: PRODIGY Season 2 on Blu-ray

All you need to do to enter for your chance to win is complete the submission form below by Monday, November 18 and we’ll email our winners at the end of the entry period. Unfortunately this giveaway is limited to residents of the United States – apologies to our international readers.

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The contest closes closes at 5pm ET on Monday, November 18. Good luck to all entrants!

Giveaway courtesy of Paramount Home Entertainment and CBS Home Entertainment.

New STAR TREK: LOWER DECKS Images — “Starbase 80?!”

The final season of Star Trek: Lower Decks continues this Thursday, and today we’ve got new images from “Starbase 80?!” for your review!
 
This week, the crew of the Cerritos visits the most dreaded destination in the Starfleet domain: Starbase 80.
 
Here are three images from this week’s new episode:
 

“Starbase 80?!” (Paramount+)

“Starbase 80?!” (Paramount+)
“Starbase 80?!” (Paramount+)

STARBASE 80?!  — Ransom uses too much disinfectant gel while Mariner gets paranoid about curses.

 

Written by May Darmon. Directed by Bob Suarez.

Star Trek: Lower Decks Season 5 continues with “Starbase 80?!,” premiering November 14 on Paramount+.

STAR TREK: PRODIGY Season 2 Finale Review: “Ouroboros”

This superlative season of Star Trek comes to a close with the satisfying two part finale, “Ouroboros.” It has everything you’ve come to expect from Prodigy: exciting action, cool sci-fi concepts, gorgeous animation, heartfelt character moments, deep-cut Trek references.
 
But this finale stands out even beyond that, as our rag-tag brunch of misfits from “Lost and Found” come full circle and earn their growth and journey. This finale deepens every episode that came before it and holds the promise of great things for the future of these magnificent characters, whether we get to see it or not.
 
As the finale begins, Asencia (Jameela Jamil) is enraged that there is resistance all over Solum. The people want peace with the Federation. So with her back against the wall, she picks the nuclear option and opens as many rifts as she can, targeting dozens of Federation locations all at once with her impressively-terrifying weapon.
 
Her weapon is impressive looking as well and crackles with electricity exactly the way you would expect from the invention of a villain gone mad. As the electricity branches off into space and forms the various wormholes, it’s sheer beauty mutes the danger underneath.
 

(CBS Studios / Netflix)

But this is what Wesley (Wil Wheaton) was waiting for, and our science genius Rok (Rylee Alazraqui) explains why. The plan is to combine the energies from all the wormholes into one that can move in space and time back to where and when the Protostar needs to be on Tars Lamora. Between Rok, Maj’el (Michaela Dietz) and Zero (Angus Imrie), there’s enough explanation here that everyone can follow along, making a complicated idea accessible to all viewers. They will assist Wesley in making the calculations.

Unfortunately, the data needs to be entered manually into the top of Asencia’s research spire. Cool objective, and Dal (Brett Gray), Gwyn (Ella Purnell), Jankom (Jason Mantzoukas), and Murf (Dee Bradley Baker) will handle that part. Chakotay (Robert Beltran) is prepping the Protostar for it’s final voyage, and Janeway (Kate Mulgrew) on the Voyager-A is giving them time by trying to hold off Asencia’s invasion fleet.

So many fantastic little touches as everyone gets into place. We get a “Take us in!” from Janeway (chills!). There’s a fun Maquis name drop on the Protostar as Chakotay uses an old remodulated shields trick. Dal sweetly chooses his old Protostar-style combadge “for good luck.” Rok’s quick “Love you!” as she beams down the away team shows what a beautiful family they all have become over these two seasons.

Weaving back and forth between the four fronts keeps the action flowing and adds to the suspense. The Solum contingent has to climb 20 stories to the top of the tower, avoiding enemy fire, while the science crew reasons out the wormhole situation. Meanwhile, Janeway can do this all day! On the Protostar, Holo-Janeway is having a tough time with the fact that if they return the Protostar to Tars Lamora exactly how they found it the first time, that will include her — with her memory erased.

(CBS Studios / Netflix)

She and Chakotay talk about their time together on the island, the implications of which I’ve been purposely trying to avoid thinking about since “The Last Flight of the Protostar” and will continue to try to do so. I’m happy for whatever happened on Ysida to stay on Ysida!

Our resident geniuses work on the wormhole problem, and as they talk through it, we are treated to a wonderful recap of the Star Trek: Prodigy timeline as a whole, told in glorious flashbacks. This show in general — and this episode in particular — does a magnificent job of not leaving any viewer behind. Skillfully retelling and rewording concepts without it interfering with the rhythm of the show at all.

I did lose the thread a little bit during the long run of technobabble where they figure out that they themselves created the initial wormhole that Chakotay sent the Protostar back through, but my kids and I understood the concept and I’m sure the math checks out. And anyway, their excitement is contagious. Hugs and hoot-hoots all around!

Back on Solum, Asencia has fried the console they were planning on using to input the coordinates. They have to climb even higher now to manually override the system. Gwyn stays behind to deal with the Vindicator. Fantastic to get another round of Gwyn vs. Asencia. They are exciting to watch as evenly-matched polar opposites. Also, they have unfinished business from the last round: Gwyn needs her heirloom back.

(CBS Studios / Netflix)

We get another great matchup, as security officer Murf takes on a bugged-out Drednok (Jimmi Simpson). This fight features two unique character designs so it was incredibly interesting to watch and a surprisingly fair fight.

Eventually, Drednok points his weapon at Dal, and hero Murf grabs onto his head to stop him and pulls him back — all the way off the edge of the tower. My youngest daughter gasped and shouted “Murf-y!” I told her he would be ok falling as he doesn’t have any bones, but I was reassuring myself just as much as her. Luckily, Murf was even better than ok, as he emerged from the bottom wielding Drednok’s head as a trophy. Cute and deadly! What a fantastic combination.

Murf has bought them time and Jankom uses it to input the data. But the array does not engage, as a connection has come loose. In a perfect Back to the Future riff, Dal climbs up and manages to connect the two cables just in time. Like the Doc before him, he gets hit by the electric current. Dal falls from the tower. “Dal has bones!” my daughter yelled as he slow-mos off the top. Stretchy Murf grabs him before we can worry for too long though. Phew!

After some more exciting fighting action, Asencia appears to have gotten the better of Gwyn. She holds the heirloom weapon to her throat and Gwyn has just enough strength to hold it and keep it from piercing her. Ilthuran (John Noble), young Asencia, the counsel members, and other Vau N’Akat offer their “will” to Gwyn, which gives her the strength she needs to fight off Asencia.

The Vau N’Akat have been an unexpected highlight of the show and seeing yet another aspect of their mysterious power was delightful. And Gwyn looks incredible as the combined blue power glows even through her eyes. Asencia tries to use her own mind power to fight back and, while it’s not completely clear to me what happens to her, it appears that she overloads her mind and she collapses.

(CBS Studios / Netflix)

Part I ends with the arrival of the Loom, which is an exciting wrinkle in their plan to get the Protostar back through that wormhole. And while it is too little too late, it’s a nice touch that as Asencia is being hauled away she has a moment of clarity as she sees the Loom arrive: “What have I done?”

The plan is to pilot the Protostar through the Loom-infested wormhole to the past in Tars Lamora. The Voyager-A will follow and will beam back the crew once autopilot can take over the Protostar landing. Admiral Janeway is doing what she can to support the plan from the A, and she delivers more wonderful command-speak, as among other fantastic lines she orders her ship to “Remodulate phasers to match the Loom’s quantum variance…and set weapons to maximum.” Every second getting to be with this character again is such a gift.

The ships move boldly through the swarm of Loom to cross the threshold of the wormhole. Janeway utilizes her full crew compliment, as when all other navigation systems are lost, she calls on Cetacean Ops to “plot us a course through that stormy weather.” Decades of dreams fulfilled to get to see this department in action. The animation is spectacular, as we see Gillian swimming through the ship aquarium using LCARS projections to make her calculations and then seeing the ship from the outside move accordingly.

I don’t know what I would have expected to see with the actual mechanics of Cetacean Ops, but this is handled the way the best science-fiction ideas are, with just enough plausible details that can spark your imagination into filling in the rest of the pieces. Just delightful.

(CBS Studios / Netflix)

They are now fully inside the wormhole and it’s serene and beautiful. The animation of the temporal echoes of the Protostar as the timeline repairs itself is really special, giving off the air of an ethereal sentience to the phantom ships as they swim by. The autopilot set, it’s time for the crew to beam back over to the Voyager-A. But not everyone is heading back.

Holo-Janeway, the hero who sacrificed herself last season to save the Federation — and who will do so again — will remain behind. But while her program was too big to copy at the end of last season, now they are equipped with an EMH backup module (a lovely callback to “Living Witness”), so she gets to stay with her crew and maintain her memories while also fulfilling her destiny. Fantastic! Holo-Janeway is such a special part of the crew. I’m glad they were able to tie that bow.

One last final touch, as Dal leaves behind his Protostar combadge for Rok to find in the past. What a beautiful, poignant detail. They have truly come full circle. I love that they are setting themselves on the path that changed their lives. This is the best part about the entire time loop storyline, that they made their own destiny. What an incredible arc!

With everything exactly as is should be, the episode takes the time for a montage reliving the story of Star Trek: Prodigy. Of our Protostar crew’s journey with their found ship. The clips and sound bites are chosen so specifically with love and care. I’m a sucker for a great edit like this. It honestly brought tears to my eyes to see how far these kids have come. It also was a great reminder of how much fantastic Star Trek this show has given us.

(CBS Studios / Netflix)

Janeway delivers an Admiral’s log that contains a lot of Star Trek potpourri as it wraps up for our legacy characters. She begins with an incredibility deep cut quote from an “old friend” which is actually something Picard said in a deleted scene from Star Trek: Nemesis. As Asencia’s technology gets disassembled, it gets put into boxes marked with the Daystrom Institute logo. Could this be what led to the stolen portal technology seen in Star Trek: Picard Season 3?

The Picard references roll on as Wesley Crusher makes a long overdue visit to Beverly (Gates McFadden) and meets his baby brother, Jack. Unexpected connections to the wider universe! Meanwhile, the EMH has finished a new novel, Chakotay is helming the Voyager-A, and Janeway herself has taken an early retirement to a farm in what I assume is Indiana.

And our Protostar crew? They are finally at Starfleet Academy just like they and us have hoped for. Dal has graduated from Temporal Mechanics 101 to 201. My kids thought the joke about throwing away the book was funny and relatable. “It’s like when I thought I was done with Algebra and then had to take Algebra II!”, my oldest reminisced.

Our gang sits on campus near the Golden Gate bridge. Zero and Maj’el share a Vulcan-style public display of affection as they touch fingers and I’ve never seen anything cuter. Behind them, a banner in the sky reads “Happy First Contact Day” and I was taken aback and thought to myself, “No. they wouldn’t go there, right? It’s just an Easter Egg from ‘Children of Mars.’

The conversation they have is so distinctly normal. They talk about what track they want to do and how their adventure has bought them a certain amount of cache on campus. And then everyone gets the alert about the Mars attack. And it turns out it wasn’t just an Easter Egg — this is the day that Mars is attacked by rogue synthetics, seen both in that Short Trek and in Picard Season 1.

(CBS Studios / Netflix)

This was obviously something my kids had no reference for, but they could tell something was really wrong based on the look on my face just as much as the explanation on screen. They had the same reaction as Rok who asked “What’s happening? What’s this mean?”.

I never in a million years would have expected this finale to take such a turn. This season has made reference to the time period it exists in several times, mentioning the Romulan evacuation in particular, but I would never have guessed it would so explicitly insert itself into the events of the live action show of this time period.

I love how much this bold choice “legitimizes” Prodigy by placing it so centrally within the greater Star Trek timeline. It’s a pretty heavy concept to introduce 5 minutes before the end of the show’s finale, but Prodigy has never been a show to shy away from making an interesting choice just to avoid complication.

Janeway’s retirement is not going to stick as Chakotay comes to tell her the news. The Admirals meet to discuss Starfleet retreating from its stated mission of exploration to focus on protection. Just a side note that I adore the design of the Picard-era uniforms shown here and Janeway in particular looks amazing in it.

The crew gets the further bad news that classes have been canceled until further notice. This specific disappointment is something my COVID-generation kids can relate to. They don’t need to understand the details of what a Synth attack is to empathize with how events beyond their control can have a huge impact on them. This little scene with our young crew commiserating about how unfair (and illogical!) it all is really hit home for my kids.

They lost their school, too. I think this shared experience, more than anything else, made my kids feel like they were part of the crew. The show really felt like it was speaking right to the unique experience of their generation here.

(CBS Studios / Netflix)

Bringing in “Children of Mars” and Picard was a big swing, and a risk that really paid off. They took something very complicated from the newer canon and found a way to make it resonate with both seasoned Trek fans and the actual intended audience of the next, next generation. It’s one of my favorite creative decisions of the whole series, and a template that the new live action shows should look to when thinking of ways of uniting all the different incarnations of Star Trek.

And this all makes the grand finale so rewarding. Janeway, Chakotay, and the EMH beaming at our crew as they get their ensign pips. I feel as proud as our legacy characters look here. Janeway introduces the gorgeous new Protostar-class USS Prodigy (Variable geometry nacelles! This ship is gorgeous!). Starfleet was ready to scrap it, but thanks to Janeway, the ship will go out on a mission of exploration, maintaining the ideals of the Federation and Starfleet at this time of closing ranks.

I love that for our crew, but I also love that for this time period in the Star Trek Universe. Knowing this crew is out there doing good is such a comforting thought. It’s also earned enough that I can believe in the premise, knowing what Starfleet is currently going through.

The ending makes the whole series feel like what’s past is prologue. This is the true start of the show, right? These young people, this young crew — this young Starfleet crew — out exploring strange new worlds, the way Star Trek is meant to be.

(CBS Studios / Netflix)

Janeway says: “Somehow, somewhere, you are going to make a great difference,” and I wish we could be there to see it. A third season of Prodigy is unlikely, and that’s such a missed opportunity for some more fantastic Star Trek. Ending it here is leaving endless possibilities on the table. My kids’ final thoughts were summed up when my daughter said: “They have to make more now! They set it up so perfectly!”

But that’s probably not in the cards. So I am grateful for what we did get. Two seasons, 40 episodes, of a fantastic show that can stand toe-to-toe with any other version of Star Trek. Gorgeous animation, thrilling adventures, worthwhile returns of beloved characters, new characters that are now also beloved, looking at Star Trek in new ways and adding even more richness and depth to the canon.

And to get to share all this with my kids? Incredible. For old fans and new fans alike, Star Trek: Prodigy is truly a treasure and a gift.

Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.

STAR TREK: THE NEXT GENERATION Book Review — “Pliable Truths”

Dayton Ward’s Star Trek: The Next Generation — Pliable Truths is a highly enjoyable prequel to Deep Space Nine, full of winking nods to the long-running Star Trek literary continuity that sadly ended a few years ago.
 
After many years of books that continued the stories of the shows beyond their previous ends on screen — but in ways that couldn’t be reconciled with the new Star Trek canon being created on Paramount+ — Simon & Schuster have spent the last few years dabbling back in episodic Star Trek books set during the run of the series. I say dabbling, because…well, this was the first Star Trek novel in a while — and it was actually published all the way back in May, so here’s mea culpa from me!
 
I am very late getting around to reviewing Pliable Truths. And that’s not because the book is in any way bad – it’s actually really good, and exactly my kind of Star Trek novel that expands on what we already know in interesting ways and adds context to some of the important adventures we saw on screen.
 
It’s been really difficult for me to get excited about Star Trek novels lately, because I think I am responding to the total lack of enthusiasm for this line of novels from Simon & Schuster. The book market is evolving, as is the Star Trek fan community, and so this isn’t a cry for the good old 1990s when the publisher was putting out two Star Trek novels every month — or even the era when I was religiously purchasing every Star Trek novel and consuming them immediately of the 2000s and 2010s.
 
But due to the turmoil of Simon & Schuster’s corporate status, the turmoil of COVID, and presumably a slowdown in sales of Star Trek novels, the publishing line has slowed to a crawl.
 

A variety of past TREK novels from Pocket Books.

In 2023, Simon & Schuster published just two Star Trek novels for adults. This year, they’ve doubled that number to four. So far, there are two books on the schedule for the first half of 2025. Over three years, the company will have published one fewer than in the entirety of 2017!

While the trend of the number of books being published has severely diminished, that’s not the worst problem: the Star Trek book line is completely unfocused. Star Trek: Strange New Worlds is the most popular Star Trek show on television and has been out for three years. It has just one Star Trek novel currently in print (and three more on the way – but it took ‘em long enough…). Star Trek: Picard has only gotten a handful of novels, and none that tie into the widely-admired third season, nearly 18 months after it ended.

Meanwhile, there’s no sense that the company is committing to publishing books set during the television run of past Star Trek series. Pliable Truths is the third book to dabble in returning to the in-series run of the 1990s Star Trek shows, after Shadows Have Offended in 2021, and Revenant in 2022.

I don’t think I need to be belabor the point, but it’s hard to get excited about a Star Trek product line that the publisher doesn’t feel particularly excited about. So, with my apologies for being so late reviewing Pliable Truths — let’s actually get to talking about the book.

The Enterprise-D docked at station Deep Space 9.

I really liked Pliable Truths. Set immediately before the events of “Emissary,” the novel covers the Enterprise-D’s mission to support the Bajorans in the immediate aftermath of the Cardassian withdrawal, where we catch up with the ship from Sisko’s perspective in the opening scenes of the Deep Space Nine pilot.

It’s fun to get the Next Generation crew ostensibly inhabiting a Deep Space Nine story, with many crossover moments for characters we know were already on Bajor or Deep Space 9 by the time Sisko arrived.

It’s also very interesting to dive more deeply into the Cardassian withdrawal of Bajor and get to see more on the ground, more about the Bajoran and Cardassian politics of the time, and see the immediate aftermath of the Bajoran Occupation.

This story deepens my appreciation for the difficulty of the situation Sisko was walking into when he assumed command of Deep Space 9, and how close everything had been to completely falling apart on the planet and in the shaky relationship between Bajor and Cardassia Prime.

Deep Space 9 above Bajor.

And because of when this story is set — not just in the lead up to “Emissary”, but also closely following the events of “Chain of Command” — the book helps to fill in the gaps of how Picard overcame his ordeal at the hands of Gul Madred.

Being forced to confront the Cardassians again — and (spoiler alert) Madred in particular — was really interesting, and the way the story resolves felt like a satisfying way of putting Picard’s experiences in “Chain of Command” behind him to continue on with his life as he did during the series.

I always enjoy the way Dayton Ward tells a story, and Pliable Truths is no exception. In addition to the core meat of the story about the Cardassian withdrawal from Bajor, there are plenty of characters, ships, and references that will make longtime legacy Star Trek fans happy — and please both fans of the Alex Kurtzman era of Star Trek and fans of the previous Star Trek literary continuity.

I recently decided to create a dedicated bookshelf for the literary continuity stories, and this book could either be filed there or on the other shelves with the books that fit the on-screen continuity. I really liked that honoring of the book line’s history, and as a die-hard fan of those stories, always hope for more.

Benjamin Sisko and Jean-Luc Picard discuss the Cardassian withdrawal.

Pliable Truths fills an important gap in the Star Trek continuity and gives us fun and interesting crossovers between the Next Generation and Deep Space Nine characters right from the height of the series. If you’re like me and very behind on your Star Trek reading and looking to catch up, this is an easy read and highly recommended.

Star Trek: The Next Generation — Pliable Truths is in stores now.

Join TrekCore on Bluesky!

Social media platforms all have their rise and fall in popularity — and you’ve surely followed us on several of them over the years. This week, TrekCore’s social media presence is making a move to Bluesky, and we hope you’ll join us there.
 
We’ll continue to post site headlines (and share critical information when necessary) on our Facebook and X (Twitter) accounts as we publish new stories, but for day-to-day interaction Bluesky is our new primary home for social media engagement and interaction.
 
You can find us — and a growing number of other Star Trek fans — at https://bsky.app/profile/trekcore.com once you create a free user account.
 

STAR TREK: LOWER DECKS Review — “A Farewell to Farms”

Star Trek: Lower Decks makes another enjoyable detour away from the Cerritos this week in another “larger world” story in “A Farewell to Farms.” It’s a conceit that the show first pioneered with the universally-acclaimed “wej Duj,” followed by the not-so-popular “A Mathematically Perfect Redemption” that centered on Peanut Hamper.
 
Lower Decks has enjoyed throwing us the occasional episode that explores what it means to be Lower Decks that center the stories of characters who are not our usual core foursome, and this episode is a worthy entry.
 

“A Farwell to Farms” (Paramount+)

This time, “A Farewell to Farms” takes us to Qo’noS to revisit Ma’ah (Jon Curry), the Klingon lower decker turned captain — turned Lower Decker again — who was first introduced in “wej Duj” and had a critically important role helping Mariner address her issues in last season’s “The Inner Fight,” and “Old Friends, New Planets.” Returned to Qo’noS in disgrace after his crew had mutinied against him, Ma’ah works to find his new place in the universe – with a little help this time from Mariner and Boimler.

One of the key themes of Lower Decks has been the journey that everybody goes on — usually in youth (but not always!), and usually in the formative parts of your career (but not always!) to find yourself and your place in the universe. Throughout the whole series, our characters have navigated the expectations that others have for them, or that they have for themselves, to get comfortable with who they are and find their authentic place in life.

We’re seeing that play out for Boimler this season as he clearly tries to inauthentically ape his alternate universe doppelganger. Tendi’s been through it with her visit to Orion. Mariner blew up a Genesis Device as part of her arc at the end of last season.

“A Farwell to Farms” (Paramount+)

And now Lower Decks turns to Ma’ah, the compelling and endearing Klingon who uses his experiences in this episode to choose his own path. In some ways, Ma’ah’s journey is similar to Worf’s in that they are both Klingon characters who decide to eschew the “usual” way of being a Klingon to inhabit a more authentic version of Klingoness that reflects the individual character’s uniqueness. But given Ma’ah is a Klingon living on Qo’noS and a product of the Klingon system, it’s a compelling and different perspective that sees Ma’ah decide to hold true to his principles rather than submit to the Klingon system of advancement.

Mariner (Tawny Newsome) and Boimler (Jack Quaid) play secondary roles in this story, but their role is a welcome one, particularly as Boimler appears to be on a thematically similar journey to Ma’ah, but hasn’t yet realized what being authentically him looks like yet. And it’s always fun to visit the Klingon homeworld, and especially to see a part of the Klingon homeworld outside of the capital city or other major urban areas for the first time.

“A Farwell to Farms” (Paramount+)

Outside of the awkward scenes in “Birthright,” I don’t think we’ve ever seen a Klingon farmer before, and so it’s great to see another take on Klingon life that authentically integrates the concepts or honor and combat that are endemic to all Klingon life, but in a more real world that acknowledges it needs farmers and bartenders and other roles in order for a society to function.

The Cerritos storyline meanwhile is all comedy, with a deeper look at Dr. Migleemo’s (Paul F. Tomkins) species, who we now know are called the Cloacans. Having a birdlike race centered around hedonism related to food whose most revered icons are food critics is a funny premise, and there’s a lot of good food-based jokes in this one. But it’s ultimately just a humorous throwaway, the real meat of the episode is on Qo’noS.

TREK TROPE TRIBUTES

  • I am always here for an episode structured around an arcane Klingon ritual that revolves around the endurance of a lot of pain, like TNG’s “The Icarus Factor,” DS9’s “You Are Cordially Invited…” or VOY’s “Prophecy.”
“A Farwell to Farms” (Paramount+)

CANON CONNECTIONS

  • The Klingon architecture of Ma’ah’s family farm matches the architecture seen on Qo’noS in the 22nd century when Captain Archer visited the planet in “Broken Bow.”
  • Ma’ah uses a flip communicator similar to the ones seen used by the Klingons in the Original Series.
  • General K’orin (Jess Harnell) reprises his role from Season 1’s “Envoys.”
  • The painstiks used in the Rite of Unending Pain are the same model of painstiks used to shepherd Worf into adulthood in “The Icarus Factor.”

OBSERVATION LOUNGE

  • I love when the show swaps out the usual opening credits sequence for something a little more cinematic. It makes the episode feel special, and this one was very well done!
  • “Experience biJ!” “You experience biJ!” is a loving references to the Star Trek: The Next Generation — A Klingon Challenge interactive VCR board game, when the devious Klingon character who had hijacked the Enterprise would force you to miss a turn rolling the dice.
  • While you see that on Ma’ah’s family farm they produce bloodwine, it still isn’t clear (and is a long running thing in Star Trek) what bloodwine is actually made from. The fact that the family raises targs would imply that bloodwine, if it is indeed blood, is made with targ’s blood, but you also see Ma’ah stomping on gagh in a similar way to traditional winemakers stomp on grapes to make human wine so…pick your poison!
  • Sir Legnog and Madam Gonald continue Lower Decks’ unbeaten record of hilarious Star Trek alien names.
  • Banished from the Great Seating Chart, the Traditional Amuse Bouche, Flavor Prison, the Lower Decks writers were clearly having a blast with all the food jokes this week.
“A Farwell to Farms” (Paramount+)

“A Farewell to Farms” combines a Klingon as hell A-plot (that hews to the series’ central premise) with a Migleemo-flavored B-plot that’s all jokes into an enjoyable episode of Lower Decks that gives us a little more time with our beloved Ma’ah before the season wraps up.

With the knowledge that the interdimensional rifts that have been an underlying subplot of the whole season are being made and not naturally forming, it looks like the season’s metanarrative is beginning to come into focus. I can’t wait to see where it takes us next!

Star Trek: Lower Decks Season 5 continues next week with “Starbase 80?!” premiering November 14 on Paramount+.

NYCC Interview — Setting the Stage for STAR TREK: SECTION 31 with Cast and Director Olatunde Osunsanmi

We’re wrapping up our coverage of this year’s New York Comic Con event today with our interview with several members of the Star Trek: Section 31 cast, ahead of the streaming movie’s January 24 debut.
 
TrekCore joined director Olatunde Osunsanmi, actors Kacey Rohl, Omari Hardwick, and Rob Kazinsky in a discussion with several other outlets to talk about the themes of the Michelle Yeoh-led production, bringing darker elements into the optimistic Star Trek future, and more.
 

This interview has been edited for length and clarity.

Olatunde Osunsanmi at NYCC 2024. (Photo: Santiago Felipe/Getty Images for Paramount+)

Q: For those who haven’t been following the project, how would you describe Star Trek: Section 31?

OLATUNDE OSUNSANMI (Director): Section 31 is an action-adventure Star Trek movie that follows a group who is like the CIA of Starfleet — and follows a bunch of operatives at the edge of the galaxy, outside of Federation space, where Starfleet’s not supposed to go. They’re joined by Michelle Yeoh, reprising her character Philippa Georgiou from Star Trek: Discovery, and they get up to a bunch of shenanigans.

It’s wild, it’s fun, it’s a joy, and it’s inspirational.

Q: Will there still be any of the traditional Star Trek ‘morality play’ storytelling in the movie?

OSUNSANMI: This is what I love about science fiction and fantasy-adventure, it’s allegorical. We get to talk about things that are usually very difficult to talk about in real life — we get to talk about them in very exciting ways, and very graphic ways. For me, one of the major themes of Section 31 is: everyone has to atone for what they’ve done in the past, and along with that, everyone is capable of change. Everyone is capable of transforming themselves and being better, if they dedicate the time to doing so.

I think that really resonates right now, and it’s a really important message to tell. There’s also the Star Trek thing, too, which is just aspiring to be good, to be better. This movie does tell that story.

Rob Kazinsky, Kacey Rohl and Omari Hardwick at NYCC 2024. (Photo: Santiago Felipe/Getty Images for Paramount+)

Q: Could you tell us about your characters — and if you looked to any other Star Trek characters for inspiration your roles?

OMARI HARDWICK (Alok Sahar): I’m going to let Rob go first, he was our Star Trek connoisseur.

ROB KAZINSKY (Zeph): Yeah, that’s me, I was the annoying guy! [laughs] Well, Section 31 is set in the Lost Era, right? It’s set before The Next Generation, before so many characters came into the franchise — but I would say every one of our characters has a little bit of Q in them. They’re all mischievous, they’re all there to be anarchists, they’re all outside the Federation system… all just slightly to the left, not following the rules.

There’s that anarchic type of element to them, but they’re all very unique. It’s such a deviation from what traditional Trek is, an irreverent and inherently non-Trek style that we’re bringing in, and in a few years there may be future Trek actors who refer to what Michelle Yeoh and Omari do with their characters. I don’t think you’ve seen anything like this in Trek before.

HARDWICK: My character is maybe a bit more frayed, but Alok is very much like his name — he’s the most locked amongst the motley crew of thieves. And when I say “thieves,” I mean that in the sense that we are stealing some of the rigmarole, the standard of what “had to be done.” We break all those rules and barriers, but Alok is the bridge that still has to be crossed to get to the places we’re trying to go.

And I don’t think that I find it that different than what “old” Star Trek was trying to do. To Rob’s point, it’s the manner in which we’re getting there — that’s the part that’s different. And Alok really does maintain himself as that bridge – you have to walk a bit more standard across him, but the others get to do whatever they want to do, which means they have a bit more fun. [laughs]

It’s a little annoying, but I start to rake myself across the coals a bit — and with Zeph, I’m able to help put out some fires in a very fun way, which afforded us some time for improvisation.

Descriptions of the Alok Sahar and Zeph characters. (Star Trek on Instagram)

KAZINSKY: They always had three cameras running at all times; something you never really had with Trek before. We were improvising all the time, sometimes whole scenes. I think we added like 18 pages of dialogue that they had to cut through in editing. We were having too much fun!

HARDWICK: And because he’s the biggest Trekkie in the cast, we still had those conversations about making the movie for the fandom — because the fanbase is the biggest part of this whole thing. So we’d improv, and that helped us get loose and understand our characters a bit more, but at the end of it all you still have to stay within the confines of what fans may want to watch — because this movie is really different from what’s been seen prior.

Q: Kacey, what was your approach to taking on the one character already established, Rachel Garrett from “Yesterday’s Enterprise”?

KACEY ROHL (Rachel Garrett): I watched that episode a bunch, and thought Tricia O’Neil did such a beautiful job with it. At one point, I attempted — really, copying what she did — and that didn’t feel like it was right. There wasn’t enough flow to it for our process. But I watched the episode many times, even when we were shooting, and trusted that would enter into what I call ‘the soup’ of Rachel Garrett, along with a lot of guidance from Olatunde.

OSUNSANMI: Kacey brought a lot of gifts; I think fans are really going to love her as Rachel Garrett.

Kacey Rohl at NYCC 2024; Tricia O’Neil as Garrett in “Yesterday’s Enterprise.” (NYCC Photo: Santiago Felipe/Getty Images for Paramount+)

Q: How difficult was it to balance the darker themes of Section 31 with the generally optimistic setting of the Star Trek future? 

OSUNSANMI: Well, I think it’s intimidating, because you’re trying not to touch the third rail — I grew up when Next Gen and DS9 were airing, and they were so wonderful — but we didn’t want to make a movie where people would feel sad at the end. We want you to be uplifted about life, the way I felt watching Trek growing up.

It was interesting to thread the needle on that — there’s a lot of drama in the movie, for sure, but there’s a lot of fun and action and joy. So on a difficulty scale of one to ten — with a ten being, like, redoing the first Trek pilot – I’d say Section 31 was about an eight.

KAZINSKY: This question is kind of at the core of what Section 31 is about, because a lot of Star Trek fans – including myself! – hate the fact that Section 31, the organization, exists. Because we’ve all bought into the optimistic future that Roddenberry designed, and the idea that this kind of group wouldn’t be needed anymore.

But the truth is that Sisko quote: “It’s easy to be a saint in paradise.” For me, that’s been the motto and creed of this whole production – because of what we in Section 31 do, you’re able to have that Federation. Should Section 31 exist in the first place… I think that’s just an enlargement of the universe.

We’ve all been shown the Roddenberry-esque future. But if you’re going to have this, realistically, it would always have something like Section 31 – and the dirty work of people like us allows the rest of Starfleet to be so sophisticated.

HARDWICK: To me, what I loved about Roddenberry’s idea for the future is that it was about morality. When we draw that line in the sand, what side of that line do you want to be on? Whatever you believe in, there are always people who are good, and people who are bad – and sometimes good people can do bad things, and those bad people can do some good.

So I adore Section 31 – because you need some crew to say, “No way, that shit ain’t right!” And maybe they do it in a way that’s pretty rogue, but I appreciate the flexibility in how they do it.

Michelle Yeoh speaks via video during the Star Trek Universe Panel at NYCC 2024. (Photo: Santiago Felipe/Getty Images for Paramount+)

Q: When you have a character like Georgiou — sometimes a villain, sometimes an anti-hero, sometimes just kicking ass — how do you maintain the tone through a film like this?

OSUNSANMI: The wonderful thing about being a director is that I’ve got this wonderful thing… called the script! [laughs] It’s a roadmap that I get to follow — and true, you put a different director in place and it would be a different movie — but we do a massive amount of script analysis. You have to track each character through, reading only their scenes individually.

I’m very digital. I’ll read through a script on paper over the weekend, because I think you process it differently, but then I use this wonderful app called Scriptation with all these color codes. Baby blue is performance, grey is for shots, yellow is for props, green is prosthetics… and then there’s the script layer on top of the page, which is: What’s going on with this particular character? It would be like 500 pages long if I had to print out all of my notations. [laughs]

With Georgiou, I of course have the benefit of having worked with Michelle for years on Discovery, building that relationship. I sat down with her and mapped it out, we spent about six or seven hours together every day for three weeks — she came to Toronto just for that and then left again, well before we shot the movie.

I follow her instincts, which are amazing; no one knows the character better than she does. That’s my guide — and there’s some version of that with each character throughout the movie. Then of course, there’s the Alex Kurtzman factor as well, he’ll say “Don’t forget this, we have to watch for that, don’t fall into a trap,” that kind of thing. It’s a real team effort.

Q: And Kacey, Georgiou is basically the opposite of Rachael Garrett, right? How was it when the two of you shared scenes?

ROHL: Being an opposite to Georgiou created some really awesome friction, which is always very fun. Michelle is so game to just play, so there’s a lot of goodness that can happen. She’s so giving as an actress; she pulls all sorts of things out of me. It was a lot of fun to wrestle with how those two people can be together.

And I witnessed the relationship that Olatunde has with Michelle; it’s very beautiful. Just full of love and kindness, it’s really nice to see.

 
Q: Star Trek has brought a lot of representation from different groups, from the Original Series to the modern shows. Do you remember the first time you felt represented in media, whether it be in a Star Trek character or other production?

OSUNSANMI: My earliest memory of that is Geordi La Forge. I definitely felt represented by him. I grew up in Orange County in California — I went to a private school, but then went to public school where I was like the first black kid a lot of other kids around me saw. I asked my dad why those kids were surprised to see me. Once he began to explain race to me, and I remember being driven home from school thinking, “Oh, I’m different.” I was five or six years old, and it threw me for a loop, recognizing you’re being treated differently — not by everybody, but by certain people — and you start to feel a little alone.

What was wonderful about watching Star Trek — in particularly, TNG — was that it didn’t matter who you were, they were all accepted on the same team. Commander Riker just talked to Geordi like he was a smart, awesome human being. That meant a lot to me, and I knew that I wanted to be in that kind of world. I want the world to be that.

Flash forward to now, when I actually get to talk to Commander Riker! [laughs] He’s even cooler as a human being than he was on the show… it’s mindblowing! I love Jonathan Frakes to death.

Q: Did you have an “Oh wow, I’m on Star Trek!” moment during filming?

ROHL: It had to be the moment I stepped onto our mission ship, that was a wildly overwhelming experience. I was just, like, immediately in outer space. Then, when I started having fittings with our amazing costume designer Gersha Phillips, everything came together in a different way. She built me this amazing jacket… everybody wanted it! [laughs]

OSUNSANMI: It’s a great question, because my favorite part of these Star Trek shows is watching the cast walk onto set of the first time — it lets me relive the time I got to walk onto set for the first time, you know? It’s tough, because I’m there for all of the design phase, when the lumber is brought in… I like to wait until it’s all complete. Whether it’s the cast, the crew, background actors, or a visitor to set… that moment makes it real for them.

ROHL: The mission ship was my first experience with it, but truly, each new set I walked on gave me another wave of like, “Oh my gosh!” I was just knocked on my butt by the details.

We’ll have more on the upcoming Star Trek: Section 31 movie as January approaches!

New STAR TREK: LOWER DECKS Images — “A Farewell to Farms”

The final season of Star Trek: Lower Decks continues this Thursday, and today we’ve got new images from “A Farewell to Farms” for your review!
 
This week, things get “Klingon as hell” as Mariner (Tawny Newsome) and Boimler (Jack Quaid) reunite with Ma’ah (Jon Curry), last seen in Season 4’s “The Inner Fight” — while back in space, a delegation of Migleemo’s (Paul F. Tomkins) people visit the Cerritos.
 
Here are three images from this week’s new episode:
 

“A Farewell to Farms” (Paramount+)

“A Farewell to Farms” (Paramount+)
“A Farewell to Farms” (Paramount+)

A FAREWELL TO FARMS  — Dr. Migleemo cooks up some hot dishes while Mariner prefers hers served cold.

Written by Diana Tay. Directed by Megan Lloyd.

Star Trek: Lower Decks Season 5 continues with “A Farewell to Farms,” premiering November 7 on Paramount+.

Interview — Nana Visitor and OPEN A CHANNEL: THE WOMEN OF STAR TREK (Part 2)

We’re back with the second half of our lengthy interview with Star Trek: Deep Space Nine star Nana Visitorcheck out Part 1 right here — the author of the new behind-the-scenes book Open a Channel: The Women of Star Trek.
 
In today’s conclusion, we discuss the author’s beloved character Kira Nerys, revisiting the Star Trek: Voyager and Star Trek: Enterprise eras, and more.
 

This interview has been edited for length and clarity.

Nana Visitor as Kira Nerys. (CBS Studios)

TREKCORE: Can we talk about Kira Nerys a little bit?

NANA VISITOR: Hell, yeah!

TREKCORE: You basically had to interview yourself for the book. Revisiting the character, did you think about Kira differently with the themes of this project?

VISITOR: Oh my god, yes. It’s like Kira was my chance to be the full spectrum human that I happened to be that was unacceptable at the time — but I had a chance, because she was an alien. And I took the chance. I probably ran with it a little bit, but because she existed, this stuck person that I was started thinking and behaving like Kira. Kira taught me how to be me. Does that make sense? I had the ability to think the thoughts that I wouldn’t think before, and to take the chances. That character shifted my brain.

TREKCORE: That’s what the character did to a lot of people watching too, it was just that powerful.

VISITOR:  I wish I had known that at the time. I always had this feeling at conventions —there were some people who would be very appreciative but for the most part, I always felt like I had to keep my head down and go, “It’s okay.” I just felt like I needed to do it. I had to do it this way, and yet I got a lot of flack for it.

TREKCORE: What do you think changed? When did the tide turn and you start to realize you didn’t have to do that?

VISITOR: It’s like night and day. I know exactly when — once Deep Space Nine was available to watch streaming, and people saw it as a serialized show with a progression. They realized they were watching an arc and not just having this idea, maybe they watched the first episode and went, “Oh, no. I can’t stand this character.”

I remember at a convention, this 15-year-old boy came up to me and said, “I love Kira Nerys… and I have a crush on her.” And I thought “that’s so healthy.” I’m so glad to hear that, and now I meet men with wives and they have children and he goes, “I had such a crush on you, and here’s my Kira.” Saying that she is, you know, powerful..

TREKCORE: That’s wonderful. And there isn’t just one box, one type of way to be.

VISITOR: And if you don’t fit in a box, you create your own and say, “This is me.”

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: I feel like that’s the message in this book too — seeing all these different examples of all these different women doing their thing. It’s an important lesson, and I think that’s the promise of Star Trek.

VISITOR: It is. And if supported by men, look, Ira Steven Behr and Peter Allan Fields did so much for my character, gave me so much room. Ben Robinson opened a door and said, “Come on, walk through it. Walk through it. You do it.” It’s huge. That’s the only kind of door opening we need.

TREKCORE: And leaving the door open for more people.

VISITOR: Leave it open for the other women to come through too, all of us.

TREKCORE:  I found it really interesting when Roxann Dawson spoke about directing; how she said you have to be perfect, because you’re representing all of the women in the whole world. Like if you mess up, they’re gonna say, “That’s it. Women can’t do this.”

VISITOR: She is an amazing woman and incredibly strong. And to hear how she had to fight to be a director you go, “I understand why she feels that way.” But you can’t bear that weight when you get creative. You can’t bear that. And there’s not a job that isn’t creative that you don’t need all of your brain for. And if much of it is fearful, you’re screwed.

TREKCORE: How do you feel being a mentor for-for so many women like this?

VISITOR: I think that as an elder, that is my joy and my curiosity, and it feels like the connection I want so much. I want to see young women have an easier time. They are, but even more so. I see the stress and I see the worry and there’s so much that is unnecessary, you know? And just having someone who’s been through it before, but also it’s a conversation because a young woman can tell me, “No, no, that’s not what we’re dealing with anymore.” I need to shift my thinking. [laughs]  It’s a two-way street.

TREKCORE: Right. It has to be beneficial for both parties and they’re dealing with different challenges than we did, right? I think this book is very instructive in that. I really enjoyed hearing from the younger women on the newer shows.

VISITOR: Me too. But we need to know history, we need to know recent history that women said, “That’s just the way it is,” or, “That’s just the way it was.” We need to keep that in mind, because Voyager to Enterprise, right? We need to keep things moving forward.

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: It’s so interesting, as you mention in the book, that nobody mentioned T’Pol or Hoshi to you as characters that were inspirational to them.

VISITOR: Not that I can recall. However, I understand how important — from Linda’s other interviews — how important it was that there was Asian representation in any way on the show.

TREKCORE: Yes, Hoshi is an important character in that respect. I think the biggest thing you could say about Hoshi is that we didn’t get enough Hoshi.

VISITOR: We didn’t get enough Hoshi. I think it was maybe, in my opinion, too soon to give the woman the terror of being in space. That would read differently now. I think it was too soon. I think a man, we could just see it as a human thing that would happen that they would be terrified, you know. But it was too laden at the time for it to be a woman.

TREKCORE: Yes. And I don’t wanna be too harsh on Enterprise. I’m actually a big fan of Enterprise.

VISITOR: A lot of people are. And here’s the thing, they did have some women writers, didn’t they? They had some women writers. But there’s — and one of them told me this — she basically said, “I can have the most progressive idea for a script, but if the person at the top doesn’t want that, it’s not gonna happen.” So you need to have women and then they need to be given the full spectrum of what they want to do.

TREKCORE: So you watched a lot of Star Trek for this book.

VISITOR: I did.

TREKCORE: And you watched with a real critical eye.

VISITOR: And that’s really important because I had the lenses on my eyes of what was this like for women. So it doesn’t mean that Enterprise, if you’re just watching it, you know, falls down in any way. It just means through my eyes, watching for women specifically for this, I go, “Well, wait a minute. This isn’t great.” So that’s important to remember.

TREKCORE: Did you have any surprise favorites? Any episodes that stood out or characters or shows in particular that stood out for you?

VISITOR: Quite a few. I was shocked how good it all was. But I’ll say the character of Seven of Nine. Talk about unconscious bias. Before I watched it, just from what I saw in posters and stuff, I thought I knew what it was — and I absolutely did not.

TREKCORE: You described her as a Trojan horse in your book.

VISITOR: Yes. That character is a Trojan horse. I found that all very, very powerful. That was a real shock to me. Also Strange New Worlds. I resisted watching it but my gosh, it’s so good. I think it’s so good. And I find that Pike is exactly the kind of leader that I would love to see in most hierarchies.

He has an idea of what he thinks, but he takes everybody’s advice in and it’s not about ego. It’s about what’s best for whatever mission or whatever person he’s talking about. I love that example. I think he’s wonderful. Anson Mount is wonderful in it. And I love that no one looks like each other. And they’re all honored for what and who they are. It’s so refreshing.

From OPEN A CHANNEL — THE WOMEN OF STAR TREK. (Insight Editions)

TREKCORE: When you revisited Deep Space Nine, did anything strike you as like, “Oh, I don’t remember that,” or “Oh, this was a good one. I did great in this one,” you know?

VISITOR: Oh yeah. It was a lot that I didn’t remember — and don’t forget, at the time we were filming I didn’t record them and watch them, it was just like everybody else, it was catch-it-if-you-can. I was floored by the writing after so many years of being away from it, floored by the writing and how it stands up and how it’s appropriate to our times right now, 30 years later.

TREKCORE: That’s why Deep Space Nine’s the best.

VISITOR: The writing is incredible. Truly incredible. Ira was another one who was so generous with his time in letting me interview him and his wife — who is a force to be reckoned with, and had so much to do with me not having to hide my pregnancy, which was huge.

TREKCORE: That must have been so important to you.

VISITOR: That was was a big shift because I was sure I was gonna get fired. Because you get pregnant, you could get fired. That changed everything for me to go, “I can have a life and a job.” We’re still not there with everybody. It’s a struggle.

It’s a question I asked everybody. What should Star Trek do with childcare? Let’s talk about it because Star Trek has answers for everything. That’s something that we need a little 1,000 years ahead advice about.

TREKCORE: The way they decided to incorporate your pregnancy in “Body Parts” was just such a delightful sci-fi premise. It wasn’t about hiding your pregnancy, that it was just like, “Let’s come up with this little switcheroo.”

VISITOR: It was brilliant because then they wouldn’t have to deal with me raising a child and being my character. It was brilliant. Really brilliant.

TREKCORE: What was the experience of filming the birth (in “The Begotten”) like?

VISITOR: The only thing I remember really, really specifically is I had already had Django. The child I was carrying was recently born. So, I wasn’t pregnant anymore. I was wearing something to make me look pregnant at that point. Although I gained 60 pounds, so they really didn’t need the padding. I was still well padded.

But I was hormonal and enraged because they had such a young baby and they smeared it with what looked like cream cheese and raspberry jam and the baby was shaking. You know, it’s cold on the set. Shaking. And they have baby wranglers, so the mother’s not allowed to touch the baby when it’s working. And I just was beside myself about that.

Kira gives birth in “The Begotten.” (CBS Studios)

TREKCORE: That’s terrible!

VISITOR: Yeah, it was terrible. It was a terrible experience. I’m going, “Look, just make an animatronic. Just make a doll!”

TREKCORE:  I’m gonna look at that episode in a new way! [laughs] Well, thank you, you’ve been so generous with your time. I really appreciate it. This has been such a joy for me.

VISITOR: For me too. And I’m so glad that you enjoyed the book.

Open a Channel: The Women of Star Trek is in stores now.