Home Blog Page 241

Mission Report: STAR TREK’s New York Convention

11

It was 5PM on Sunday night, and a deafening roar could be heard from the main stage. William Shatner was taking his bow after an hour long Q&A session, and the audience was giving him a standing ovation. It was the perfect end to an incredible three days at Star Trek: Mission New York.

The convention was an inaugural collaboration for CBS Consumer Products and ReedPop, the same convention company responsible for Star Wars Celebration and the PAX conventions.

The result was a the type of Star Trek convention I’ve been dreaming of since I was a kid.

I’ve been attending fandom conventions for nearly 20 years – conventions that are big, small, fan-run, professionally-run, and everything in between. What I’ve wanted all these years, is for Star Trek to get the same convention opportunity that Star Wars fans have had for the past several years – something TrekCore’s Rob Heyman pined for in his column last year.

When ReedPop announced their partnership with CBS, I was hopeful… and thankfully, those hopes were not dashed. Star Trek: Mission New York proved to be an incredibly enjoyable experience, especially set just a few blocks away from the Intrepid Museum’s Starfleet Academy Experience.

It was the kind of convention Trek had long since deserved. It wasn’t perfect, but it was certainly a fantastic freshman effort. Here are compliments to the Mission New York team – and some constructive suggestions for next time around.

A Well-Organized Weekend

agenda-sign
One of many panel agenda signs to help plan the weekend.

thumb-upThe convention featured plentiful signage that was easy to see; every panel room had a weekend-long agenda near its entrance; convention staff members were always just around the corner when you needed them, and were all friendly and polite; the official merchandise booth had plenty of placards showing the items for sale, their costs, and if they were sold out; and autograph and photo-op stations were well-marked with actor availability schedules and prices.

In addition – and this is a big plus – all of the autographing guests had signing fees available on the convention website ahead of the weekend, allowing fans to budget for the event.

Plenty of Elbow Room

hallmark-booth
Fans in line to get the exclusive Hallmark USS Enterprise ornament.

thumb-upThe vendor/exhibitor room was the appropriate size, which is something that conventions rarely get right. Vendors are usually packed in like sardines, making it nearly impossible to browse and move around. At this convention, the aisles were wide and there was plenty of room between each stall.

For the exhibitors, which sometimes had small lines for their activities, this meant they had plenty of room to queue attendees without blocking aisles. At the most popular booths – the Hallmark ornament display and the Mission New York exclusive merchandise tables – their team smartly organized a queue to allow attendees to check out their wares without being mobbed by the crowd.

Elusive Exclusives

sold-out
Two popular items, sold out before the end of Friday’s event.

thumb-downThat said, some of the best exclusive Mission New York merchandise was sold out before the first – and most sparsely-attended – day had even ended. I was lucky enough to nab a nicely-designed shirt and a cool “Quark’s Bar” pint glass, but fans arriving Friday afternoon were out of luck when they got to the event only to find both out of stock.

Event-exclusive merchandise is expected to be a limited quantity, but selling out that quickly makes things seemed a bit poorly planned – and those who weren’t there early on Day 1 missed out on some great items.

Mobile Magic

mobile
The brilliant mobile app was an great help for keeping on schedule – for iOS and Android.

thumb-upI can’t say enough good things about the official Star Trek Missions mobile app. Having all of the convention info at your fingertips – from panel details to event scheduling to autograph and photo op timetables – was extremely helpful, especially the ability to ‘favorite’ events throughout the weekend.

Not only did the app update whenever panels were changed or removed from the schedule (which happened once or twice before the convention weekend), it popped out notifications on our mobile devices ten minutes before each ‘favorited’ event on our list – a great service in a building without many clocks!

Gaming and Gadgets Galore

3d-print
‘Replicating’ phasers at the Smithsonian Channel’s vendor booth.

thumb-upThere were several Star Trek game developers offering demos at the convention, including Star Trek Online, Star Trek Timelines, the Star Trek: Bridge Crew virtual reality game, and tabletop games including Star Trek: Five-Year Mission and Star Trek: Ascendancy.

There were also several interesting exhibitors, including a huge NASA hub, Hallmark (featuring every ornament they’ve ever made, including a special convention-exclusive Enterprise), the Smithsonian Channel, who was 3D printing phasers on-site, and a visit from the Original Series Set Tour in upstate New York, on site for photo ops on the Enterprise bridge.

Odd Absences

all-access-banner
Lots of signs for CBS All Access, but nowhere for newbies to find out anything about the service.

thumb-downA few seemingly-obvious vendors were missing, especially with some of the events featured throughout the weekend: 455 Films presented For The Love of Spock, but had no table for fans to purchase the film or their previous works (like Chaos on the Bridge).

Nick Meyer screened the new Wrath of Khan Director’s Cut and Roger Lay, Jr. hosted a “Trek Into HD” panel on the upcoming Roddenberry Vault, but there was no booth with Trek Blu-ray releases. Mark Altman and Ed Gross had a great “Lost Treks” panel with highlights from The Fifty Year Mission, but fans couldn’t buy those new books on-site (their first panel fan question was “So… where can I buy them?”).

Most surprising – especially with the highlight STAR TREK: DISCOVERY writer’s panel and signage everywhere – there was no CBS All Access presence to educate people about the streaming service (or to encourage subscriptions) ahead of January’s new series.

Brilliant Badges

badges
Just a few of the fantastic attendee badges for convention staff, press, and ticketholders.

thumb-upOne of the neatest things about attending the convention was the Mission New York admittance badges, which arrived in the mail for pre-registering guests about two weeks before the event. In addition to cutting down on the usual lines to get in – which meant most people could just walk right in when displaying the badges to the staff – they also became a great conversation starter for everyone waiting line for panels or autographs.

At least fifteen different designs, from event staff to vendors, panel guests to kids’ passes, featured a different Trek character, and I can’t tell you how many times I heard, “Oh, what’s YOUR badge?” from people milling about the event. Several people even got them autographed by the actor portrayed on their badge – like Bill Shatner or Kate Mulgrew – which also makes for great convention memories.

Easy Eats

starbucks2
The on-site Starbucks was a popular mid-day destination for many…

thumb-upSnack vendors were inside all major areas, including inside the main hall – which means that if you were eagerly awaiting the next big panel event, you wouldn’t even have to leave the room to grab a quick bite to eat! Hot dogs, popcorn, soft pretzels, and soft drinks were available in many locations around the convention, along with a Pinkberry cart and small grilled-food vendor in the back of the merch room.

There were open newsstands with prepackaged food and drink options, a Starbucks inside the main level of the Javits Center, and a few regular food trucks parked out front.

Forgettable Food

starbucks
…but it was also one of the only “real” options aside from the multitude of ‘stadium food’-type snack stations.

thumb-downSure, there were plenty of snacks, there were basically no substantial meal options. (One cannot live on soft pretzels alone!) For those attending all three days – and living inside the Javits Center for eight-or-more hours each day – subsisting on salty snacks was pretty difficult. Our team began to bring our own snacks after the first day to at least put something healthy in our stomachs before leaving the convention center each evening

There was a food court located near the main hall, but none of those vendors were open during the event. If they could have just staffed one or two of those food options, it would have made a huge difference.

Trek Stars from Both On-Screen and Off

comics
Talking Trek comics with IDW’s John Byrne, Chis Ryall, and Sarah Gaydos.

thumb-upThere was a wide variety of featured guests – and not just the usual Trek actors I’m used to seeing at conventions. Don’t get me wrong, they had a great variety of actors from each series – even the rarely-seen, hard-working Roxann Dawson – and they even made an effort to include actors from the Kelvin Timeline (sadly Karl Urban had to cancel due to work commitments).

But what made this convention stand out from others was the inclusion of so many people who were connected with Trek production in other ways – from Brannon Braga joining the Voyager cast on stage, to many contributors from the Trek novel and comic teams, to Jordan Hoffman recording an episode of Engage: The Official Star Trek Podcast live, and allowing writer Kirsten Beyer and writer/producer Nick Meyer to headline the STAR TREK: DISCOVERY panel.

(Above: Talking Trek comics with IDW’s John Byrne, Chis Ryall, and Sarah Gaydos.)

An Over-Packed House

mainhall
The main hall, filled to capacity ahead of the Next Generation cast panel.

thumb-downThe biggest events were scheduled in the Javits Center’s main hall – but for the large crowds at the cast panels and at the DISCOVERY discussion, it was a hugely-frustrating process for new entrants, as the convention organizers had decided not to clear the seating areas between panels, even with a full half-hour scheduled between them.

Say what you will about Creation events, but people know they will get a seat for even the largest-attended sessions when they buy their ticket – and we saw a few panels with dozens stuck outside the room as the doors were closed. All the more disappointing is that we saw available single seats free among the crowds during these apparently ‘filled to capacity’ events – even when people were lined up on the side aisles due to the crowds.

Clearing the non-VIP seating between panels – or at least setting up display screens outside the main hall for the overflow crowd – would give everyone a fair shot to see the headline programming.

Popular Panels

lost-treks

thumb-upThis convention had several events offered for each time slot, giving attendees many diverse options beyond just the typical actor Q&As. One of my favorites was a Mark Altman and Ed Gross’s panel on “Lost Treks,” where they discussed several unproduced pitches and roads not taken over the franchise’s history. We got to see some concept art and hear stories that I’d otherwise never been exposed to, even after nearly two decades of convention attendance.

There was also a great panel featuring the children of Gene Roddenberry and Leonard Nimoy (“Growing Up Trek”); NASA and the Smithsonian both had a great programming presence at the convention; and there was even a panel on Trek and today’s racial struggles (“Star Trek Into Blackness”). So many great options, we could barely decide which to prioritize.

(Above: Mark Altman, Roger Lay, Jr., Michael Jan Friedman, and Ed Gross’s “Lost Treks” panel.)

[td_smart_list_end]

The Final Reflection

I got the impression from some of the chatter around the Javits Center that attendance was lower than organizers may have wanted – though that certainly picked up upon Mulgrew and Shatner’s arrival Sunday – but I hope that doesn’t dissuade the powers-that-be from doing another convention like it.

I thought attendance was solid, given the fact it was competing with Dragon Con, an enormous East Coast event each Labor Day, which most fans have plans for almost a year in advance. It was also happening soon after two Creation Entertainment Star Trek conventions – the annual “Official Star Trek Convention” in Las Vegas, and a smaller yearly show just an hour away in New Jersey.

People aren’t going to commit to attending a convention until ticket prices or guests are announced, and it took way too long for that information to come out about Mission New York – especially for those who would need to travel. Fans making plans to travel for a convention in 2016 had probably already made their decisions long before this event had even been announced.

My sincere hope is that there will be another Star Trek: Mission New York event in the next year or two, and that the organizers will announce it a great deal earlier – and while I know that not all guest scheduling can be announced early, some more advanced notice for NYC guests can surely come next time around… especially when the Vegas convention can start to put out names nearly a year ahead of time.

We’ve seen that that ReedPop will be sending out surveys to attendees in the near future, and we certainly hope they take some of the fan feedback to heart in planning the next convention – but believe me, despite some of the minor complaints I’ve mentioned here, I’m excited to go back again in a heartbeat.

It was an incredible experience, especially for a first-time event, and it was unlike any other Star Trek convention I’ve attended. I’m ready for the next Mission!

STAR TREK ONLINE Now Free-to-Play on Xbox One, PlayStation 4 Consoles

by George Daley, Jr.

I haven’t played Star Trek Online in several years now, not because I’m not a fan of Trek, or certainly the idea of Trek as an MMO. Indeed, if there were any franchises out there that were ripe to make the leap into the MMO space, it’d be Star Trek.

With some five decades of lore to draw from it’s already a galactic sandbox of sorts that begs to be explored. The reason I quit playing was simply because I’ve been a console gamer for as long as I’ve been a gamer.

I find playing anything other than strategy games (ideally, turn-based) on a PC awkward and counter-intuitive, so I was excited at the prospect of picking it up again with the announcement that Star Trek Online was going to make the leap to the console space. I can say, after being privileged to take the closed beta for a spin these past few days, I’m looking forward to playing much more this fall.

sto1

There are, of course, some differences between the console version and the PC version. There are no “maximum settings” to be selected when it comes to a console, of course, so Cryptic has to find a balance that builds a universe that runs smoothly while not being such a step down from what’s possible on PC that it feels inferior, and I think they found that balance well. When in space and not, textures look a little extra smooth and lacking in fine detail, such as with asteroids and ship interiors, but that was somewhere I expected graphical sacrifices to be made.

Overall, everything looks like it should and the environments capture the feel of Star Trek. In fact, my first ship, a Miranda-class I chose to name the USS Franklin – in honor or the latest film – has a larger than life feel that the series have never matched. Where it seemed like, in the series, crew could barely walk two abreast sometimes, the game corridors have a sense that you could drive your car through them and the bridge of a starship has the size and grandeur that I, as a fan, always thought it should. Maybe it’s a little too big, all things considered, but it does help give the player the sense that they are but a small part of a big universe. So, in that sense, it very much works.

Pauses to load new environments happen when you’d expect it to and load times aren’t oppressive. Occasionally, textures can take a moment to load, but, for the most part, things run smoothly. That said, did encounter a time in one of my early tutorial missions that pits your ship against the Borg where I lost all control of the ship. I literally couldn’t move or fire weapons, which left me to be pummeled by the Borg ship until I quit and reloaded.

sto2

I didn’t get any error messages to point to and no other symptoms beyond the fact that nothing worked even though my controller didn’t lose contact with the console. Fortunately, the game tracks progress well and I didn’t lose any. If I had lost progress or it happened frequently, both would be marks against the game, but I didn’t lose my way and I try to be tolerant of beta runs.

The other problem Cryptic faced when adapting the game to console is how to manage the control schemes from a keyboard, where you have almost infinite options when it comes to slaving complex functions to keys, to a console controller with far more limited options. Their answer is wheels. Wheels everywhere; wheels to select both equipment and abilities, and they work effectively. I could cycle through all my options with a button press and a flick of the controller stick.

A keyboard is still faster, but this game isn’t so fast-paced that you’re ever in danger of your character or ship dying because of the difference. Inventory management and equipping the right tool for the right job is definitely as easy as it should be. Star Trek Online, unlike some other games, seems to make sure you have no shortage of space.

When playing, your ship – depending on its class – and the consoles (internal mods) installed, it carries with it special abilities like channeling emergency power to shields or a tachyon beam that eats at an enemy’s shields. These abilities are enhanced by officers at the helm when you have put skill points into those officer’s abilities. Press their corresponding button, skim the wheel to the desired effect and it happens. These abilities change-up the battle or mission considerably, so there’s always a reason to take a moment to think of who might offer the best advantages in any given situation.

sto4

A console feels more intuitive to me simply because that’s how I’ve gamed, so I took to the Star Trek Online experience pretty quickly, and Cryptic does a good job of hand-holding you through the first missions. I expect there will be a bit of an adjustment if you’ve played this on PC and are making the transition, but, by the time you’re more on your own, you’ll be an old hand at the new controls.

At the end of the day, I can say that this is still Star Trek Online. Features aren’t pared down and hasn’t been ‘dumbed down’ for console play. I quite enjoy space battles on my large living room as opposed to a smaller screen. As for the play itself, after a ‘graduation day’ tutorial, you’re assigned to your first ship. Rushing to a distress call leads to a Klingon ambush – and once you repel the boarders, a twist of fate leaves you ship’s captain.

No time to rest or celebrate though, as you are immediately thrust into a quest with the other Federation ships in the area to battle the Borg to save a nearby colony. You fight your way through to the planet, and then work to save the colonists. The paths are pretty linear and there’s no being left to wonder where to go or what to do, which I appreciate. Nothing kills a play experience faster for me than to be left aimless.

Saving what colonists you can puts you back on your ship, as you’re left on your own to fight off another wave of Borg vessels before the Federation ships you left behind return to lend a hand. From there, it’s back to Earth and your starbase hub that has everything from patrol and item recovery missions for additional rewards, to places to be social. I didn’t get into the social aspects so much, as I consider myself a solitary gamer, and, in this case, I simply wanted to focus om looking at the core mechanics.

sto3

I was very likely to dive in when the console version was first announced, and, after some days with it, it’s now a must gaming experience for my fall and winter. The missions feel episodic, and I feel connected to my crew due to pretty good voice acting, though I have yet to encounter a Vulcan that doesn’t sound robotic.

I’ll have years worth of content to explore with the console expansion for Star Trek Online, minor quibbles aside, with it now free-to-play and easy to pick up for hours at a time – I look forward to boldly going.

REVIEW: The Original Series — “Elusive Salvation”

salvation

The Arctic Circle, 1845: Escaping the tyranny under which their people have lived for generations, aliens from a distant planet crash land on Earth’s inhospitable frozen wastes.

Surviving the harsh conditions will pose a challenge, but over time the aliens will migrate to more populated areas, with decades passing as they work to conceal their presence from their former oppressors, who continue to hunt them at any cost.

San Francisco, 2283: When a mysterious craft is detected entering the solar system, Admiral James Kirk is dispatched by Starfleet to confront the vessel. He meets with an emissary from the Iramahl, a previously unknown alien race who have come in search of their brothers and sisters thought to have gone missing in this area of space centuries earlier.

Having recently thrown off the last chains of subjugation by another species, the Ptaen, they now believe their lost people hold the key to saving their entire race from eventual extinction.

New York, 1970: Roberta Lincoln, young protégé of the mysterious agent Gary Seven, is shocked when she receives the oddest request for help—from the future…

When it was announced that Dayton Ward would be writing a sequel to his wonderful From History’s Shadow (which I loved, I think it’s fair to say), I was pretty happy. In fact, in my review of that novel, I opined that a sequel would be most welcome.

However, I did wonder how he would be able to craft another story of the same style, when the previous book covered so much with regards to time travel and alien visitations during Earth’s 20th century. Would there be enough material for a sequel?

Elusive Salvation makes it clear he writes the books – and I just read ’em.

My fears were completely unfounded, and Elusive Salvation proves once again both Dayton Ward’s writing acumen and wonderful imagination. He has crafted another fascinating tale, featuring the return of many of the characters in From History’s Shadow, including Mestral and Wainwright.

However, the true star of the story is the intrepid Roberta Lincoln, shown here at a point in her career much later than our introduction to her in “Assignment: Earth.” Here, she is a seasoned veteran who is very competent and comfortable in her role, even in the absence of Gary Seven. This was a character turn that was really great to see.

roberta
A seasoned and experienced Roberta Lincoln returns as Trek visits the 1970’s.

Also great to see is a return to the movie-era of Star Trek. Don’t get me wrong, I love five-year mission stories, but there’s just something about an adventure featuring a more seasoned crew wearing the monster maroon uniforms (when they’re not undercover mucking about in Earth’s past). Kirk’s characterization is also on point here, showing his maverick side, unafraid to jump feet first into a situation and ask permission later.

The tone that Ward is able to convey, especially during the scenes set in the past, make Elusive Salvation a really great read. The feeling of paranoia and mystery evokes the same feelings I get when I watch The X-Files; the mysterious goings-on that feel right at home to our Star Trek heroes are strange and alien to the denizens of the 20th century.

This is one area in which I felt that From History’s Shadow excelled a little more than Elusive Salvation, but the book comes very close to replicating that same atmosphere.

cap-mestral-wainwright
Other 20th Century characters – including Mestral (“Carbon Creek”) and Wainwright (“Little Green Men”).

Finally, I love where Dayton leaves the story at the end. I won’t spoil the last line here, but for the record, it’s a doozy. It comes completely out of left field, but makes a surprising amount of sense. It has the effect of tying together the disparate worlds of 20th century black ops and secret programs with the world of the future and the United Federation of Planets.

If you have read Elusive Salvation, you know exactly what I am talking about. If you haven’t, you’re in for a pretty cool surprise!

More ENTERPRISE Music Beaming Down on September 27

As we reported a few weeks ago, La-La Land Records is set to roll out several new Star Trek score collections in the next few months, and today they announced the release date for Star Trek: Enterprise Collection – Volume Two, which is set for September 27.

We don’t have a track list available yet, but once published by La-La Land we’ll bring you that update.

In addition to Enterprise, the La-La Land team also released some additional detail about the forthcoming Star Trek: Voyager collection on their Facebook page, where they revealed that technical issues delayed Voyager to the January/February 2017 timeframe – and since Enterprise was ready to go, it was moved up in the schedule.

While you’re waiting for the September 27 Enterprise launch date, you can check out all the other wonderful Trek music collections La-La Land has available at their website.

New Eaglemoss Starship Models Announced at NYC Convention

At this afternoon’s panel for Eaglemoss’s The Official Starship Collection line of model Trek starships, several new additions were announced for the next several releases leading into 2017.

As expected, Eaglemoss’s Ben Robinson confirmed that STAR TREK BEYOND starship USS Franklin is on the way, along with Krall’s swarm ship. In addition, the company will be producing models of the 2009 Trek film’s Kobayashi Maru simulation Klingon Warbird, followed by Space Station K-7 (from “The Trouble With Tribbles”).

Also announced were a convention/subscriber-exclusive model of the SS Yorktown concept model, the USS Saratoga from DS9’s “Emissary,” a Suliban cell ship and ECS Horizon from Star Trek: Enterprise, the Titan and Aventine from the Trek novelist line, and the USS Kyushu from “The Best of Both Worlds.”

In addition, when the topic of starships for the new series – STAR TREK: DISCOVERY – was mentioned, Robinson said that “there are more [starships] than you think” potentially coming for the new show.

Lastly, Robinson shared a first look at Spock’s Jellyfish (from the 2009 Trek film), a prototype of the final model expected to be released around the end of 2016.

jellyfish4 jellyfish3 jellyfish2 jellyfish1

All you starship model collectors are sure to be fulfilled in the coming months! All of these ships discussed – and even more not covered in this recap – can be watched on Eaglemoss’s livestream video. 

Beyer and Meyer Talk STAR TREK: DISCOVERY in NYC

At the Mission: New York convention in New York City today, STAR TREK: DISCOVERY writers Kirsten Beyer (ongoing Voyager novelist) and Nick Meyer (writer/director of multiple Trek films) took the stage to discuss the new series.

Moderator Jordan Hoffman started the panel by cautioning the audience to keep their expectations in check, as there were to be no major casting announcements, new footage, or other major production announcements – and as the event began, the convention staff announced that no photos (from either fans OR press) would be permitted during the discussion, so that’s why we don’t have any new shots of our own as part of this recap.

The lights dimmed, and a new video filmed specifically for this convention began: DISCOVERY show runner Bryan Fuller, along with executive producer Alex Kurtzman, took about three minutes to discuss the legacy of Star Trek, and that the new series is “about the best of what humanity has to offers,” but also that it is time “to modernize Star Trek for modern television.”

Beyer revealed that the very first person she ever pitched a Voyager story to, back years ago, was Bryan Fuller when he was on staff of that show – and she maintained that despite her involvement with DISCOVERY, her commitment to Voyager’s literary future will continue.

Fuller has had “a very specific vision [for the show] since day one,” said Beyer, and that everyone in the writers room is helping to fulfill that vision. “Personally, I’m very enchanted with his vision.”

Regarding the timeline setting – ten years before Kirk’s mission – Nick Meyer spoke positively to the desire to target a previously-unused time in the chronology, where there is “room to maneuver” in regards to Trek canon, without having to involve previously-featured characters from other series.

On Fuller’s now-famous “reimagining” comments, about modernizing Trek for 2017, Nick Meyer commented, “I think all art is a product of its time… we’re talking to scientists. We’re doing the best we can.”

“There are definitely going to be new aliens and interesting life forms as part of the main cast,” Beyer said cryptically, in response to a fan question.

“We have this delicate balancing act, to stay true to what we know [about the look of Star Trek],” Beyer continued, “but now [with today’s technology] we can do so much more.” She and Meyer also talked about the scientific advisers who have been coming to the DISCOVERY writing team to educate them on real science for the Trek universe.

“Most of the research we did at the beginning, watching old episodes,” said Beyer, “was really about getting ourselves grounded in the major events [of the shows],” and additional review work was to get terminology and other Trek jargon up to speed with the staff. Meyer clarified that he was really an “outsider” compared to Trek experts Fuller and Beyer, which contributes to the balance of the team.

When asked about the upcoming CBS All Access (and Netflix) streaming plans for the new series, Meyer lamented the days of “appointment television,” where people could get together after the airings of popular programs to discuss the previous day’s show – and that “live-streaming just isn’t for me.”

“The most important part [of the new show] is the optimism of Trek,” Beyer commented, “so rising to the occasion of that – and one that I’m really not worried about at all because it’s a shared vision in the [writers] room.”

Hoffman than revealed a bit of news regarding a new role for Kirsten Beyer, who – in addition to writing DISCOVERY and Voyager – will be working with Simon & Schuster and IDW Publishing to create tie-in DISCOVERY comics with IDW’s Mike Johnson and popular Trek novelist David Mack. (When we asked IDW’s group editor Sarah Gaydos about this she said, “I literally can’t say anything about it – but I’m unbelievably excited!”)

Beyer discussed her role, saying this round of tie-in publishing will be created hand-in-hand with the television production, rather than “after the fact” as with most Trek publications, a new tactic for the print wing of Trek. She also noted that for those following the @StarTrekRoom account on Twitter, it’s Bryan Fuller behind the keyboard on that.

Lastly, when begged by a fan to “not screw this up!,” Nick Meyer thought for a moment and said – with no malice – that fans should probably lower expectations a bit, as there will always be disappointment when impossible-to-meet personal standards are set. “With all due respect,” he said, “fans do not know what they want.”

beyer-meyer

After the panel ended, both Beyer and Meyer came out to the crowd and offered off-stage selfies, autographs, and were kind enough to speak directly with fans – something very unexpected, as Meyer had been anticipated not to have any time for signing during this weekend’s events.

Stay tuned for more STAR TREK: DISCOVERY news as it breaks, right here at TrekCore.

Review: STAR TREK 50th Anniversary Blu-ray Collection

trek50-small

It’s been a busy year for Star Trek home media releases, with both the Original Series and The Next Generation re-released in new full-series packaging designs back in June.

In addition, we got an HD release of Nick Meyer’s Star Trek II: The Wrath of Khan Director’s Cut a few months back, bringing the special edition of that second Trek film to Blu-ray for the first time.

Now, the Trek home media releases continue with Star Trek: 50th Anniversary Collection, a massive 30-disc package containing all three seasons of the Original Series, the first Blu-ray release of Star Trek: The Animated Series, all six TOS films with a movie-centric bonus disc, and some exclusive Star Trek swag.

trek50-box
The new 50th Anniversary Blu-ray box, minus its shiny transparent slipcover.

We’ll say up front, though, that much of the material in this box set has been released in other sets over the last few years.

The twenty Original Series Blu-ray discs are the same first issued in 2009, and the Trek movie discs here were also put out that same year, though the Wrath of Khan disc has been thankfully swapped out for 2016’s Directors Cut – and yes, it is the corrected version of the TWOK:DC release, so if you were waiting on that one, this box has the ‘good’ encode of the film.

trek50-box-slide
The contents of this collection slide out from the right side of the outer box.

The first new addition in this box set is the high-definition debut of Star Trek: The Animated Series, which takes up three discs in this big set, packaged with the Original Series in one big disc case.

This set carries over all the text and audio commentaries from the 2006 DVD release of The Animated Series, as well as the interview features – but aside from the 1080p presentation of the animated episodes, there is no new bonus material on the TAS discs at all, a somewhat disappointing discovery.

If you’ve seen the HD version of “More Tribbles, More Troubles” on the TOS Season 2 Blu-ray, it’s a solid indicator of the quality of this set’s TAS presentation. Things are a little sharper, and film grain is more prominent, but to be honest, there’s really not much improvement that can be made from Filmation’s somewhat under-detailed animation (see our sample screencaps below).

dvd-vs-blu
TAS is a little crisper thanks to the added pixel information, but not much more has changed.

We were hoping for perhaps a new interview documentary feature, a new commentary or two, or at least a nicer copy of the 1970’s environmental awareness TV spot featuring the animated crew, but alas, none of that is included here.

We’re expecting a standalone Blu-ray edition of The Animated Series to be available later this year, so if TAS was your big draw for this box set, it may be worth saving some money to wait for that separate release.

tas-blu-menu
The new high-definition menu on the Animated Series discs.

In terms of collectibles, the box set contains a beautiful black-and-gold Starfleet delta badge emblazoned with the “Trek 50” logo – a lovely inversion of the QMx gold-and-black design – exclusive to this release.

The other themed material is a set of six vector-graphic movie prints, one for each Trek film, by longtime Trek artist Juan Ortiz. These are printed in glossy color on heavyweight paperboard, and packaged in their own black-and-gold envelope inside the box.

trek50-swag
An inverted black/gold 50th Anniversary metallic bdge, and six film posters by artist Juan Ortiz.

All thirty Blu-rays in this collection feature disc artwork for the first time – and thankfully, TV episode titles are now included on the disc labels – and the back of each case showcases all the new vector disc art in their bright colors. Aside from that, as mentioned above, there’s no new content on the TV series discs.

As for the movies, however, there’s a brand-new bonus disc featuring nearly two-and-a-half hours of new material.

trek50-disc-art-small
A look at the TOS and TAS disc artwork (click to enlarge).

Star Trek: The Journey to the Silver Screen is a new, five-part documentary feature focusing on the transition of the Original Series into a feature-film franchise, from the resurrection of the show for The Motion Picture to the final outing in The Undiscovered Country.

While the third chapter in this feature (“The Genesis Effect”) is duplicated from the Wrath of Khan Director’s Cut disc first put out in June, the other four parts of Journey to the Silver Screen are brand new, and exclusive to this bonus disc.

trek50-bonus
The menu screen of the new Star Trek motion picture bonus disc.
  • TOS writers Dorothy Fontana and David Gerrold, Trek historian Mark Altman, Larry Nemecek, and several others are interviewed in The New Frontier, discussing the earliest efforts to bring Star Trek back to life in the mid-1970’s – from the very first New York City fan convention, to the launch of Starlog magazine, as well as the various failed development projects including The God Thing, a dark time-travel epic featuring Klingons conquering Earth and Kirk facing off with John F. Kennedy, Planet of the Titans, and the proposed Star Trek: Phase II television series.
  • Full of archival photographs from on the set and behind the scenes (as well as some archival interview footage from the TMP Director’s Edition DVD), Maiden Voyage spends half an hour inside the production of Star Trek: The Motion Picture, with a collection of new interviews covering the rocky launch of the Star Trek film franchise, the script battles between Gene Roddenberry and Harold Livingston during the midst of filming, and the challenges of technical work on the movie – as well as reaction from fans after the film’s release.
tmp-fans
Trek fans waiting to watch The Motion Picture in 1979.
  • While The Genesis Effect goes deep into The Wrath of Khan, The Dream is Alive spends the most of its time on the 1980’s run of Trek films. Trek historian Mark Altman continues to provide insight into early script ideas and dropped concepts – including Sulu leading the charge to steal the Enterprise in Trek III and the HMS Bounty appearing over the 1986 Super Bowl in Trek IV – with Nick Meyer, Ralph Winter, and other knowledgeable people weighing in throughout the thirty-minute feature.
  • The final chapter on the bonus disc, End of an Era, centers on 1991’s Star Trek VI: The Undiscovered Country, and the conclusion of the Original Series run of films. Altman weighs in once more on early script ideas – including a version with a Kirk/Saavik romance, one where the Enterprise crew had to be recruited for ‘one last mission’ from various jobs on Earth, and an early try at including the Next Generation cast as a crossover film, years ahead of Star Trek: Generations.In addition, Nick Meyer offers some regrets as to the outcome of antagonistic meetings with Gene Roddenberry during the film’s development, and the writer/director also reveals that the film was at one point cancelled due to budgetary negotiations.

trek50-movies

This is display-worthy, beautiful box set which is a lovely 50th Anniversary release – but is once again undercut by the absence of some notable classic Star Trek content. While the packaging indicates this is “the biggest, most comprehensive Star Trek collection ever released” – and we can’t argue with that statement – the DVD-only Director’s Editions of The Motion Picture and The Undiscovered Country are once again left to gather dust in the Paramount archives.

In addition, the Judith and Gar Reeves-Stevens’ audio commentary on “The Enemy Within” – exclusive to the 2008 Alternate Realities Fan Collection DVD set – has not been ported to this release. Luckily, all of these DVD releases are now relatively inexpensive purchase for you bonus-feature completists.

One other inclusion we would have liked to see is the various TOS actors’ appearances in later iterations of Star Trek – McCoy, Spock, and Scotty on The Next Generation; Captain Sulu on Voyager – not to mention James T. Kirk’s final adventure in Star Trek: Generations. This being a TOS-specific collection, however, we can understand the exclusion of this content.

trek50-boxes
The big TOS / TAS package, and the smaller Trek film Blu-ray package included.

It’s great to finally get the HD scans for all of The Animated Series, and the packaging here earns high marks on its own – but for those fans who already own TOS and all the films on Blu-ray, you’ll need to decide if the movie bonus disc and pin/poster material is enough to justify an expensive re-purchase with a standalone Animated Series release expected to arrive later in 2016.

The Star Trek: 50th Anniversary Collection beams down next week – if it’s on your shopping list, you can use our order links below.

div_spacer



Order the Star Trek 50th Anniversary Collection today!

*   *   *

THE RODDENBERRY VAULT Arrives December 13

We’ve been looking forward to the new Star Trek: The Roddenberry Vault project ever since it was announced at Comic Con in July, and now we have a release date: December 13.

Revealed today by Entertainment Weekly, the new three-disc set will feature not only the twelve episodes of Star Trek: The Original Series already announced, but there’s now new detail on the documentary features as well as a few new audio commentary tracks – and for the first time, isolated music tracks on the classic shows.

STAR TREK: THE ORIGINAL SERIES – THE RODDENBERRY VAULT ARRIVES DECEMBER 13 FROM CBS HOME ENTERTAINMENT AND PARAMOUNT HOME MEDIA DISTRIBUTION

Blu-ray™ Collection In Limited Edition Packaging To Include Twelve Classic Episodes, Three Exclusive Special Feature Documentaries Presenting Unseen Footage And New Interviews With Notable Star Trek Figures

HOLLYWOOD, Calif. (September 1, 2016) – Fans can dive into the making of pop culture history when STAR TREK: THE ORIGINAL SERIES – THE RODDENBERRY VAULT is released on Blu-ray December 13. In honor of the show’s 50th Anniversary, and just in time for holiday gift giving, the three-disc collector’s edition Blu-ray set from CBS Home Entertainment and Paramount Home Media Distribution gives fans unprecedented access to never-before-seen footage from the production of Star Trek: The Original Series.

During the shooting of Star Trek, bits and pieces of episodic footage were left on the cutting room floor and later preserved in film canisters by The Roddenberry Estate. Recognizing the value of the footage, CBS painstakingly catalogued, transferred, analyzed, and pieced together these Vault materials, which include alternate takes, deleted scenes, omitted dialogue, outtakes, and original visual FX elements.

STAR TREK: THE ORIGINAL SERIES – THE RODDENBERRY VAULT includes twelve classic episodes chosen for their relevance to the Vault materials, and presented in 1080p High Definition with both DTS 7.1 Master Audio as well as newly restored original Mono. Eleven of these episodes contain isolated music tracks. Newly recorded audio commentaries appear on three fan-favorite episodes.

Each of the set’s three discs features documentaries that weave together the previously unseen Vault materials with all-new interviews by key creative and production personnel and famous fans. The three new documentaries exploring the “making of” the celebrated series and its enduring legacy are:

Inside The Roddenberry Vault: Rod Roddenberry introduces viewers to the discovery of his father’s long-lost Star Trek film reels. With footage from each of the 12 episodes, this three-part special feature offers a guided exploration into the historical significance of the newly discovered material through new interviews with dozens of Star Trek alumni and historians

Star Trek: Revisiting A Classic: A look back at the origins of the iconic series, including glimpses of life on the set with new interviews featuring guest stars, directors and production personnel.

Strange New Worlds: Visualizing the Fantastic dives into the creation of spaceships, transporters, and the classic Star Trek visuals. The in-depth feature combines newly found original visual effects elements photography along with interviews with effects masters and Star Trek veterans such as Industrial Light & Magic founding member Richard Edlund, Doug Drexler, Dan Curry and Gary Hutzel.

Giving fans access to even more fragments of unseen footage and omitted dialogue from the groundbreaking series is a collection of Vault materials entitled Swept Up: Snippets from the Cutting Room Floor.

Star Trek figures interviewed for these exclusive documentaries include William Shatner (Captain James T. Kirk); writers Dorothy “D.C.” Fontana, David Gerrold and John D.F. Black; director Ralph Senensky; casting director Joseph D’Agosta; visual effects artist Richard Edlund; and actors from the 12 featured episodes such as Clint Howard (“The Corbomite Maneuver”), BarBara Luna (“Mirror, Mirror”), Leslie Parrish (“Who Mourns for Adonais?”), Charlie Brill (“The Trouble with Tribbles”), Michael Forest (“Who Mourns for Adonais”), Bobby Clark (“Arena”) and Elinor Donahue (“Metamorphosis”). Plus, the collection features new interviews with an impressive array of some of Star Trek’s biggest fans including The Big Bang Theory co-creator Bill Prady, The Simpsons writer/producer David Mirkin, Family Guy writer/producer David A. Goodman, NASA’s Bobak Ferdowsi, Bill Nye (The Science Guy), and more..

STAR TREK: THE ORIGINAL SERIES – THE RODDENBERRY VAULT will be initially available in limited edition deluxe packaging. The Blu-ray is Not Rated in the U.S. and rated G in Canada.

*   *   *

The disc breakdown is as follows:

Disc One:

  • “The Corbomite Maneuver” (with Isolated Music Track)
  • “Arena” (with Isolated Music Track)
  • “Space Seed” (with Isolated Music Track)
  • “This Side of Paradise” (with Isolated Music Track)
  • NEW! Audio Commentary by Dorothy “D.C.” Fontana and Gabrielle Stanton

Special Features

  • NEW! Inside the Roddenberry Vault (Part 1)
  • NEW! Star Trek: Revisiting a Classic

Disc Two:

  • “The Devil in the Dark” (with Isolated Music Track)
  • “The City on the Edge of Forever”
  • NEW! Audio Commentary by Roger Lay Jr., Scott Mantz and Mark A. Altman
  • “Operation – Annihilate!” (with Isolated Music Track)
  • “Metamorphosis” (with Isolated Music Track)

Special Features

  • NEW! Inside the Roddenberry Vault (Part 2)
  • NEW! Strange New Worlds: Visualizing the Fantastic

Disc Three:

  • “Who Mournes for Adonais?” (with Isolated Music Track)
  • “Mirror, Mirror” (with Isolated Music Track)
  • “The Trouble With Tribbles” (with Isolated Music Track)
  • NEW! Audio Commentary by David Gerrold and David A. Goodman
  • “Return to Tomorow” (with Isolated Music Track)

Special Features

  • NEW! Inside the Roddenberry Vault (Part 3)
  • NEW! Swept Up: Snippets from the Cutting Room Floor

In addition to being presented in both DTS 7.1 Master Audio and original English Mono, the episodes can also be played in Italian Mono, German Mono, and Castilian Mono audio. Both the episodes and special features include English SDH, Italian, German, Castilian, Danish, Finnish, Norwegian and Swedish subtitles.

Entertainment reporter (and rabid Trek fan) Scott Mantz is contributing a new audio commentary track to the “City on the Edge of Forever” presented in this set, the first of three new TOS audio commentary since the initial Blu-ray release in 2009.

Here’s our first look at the Roddenberry Vault Blu-ray packaging design, leaning heavily on a film-canister aesthetic to go with the source of this never-seen archival footage.

rod-vault-cover

We’ll be chatting with one of the project’s producers this weekend at the Mission: New York convention about The Roddenberry Vault, so if you’ve got questions you want to know about this new endeavor, sound off in the comments below!

div_spacer

Order
The Roddenberry Vault

Order
Star Trek Lost Scenes

CBS All Access Launches ‘Ad-Free’ Subscription Option

In what feels like a response to many fans’ demands, CBS All Access today launched a second-price-point “ad-free” option to their streaming service, an enhanced subscription which comes at a cost of $9.99/month.

Up until now, the standard All Access subscription, priced at $5.99 monthly, included commercials in its feed, and this January’s STAR TREK: DISCOVERY is expected to contain somewhere around twelve minutes of ads per hour. This new option will eliminate commercials from the All Access feed – well, in most cases.

Here’s the CBS press release:

“CBS ALL ACCESS” ROLLS OUT COMMERCIAL-FREE OPTION FOR SUBSCRIBERS
CBS All Access Subscribers Can Now Watch the Service’s On-Demand Content

Commercial-Free for $9.99/Month or with Reduced Commercials for $5.99/Month

August 31, 2016 – CBS Corporation today announced the launch of a commercial-free plan for the CBS All Access subscription service. In addition to the existing subscription offering of $5.99/month, subscribers now have the option to watch CBS All Access’s on-demand content commercial-free for $9.99/month.

“The foundation of CBS All Access is not only about giving CBS fans access to more of the content they want, but also giving them more choice in how they watch their favorite CBS programming,” said Marc DeBevoise, President and Chief Operating Officer of CBS Interactive. “The addition of a commercial-free plan gives our subscribers even more ways to customize their CBS viewing experience – from which devices to whether they watch in or out of the home, and now with commercials or without.”

With the commercial-free plan, subscribers will be able to watch CBS All Access’s on-demand library of more than 7,500 episodes, including full current seasons of primetime hits like BIG BROTHER, BLUE BLOODS, MADAM SECRETARY and THE ODD COUPLE among many others, as well as late night, daytime and news programming, all without commercials.

CBS All Access’s upcoming original series, including the next chapter of the legendary “Star Trek” TV franchise, STAR TREK: DISCOVERY, a spinoff of “The Good Wife” and a new digital edition of “Big Brother” will also be available commercial-free under the $9.99/month plan.

Subscribers to the $5.99/month plan will continue to experience reduced commercials when watching on-demand content and be able to watch CBS Classics without commercials. Current subscribers will have the option to move to the commercial-free plan by logging on to their account through CBS.com.

For the commercial-free plan, CBS All Access’s live-streaming offering of local CBS Television stations, which is available throughout the U.S. in more than 150 markets, will continue to feature the same commercials as the over-the-air broadcast, and select on-demand shows will include promotional interruptions.

While it looks like DISCOVERY will come with zero commercials under the new plan, those cities where CBS programming is available to stream live online will continue to feature advertisements, as the local CBS affiliate feeds are the source of that content.

In other All Access news, the network also announced the availability to stream on Xbox One consoles last week; Playstation access is expected later this fall.

To you CBS All Access holdouts, does this new addition to their subscription plan make you any more inclined to sign up for the service ahead of the January launch of STAR TREK: DISCOVERY – or are you still dead-set in staying away?

Sound off in the comments below!

REVIEW: Smithsonian Channel’s “Building Star Trek”

For those Star Trek fans able to make it to Washington, D.C., in the coming weeks, you’re in for a bit of a treat. The Smithsonian’s National Air & Space Museum has lovingly restored its prized 11-foot Enterprise studio model to full Original Series glory and has made it the centerpiece of its Boeing Milestones of Flight Hall exhibit – something our team here at TrekCore has covered extensively over the past two years.

At the same time, on the opposite side of the country, Seattle’s EMP Museum of Pop Culture is running an original series exhibit of its own, featuring over 100 prized treasures and artifacts, titled Star Trek: Exploring New Worlds.

The two exhibits honor Star Trek’s 50th anniversary, which will be recognized officially on September 8. There has no doubt been incredible interest in Star Trek history this year, which is sure to peak in the coming weeks. Recognizing this appetite for Trek, its history and influence, the Smithsonian Channel will debut on September 4 its documentary Building Star Trek, which pays tribute to the original Star Trek series by examining its impact on culture and technology while simultaneously charting the development of the two exhibits at the Smithsonian and EMP museums.

The Enterprise studio model and its history could have merited an entire documentary of its own, as its trajectory from the television show to this year’s Smithsonian showcase is a fascinating one. After its use in the original series, which ran from 1966-69, the model was donated to Smithsonian in the early 1970’s. The model saw considerable wear-and-tear and relocation in the museum over the next 40 years.

During that time, the model had undergone a series of restorations, and in 2000, the ship was brought to the museum’s gift shop – a decision that had generated some criticism among fans. In 2014, a team of experts was finally put together to restore the ship to mint, ’60s-era condition. The work was finally completed this year.

The finished Enterprise model, back on display in Washington. (Photo: Kelly M. Phillips for TrekCore)

It’s sad to say that the Enterprise restoration work is perhaps the least interesting thing about the documentary when it should have been the most. Do some afternoon Internet research on the refurbishment – or check out TrekCore’s video series on the project – and you’ll get a much better picture of how intricate and painstaking the process was.

This is because the documentary, which clocks in at almost two hours, takes a broad look at the original Star Trek television series and its impact – but he restoration simply doesn’t get the nerdist attention it deserves. (For example: two members of Industrial Light & Magic did detailing work on ship – an interesting tidbit that is not mentioned in the doc).

This is not to say the documentary is without merit. It’s a nice, general look at the original series’ impact that’s well-packaged for the uninitiated and the casual fan. Hardcore fans, however, may find it a bit bland and elementary.

Brooks Peck, curator for the EMP Museum, does humanize his portion of the documentary as he chronicles his efforts to track down artifacts for his exhibit in Seattle. It’s obvious this guy is a serious fan and it’s fun to watch him turn into a kid again when he gets his hands on Captain Kirk’s original command chair. When he visits the home of a collector who has in his possession a phaser from the ’60s series, Peck is so concerned with smudging the weapon that he puts on latex gloves before accepting it from its owner.

kirk-chair
Captain Kirk’s command chair, at the EMP Museum in Seattle. (Photo courtesy Smithsonian Channel)

Peck certainly had his work cut out for him. Much of the television series’ set had been trashed or had been cannibalized for student film productions, and many of the props were lost. The full-scale Galileo shuttlecraft itself from the Original Series was found abandoned in a parking lot and was in decrepit shape. After being restored by model collector Adam Schneider, it was given a home at Space Center Houston. Peck himself did manage to pull everything together in record time for his exhibit, and it’s a sight to behold. His exhibit in Seattle runs through February 2017.

As you might expect, the documentary also takes a look at how the Star Trek influenced the technological advances we enjoy today and is inspiring those of tomorrow. Probably the most eye-popping of the technological work featured centers on Google’s work developing a Universal Translator. One of its team members demonstrates a camera filter that can translate foreign text into the desired language by simply hovering the camera over the text. The screen instantly displays the translation.

We also get a sneak peek at work being done at Lockheed Martin to develop laser weapons technology meant to mirror the power and portability of the Star Trek phaser. Of course, the broader implications of harnessing and controlling such technology aren’t touched upon in the documentary. It’s simply too soon to expect anything close to a functioning, hand-held phaser, and too soon to start breaking a sweat over who’ll get to use the first one, and how it will be used.

Don’t expect any real meaty discussion on any of the technologies examined, and this includes the tricorder, warp drive, and tractor beams – all of which have engineers hard at work to break ground on comparable technologies. There is even a shout-out to the NASA’s Space Launch System (SLS), designed to be the most advanced rocket ever produced to power future deep space mission, including the one to Mars.

It is fun to see original series writers David Gerrold and DC Fontana pop up to help put Star Trek into cultural context, and there’s also commentary by Kelvin Timeline Trek actors Karl Urban and Simon Pegg, who have prominent performance and creative roles in the rebooted movies. But make no mistake: this documentary is about the Original Series and its influence.

We are reminded that the original series took place during the height of the Cold War, and that villains like the Romulans were proxies for U.S. adversaries during that period, particularly the Soviet Union. We’re also reminded that Star Trek featured television’s first interracial kiss and that Uhura became a role model for women, particularly those seeking careers in science and engineering.

Building Star Trek could have benefited from a tighter focus, particularly relating to the Enterprise model restoration, which was the real headline-story hear. For what it is, however, the documentary is a decent overview of the Original Series and its impact and a refreshing reminder that Star Trek, despite its years, still has the power to move and inspire.

BUILDING STAR TREK will debut September 4 at 8PM on the Smithsonian Channel.