Home Blog Page 301

Remembering Joe Longo, Star Trek Prop Master

longoWe’re sad to report today that longtime Trek property master Joe Longo has passed away.

Longo worked as prop master on Star Trek II: The Wrath of KhanStar Trek III: The Search for Spock, the first five seasons of Star Trek: The Next Generation, and all seven seasons of Star Trek: Deep Space Nine.

He first joined the Star Trek art department after being hired by director Nick Meyer for The Wrath of Khan in 1982, and later joined the Next Generation staff during development of “Encounter at Farpoint,” the series pilot. He and fellow property master Alan Sims would later trade off responsibility for each episode until Longo left to join the Deep Space Nine team in 1992.

[iframe src=”http://www.youtube.com/embed/ldXdwRuDZGY” width=”550″ height=”315″]
 
A few of Joe’s colleagues spoke with TrekCore today to share their thoughts and remember their friend and co-worker.

Michael and Denise Okuda:
Joe Longo was unflappable.  Even when a director threw him a curve ball, he’d tackle the change-of-plans with his trademarked droll sense of humor.  The rest of us might be running around like crazy, but Joe would remain calm until the problem was solved.  We loved the fact that he trusted all of us to make him look good, which in turn helped the show look that much better.

longo1 longo2 longo3
A 1999 interview with Joe Longo in Star Trek: The Magazine.

Doug Drexler:
One of my favorite characters on Star Trek was not a cast member, but the prop master, Joe Longo. Hearing of his passing was like an arrow to the heart. I saw Joe everyday for over ten years. He was irreverent, cool, and funny as hell. His laid back demeanor was the same kind of cool that made Dean Martin famous. I loved Joe. When he came into the art department, I would announce him as “That dynamic gentleman of the prop department.”

Joe told me an amusing anecdote about his first job at Universal, where he started out with craft services in the 60′s. Not sure what to do with the the young Longo on his first day at work, his boss handed him a broom and told to clean up the soundstage. Joe was determined to make a good impression, and cleaned that danged stage from top to bottom. It was very dusty, and literally filled with cobwebs, but Joe made it sparkle. Unfortunately it was the Munster house, and was supposed to be dusty and full of cob webs! 40 years later and we are still laughing about it! Here’s to Joe, one of the most fun guys I got to work with! He was one of the personalities that made working on Star Trek special.

div_spacer

We’d like to extend our condolences to Joe’s family and friends at this sad time.

TrekCore Comics Review: ‘Khan’ Issue #4

khan-title

Welcome, readers, to the first of many comic reviews here at TrekCore! Our new Trek Comics editor Patrick Hayes has joined the team to provide commentary and critiques of the ongoing graphic series based on the 2009 Star Trek film timeline, as well as the other Trek comic releases to be released over the coming months.

We begin our reviews with issue #4 of IDW Publishing’s Star Trek: Khan, the prequel series covering Khan Noonien Singh’s exploits between his reign as a genetic superman on 20th Century Earth, his escape to space on the Botany Bay, and the circumstances surrounding his Cumberbatchian appearance in Star Trek Into Darkness.

khan4_cover

Khan #4 offers two cover choices to tempt your wallet, despite a surprising lack of a photo cover.

The regular cover artwork is by Paul Shipper, featuring a really nice shot of Peter Weller’s Admiral Marcus against an exploding planetoid — both beneath the watchful eyes of Khan. There’s some really nice coloring on this cover, and if you know anything about Star Trek, you should be able to make a pretty solid guess as to which planet is being destroyed.  Grade: A.

The subscription cover is by interior artist David Messina and colorist Claudia ScarletGothica, showing a steely-eyed Khan viewing the bodies of defeated Klingon warriors on Qo’onos, as seen in Star Trek Into Darkness. I love Messina and ScarletGothica’s work, making this my favorite cover of the pair.  Grade: A+.

khan4_story

With the help of story consultant Roberto Orci, writer Mike Johnson takes this tale to the “present” era in the Trek timeline. When we last saw him, Khan was blasting into space aboard the Botany Bay; Khan #4 begins with the genetic superman waking up on a top-secret space station, and being addressed as “John Harrison” — he has no memory of his past. Admiral Marcus tells “Harrison” that he wasn’t just a soldier: “You were extraordinary… and soon you’re going to be extraordinary again.”

We then see Marcus and a very important aide — if you’ve been reading IDW’s monthly Star Trek series — and begin to get glimmers for what the Admiral has in mind for Khan. This issue illustrates the lie Khan is told to convince him to work for Section 31, and anyone who saw Into Darkness will know more about what’s going on then he does. The major source of tension in the story comes from waiting for Khan to realize the truth, and there’s a sequence beginning on Page 14 that I really was not expecting — why couldn’t have this been a part of Into Darkness?

This issue was an enjoyable read with a solid cliffhanger at the end, but it still doesn’t address the major question brought up earlier in the series: why doesn’t this Khan look like Ricardo Montalban? That’s the answer I want next month.  Grade: A–.

khan4_art

I am a huge fan of David Messina’s artwork, and was certainly not disappointed by this issue. He’s inked by Giorgia Sposito, and the pair did some amazing work on this book. As he’s done for IDW’s other Trek titles, Messina captures the characters’ likenesses quite well, especially with Benedict Cumberbatch’s Khan. While there are a few missteps involving Admiral Marcus, he still manages to capture Weller’s look most of the time.

I also enjoy the tech that he creates; the opening sequence in the medical bay has a tremendous window that just looks great, along with the station corridor on Page 5. The planetary setting on Pages 14 through 21 doesn’t have much detail, but I’m hoping that might be addressed in another film. The image in the final panel is just an oozing, ominous threat — and I dare you to read it without hearing Cumberbatch’s voice.  Grade: A.

Khan’s flashback sequences were penciled and inked by Luca Lamberti.

khan4_colors

Claudia ScarletGothica did a superior job with this issue’s colors. She knows exactly how to shade a character to make them look three-dimensional, and she really demonstrates her skill on Page 4 with the tiny close-ups of Khan and Marcus, the window just below the pair, and the bright holograms she brings to life on Pages 11 and 13.

ScarletGothica changes up the coloring a bit on Pages 14 through 17, bringing a very natural look to a smoky environment not normally associated with typical “block” coloring seen in comic books. I love this colorist.  Grade: A+.

khan4_letters

Neil Uyetake was responsible for the dialogue, scene-setting, and the four sound effects in Khan #4. I was hoping for some more consistency with the sounds — after all, that’s half the fun of a comic — but some noises are oddly mute. For example, there is only one sound effect for the three phaser blasts on the third panel of Page 16, and no sound accompanying the violence atop Page 17.

It’s a decent job, but I certainly wanted more.  Grade: B+.

khan4_covers_thumb

Bottom line: I’m still enjoying this series, but I’ve got serious questions that I sure hope are answered next month — and it’s certainly more enjoyable to read this Khan exploit than watching him on the big screen.  Overall grade: Grade: A–.

div_spacer

khan_covers




Trek Film Writer Roberto Orci Hints at ‘Star Trek 3’

72

In a new interview with CraveOnline, Trek writer Roberto Orci offered up a hint towards the direction Star Trek 3 might take when it hits theaters in 2016.

orci

When asked if the film will rely on classic Trek stories or stand on its own in the canon:

“Little bit of both,” Orci said. “Part of the fun of the freedom that we bought ourselves is that you can harmonize with canon and you can echo what’s come before, so you can do it in a new way.”

Orci worked with co-writers Alex Kurtzman and Damon Lindelof for the first two films produced by Bad Robot; he will instead be joined by newcomers J.D. Payne and Patrick McKay for the third installment of the reboot film series.

Sources: CraveOnline; The Hollywood Reporter

div_spacer

Order Star Trek Into Darkness on Blu-ray today!



Order Star Trek Into Darkness on 3D Blu-ray today!



REVIEW: “Star Trek: The Fall — A Ceremony of Losses”

Star Trek: The Fall
A Ceremony of Losses
By David Mack
Release Date: October 29, 2013
Pocket Books

 

From the back cover:

THE NEEDS OF THE MANY: Despite heroic efforts by Thirishar ch’Thane, the Andorian species is headed for extinction. Its slow march toward oblivion has reached a tipping point, one from which there will be no hope of return.

THE NEEDS OF THE FEW: With countless lives at stake, the leaders of Andor, the Federation, and the Typhon Pact all scheme to twist the crisis to their political gain—at any price.

THE NEEDS OF THE ONE: Unwilling to be a mere bystander to tragedy, Doctor Julian Bashir risks everything to find a cure for the Andorians. But his courage will come at a terrible cost: his career, his freedom . . . and maybe his life.

My thoughts:

After Una McCormack’s absolutely stellar The Crimson Shadow, how could another book in The Fall possibly measure up?

Quite well, as it turns out. I do not envy David Mack’s task of having to follow Una McCormack’s fantastic entry in The Fall, but unsurprisingly, he handles the task with his usual aplomb. A Ceremony of Losses continues the story of the Andorian reproductive crisis; a story-line that, surprisingly, has now been with us for over a decade. Against the backdrop of the recent tragic events that have befallen the Federation, Dr. Julian Bashir embarks on a personal mission of mercy to help solve the Andorians’ dilemma.

His plan is to access the Shedai meta-genome, an act which, if discovered, would led to the end of his Starfleet career at best — and at worst, charges of treason and a life in prison. The meta-genome is the Federation’s most closely-guarded secret, possibly for good reason. Featured in the unparalleled book series Vanguard, the Shedai meta-genome was discovered by Starfleet a century earlier. Its discovery and the fallout from that event led to a short but brutal conflict with the Tholian Assembly.

vanguard‘A Ceremony of Losses’ reaches all the way back to the TOS-era ‘Vanguard’ series.

In addition, while the meta-genome could yield a plethora of benefits, the knowledge it contains could also be used in very destructive ways. In fact, Project Genesis was derived from information in the meta-genome, a device that could be used as a devastating weapon. Needless to say, Starfleet and the Federation will do everything it can to ensure that the information contained in the meta-genome stays under lock and key.

It is against all of this that Bashir must struggle to find a cure for the Andorian people. This herculean task is the ultimate embodiment of Bashir’s frequent “uphill battles,” famously enacted in the holosuites on DS9 through the Battle of the Alamo and the Battle of Thermopylae. Instead of a small force of Texans holding out against a vast Mexican army, or 7000 Spartans against a force of 100,000 Persians, Bashir and a few genetic scientists must go up against the entire might of Starfleet and the Federation, as well as a reactionary Andorian government that would rather consolidate its hold on power than allow their people to be cured.

A Ceremony of Losses touches on a lot of topics that are worth deep examination. The political party in power on Andor is very right-wing and reactionary, and their base is very much against science and anything that goes against their religious beliefs. Key to maintaining their power is getting their base riled up and ready to fight.

The “President Pro Tem” of the Federation, a Bajoran by the name of Ishan Anjar, is also extremely reactionary and a true “warhawk.” Quick to anger and looking to score cheap politcal points at the expense of the prudent course of action, Ishan’s (hopefully short) regime is a stark contrast to the presidency of Nanietta Bacco. It is in the middle of this charged political climate that Bashir finds himself.

As usual, David Mack handles the characters in his book as expertly as he does the grand, epic plots. In particular, the strained-of-late relationship between Bashir and Dax gets some very welcome development, and I’m eager to see where it goes in future novels. Also, this novel features the return for one of my favorite lit-only characters: Thirishar Ch’Thane, formerly the science officer of Deep Space 9.

chaneThe young Andorian returns to the ‘Deep Space Nine’ narrative.

A Ceremony of Losses, much like David R. George III’s Revelation and Dust, leaves several plot points dangling at the end. A few of these are obviously specific to The Fall and will be picked up in the remaining two books in the series. However, Bashir’s story in particular looks to be continued in David Mack’s 2014 novel, Section 31: Disavowed, which is set to be released toward the end of next year.

In addition, due to the lack of mention of the plot points revealed at the end of Revelation and Dust in this novel, we can probably assume that those stories will be continued in another novel further along in the DS9 story, and will not feature in The Fall.

Final thoughts:

I was a little worried about being disappointed after the high level of quality of The Crimson Shadow, but my fears were completely unfounded. Truly, this is unsurprising, as I have yet to be disappointed by anything of David Mack’s that I have read. He keeps his streak going with A Ceremony of Losses.

This epic and far-reaching entry in The Fall will be an influence on story-lines going forward for many novels to come. As usual, Mack remains secure in his position as one of my favorite Trek-lit authors of all time. Another winner!

– Reviewed by Literature Editor Dan Gunther

div_spacer

crimson_small Order Star Trek The Fall: A Ceremony of Losses 

Tuvok Returns as Tim Russ Joins “Star Trek: Online”

Star Trek: Voyager actor Tim Russ has already reprised his role as Tuvok in Star Trek: Renegades, the Kickstarter-backed pilot episode coming later this year, but now Russ is lending his voice to an upcoming Star Trek Online adventure as well.

The fifty-seven-year-old actor returns to fill the Vulcan role of Admiral Tuvok in “A Step Between Stars,” a featured episode coming in February, celebrating the online game’s fourth anniversary.

admtuvok tuvok-renegades
Russ as Tuvok in ‘Star Trek Online’ and ‘Renegades’

STO community manager Brandon Felczer interviewed Russ in a new video released today:

http://www.youtube.com/watch?v=Q8mc89LKSGo

Felczer: “How does it feel to be reprising your role as Tuvok?”

Tim Russ: “After working on Voyager, and since the show’s gone off the air, I’ve actually reprised the role a couple of times… it’s like putting on a pair of old shoes, you know. They’re really comfortable and you can do it very easily, but it seems like it has a life of its own; it just continues to go.”

Russ joins several other Trek on-screen alumni who have participated in the Star Trek Online story, including Leonard Nimoy, Michael Dorn, and Denise Crosby.

Source: ‘Star Trek Online’ YouTube Channel

div_spacer

Star Trek: Voyager
A Vision of the Future



Star Trek: Voyager
Complete Series on DVD



Star Trek: Voyager
A Celebration



Chris Pine Hopes for Kirk to “Go Dark” in ‘Star Trek 3’

In a new interview on the Jack Ryan: Shadow Recruit publicity tour, TotalFilm.com got Trek actor Chris Pine to talk about his hopes for the next appearance of James T. Kirk in Star Trek 3.

TotalFilm: “If you were to sit down with the writers of Star Trek 3, and request any scene or moment for Kirk, what would that be?”

Chris Pine: “Well, for anybody that’s seen [Into Darkness], given the fact Kirk’s been revived by Khan’s blood, I think there’s definitely room for Kirk to go dark, which we’ve obviously seen in the Original Series. That would be fun, I think.”

We saw several versions of a “dark” Kirk in the TOS, from the evil half of the captain in “The Enemy Within” to the raving madman from the Mirror Universe in “Mirror, Mirror“, to the raw, Klingon-hating Kirk seen in the opening of Star Trek VI: The Undiscovered Country — but whether this is just Pine’s speculation or a hint into the future of the film franchise, only time will tell.

Source: TotalFilm.com Interview

div_spacer 

Order Star Trek Into Darkness on Blu-ray today!



Order Star Trek Into Darkness on 3D Blu-ray today!



Larry Nemecek Interview: Behind the Pages of Stellar Cartography

Noted Star Trek non-fiction author Larry Nemecek is once again taking on the gauntlet of smoothing over inconsistencies in Star Trek‘s sprawling history with his new book Stellar Cartography. The carefully constructed library of lovingly created Star Trek maps went on sale last month, and we decided to catch up with Larry to discuss the project. We also touched on his seminal work, the TNG Companion as well as the current resurgence of Trek non-fiction.

Larry Nemecek

Notes From Nemecek: Larry Talks Trek Non-Fiction

Interviewed by Adam Walker for TrekCore.com

div_spacer

TREKCORE: Tell us about the genesis of Stellar Cartography. What was the timeline like, and how did the project come to you?

Larry Nemecek: Well, on one hand, it really started about a year ago. John Van Citters at CBS Consumer Projects and publisher becker&mayer! were talking about doing some projects, and they had this idea and they came to me about it.

stellar_cartography

The concept came from CBS about it being alien maps and historical maps — and I basically wrote the book according to the concept they had, which would be a guide for the maps. Our premise was that these were the top ten most requested maps by the public from the repository of Memory Alpha.

But it’s stuff I’ve done for twenty years —  something I’ve been doing on my own going all the way back to the 1970’s as a kid, when we thought there wasn’t going to be any more Star Trek.

There were a few of us who wrote back and forth, mostly through the tech-based fanzines; but the main correspondence for me was when I wrote a letter to the Medical Reference Manual that ended up in the lap of Geoffrey Mandel, saying, “Some of the star choices you made for the different races aren’t very smart!” This was after I had already done my own star charts.

He wrote me back, saying “Thank you — two thousand other people have already written me about this, but you’re the only one not screaming at me!” After this, we struck up a conversation and then he went and updated some of my maps with his graphic system to be included in his Officer’s Manual tech zine. He then was called in to take over Bantam’s Star Trek Maps in 1980, so a lot of the work I had done was moot.

There was some of my stuff in those maps, and I was supposed to get credit, and I got burned by the project publisher. Meanwhile, Geoff was creating stars to fill up the empty spaces. I was pissed about it at first, because he put in things like “THX-1138” and “Disney’s Star” and “Barsoom” and some random things to round out the corners. There was a “Nemecek” star which all of my friends just teased me about, but I got over it: that’s where MyStar Media came from, my little brand.

So, okay, fine, I got burned, I thought; I’ll go back and get a life and get on with things. Then The Next Generation came out and we weren’t gap-filling in a vacuum anymore. Mike Okuda, Rick Sternbach, and the rest of the whole show were cranking out more canon than you could keep up with — and then third season, Mike came up with the quadrant system for “The Price,” and after that, we had a real gridwork to gradually fill in.

Then we had all of the good reference books like the TNG Technical Manual, the DS9 Technical Manual, and the series Companions, but they were all “gathered-material” reference books, rather than the “gap-filler” books we used to see. Then when Enterprise was a year in, they came back and Geoff came back and did his Star Trek: Star Charts book that built on what fans had done, and he filled in what they were doing with the show.

nemecek_star

TREKCORE: Didn’t you do the introduction to the chapters on that book? 

Larry Nemecek: Yeah, it was kind of funny. Here’s Geoff and I working on our own maps in the 1970’s, then he got called in to do the maps in the 80’s… then in 2002, it was like we were destined to keep crossing paths!

I wrote the chapter intros for Star Charts, but also I kind of gave him all the stuff we had left over – many of the different planet colors, star names for planets we had heard of on the shows, orbital numbers, all that kind of stuff. That was a lot of fun, and I kind of looked over a lot of it.

TREKCORE: One of the biggest concerns people have expressed about the book is that in compared to your previous works – like the TNG Companion – this release is so short in length. Did you have a set number of pages that you were told to fill, or did you just come to a natural conclusion?

Larry Nemecek: It was a hoot — first everybody said, “Hooray, it’s your new book!” And then people get it and go, “Well this is barely a book, it’s all maps!” Well, it’s really both. The maps are the sexy part, but there’s an awful lot of stuff crammed into the book, especially on the Dominion War.

While Pocket Books had gotten to the point where everything was tied into the same format, becker&mayer! has been great about trying to find outside-the-box ideas. They did some big Star Wars presentation books, and they did David A. Goodman’s Federation… and it costs a lot of money to have the maps printed up separately and included in the pouch in this package.

map_book_open

It was planned as a substantial package: ten maps, four written pages for each map – each with a certain word count – and then printed in hardback. That being said, our deadlines were all like last spring. It had to be completed and printed for the 2013 holiday season, but we got started in 2012 since it was going to take six months to have the whole thing printed up in China. Anytime you work on a licensed book, it’s just par for the course; we were only supposed to have three months to do the first edition of the TNG Companion, but it took three months longer than we planned due to issues with the photography.

So I did what I was tasked to do to meet the concept, but some of the chapters had required much more work than others — and then in the crunch, Paula Block helped out on deadline and cut down some of the longer text during editing. I think becker&mayer! thought it was going to be a simpler project than it wound up being!

TREKCORE: That brings me to the next topic. The older Trek non-fiction work – the Star Trek Encyclopedia, Geoff Mandel’s Star Charts, etc. – they were all being put together while the shows were still on the air, so the canon wasn’t complete. Since they came out, we’ve had the explosion of massive fan archives like Memory Alpha which hold every bit of information you could ever ask for. How do you strike the balance between originally-authored content and established work produced by the fans?

Larry Nemecek: That’s really what I was all about — here’s the thing; my first attraction to fandom was gap-filling. I mean, I sat down when I got the original Tech Manual and I was mad, because all those pages intimated in the section contents aren’t really there — they’re just in the table of contents to make it seem like a much huger book… so I sat down and started making all the pages that I wanted!

When The Next Generation came out, everything went from gap-filling to keeping up with the canon. Then we had TWO shows on at a time, then Voyager went into the Delta Quadrant, and it was a scramble! By that time, though, I was professional and had run the Communicator and I had done my Companion, I did the Fact Files, so we had to be like “kings of canon. “

nonfiction

Most of the time, if you take a step back, there is usually a good way to resolve inconsistencies. That’s what I’ve always tried to do; for anything I would do originally, I would consult as much as I could, even in the pre-internet days. So that was all in my bailiwick, but it had just been put on the shelf while we HAD. TO. KEEP. TO. CANON. for years. Actually — halfway through this — John Van Citters had to look at me and say, “Larry, it’s okay! You can unclench! It’s okay to go back and come up with some non-canon things!”

TREKCORE: Did you work in concert with the artists? Did you see the maps first?

Larry Nemecek: Well, I never got to meet the new artists directly, Alie and Ian. They were kind of using the Star Trek Online maps first before we had them pull back — the book is set in 2385, and STO is several decades in the future. We did do the Hobus Supernova from the 2009 film, though, since that was in the “prime” universe.

I loved to see the canon that Alex Kurtzman and Bob Orci laid down in the Countdown comics; it went from being a plain supernova — which made no sense — to a subspace shockwave supernova effect, which thankfully helped smooth out some of the science. And now STO is even doing a plotline where it may have been an unnatural event, some kind of sabotage or something — which makes it even better.

maps

So anyhow, they had already chosen a position for the Hobus star, and it made sense to me so I took STO’s location for Hobus. We decided that the book was set about six months before Hobus went supernova, so we go and give you the Romulus you’d want to know; in fact, the Romulan map is set two years into TNG.

But we started off with the format and some basic labels, then the artists did a pass; we gave notes, then off we went – two more cycles of drafts, all through UPS and email.

TREKCORE: The paper maps themselves are beautiful pieces of artwork — what have you done with yours? Are they up on your walls?

Larry Nemecek: Oh, I only just got my copy! But they’re beautiful; I want to put one up, either the Dominion War one or the ‘kitchen sink’ National Geographic map, the last one. I’m glad Geoff got to do that one; the one complaint people had about the 2002 book was that it was all tiny little pages! So hopefully this will satisfy all those people.

TREKCORE: Then is that one your favorite of the maps?

Larry Nemecek: Well, the Dominon War map is the one I’m most proud of because that one had nothing established, and it had the most problems to fix. Everyone liked those great battle maps they showed on Deep Space Nine; I knew that someday I was going to grab those and put them out — but they make no sense. The guys who made them at the time – Doug Drexler, Mike Okuda, etc. — were just trying to get the things to look good. And Geoff just kind of skipped over it and simply used those maps in his book, which didn’t help anything! [laughs]

domwar

They’re pretty, and they look great, but there are stars on there nowhere near the battle lines by Cardassia or Bajor.  So that was the one caveat I came up with to explain them, but make them fit: that they weren’t “to scale” maps – the stars shown were to be like the origin source of each fleet movement. That way, we weren’t ignoring them, and we could sketch out the whole war with every little iota of information along with a ton of information — including where the thing with the Valiant happened, Damar’s resistance bases, and so on. The biggest piece of it all was trying to figure out why were the homeworlds of the Federation always being threatened if the war was happening all the way over by Bajor and Cardassia?

I used two models to address that, based on World War II in the North Atlantic: we imagined that if “Europe” was the Federation, and Cardassia and Bajor were “North America”, then the majority of the Dominion War happened in “the Caribbean.” We figured the Klingons were kind of like the southern flank, like “North Africa,” and then most of the activity was happening in the center of all that, if that makes any sense.

But that first battle — the one we never saw but only heard about the devastation — was the battle of Tyra. There was never really a location given, so what I basically did was made Tyra up around “Iceland.” So if you go up through the Ferengi and the Tzenkethi areas, we put Tyra up there. When that was such a smash-out, it explains why the “northern” Federation worlds were so threatened, and why Benzar was occupied – though the Romulans later liberated Benzar when they came out of their territory.

And then, to explain on this grid how the main “southern” UFP worlds were so threatened when the furthest Dominion advance seemed to hit Betazed and then bog down, I turned to a Persian Gulf War metaphor: the “Baghdad Alley.”

In that short 1991 war, the Iraqis put all their forces into a big border defense, but once the Allies simply pivoted around their end following a bombing campaign, there was a clear and undefended alley right into the capital — had the Allies chosen to go there.

I conceived of that model as the explanation for the “homeworlds threatened” situation, which also had the benefit of lending weight to all the drama around Chin’toka, Betazed, the Argolis Cluster, etc. — that last defense against a great open and undefended expanse. Thankfully, the Dominion never got to break through that “wall” for some open-field running right to Earth, Vulcan, and Andoria.

TREKCORE: A very slight detour now to your TNG Companion, which remains a fan-favorite today. Was there ever a plan to issue the Companion in a color-print format?

Larry Nemecek: Yes, but then the world started to shut down! When they did the Chronology in color and the Encyclopedia in color, the next book was going to be a reprint of the TNG Companion in color.

But somewhere along the way, the sales numbers started going down, and the TV ratings were dropping, so they got cold feet. They had Gar and Judy Reeves-Stevens do that hardcover coffee table book – The Continuing Mission – but after that, they never went back to it. Again, those books in the 90’s were all about having something that made sense to the publishers.

companion

They took a lot of overhead at Pocket Books in New York; they were all budgeted when things were pre-digital. When we did the last update to the Companion – the black one – they asked me if I remembered what font and point size was used on the previous ones, because they were going to have to match the new digital pages to all the old camera-shot pages from the 90’s! Everything had changed in those eight years.

TREKCORE: It certainly seems – and I say this cautiously – that there’s been a bit of a resurgence into Trek non-fiction publishing.

Larry Nemecek: Oh, I have been on this bandwagon for a couple of years. Paula Block and Terry Erdmann’s books are massive and wonderful, but they’re fairly straightforward as production history – what I mean by that is that a publisher wouldn’t feel like they would have to take a big gamble to do them.

David’s book and my book didn’t have as much prep time as we would have loved; nobody thinks more than a year ahead of time unless you’re really invested and you go out and have it done already before you try to sell it. But yeah, we are in a boom — but it will only get “boomier” if everybody goes out and buys! I hate to sound like a car salesman, but people have to vote with their pocketbook and buy the non-fiction and reference and canon gap-filling books. Buy all you can, that’s what sends the message to the publishers.

TREKCORE: Do you think there are still fresh ideas out there, or has everything been done already?

Larry Nemecek: Well, I didn’t think up this concept; I’ll give all the credit to CBS and becker&mayer! who came to me with the idea. The only way it could have been cooler is if we had some kind of 3D holographic thing!

I think there are plenty more ideas down this path to do. We need to do a full atlas of star systems; there are things even in these maps that we could go back and do. We could chart the voyages of the ships, where the different starships actually went; we could do more historical stuff from the other species’ points of view — Klingon or Romulan or Vulcan stuff. Hopefully, we can still do a few more. There are plans do some more things, but it really depends on the fan reaction.

vulcanmap

TREKCORE: Well, I’ll ask you to put your car salesman hat on one more time — to those fans who are on the fence, and who may already own Star Charts and all the other non-fiction books, why should this go on their wish list?

Larry Nemecek: Oh, well, if for nothing else, if you’re a Klingon or Vulcan fan or whatever, the Klingon map is all in Klingonese; frame it and hang it in your Klingon room. Put the Vulcan system map in your Vulcan corner. I think gamers can use the big maps for great ship-to-ship gaming — take the Alpha and Beta Quadrant maps and put them under plastic and game on top of them.

If you’re an in-universe Trek history fan, then there are a lot of dots connected in the book — and followed through in the maps — that maybe you haven’t thought about. And if nothing else, the Dominion War finally makes sense!

There’s just a ton of stuff in this that has never been put out before, AND it was priced at $47.99 — what more of a sign do you need to go get it?

div_spacer

Star Trek Stellar Cartography Order Star Trek Stellar Cartography

 
tngcompanion Order Star Trek: TNG Companion

Enterprise Season 4 Blu-ray: Full Details & Special Features Breakdown

23

Star Trek: Enterprise‘s release on Blu-ray continues apace this month with the third season debuting for fans in North America and the UK (watch our for our review coming soon). This just leaves the ever-popular fourth and final season, slated to appear on April 29th courtesy of CBS Home Entertainment.

Last month we brought you the thrilling and poignant trailer issued by CBS to promote Season 4, along with a host of full 1080p screencaps so you could gauge the quality of the native high definition picture. Now we can reveal the full disc-by-disc breakdown of the set thanks to this new press release from CBS Home Entertainment, along with information about the extensive array of new bonus material created exclusively for this Blu-ray release.

div_spacer

THE FINAL EPISODES OF FAN-FAVORITE SERIES
STARRING SCOTT BAKULA DEBUT ON BLU-RAY

STAR TREK: ENTERPRISE

Exclusively Featuring Writing Staff Reunion And
Multi-Part Documentary With New Cast And Crew Interviews,
The Fourth Season Arrives In Spectacular High Definition April 29

Packed with hours of newly produced special features, relive the final adventures of Enterprise NX-01’s heroic crew in high definition when STAR TREK®: ENTERPRISE—SEASON FOUR on Blu-ray debuts April 29th from CBS Home Entertainment and Paramount Home Media Distribution.

ents4-cover-small

A special highlight to the collection is “In Conversation: Writing Star Trek Enterprise,” an exclusive, 90-minute writing staff reunion special. The compelling discussion includes series creator and executive producer Brannon Braga, along with Mike Sussman, André Bormanis, David Goodman, Chris Black, Phyllis Strong, and Judith and Garfield Reeves-Stevens, all detailing some of the series’ most fascinating behind-the-scenes stories.

Plus, fans will receive special insight on the creation of the final episodes of STAR TREK: ENTERPRISE with a newly produced, four-part documentary “Before Her Time: Decommissioning Enterprise,” which includes more in-depth interviews with the cast and crew.

Featuring all 22 episodes from the final season of the series, STAR TREK: ENTERPRISE stars Scott Bakula, Jolene Blalock, Connor Trinneer, Dominic Keating, Linda Park, Anthony Montgomery and John Billingsley, and follows the thrilling adventures of the first Earth-built vessel capable of breaking the Warp 5 barrier.

STAR TREK: ENTERPRISE – SEASON FOUR on Blu-ray will be available in 1080p with English 5.1 DTS-HD Master Audio, German 5.1 Dolby Digital, French Stereo Surround and Japanese Stereo Surround. The discs also include English SDH, French, German, Japanese and Dutch subtitles. The Blu-ray is Not Rated in the U.S. and rated PG in Canada. It will be available for the suggested retail price of $130.00 U.S. and $150.00 Canada. The disc breakdown is as follows:

The disc breakdown is as follows:

Disc One:
Episodes

Special Features

  • Deleted Scene on “Storm Front” (SD)
  • Archival Mission Logs:
    • Enterprise Moments: Season Four (SD)

Disc Two:
Episodes

Special Features

  • Episode Commentary by Judith & Garfield Reeves-Stevens and Mike & Denise Okuda on “The Forge” – NEW!
  • Text Commentary by Mike & Denise Okuda on “The Forge” (2005)

Disc Three:
Episodes

Special Features

  • Episode Commentary by Judith & Garfield Reeves-Stevens and Mike & Denise Okuda on “Observer Effect” – NEW!

Disc Four:
Episodes

Special Features

  • Episode Commentary by Judith & Garfield Reeves-Stevens and David Livingston on “United” – NEW!
  • Deleted Scene on “The Aenar” (SD)

Disc Five:
Episodes

Special Features

  • Episode Commentary by Mike Sussman and Tim Gaskill on “In A Mirror, Darkly” (2005)
  • Episode Commentary by Mike Sussman and Tim Gaskill on “In A Mirror, Darkly, Part II” (2005)
  • Text Commentary by Mike & Denise Okuda on “In A Mirror, Darkly, Part II” (2005)
  • Episode Commentary by Judith & Garfield Reeves-Stevens, André Bormanis, Connor Trinneer and Dominic Keating on “Demons”– NEW!
  • Deleted Scene from “In A Mirror, Darkly, Part II” (SD)
  • Archival Mission Logs:
    • Inside the Mirror Episodes (SD)

Disc Six:
Episodes

Special Features

  • Episode Commentary by Judith & Garfield Reeves-Stevens, André Bormanis, Connor Trinneer and Dominic Keating on “Terra Prime”– NEW!
  • Episode Commentary by Judith & Garfield Reeves-Stevens and Tim Gaskill “Terra Prime” (2005)
  • Text Commentary by Mike & Denise Okuda “These Are The Voyages” (2005)
  • Before Her Time: Decommissioning Enterprise (HD) – NEW!
    • Part One: New Voices
    • Part Two: Memorable Voyages
    • Part Three: Final Approach
    • Part Four: End of an Era
  • In Conversation – Writing Star Trek: Enterprise (HD) – NEW!
  • Archival Mission Logs:
    • Visual Effects Magic (SD)
    • Links to the Legacy (SD)
    • Enterprise Secrets (SD)
    • That’s a Wrap! (SD)
    • Enterprise Goes to the Dogs (SD)
    • Westmore’s Aliens: Creating Dr. Phlox and Beyond (SD)
    • Outtakes (SD)
    • Photo Gallery (SD)
    • NX-01 File 10 (SD)

div_spacer

Bonus feature maestros Roger Lay, Jr. and Robert Meyer Burnett have certainly pushed the envelope with the new content on offer with this set. The four-part documentary promises to bring the series of documentaries to a nice conclusion with a candid, sincere look at the show’s premature cancellation and what could have been with Season 5.

Fans of the writers reunion included on Star Trek: The Next Generation‘s third season Blu-ray release will be thrilled to discover that a similar-styled feature has been recorded for Enterprise‘s final season. The gloves are off in Enterprise’s writers reunion – especially as Brannon Braga turned up slightly late, allowing the other writers to let rip with a series of hilarious tongue-in-cheek insults!

[iframe src=”http://www.youtube.com/embed/zLyzVyMAs3I” width=”560″ height=”315″]
Season 4 is set to be polished off nicely with a total of five new audio commentaries, on the popular episodes “The Forge”, “Observer Effect”, “United”, “Demons” and “Terra Prime”. All great selections, although half of me wanted to see a warts-and-all exposé of the horrible series finale “These Are The Voyages…” by way of a new Berman/Braga commentary. That said, Brannon has probably already given himself more than enough criticism across these sets to last a lifetime!

If you’re ordering from the United States, you can lock in your pre-order for Star Trek: Enterprise’s fourth and final season on Blu-ray now at Amazon using the links below. UK, German and other international pre-orders should follow soon, and we’ll let you know as soon as they appear!

Order Star Trek: Enterprise Season 4 Blu-ray today!



Order the Enterprise Blu-ray Collection today!

“Into Darkness” Nominated for Visual Effects Oscar

guyetteThe 86th Academy Award nominees were announced in Los Angeles this morning, and Star Trek Into Darkness was among the honored films in this year’s rankings!

The team of Roger Guyett, Patrick Tubach, Ben Grossmann, and Burt Dalton were named as nominees for best Visual Effects for their work in the twelfth Star Trek film.

Visual Effects Supervisor (and Second Unit Director) Roger Guyett and Burt Dalton were also nominated for their work on the 2009 Trek film, where they lost to the team behind the extravagant effects of Avatar.

While we know some of our readers didn’t care for the Into Darkness storyline (play nice in the comments, folks!), there’s no denying the impressive work that went into making the film look amazing in IMAX and on Blu-ray — from the visit to Kronos to the aerial battle through a futuristic San Francisco.

stid-greenscreen

While the film surely faces some daunting competition at this year’s Academy Awards from Gravity, The Hobbit: The Desolation of Smaug, Iron Man 3, and The Lone Ranger, we wish the Into Darkness visual effects team all the best.

The 86th Annual Academy Awards Ceremony will be held on March 2.

div_spacer

Order Star Trek Into Darkness on Blu-ray today!



Order Star Trek Into Darkness on 3D Blu-ray today!



German “Unification” Blu-ray now available in stores

Just like “The Best of Both Worlds” and “Redemption,” German audiences can now pick up a copy of “Unification” on Blu-ray — with German-language packaging — through select local supermarkets priced at €9.99. The single-disc set includes the same foldout slipcover included with the North American release.

german-unificationImage from the CineFacts.de forum

We’re pleased that German fans have the opportunity to pick up a copy of “Wiedervereinigung?” (or, “Reunification?”) in their home territory, but for those German speakers who don’t have access to a local store, we recommend purchasing the disc from Amazon.com.

div_spacer

Have any of you been able to track down a copy of this release in a market near you? Let us know in the comments below!

Order Star Trek: The Next Generation Season 5 Blu-ray today!



Order TNG - "Unification" Feature Blu-Ray today!