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Isaacs Wins EMPIRE Award, Talks TREK Fan Community

As we reported back in JanuaryStar Trek: Discovery actor Jason Isaacs was nominated for an Empire Award, an annual entertainment award from Empire Magazine, and this week the former Captain Lorca snagged a win in the contest for Best Actor in a TV Series.

Latif with actress Celia Imrie. (Image via EmpireOnline.com)

Discovery actor Shazad Latif was on hand at the Empire Awards, who was stopped briefly at the ceremony’s red carpet to chat about Season 2; the actor noted that he’ll “start again [on Discovery] in May,” a bit later than the announced return to production in April.

(That being said, with the season-ending Enterprise cliffhanger, Ash Tyler’s journey to the Klingon Empire may not begin until a few episodes into the second season.)

In addition to his win, Isaacs has been touring the media circuit discussing his new film The Death of Stalin, and in a recent interview with Chicago-based Third Coast Review, the actor spoke about his experience becoming part of the Star Trek universe, and his upcoming travels to both the 2018 Las Vegas convention, and next January’s Star Trek cruise.

[The Star Trek community is] amazing. Obviously I’ve been in the Harry Potter films, so I know what fandom is like. I’ve met some of the fabulous, passionate fans, but they’ve only been fans since the year 2000. There are many people I’ve met now who have been obsessed with “Star Trek” for 50 years.

It’s overwhelming, but it’s a new and wonderful thing. Jonathan Frakes, who played Riker [on “Star Trek: The Next Generation”] and directed some of our episodes, has been my guide and mentor though the madness of it all, and he persuaded me to sign up for some of the truly extraordinary “Star Trek” experiences like going on a “Star Trek” cruise with fans.

Isaacs (second from right) joins fans at “After Trek” to watch the week’s episode.

I said to him, “I can’t imagine anything worse.” He said, “I did it, and it’s great, and you’re coming.” It’s a very eclectic bunch of people, as you would imagine, who have in common only that they love “Star Trek” for different reasons—some of them because they like the ships and uniforms, some of them like the philosophy—but they are drawn from a very, very interesting pool, that’s for sure.

I’ve done some Harry Potter conventions recently, and the Trek fans have found me there, but I’ve never been to an exclusively “Star Trek” thing. Subject to work, I’ll be going to Las Vegas this year, which apparently turns into a giant “Star Trek” city for a week. I can’t pretend I’m not looking forward to it.

I’ve only met lovely people and had lovely conversations, and they are slightly insane, often, but in a great way.

We don’t yet know if Isaacs will make any future appearances in Star Trek: Discovery, but here’s hoping we haven’t seen the last of Gabriel Lorca.

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


Trek Comics Review: “Boldly Go #17”

With this penultimate issue of I.D.I.C. bringing this exciting story to a close, it’s Mike Johnson’s task to finally reveal the identity of the mysterious villain who has been narrating the last five issues of the variety of Enterprise crews from different dimensional origins.

Though the nature of the villain was clear to the reader through clues like mentions of omniscience, reference to our ape-like brains, and limited ability to perceive infinity, his identity was a guarded secret.

However, now we know that Gary Mitchell has returned for vengeance.

To be honest, I did not see that coming. After all, I have to confess that I haven’t read the full run of Star Trek: Ongoing — the first Kelvin Timeline comic series — which for me is a cardinal sin when it comes to being an authority on Star Trek comics. Yet, in my defence, 2011 was a pretty hairy year. I was lucky I was even able to pick up a basic load of comics on a monthly basis.

But to me, that’s something to say in Mike Johnson’s credit; he has a wealth of adaptive stories about the Kelvin Timeline that IDW really needs to tap into and promote more. If Paramount ever wants to see a greater fan-reaction return on the film series, then the ancillary works are the way to go.  Star Trek: Ongoing #2 is the issue to reference for Star Trek Boldly Go #17, as that is when we see the Kelvin adaptation of the classic episode “Where No Man Has Gone Before.”

The original Star Trek: Ongoing series has been republished twice, in both smaller four-issue paperback releases and larger twelve-issue collections under the Star Trek: New Adventures title; the Gary Mitchell story is in Star Trek: Volume 1 and New Adventures #1.

It’s this type of work that will lure Original Series fans to seeing how talented writers like Mike Johnson can reconcile the two universes together, and I admire that he’s been doing this for years. However, with the news that Chris Ryall will be leaving IDW, it makes me wonder, who will be Star Trek’s champion there?

I like how Johnson also weaves in the concept of the “no-win” scenario into this story. Though this is a concept that predates Star Trek: The Wrath of Khan when we first learn of this aspect in Kirk’s past, it’s one that is canonically acceptable to bring up and Johnson weaves this well into the fabric of Gary Mitchell’s revenge.

Given that he has been watching, gathering strength after his defeat in Star Trek: Ongoing, it is a surprise to bring a villain from that far back into the series’ successor. With the nearing end of Star Trek: Boldly Go, this is a very stark and “full-circle” move.

I particularly liked the reference to “the timelines where you’re on an Enterprise powered by mushrooms!” – that made me laugh.

I also have to give credit to Marcus To. His art is straightforward, solid and wonderfully lined. In fact, given the title of the comic uses the word “bold,” so is his art. It’ll be a shame to see it ending as this series closes.

  • Marcus To leads the way with Cover A, and there’ a lot of Andy Warhol in this cover as we look at reality and racial variants of Sulu, Scotty and McCoy. It’s striking and I think I have to declare it as my favourite one out of the lot.
     
  • Cover B by Fico Ossio is also a very attractive and striking cover. As much as I liked it, I have to say that I’ve never seen Fico’s work before. This validates my claim that comic covers should be by comic artists and it’s a great chance to see new artists strut their stuff.
     
  • However, I can’t say the same for the Retailer Cover A which is a simple photo cover. It’s a waste of cover space to use a simple photo and reveals the nature of production choices involved in selecting a cover for a limited print run for a Retailer variant.
     
    Because it’s a small number, the editorial powers-that-be would rather use a photo than an artist because of costs. I understand that choice, but it defies the nature of the medium.
     
  • Yoshi Yoshitani provides another fantastic and fanciful representation of a dynamic Uhura posed and ready for combat. I’d rather covers represented some aspect of the story, but there’s not doubting that this is a beautiful piece of work. I’d rather see it as a pin-up though, instead of as a cover.

You see, there’s a strong mood of betrayal in Star Trek: Boldly Go #17. Though Mitchell’s anger is clearly a result of the madness he took on when he was gifted with his powers, he still vents this rage at Kirk for reasons of abandonment and resentment. It’s hard to not see this paralleled with the fact that this series is ending, and I think there should me more attention to the fact this book closed a lot of gaps between the regular Trek universe and the Kelvin Timeline.

I liked seeing Gary Mitchell back and it brought the Kelvin Timeline closer to me than I thought could happen. It’s writers like Johnson that make this type of relationship happen. I enjoyed this and I look forward to the resolution between Mitchell and Kirk – who has managed to trick him into a final showdown by evening the odds, as we would expect Kirk to do.

I am not looking forward to this series ending — but next month it will, when Star Trek: Boldly Go #18 brings IDW’s Kelvin Timeline comic series to a close.

DISCOVERY Snags Five Saturn Award Nominations

Since 1972, the Academy of Science Fiction, Fantasy & Horror Films have been honor the the best actors and productions in genre works with the Saturn Award – past acting winners include William Shatner, Kate Mulgrew, Jeri Ryan, Jolene Blalock; production winners include Star Trek VIStar Trek: The Next Generation (twice!), and the Next Generation Blu-ray remastered releases.

Star Trek: Discovery gets its chance to join the club this year, as the newest part of the Trek franchise received five nominations, including several for the show’s cast. In addition to being named as one of the selections for Best New Media Television Series, series stars Sonequa Martin-GreenDoug JonesJason Isaacs, and Michelle Yeoh all received nods for their performances.

Here’s the full breakdown of Discovery-nominated categories:

Best Actor on a Television Series

Jon Bernthal Marvel’s The Punisher (Netflix)
Bruce Campbell Ash vs. Evil Dead (STARZ)
Sam Heughan Outlander (STARZ)
Jason Isaacs Star Trek: Discovery (CBS)
Andrew Lincoln The Walking Dead (AMC)
Seth MacFarlane The Orville (Fox Television)
Kyle MacLachlan Twin Peaks: The Return (Showtime)
Ricky Whittle American Gods (STARZ)

Best Actress on a Television Series

Gillian Anderson The X-Files (FOX Television)
Caitriona Balfe Outlander (STARZ)
Melissa Benoist Supergirl (The CW)
Lena Headey Game of Thrones (HBO)
Sonequa Martin-Green Star Trek: Discovery (CBS)
Adrianne Palicki The Orville (FOX Television)
Sarah Paulson American Horror Story: Cult (FX)
Mary Elizabeth Winstead Fargo (FX)

Best Supporting Actor on a Television Series

Nikolaj Coster-Waldau Game of Thrones (HBO)
Miguel Ferrer Twin Peaks: The Return (Showtime)
Kit Harington Game of Thrones (HBO)
Doug Jones Star Trek: Discovery (CBS)
Christian Kane The Librarians (TNT)
Michael McKean Better Call Saul (AMC)
Khary Payton The Walking Dead (AMC)
Evan Peters American Horror Story: Cult (FX)

Best Guest-Starring Performance on Television

Bryan Cranston Philip K. Dick’s Electric Dreams (Amazon)
Michael Greyeyes Fear the Walking Dead (AMC)
David Lynch Twin Peaks: The Return (Showtime)
Jeffrey Dean Morgan The Walking Dead (AMC)
Rachel Nichols The Librarians (TNT)
Jesse Plemons Black Mirror (Netflix)
Hartley Sawyer The Flash (The CW)
Michelle Yeoh Star Trek: Discovery (CBS)

Best New Media Television Series

Altered Carbon (Netflix)
Black Mirror (Netflix)
The Handmaid’s Tale (Hulu)
Mindhunter (Netflix)
Philip K. Dick’s Electric Dreams (Amazon)
Star Trek: Discovery (CBS)
Stranger Things (Netflix)

[td_smart_list_end]

This year’s Saturn Awards will be awarded in June – and we wish our Trek nominees luck in a group of very competitive fields!

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


DISCOVERY Creatives Heading to WonderCon Anaheim

CBS announced today that the creative leads behind Star Trek: Discovery are heading to the Anaheim, CA based WonderCon event this month for a panel about the series, as they prepare to venture into Season 2 which begins filming in April.

Hosted by actress Mary Chieffo (L’Rell), the panel will feature showrunners Aaron Harberts and Gretchen Berg, as well as the leads behind Discovery’s impressive costuming, visual effects, makeup, music, and props.

Here’s the official press release, released by the studio this morning:

“STAR TREK: DISCOVERY” BOLDLY GOES TO WONDERCON
IN ITS FIRST EVER “VISIONARIES” PANEL

Executive Producers and Visionaries From the Series Share Details on Bringing
the Famed Franchise Back to Fans, and Building the Trek Universe in a Modern Age
Saturday, March 24th in Room North 200A

Panel to be Moderated by Series Star Mary Chieffo (“L’Rell”)

LOS ANGELES – March 13, 2018 – CBS Television Studios and CBS All Access invite Star Trek fans from around the world to join the team of “STAR TREK: DISCOVERY” at WonderCon on Saturday, March 24th in Room North 200A.

STAR TREK: DISCOVERY PANEL DESCRIPTION, MARCH 24th 2018

Over 50 years ago, the world was first introduced to what would quickly become a cultural phenomenon. It was a television series that inspired developments in science and technology, broke social barriers and transported viewers around the globe to new adventures and uncharted frontiers. Now, STAR TREK: DISCOVERY follows in the footsteps of those that came before as it seeks to tackle social issues, inspire the next generation of dreamers and doers and reflect on Roddenberry’s vision of a hope for tomorrow.

Join us in a conversation with those who boldly helped recreate the world of Trek in the modern day:

Scheduled panelists include: Gretchen J. Berg & Aaron Harberts (Executive Producers & Showrunners); Tamara Deverell (Production Designer); Gersha Phillips (Costume Designer); Mario Moreira (Props Master); Glenn Hetrick & James MacKinnon (Prosthetics & Special FX Makeup); Jeff Russo (Composer); and Jason Zimmerman (VFX Supervisor).

Watch for our report on the WonderCon panel at the end of the month!

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


REVIEW: Eaglemoss “Interphase” USS DEFIANT Model

The USS Defiant is quite the vessel in Star Trek history, with its exploits spanning three television series across half a century. The Constitution-class starship, first appearing in TOS’s “The Tholian Web,” later served at the center of Star Trek: Enterprise‘s two-part “In a Mirror, Darkly” saga, and then became woven into the background story of Star Trek: Discovery‘s first season.

The newest Constitution-class release from Eaglemoss’ Official Starships Collection focuses on the Defiant as she was first encountered by Captain Kirk and the crew of the USS Enterprise back in 1968, trapped in a fluctuating phenomenon known as an “interphasic rift,” which we later learned was a rip in both space and time — leading to the starship being catapulted back to the mid-22nd Century… and into the Mirror Universe.

The Defiant glows green under the interphasic effect.

As the fourth small-size Constitution-class ship in Eaglemoss’ armada — following the classic Enterprise and ISS Enterprise releases from 2015 and the SS Yorktown special from 2016 — the Defiant is on one level a familiar construction from the model series, build from the same molds and tooling as the earlier releases. From a build standpoint, the ship is virtually identical to those three prior ships, so there’s not too much to say about that side of things.

The differences, however, are what sets this starship apart from the others — and we’re not just talking about the USS Defiant or NCC-1764 markings on its hull. This model is one of the most unique in Eaglemoss’ model line to date, as it features special luminescent paint to recreate the iconic interphase glow right in your own collection.

It’s certainly a neat gimmick to differentiate this model from just being another relabeling of the Constitution-class design; with the right amount of light infusion the Defiant really does seem to be deep into an interphasic rift from its included model stand.

To prep for this review, we surrounded our Defiant model in bright lighting for more than an hour to get the dark photographs you see here; with that amount of illumination prep the green glow became extremely pronounced when we shot the images in a completely darkened room.

We’ve seen some feedback in discussion groups that the glow isn’t very visible for some collectors; for us it seemed to ‘charge up’ quite well when we prepped it for this article.

Two of the plastic areas of the Defiant also mark a notable difference in this model — when seen in the light of day, that is.

First, the deflector dish includes a relatively translucent central spire, which serves to add some needed glow action to that part of the ship. The dish itself is a bit of a disappointing orange color — rather than the ‘real’ golden bronze found on the filming model — but that again follows the standard coloring Eaglemoss has presented on this ship class in their past releases.

The most obvious change, though, is the yellow bussard collectors on the front of the warp nacelles. Now this is an alteration we understand is to serve the glow-in-the-dark aspect of the ship, which makes sense for nighttime viewing of the Defiant, but it does make the ‘daytime’ version of the starship look a bit odd compared to the expected orange-red nacelle caps that are supposed to be there.

The caps themselves are also bit unclean in their appearance, with some plastic blobiness around the edges instead of a smooth, rounded seam where they attach to the nacelle. Perhaps this is due to the material used for their molding, but either way it’s a little sloppy in appearance for such a high-visibility portion of the model.

The included magazine with this model focuses on the pre-Discovery adventures of the USS Defiant, from the first appearance in “The Tholian Web” through 2005’s “In a Mirror, Darkly.” There’s also a nice, lengthy feature on rebuilding the Original Series-era sets for the Enterprise two-parter, which served as the center of those fan-favorite episodes.

Overall, adding the glow paint to the mix really gives this Constitution-class model a reason to exist in the Official Starships Collection, and does make it feel much less like a repeat that other later-release ships in the series have seemed to be (like the wings-down Bird of Prey, for example).

The glow-in-the-dark USS Defiant special release is available from Eaglemoss now (for $24.95 in the US and £14.99 in the UK), and isn’t the last TOS-era Constitution-class model in their collection — watch for our review of the Star Trek: Phase II USS Enterprise refit in the coming weeks!

In Eaglemoss’ US store, TrekCore readers can use promo code TREKCORE at checkout for 10% off any ‘Star Trek’ collectible purchase $60 or greater (some exclusions apply).

Lorca’s Mirror Moments: Revisiting DISCOVERY’s Captain

Captain Gabriel Lorca, played with a magnificent intensity by Jason Isaacs, was one of the most interesting characters from Star Trek: Discovery’s first season – and potentially its biggest narrative twist.

When we first met Lorca, he was an enigmatic Starfleet captain who did not seem to quite fit into the mold of the noble Star Trek captains of old. By the end of the season, we knew why: this Lorca was in fact his Mirror counterpart, stranded in the Prime Universe and trying to make his way home to continue his quest to overthrow the Terran Emperor and claim the throne for himself.

As a result, returning to the beginning of the season and re-watching it with the knowledge of Lorca’s true origins provides an entirely different context to many of his scenes. There are clues to Lorca’s origins scattered throughout the show that only become clear once you know the context, and many of his scenes can be interpreted in an entirely different light.

Hats off to the Discovery writers room for making it possible to have two entirely different experiences out of the same show, and I recommend revisiting these episodes to find all the fun moments dropped in for us to find.

Join me as I go through Discovery’s first season and dissect all of the clues, foreshadowing, and speculate about additional context provided by the knowledge of Lorca’s origins up to the reveal of his true nature.

“I like to think it makes me mysterious.”

When Burnham first meets Lorca in his ready room, he apologizes for the low light levels in his office, attributing it to an eye injury from a recent battle injury.

While he later implies in “Choose Your Pain” that the injury was caused by the destruction of the USS Buran, in reality light sensitivity is the only genetic difference between humans from the Prime Universe and Mirror Universe, as revealed in “Vaulting Ambition.”

“Maybe the universe hates waste.”

Burnham points out the significant coincidence that the USS Discovery happened to be in position to rescue the stranded prison shuttle, but given the relationship between Lorca and Burnham in the Mirror Universe, it is clear that Lorca orchestrated events so that Burnham would end up under his supervision on the Discovery.

“I know who you are, Michael Burnham.”

Burnham lays out her theory for Lorca that the Discovery is developing a spore-based biological weapon. Lorca ultimately disproves her theory in engineering, but before they transport there he says “I know who you are, Michael Burnham. I know exactly who you are. I know you love being right, and I suspect that you hate being wrong even more so.”

Initially, we interpret this to mean he feels like he knows who she is. But in reality, given that it is later established that Lorca and Mirror Burnham were in a relationship, the line takes on a more literal meaning.

“I study war.”

Lorca invites Burnham to his menagerie, where he keeps “some of the deadliest weapons in the galaxy.” In addition, the room contains the skeleton of a Gorn and other creatures, including Cardassian voles, that it is unclear the Federation would know anything about.

Indeed, many fans cried foul and said this was a canon violation because first contact between the Federation and the Gorn does not happen for another decade in the Prime timeline.

However, according to Burnham in “The War Without, The War Within,” the Terran Empire extends far beyond the boundaries of the Federation, meaning that Lorca would know far more about the races of the Alpha and Beta Quadrants than any Starfleet officer in the Prime Universe in this time period.

“Pardon the breach of protocol, ma’am.”

Admiral Cornwell contacts Lorca to provide him an assignment while Lorca is eating in his ready room. We only get a brief shot, but his meal bears a striking resemblance to the squid-like food we see served in the Mirror Universe to Burnham in “The Wolf Inside.”

“Why don’t you get your damned eyes fixed?”

Lorca says that his decision not to correct his “eye injury” is by choice, to honor the crew of his ship, the USS Buran, that he destroyed to spare them from Klingon torture. In reality, Lorca does not get his eyes fixed because he cannot – the difference is genetic between humans from the Prime and Mirror Universe, and a doctor would likely discover that his eye problems were not the result of an injury.

“The honorable captain was too good to go down with his ship.”

Mudd reveals that Lorca was the only survivor of the destruction of the USS Buran. Lorca portrays his actions as having been an act of mercy to prevent his crew from being tortured by the Klingons, but more likely Lorca was the only escapee because he had little regard for the Prime counterparts for the Buran crew, a strong survival instinct, and a drive to return home to the Mirror Universe.

Alternatively, given that the only person to survive the destruction of the Buran was Lorca, it’s entirely possible his entire story is fake. Since the Buran crew had the most recent exposure to Prime Lorca and would have been best placed to realize that their captain was no longer himself, did Lorca destroy his own ship to cover up the fact that they found out about his true nature?

“There is no ‘we,’ Mudd!”

While breaking out of the Klingon prison ship with Lt. Ash Tyler, Lorca abandons their cell mate Harry Mudd. Despite Mudd’s decision to work with his Klingon captors to feed them information, many fans interpreted Lorca’s decision as one that demonstrated significantly compromised morals unbecoming of a Starfleet captain.

And they were right, given that the decision was made by a man from the Mirror Universe merely playing at being a Starfleet captain.

“Your case is well documented.”

Lorca almost overplays his hand in revealing how much he knows about Burnham and his interest in her. He says “your case is well documented” after telling her he knew that Sarek and Amanda had raised her after the death of her parents.

It seems unlikely that this would be common knowledge, but it is likely that Lorca had sought out information about Burnham after crossing to the Prime Universe before developing his plan to use her to return to the Mirror Universe.

In addition, Lorca’s incredulity at the idea that Burnham and Sarek would have a mental connection could also be interpreted as mild disgust, reflecting the racism of the Terran Empire.

“Bring her back… or don’t come back at all.”

Lorca quietly tells Tyler to bring Burnham back to the Discovery “or don’t come back at all,” when Tyler volunteers to take Burnham and Tilly into the Yridia Nebula to seek Sarek’s stranded shuttle.

The moment makes all the more sense given the knowledge of the relationship between Lorca and Burnham in the Mirror Universe.

“You don’t remember?”

One of the scenes that plays most differently with the knowledge that Lorca is from the Mirror Universe are the scenes between Lorca and Admiral Cornwell.

In their first scene together in Lorca’s quarters, Cornwell tries to reminisce about their past, but Lorca decides to make a romantic advance instead. Later, when she finds the agonizer burns on his back and he nearly kills her with a phaser, she accuses him of being psychologically scarred from the destruction of the Buran, and tells him “I can’t leave Starfleet’s most powerful weapon in the hands of a broken man.”

In reality, these scenes aren’t between Cornwell and a broken Lorca, but between Cornwell and a Lorca who is desperately trying not to give away his true origin. He is evasive with Cornwell and deflects reminiscing about old times with her because it was Prime Lorca, not him, who shared a previous relationship with Cornwell.

Then later, he agrees with her that he needs help because that is the only explanation he can provide – the truth that he has an ulterior agenda that he is carrying out is the one secret he cannot give away.

The power dynamics shift considerably with the knowledge that Lorca is from the Mirror Universe – watch without that context, and it appears as though Cornwell has him figured out. Watched with the knowledge that Lorca is from the Mirror Universe, he is much more successful in manipulating her to buy himself more time.

“I thought those things had been hunted to extinction?”

It’s a small moment, but when the Discovery first encounters the gormagander during one of the earliest time loops, Lorca says he thought that the gormaganders had been hunted to extinction. Saru quickly corrects him that the species endangered status is the result of reproductive issues that the species is experiencing.

However, it would make sense that in the Mirror Universe the warlike Terrans would have hunted the species to extinction, and so perhaps Lorca was right, but speaking of the wrong universe.

“You’ve been accumulating this data… the whole time?

Lorca manipulates Stamets into agreeing to engage in the dangerous plan to jump 133 times by appealing to his sense of exploration and wonder. Lorca implies that he shares Stamets’s love of knowledge for the sake of knowledge, but his ulterior motive is to seek to use the spore drive to return to the Mirror Universe.

“Let’s go home.”

After manipulating Stamets into agreeing to one additional spore jump back to the starbase, Lorca says “Let’s go home,” right before he is seen inputting new coordinates into the spore drive that sends the Discovery into the Mirror Universe.

Rather than a comment to the crew about their mission being over and the ship returning to base, Lorca is in fact speaking more literally about himself – he is returning home to the Mirror Universe.

“…and there’s me, hoping I’d find a better version of myself over here.”

It doesn’t quite fit with Lorca’s turn towards a classic Mirror Universe villain in “Vaulting Ambition” and “What’s Past is Prologue,” but for one moment it seems like the Prime Universe may have left a little bit of an impression on Lorca after all.

When told his Mirror counterpart (which we now know to be him) is a fugitive from the Terran Empire, Lorca reflects that he wished he would find a better version of himself in the Mirror Universe. Knowing that he crossed universes, could Lorca be referring to his Prime counterpart and wondering what that man was like?

“Maybe I’m not seeing things clearly.”

Burnham tells Lorca about the Emperor’s orders to destroy the rebels on Harlak. Initially, he tells her she needs to follow through with the orders, and that “sometimes the end justifies terrible means.” However, she talks him out of it, saying that his time in the agonizer booth is coloring his thinking.

It could be that, rather than finding his conscience, Lorca realized that if Burnham disobeyed her orders it would encourage the Emperor to rendezvous with the Shenzhou and accelerate his plan to get aboard.

“Don’t you bow before your Emperor?”

When Emperor Georgiou appears holographically on the bridge of the ISS Shenzhou, Lorca has a small smirk on his face. He is clearly pleased that his plan to get aboard the Charon to liberate his followers is advancing.

“If the complete archive is anywhere, it’ll be at the Imperial Palace.”

As a high-ranking member of the Terran Empire who was the “right hand” of the Emperor, it stands to reason that Lorca would know about the origin of the USS Defiant. In addition, it would therefore also make sense that he knew that the interphasic space the Defiant used to cross into the Mirror Universe was not a realistic option for the Discovery to return.

“Fortunately, that’s where we’re going,” Lorca says about the archive being held at the Imperial Palace, but given that was his desired destination anyway, you have to wonder if Lorca used the Defiant files as a lure for Burnham and the Discovery crew to get him aboard the Charon.

Did I miss anything? Do you disagree with any of these? Let me know in the comments!

REVIEW: ‘Star Trek Mission Crate’ Box #1

After several months of delays, Star Trek: Mission Crate subscribers have finally received their first full shipment from Loot Crate, a Star Trek: The Next Generation “Wolf 359” themed crate. From this point forward, Star Trek Mission Crate should ship every other month, though considering payment for the second crate has already been taken, it may come sooner.

Loot Crate is a subscription box of collectibles and apparel that has been around for a number of years, and has subscription boxes under multiple licenses. However, their Star Trek crate has just gotten off the ground, and we we’re excited to bring your details about the first release and its contents.

Many of the products are supplied by longtime Star Trek licensee QMx, who have produced a number of popular and well-regarded items. Many of the contents of the Mission Crates may be made available for general sale at a later time, but Mission Crate is definitely the most cost-effective way to secure these items.

The first thing I want to highlight is the presentation of the box itself. When I picked up this package from the front desk of my building, I was shocked and excited to be handed a package shaped like the shuttlecraft Galileo from the classic Trek series.

The detail on the box is really nice and is not just limited to the exterior; the inside of the box has been printed to make it look like the inside of the Galileo. (The only question, though, is why was this “Wolf 359” set styled to an Original Series theme, rather than a Next Generation design?)

A spectacular amount of effort has gone into the shipping box, and fellow TrekCore contributor Jim Moorehouse has found a great new purpose for his box, taking off the top and turning into a Star Trek themed cat house. I think I’ll be doing the same for my cat – why should I be the only one who dreams of traveling the galaxy?

The other neat part of the presentation is a piece of card printed like a TNG-era PADD containing a list of contents for the box. Clearly, Loot Crate have put a lot of thought and effort into the presentation of their product, and I applaud them for that.

But does the inside of the box match up to the coolness of the outside?

The Wolf 359 Mission Crate contains six items, most themed to The Next Generation, specifically “The Best of Both Worlds.” Generally, for the price of $39.99, I am pretty satisfied with the contents and have found a place for all of them.

Specifically in the box we received:

Locutus of Borg Mini-Master – This is the major item of the box, a detailed figure of Captain Jean-Luc Picard as Locutus of Borg from “The Best of Both Worlds, Part II.” The figure is bigger than I expected, standing a little over 6 inches tall, and is rendered in a soft plastic. (We first saw this on display at ToyFair 2018 last month.)

The likeness to Patrick Stewart and the level of detail on the Borg costume is excellent, but the figure is surprisingly light and lacking in the heft that you would expect. However, the presentation of the figure does allow for effective rendering of the pipes and tubes of the Borg armor without the danger that you will accidentally drop and break one.

Of all the items in the box, this was the one I was most pleased with, and I’m looking forward to seeing what other figures we get in additional boxes.

USS Enterprise NCC-1701-D Mini-Master – On the other hand, the Enterprise-D model provided with the box, which we also saw at ToyFair 2018, is a disappointment. QMX has a long history of well-designed and created starship replicas, but this falls short of previous efforts. Partially, this comes from the lower price point of the Mission Crate box, but if you were curious which you would rather display between this or the Eaglemoss version, I would recommend the Eaglemoss.

This rendering of the Enterprise-D measures a little over four inches in length and is made of the same light plastic as the Locutus figure. It attaches to the display base by way of a magnet, so like the Eaglemoss ships it also avoids having a connector built into the ship model itself.

On the positive side, though, for the small size of the ship it has an impressive amount of detail.

Borg Assimilation TeeA fun t-shirt that I probably wouldn’t have bought by itself but that I am still pleased to have, the shirt shows a view of the Enterprise-D from above, overlaid above a stylistic pattern of Borg circuitry. This is the perfect shirt for a lazy day watching Next Generation reruns.

“Resistance is Futile” Decal – The decal has similar design elements to the shirt and will look good with the other Star Trek stickers I own on my books of convention photo ops. A nice little item.

Star Trek: Discovery Starfleet Division Badge – One of two items not directly associated with “The Best of Both Worlds,” subscribers also received QMx’s version of the badge from the latest Discovery show, which have been on general sale since summer of last year. These badges are very well made and attach to your Starfleet uniform by way of a strong magnet.

When signing up for the Mission Crate, you are asked to pick your Starfleet division – Command, Science, or Operations – and receive the corresponding badge to your selection. The only thing missing from these badges are the little rank insignia pips on the versions used in the show. Hopefully, QMx will one day offer a version with those as well.

Star Trek: Online Code – The final item in the box was a code to unlock free virtual items on the Star Trek MMORPG. Since I don’t play the game I’m not able to assess for you whether it’s worth it, but if there are any STO players reading this please feel free to let us know in the comments what you thought about this item.

Overall, for the price, I was happy with the contents and will keep my subscription. I like the way this Mission Crate was themed to one of the franchise’s greatest episodes, and I am looking forward to seeing which episodes or parts of the franchise they draw inspiration from next.

If I have one complaint, it is on the customer service side. The Wolf 359 crate was initially supposed to be delivered before the holidays, but was delayed until January… and then a second time until the end of February. Though Loot Crate sent out a “special” crate before Christmas as a consolation containing some of the previous Star Trek items contained in their past Loot Crate releases, the delays were extremely frustrating for customers (given the company has so much experience with the subscription box model).

I can only hope that the delays that beset the first box will not be repeated with the second, announced to be Deep Space Nine themed and centered around “The Way of the Warrior, ” with an expected Mini-Master figure based on Lieutenant Commander Worf.

Sign-ups for the “Way of the Warrior” Mission Crate will end on March 15, at which point sign-ups will open for the third unannounced crate. You can get more information and sign-up for the Star Trek Mission Crate at Loot Crate’s official site.

More Images of Moebius Models’ USS FRANKLIN Kit

We first brought you an up-close-and-personal look at Moebius Models’ 15-inch, 1:350-scale USS Franklin model — based on the old starship restored to life in Star Trek Beyond — back during last summer’s Las Vegas convention, and now that it’s on the verge of landing in hobbyists’ hands, Moebius has shared some new images of the final construction.

Here’s a great look at the finished build, complete with USS Franklin mission patch base:

This 95-piece model kit comes with decals to let you select how you’d like the ship to look, either fresh out of Spacedock or weathered after spending years on Altamid. It includes internal space for lighting kit modification if you’re apt at that technical work, and clear bussard domes to show off that internal lighting.

Builder Lou Dalmaso showcases the model with custom lighting kit completed.

Moebius has also mocked up a few images of the Franklin in space:

Model builder Lou Dalmaso has produced a series of videos documenting his construction and completion of the USS Franklin model, after receiving the first final kit from Moebius; they’re lengthy to watch but give great insight into the detail of this kit and the lovely final result.

Here’s another look at their packaging design, which was put together by longtime Star Trek designer John Eaves.

This impressively-sized USS Franklin model kit is available for preorder now from many hobby shops — the lowest price we’ve seen online is $47.95 from CultTVMan’s store — and is expected to ship out in April.

Keep coming back to TrekCore for the latest in Star Trek product news and reviews!

Convention Preview: Looking Ahead to STLV 2018

Convention season is starting up for the year, and with less than five months until Creation Entertainment’s 2018 Star Trek convention kicks off, it’s time to look ahead to what’s been announced so far about the year’s biggest event in Trek!

Hosted annually at the Rio Hotel and Casino in Las Vegas (since Star Trek The Experience, which formerly hosted the event, closed in 2008), this year’s con is scheduled to run from August 1-5. STLV it is the largest (and as of this writing, only) licensed Star Trek convention in the United States, boasting upwards of 100 Star Trek-centric guests each year.

While it’s still a bit early in the year to hit that 100+ threshold, Creation has already announced more than 70 attendees confirmed to appear so far, including familiar giants of Trek like beloved captains William Shatner (Kirk) and Kate Mulgrew (Janeway) — and the franchise’s newest Starfleet captain, Jason Isaacs (Lorca) of Star Trek: Discovery.

2018 also marks Deep Space Nine‘s 25th Anniversary, and we’re hoping that the already-substantial list of DS9 cast attendees continues to grow between now and August, especially with the impending release of What We Left Behind, the DS9 documentary which has been in production for some time after a record fundraiser campaign in 2017.

As of this writing, confirmed DS9 guests include executive producers Ira Steven Behr and Ronald D. Moore, along with series leads Colm Meaney (O’Brien), Terry Farrell (Jadzia), Michael Dorn (Worf), Nicole de Boer (Ezri), Cirroc Lofton (Jake), and several other guests from the series.

(Not yet listed, and unfortunately unlikely to attend, is Avery Brooks (Sisko), who has seemly taken a step back from Trek in recent years; the actor also has declined to participate in the What We Left Behind documentary.)

2017’s ‘Deep Space Nine’ group panel.

Last summer, STLV attendees got the first chance to meet some of the Star Trek: Discovery cast and crew, many of whom spent the entire week roaming the convention halls and vendors room, mingling with fans and posing for selfies along the way.

2018 will continue that Discovery presence, with returning stars Mary Chieffo (L’Rell), Wilson Cruz (Culber), and Kenneth Mitchell (Kol) coming back for their second Vegas show, along with first timers Rainn Wilson (Mudd) and James Frain (Sarek) — and Jason Isaacs (Lorca), as noted above — along for the ride.

With plenty of time left until the convention beings, fans remain hopeful that more of the main Discovery cast (and production team) will be added; last year’s Discovery attendees weren’t announced until late summer.

Deep Space Nine and Discovery certainly aren’t the only Trek series represented in guest attendees, of course; there are plenty of Trek stars from across the franchise already announced for the show — including you can see the whole current list at Creation’s site which is constantly updated as STLV approaches.

Mary Chieffo poses with a fan for a spontaneous photo session.

Sons of Kirk, fronted by Enterprise actor Gary Graham (Soval) returns this year as the house band, but so far the usual exclusive entertainment for the “Gold” and “Captain’s Chair” attendee parties has not yet been announced. For those of you familiar with the Rio hotel, there are rumors floating about that these parties may relocate from the VooDoo Steakhouse to another venue, and we’ll be sure to update when we find out more.

Meanwhile, Saturday’s Late Night Dessert, Cocktail, and Centerpiece Party also returns (another “Gold” and “Captain’s Chair” restricted event), but the usual open-to-all karaoke nights are free attend, and are often a highlight of the convention. Held on Thursday and Friday evenings, each night is hosted by a different set of Star Trek celebrities. Previous years have welcomed Connor Trinneer (Trip) and Dominic Keating (Malcolm) from Enterprise as hosts, or Robert O’Reilly (Gowron) and J.G. Hertzler (Martok) in costume as their Klingon characters.

While the full week’s event schedule won’t be revealed until late July, so far Creation has announced that makeup legend Michael Westmore will continue his now-traditional instructional session, this year transforming Casey Biggs (Damar) into his Cardassian alter ego live on stage. Afterwards, Biggs will stay in both makeup and costume for photo op sessions with fans.

On the final night of the show, the longstanding Rat Pack performance — starring Max Grodenchik (Rom), Jeffrey Combs (Weyoun), Vaughn Armstrong (Admiral Forrest), and Biggs — continues for another year, in which the tuxedo’d stars present a Star Trek-themed parody of the original Las Vegas Rat Pack nightclub act; the musical event always makes Sunday night a hilarious conclusion to the week’s events.

Creation has also enhanced the overall convention experience in the last several years, adding extensive signage and decoration (including life-size replicas of the Guardian of Forever, a transporter pad from the Original Series, and set of Borg regeneration chambers) throughout the event.

Last year, two larger-scale photo areas were also on site, including a recreation of the classic Enterprise bridge (complete with captain’s chair and helm/navigation consoles), and a fantastic replica of the Ten Forward bar as part of the Next Generation 30th Anniversary theme. Perhaps we’ll have a similar construction for DS9’s 25th this summer!

Aside from the celebrities, panels, and events, this convention has the largest
gathering of Star Trek cosplayers in the nation with many officially-scheduled (along with additional fan-arranged) opportunities for gatherings and group photos.

2017’s Ten Forward recreation.

Creation hasn’t yet announced their autograph or photo op ticket prices or availabilities yet, but those will certainly start to be made public in the next few months as guest schedules are further refined.

While there will still be the option to buy autograph or photo op tickets on site in Vegas when you arrive, high-tier guests (like Colm Meaney, who only attends STLV every few years) may have those options sold out by the time August rolls around; if there’s any must-have guests on your list, do yourself a favor and preorder those tickets when the opportunity presents itself online.

Plan ahead for high-demand autograph opportunities!

Creation’s highest-level ticket package (“Gold”) is currently sold out, we expect — based upon past experience — that some additional availability will become open via auction closer to the start of the convention. The other four ticketing levels (“Captain’s Chair,” “Copper,” “General Admission Weekend,” and individual day passes) are still available,  along with tickets to the annual Saturday Night Gala, which once again hosts the Nevada Pops Orchestra and Maestro Richard McGee playing music from the series and films.

(Only General Admission and day-pass holders need to pay extra for this event; it’s included in the top three tiers of ticketing options.)

We don’t expect tickets to completely sell out this year, now is certainly the time to start preparing travel itineraries, hotel bookings, must-see guests, and everything that goes with the STLV experience. While there are multiple options for hotel stays in Las Vegas, of course, Creation does offer a block of special-rate rooms at the Rio Hotel for those who want to stay on-site for the week — which, if it’s in your price range, we recommend to maximize your Trek time.

If you’ve never been to the annual Las Vegas convention and are planning to make 2018 your first time, I’d like to recommend you check out the Shore Leave podcast’s STLV 101 series, recorded ahead of last year’s convention, to guide first-time visitors to the world of STLV.

I, along with my co-host Jeff Hulit and several other STLV regular attendees, cover topics from planning your visit to surviving the rigors of a five-day con in our podcast series. STLV is a whole different experience, and we hope that even fans who have been to smaller Trek events will find something new to help prepare them for the fun of this convention.

Travelling to STLV may start out as a once-in-a-lifetime journey, but for many who attend, it has become an annual pilgrimage to the desert, where Trek fans from all over the planet gather to not only meet the franchise’s stars, but to celebrate their common love for Trek in all the forms that may present itself — both during convention hours, and throughout the evenings during the week-long celebration in Las Vegas.

We’ll have more on what lies ahead for STLV 2018 in the coming months, to keep checking back to TrekCore as we venture closer to the summer!

REVIEW: Cheyenne-Class and Borg Queen Ship Models

We’re back with another look at the recent subscriber releases from Eaglemoss’ Official Starships Collection, and today it’s a look at issues #108 and 109, the Cheyenne-class USS Ahwahnee from “The Best of Both Worlds, Part II,” and the Borg Queen diamond ship from “Dark Frontier.”

The USS Ahwahnee studio model used in production.

The fact that the Cheyenne-class USS Ahwahnee is a ‘kitbashed’model is fairly evident from outside of the box before you even get your hands on it. The Galaxy-class saucer is shouting at you from a distance, but the odd point here is that this primary hull is actually two bottom-halves of a Galaxy-class saucer mated together.

Take a look and you’ll see the recessed square windows near the center on both the top and bottom pieces plus the curvature of the saucer from outer edge to center starts a couple of centimeters from the rim rather than the doming effect of the top of the Enterprise-D saucer.

In fact, it’s brilliant that the producers of the Official Starships Collection have gone to the effort of replicating that saucer detail on both sides from the original source material — which is probably the AMT model kit for the Enteprise-D rather than the studio model itself!

There’s also an unusually-lage ship registry and name emblazoned across the front of the hull here. I mean, jeez, it’s massive. Maybe there’s a Federation standard size for ship numbering fonts, but this is out of proportion to the rest of the ship. Also, if you like your starship comparisons, the top of the saucer is in metal while the flip side has a plastic insert.

Detail-wise, the two sides of the saucer are identical in quality, with one exception — the top side has the bridge module in center spot, while the bottom appears to have a captain’s yacht docked. Otherwise, there’s only the rim to mark out where the plastic and metal come together.

While this ship was designed and built to be a floating blob in the background of a scene – part of the destroyed Federation fleet in “The Best of Both Worlds, Part II,” rather than a center-screen hero ship, the Ahwahnee was was till afforded a decent finish with a great aztec paint job.

Moving backwards, there’s the double cobra-head lifting the quadruple nacelles above and below the oval main hull… and with the engines in this formation, it almost makes the Ahwahnee look like the lovechild of a Galaxy-class vessel and an Earthforce Starfury from Babylon 5!

There is, however, a reduced number of windows in the double cobrahead, as well as the saucer, since these are supposed to be much smaller than the model class they were pillaged from. What I do like here is the inclusion of the Starfleet pennant atop the engine pylon assembly. It draws the design together, and the simple red edging down the structure and (also on the engines) gives a boost to the two-tone shading on the hull.

This whole rear section is a scratch build, from the splitter engine bar and out into the nacelles themselves. As with the Springfield-class USS Chekov, the warp engines are heavily-disguised marker pens, but if you didn’t know, it’d be difficult to guess thanks to the golden vent detail, warp grilles and bussard collectors all sufficiently masking the structural source.

With as difficult to see as this model was in The Next Generation, you might think there’d be a lack of smaller detailing on the ship, but there actually appears to be a shuttlebay fitted to the rear of each nacelle assembly, set on either side of a tragically unpainted impulse engine bock. It’s too bad that this section wasn’t painted, and I recommend you find a good red marker to color it in manually.

For me, the consistency of detail on both top and bottom — especially when it comes to a ship that was only ever window-dressing — is stunning. She does look total class, even if she is simplistic in execution; for fans of all things Borg-related, the Ahwahnee is a certain addition.

The Borg Queen’s vessel, seen in “Dark Frontier.”

Next up is something equally incredible, the Borg Queen’s diamond-shaped vessel from Star Trek: Voyager’s “Dark Frontier.”

This has to be up there as one of the most intricate designs ever to cross from the screen into the collection, given all the angles, textures and pointy bits that mark every surface on the model.

The first thing that struck me is the paintwork. While there is still the metal-and-plastic combo in play, it’s hard to tell which is which material thanks to the textured paint finish that makes ALL of the octahedron look as though it’s brushed metal. However, the two component parts don’t have a defined top and bottom; rather they are worked together into the main frame each forming two ‘sides’ of the outer skeletal structure.

It’s a new step for Eaglemoss with this process, rather than doing certain pieces in metal and others in plastic, as one might normally see with a lot of the Federation ship models.

In the Borg Queen’s vessel, the parts are virtually indistinguishable since they all have the same surface panel detail, appendages and fantastic brushwork. It all combines for an impressive overall visual effect that really works.

At the center of this unique design is a core again painted in the brushed metal effect. The main thing to spot here are the ‘glowing’ green sections which gave the craft more depth on the screen. The challenge here is that the translation from screen to model means that the depth of the center block, and the indication that it rotates, does get lost somewhat due to the restrictions of cost if nothing more.

The energy signatures, spotted around the surface of the ship in green, emphasize the Borg nature of the diamond-shaped ship, plus it brings some life to what is a brilliantly realized model. This has to be recognized for the great paintwork at the least – that and some of the rather sharp edges.

Of all the Borg ships this, for me, is probably the most accurate and has the right feel to it, especially when compared to the Tactical Cube which suffered from being 100% plastic and losing something of the weight you’d expect from a Borg vessel.

While not totally metal, the overall effect that is carried across the whole surface is fascinating and varied from one side to another and creates a very unique and distinctive product. The intricate little interior details, cutouts and prongs are just perfect and add depth to the visual experience here. It feels alive and it looks spectacular at every angle… which is a good thing, since it is supposed to be fairly symmetrical.

The stand is equally as unique, as you would expect for a Borg ship, being two pairs of vertical prongs into which two sides of the outer diamond framework slot. Solid and secure is this one, with my only note being that the base needed a slight bit of filing to fit snugly into the black base.

While I did have to wait a little longer than expected for these two vessels, they were well worth the wait and have made me even more eager for the remaining Wolf 359 ships — and the hope that there might be a more accurate Borg Cube coming down the line at some point.

With these two arrivals, it’s really a pair of cracking ships and a firm flag planted that this collection is maintaining its quality — providing some real oddball stuff that’s got fans clambering for more.

The next pair of subscriber ships I’ll be checking out is the Springfield-class USS Chekov — another casualty of the Battle of Wolf 359 — and one straight out of the holodeck: Captain Proton’s rocket ship, seen in Voyager‘s “Bride of Chaotica!”

Watch for my review of these two ships soon!

Clive Burrell is lead editor at Some Kind of Star Trek.