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Factory Entertainment Debuts All-Metal, Budget-Friendly Series of ‘Scaled Down’ STAR TREK Prop Replicas

The folks at Factory Entertainment keep on coming with more new Trek products, this time announcing the first in a series of smaller-scale Star Trek prop replicas which won’t just fit on your shelf — but will fit your budget, too.

The company began their Star Trek adventure with a pair of high-end, full-sized Star Trek: The Next Generation prop replicas — the iconic Ressikan Flute late this spring, and the recently-announced TNG Sickbay set announced in July (with planned delivery in 2022).

Those 1-to-1 replicas are lovely, but we know their price tag is not to many of you. That’s why it’s great to hear about Factory Entertainment’s newest Star Trek product line, a series of shrunken replicas of the franchise’s best-known props, keeping the company’s desired quality and accuracy — while keeping the price point under $50 USD.

Revealed this week are a pair of Star Trek weapons from the Alpha Quadrant’s best-known races — starting with the Vulcan lirpa, the bladed staff weapon introduced in classic Trek’s “Amok Time” (and seen in further Vulcan stories like Enterprise’s “Kir’Shara” and Lower Decks’ “Kayshon, His Eyes Open.”)

Measuring in at 8″ long, the all-metal Vulcan lirpa will arrive next Spring, and comes with a convenient stand for easy display — it’s available for preorder now at a reasonable $34.99 price.

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The second scaled-down Trek replica is the familiar Klingon bat’leth, introduced in The Next Generation’s fourth season episode “Reunion,” a weapon that has since become a trademark accessory for any Klingon warrior.

FE’s bat’leth will measure in at about 7″ in length, and like the lirpa, the all-metal build will also come with a display stand for honorable warriors to showcase the Klingon Empire’s distinctive curved sword.

Also expected to ship next spring, the bat’leth can be preordered today at the same $34.99 price.

These are only the first in a planned series of Star Trek ‘scaled’ prop replicas in the works, as we expect to see more in this product line from Factory Entertainment as we get closer to the 2022 release of the lirpa and bat’leth.

For those of you who didn’t buy their Ressikan flute or Next Generation medical set, do these more-affordable Star Trek replicas get your attention? Let us know your thoughts in the comments below!

STAR TREK: LOWER DECKS 202 Review: “Kayshon, His Eyes Open”

“Kayshon, His Eyes Open,” written by Chris Kula, gets us right back to the powerfully funny, deeply reverent, and engaging stories of the back half of Star Trek: Lower Decks’ first season — and may give “Envoys” a run for its money as the episode with the most Easter eggs tucked away in the background.

This episode sees the crew of the USS Cerritos cataloguing the extensive holdings of a deceased collector, while Boimler and the USS Titan infiltrate a mining colony that has been taken over by the Pakleds, in the first plot to focus on the new Alpha Quadrant adversary.

Amid all of the Easter eggs in the Cerritos storyline and the action of the Titan story, there are two important messages that shine through this episode. First, Ensigns Mariner (Tawny Newsome) and Jet (Marcus Henderson) — who seems to be filling the open slot in the lower decks’ gang left by Boimler’s departure —  gets an important lesson teamwork and really listening to the advice of others.

Both Mariner and Jett make a series of rash decisions based off their own judgement which puts the away team at increasing peril, but only once they start listening to Rutherford  (Eugene Cordero) and Tendi (Noel Wells) do they find a safe way out of an increasingly dangerous collection.

Then, over on the Titan, Lt. j.g. Boimler (Jack Quaid) teaches his fellow senior officers of that ship an important lesson about what it means to be in Starfleet. Despite the Titan getting a lot of important security assignments from Starfleet, Boimler reminds his colleagues – through words as well as his actions – that Starfleet’s original mission of exploration, and Captain Riker’s (Jonathan Frakes) previous assignment aboard the Enterprise-D, is just as cool and noble as all the action stuff.

“I signed up to explore, “Boimler tells his fellow officers as it seems like they might be killed by the Pakleds. “To be out in space, making new discoveries and peaceful diplomatic solutions… that’s boldly going,” says the jittery officer, seeming to please the case for Lower Decks’ throwback nature (compared to the modern whiz-bang storytelling on Discovery, Picard, and the three Kelvin Timeline films).

In addition, this episode introduces a new security officer in the form of Lt. Kayshon (Carl Tart), the first Tamarian in Starfleet. The Tamarians, who first appeared in TNG’s “Darmok,” now seem to be able to mostly manage Federation Standard through the universal translator, though Kayshon is still learning and sometimes slips into metaphor.

I really like the Kayshon character, but I was also hoping for the translation jokes to land just a little harder given all the potential — though “Kayshon, when he became a puppet” is an all-time hilarious line.

It’s also nice to get a return for Doctor Migleemo (Paul F. Tompkins) who joins the ranks of funny recurring characters on Lower Decks; the birdman doctor also served as inspiration for one of our favorite cosplays from last week’s Star Trek convention in Las Vegas.

TREK TROPE TRIBUTES

CANON CONNECTIONS

  • Boimler’s transporter clone is created the same way as Riker’s clone Thomas Riker: using a second confinement beam to strengthen the transporter lock.
     
  • Riker’s ready room includes a model of his first posting, the Oberth-class USS Pegasus, along with a Risian horga’hn statue, a number of jazz records, and his trusty trombone.
     
  • Riker also has a Union Army hat on his desk with the number 102 beneath it. As revealed in the Voyager episode “Death Wish,” Riker’s ancestor was Thaddius Riker, who commanded the 102nd New York Infantry during the US Civil War — and who he would name his son after in just a few short years.

  • As our Brad Boimler exits Riker’s ready room and Captain Riker remains within with the transporter clone William, he asks for the computer to play “Night Bird” – a song which Riker himself never mastered.
     
  • In the second gallery aboard the collectors ship — home to a number of fossils and skeletons — the primary exhibits include the massive exposed skeleton of Spock Two (still wearing a tattered Starfleet uniform), the bones of Space Lincoln and an Excalbian (each from “The Savage Curtain”), and a Gorn (as seen in Lorca’s menagerie), and a tusked creature which could be a a Vulcan sehlat (“Yesteryear”).

  • Finally, in the main collection, we spotted a whopping number of Trek props from years past, including:

OTHER OBSERVATIONS

  • It’s fun to see the often-mentioned sonic showers again, seen in action here for the first time since “Juggernaut.” In a seeming homage to Starship Troopers, we see the lower-decks crew sharing a communal shower facility — and using the sonic waves as a blurring mechanism for the “communal nudity” was a clever touch.
     
  • The crew of the Cerritos call back to Kivas Fajo and the events of “The Most Toys,” as they misremember deceased collector Kerner Hauze as “the one whotried to collect Data.”
     
  • In addition to the classic Tamarian metaphors from “Darmok,” a few new additions can be added to the vocabulary this week:
    • “Rapunki, when he joined the Seven.” (Greetings!)
    • “Arnock, at the race of Natara.” (One who runs.)
    • “Zinda, his eyes red!” (This hurts!)
  • The Spock Two joke is so hilarious because it’s never explained in the episode — either you know where that giant skeleton hanging from the ceiling came from, or you don’t. Bravo, Lower Decks team.

“Kayshon, His Eyes Open” is a great episode that hits all of my pleasure points for Star Trek: Lower Decks, while making the case that both versions of today’s Star Trek storytelling have their merits.

There are fun characters, funny jokes, a bit of a message, tons of Star Trek references and fun little asides. This episode returns to the show to the heights of Season 1, and I am looking forward to seeing where it goes next!

Star Trek: Lower Decks returns on August 26 with “We’ll Always Have Tom Paris” on Paramount+ in the United States and CTV Sci Fi Channel in Canada, followed by Amazon Prime Video (in select international regions) on August 27.

FIRST LOOK: November’s Additions to Hero Collector’s STAR TREK Starships Collection

We’re back with a look ahead to what’s coming down the interstellar pipeline from Hero Collector, as today we can bring you a pair of exclusive first looks at November’s upcoming additions to the Official Star Trek Starships Collection!

First up is the next addition to the slowly-growing Star Trek Universe collection: the next ship from Star Trek: Discovery is the Section 31 Deimos-Class Starship, seen in “Such Sweet Sorrow, Part 2” during the epic battle against Control.

SECTION 31 DEIMOS-CLASS (ISSUE #9) — Among the secretly-developed stealth ships employed by Starfleet’s covert ops organization Section 31, the Deimos-class served the role of mothership.

Based on a smaller Federation design for an intel science destroyer, the Deimos was extended to a length of almost 900 meters, with swarms of autonomous drone-fighters stored in the saucer “wings” on either side of its central spine.

Like all Section 31 ships, the Deimos was designed for subtlety and deniability – upon entering “dark mode”, many of the ship’s external structures folded in on themselves to reduce its silhouette, and all external lights cut out, rendering it almost invisible in the vacuum of space.

The Deimos-class starship model measures in just over 8.5 inches long, and is expected to retail at $54.95 / €49.99 / £39.99.

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We can round out November’s new releases with the final addition to the Star Trek Online series of starship models: the Concorde-class Federation Command Battlecruiser, another ship which came from the quadrant-spanning Khitomer Alliance.

CONCORDE-CLASS FEDERATION OPERATION COMMAND BATTLECRUISER (Issue 20): A collaborative vessel available to Starfleet players in Star Trek Online, the Concorde-class Command Cruiser was designed as part of a joint research-and-development project between the Khitomer Alliance – at the time known as the Alpha Quadrant Alliance.

Designed for a command and co-ordination role, the ship’s comms technology allowed it to guide allied vessels to dramatic effect. Armed with phaser arrays, photon torpedos, and dual cannons, the Concorde-class hosted four Type-8 shuttles – along with the fleet support platform, which allowed it to recharge its own deflector shields, and those of nearby allied ships.

A smaller starship, the Concorde-class measures about 5.4 inches in length and will retail at $29.95 / €24.99 / £19.99.

Eaglemoss / Hero Collector program director Ben Robinson shared on Twitter last week that #20 will be the final Star Trek Online ship in the series, due to the lack of success in the marketplace.

We’ll be back next month for another round of exclusive previews of Hero Collector’s upcoming Star Trek starship models — and we may have word on one or two more special releases for the fall between now and then.

In the meantime, let us know what you think about October’s releases in the comments below!

New STAR TREK: LOWER DECKS 202 Images: “Kayshon, His Eyes Open” — Plus, International Fans Finally Get Season 1 on Blu-ray

This week continues Star Trek: Lower Decks’ second season, and we’ve got a new set of photos from “Kayshon, His Eyes Open” for you today!

In this new episode, the crew of the Cerritos welcomes aboard Tamarian officer Kayshon (Carl Tart), a member of the metaphor-language race first seen in TNG’s “Darmok,” as replacement security chief for the departed Shaxs (Fred Tatasciore) who perished in last season’s finale.

Meanwhile, Lt. j.g. Boimler (Jack Quaid) continues his service aboard the Titan as Captain Riker’s (Jonathan Frakes) crew take on the growing Pakled threat, going undercover to a mining planet where the slow-witted aliens have taken control.

Here are twelve new images from this week’s episode, along with five released earlier this summer:

If you didn’t catch it last week, here’s a new episode of Wil Wheaton’s The Ready Room where he interviews the Lower Decks cast and crew about the new season — as well as a look ahead in a longer trailer for Lower Decks Season 2 currently available only on StarTrek.com.

Finally, fans outside of North American can finally look forward to finding a local copy of Lower Decks Season 1 on Blu-ray, DVD — and in special Steelbook packaging — as today Paramount Home Entertainment announced that the series would be arriving on physical media in these countries this November.

    • Spain – November 15th (BD, BD Steelbook)
    • France – November 17th (DVD, BD, Steelbook)
    • Germany – November 18th (DVD, BD, BD Steelbook)
    • Benelux – November 19th (DVD, BD)
    • Italy – November 19th (DVD, BD Steelbook)
    • Australia – November 24th (DVD, BD)
    • Japan – November 26th (DVD, BD)
    • UK – November 29th (DVD, BD, BD Steelbook)

Just a friendly reminder to those of you around the world: all Star Trek Blu-ray discs are region free, so you can buy from any country for shipment to your location without worry.

Star Trek: Lower Decks returns Thursday, August 19 with “Kayshon, His Eyes Open” on CBS All Access and CTV Sci-Fi Channel; the episode airs Friday, August 20 on Amazon’s Prime Video service in select international regions.

Star Trek: Lower Decks
Season 1 Blu-ray

Star Trek: Lower Decks
Season 2 Blu-ray

EXO-6 Welcomes Kathryn Janeway to Its STAR TREK 1:6-Scale Figure Lineup; Preorders for VOYAGER’s Captain Open on Friday

After beaming down Lt. Commander Data and setting a course for Captain Jean-Luc Picard earlier this year, scaled action figure company EXO-6 has unveiled its third Star Trek release for 2021, bringing one of the Delta Quadrant’s most legendary characters home.

Teased back in April, the next entry in EXO-6’s 1:6-scale Star Trek Captains series is none other than USS Voyager matriarch Captain Kathryn Janeway, just in time for Kate Mulgrew’s holographic return in this fall’s Star Trek: Prodigy animated series — the first time a new Janeway figure has been produced since the series was still airing on UPN.

The first 1:6-scale figure from Star Trek: Voyager, the new EXO-6 Janeway design is based upon the character’s later-season look (with shorter, shoulder-length hair), measuring about 11 inches tall and armed with hand phaser, a Voyager-style compression phaser rifle, her familiar Mark X tricorder — and of course, her trusty coffee cup.

This 1:6-scale figure re-creates this iconic character in exquisite 1:6 detail. Standing approximately 11 inches tall, every element, from her 24th century jumpsuit to her custom black boots, is authentically reproduced. The original portrait sculpt of Kate Mulgrew as Captain Janeway has an authentic, hand-painted likeness.

The EXO-6 Janeway 1:6 Scale Articulated Figure includes:

• Fully Articulated Body: More than 30 points of articulation allow the figure to be displayed in multiple dynamic poses, approximately 30 cm tall.

• Realistic Portrait: Janeway’s portrait is lovingly rendered by top artists, with an excellent likeness of Kate Mulgrew in her role as Voyager’s captain. Each head sculpt is specially hand-painted.

• Starfleet Duty Uniform Jumpsuit: Meticulously researched, this duty uniform matches the pattern, and color of the original costume recreated in 1:6 scale. Magnets are sewn into the uniform so the holsters for the tricorder and phaser can be attached. An authentically scaled communicator badge is permanently affixed to the tunic.

• Boots: Soft plastic boots sculpted to match the cut and style of the original series footwear.

• Display Base: A hexagonal display base featuring the transporter pad will provide additional support for the figure. Two different inserts for the floor of the base can represent the transporter pad or the center of the transporter array.

Captain Janeway is outfitted with everything needed for a Starfleet officer. She comes equipped with:

• Type II hand phaser. The phaser can be worn in a black holster that magnetically attaches to the jumpsuit.

• TR-590 Tricorder X: This standard tricorder can be opened or worn in a holster.

• Phaser rifle: Compression Phaser rifle used by the Voyager crew.

• Coffee cup: “Coffee, black.” Kathryn couldn’t start her day without her signature beverage.

This fine collectible figure is a perfect rendition of the best captain in the history of Starfleet and a great addition to your EXO-6 Star Trek™ 1:6-scale figure collection.

Expected to arrive to collectors this winter, the Janeway figure is set to go live for preorders this Friday (August 20) at the official EXO-6 website, where she will retail for $189.95 USD (plus shipping), which includes a $20 nonrefundable deposit.

(The first two figures announced by EXO-6 both sold-out of their direct-to-consumer preorders quickly; while third-party retailers may keep sales open longer, the fastest way to guarantee your delivery is through the direct EXO-6 online store.)

Will you be adding Captain Janeway to your collection? Did you order either of EXO-6’s previous Star Trek figures? Let us know your thoughts in the comments below!

New Remastered STAR TREK II: THE WRATH OF KHAN Soundtrack Collection Available from La-La Land Records Today

It’s been almost two years since the last La-La Land Records Star Trek soundtrack dropped out of subspace, and while we thought they may have finally covered all the Trek music that was available to release, the company is back today with one more visit to the final frontier.

With over two hours of music including a number of unreleased alternate tracks, a new two-CD Star Trek II: The Wrath of Khan collection is available today from La-La Land Records, complete with newly-remixed digital sound.

La-La Land Records, Paramount Pictures, and Atlantic Records proudly present a limited edition, remastered 2-CD release of legendary composer James Horner’s (FIELD OF DREAMS, GLORY, TITANIC) original motion picture score to the classic 1982 sci-fi blockbuster STAR TREK II — THE WRATH OF KHAN, starring William Shatner, Leonard Nimoy and DeForest Kelley, and directed by Nicholas Meyer.

Considered to be one of James Horner’s finest scores, the deluxe reissue showcases this masterwork sounding better-than-ever and expanded with previously unreleased alternate tracks. Disc One features the score presentation, while Disc Two presents the re-mastered 1982 Original Soundtrack Album and additional music.

Produced by Neil S. Bulk and Mike Matessino, and re-mixed and mastered by Mike Matessino, this special 2-CD release is limited 10,000 units and features art design by Jim Titus. Disc One, and the additional score tracks on Disc Two, have been re-edited and remixed in hi-res from newly discovered 1st generation analog 3-track stereo tapes. The original soundtrack album has been newly remixed from digital-to-analog 3-track stereo tapes made in 1982.

The exclusive, in-depth liner notes by writer and musical director/conductor Deniz Cordell feature new comments from Sara Horner, Nicholas Meyer, producer Robert Sallin, former Paramoun Music President Joel SIll, and longtime Horner collaborators Jim Henrikson and J.A.C. Redford.

We had an opportunity to hear directly from the soundtrack’s co-producer Neil S. Bulk, who was happy to share his insight into just what it took to bring this new Wrath of Khan score collection to light — and why this Star Trek II CD release is different from the 2009 ‘expanded edition’.

by Neil S. Bulk

When work began on this new Star Trek II: The Wrath of Khan soundtrack in January 2021, I expected to get the same tapes that were used for the previous expanded release, an album co-producer Mike Matessino and I worked on in 2009.

Those tapes had one recording of every cue and the thought was this new album could be wrapped up quickly. It turns out I didn’t know enough about the recording of the score and with all of the new information available, I’d like to share some of these details.

To begin, the score was recorded digitally using a system developed by 3M in the late 70’s that operated at 50kHz-16 bit (source). This was cutting edge technology 40 years ago and the original album cover proudly said “Digital Recording” while the vinyl side labels mentioned the word “digital” twice, driving the point home.

Throughout scoring, 1” digital 32-track tape was the primary recording format. All takes, edits, and mixes for the film and soundtrack albums derived from it. Recorded to these tapes were digital edit code, a rough stereo mix, and the individual feeds for each section of the orchestra across the first 22 tracks. Tracks 28 through 30 recorded a live 3-track stereo Left-Center-Right (LCR) mix while track 32 recorded a 60Hz pilot tone for sync. The remaining tracks were left blank.

Running concurrently at the sessions were two analog back-up machines: the first was a 2” 24-track unit, which had the same music content as the digital 1” except for the stereo LCR mixes, which were recorded to a separate ½” machine. These live analog reels were recorded in case the digital recordings had problems and there’s a good chance these tapes were never used.

Yet another set of analog reels were created after scoring. As mentioned, the primary source for the film production was 32-track digital. Once the final performance edits were completed on digital tape (thus not incurring any generational loss inherent to analog) these were copied to analog tape in 1982 as protection. These ½” three-track stereo LCR safety reels, coming from digital and played through converters of the era, preserve the frequency response of the digital recordings and were used for the previous expanded album.

Readers may be wondering, “If there’s a digital recording why not stick with that and forget about all of these analog tapes?”. It’s a fair point, however the reality isn’t that simple. The 3M digital format is practically extinct. There are very few machines left in operation that can play the tapes properly without errors. Due to scarcity the transfer costs are also far more than analog tape.

On top of that, the tapes operate at a sampling rate that isn’t compatible with modern digital audio workstations, so a conversion to analog has to occur, meaning you’re still at the mercy of 40+ year old digital technology. Instead, by going with the fully analog tapes the score to Star Trek II could be re-edited, re-mixed and mastered in genuine hi-res audio for the very first time.

All of the ½” analog tapes have been newly transferred into hi-res 96kHz/24-bit digital. That higher rate doesn’t increase the frequency response of the digital-to-analog safety reels, but it does preserve the creative intentions of the editors and engineers. However, for the newly uncovered live analog tapes this new hi-res transfer captures a greater frequency response with better precision than any previous digital recording or transfer of the score. It’s these first-generation tapes that became the primary source for this new release.

Disc 1 of this collection presents the score in film order from the new hi-res transfers of the live ½” tapes. Disc 2 presents the original album from the ½” digital-to-analog safety reels, preserving work done in 1982. The additional music on disc 2 (apart from Craig Huxley’s “Genesis Project” which was sourced from the composer) is derived entirely from the ½” analog session tapes.

One of the advantages of having the full scoring sessions is that we can now document the recording of this score; above is a breakdown that shows the takes used for every cue on the album and the dates they were recorded. Titles here are from the legal cue sheet (and may differ with the final titles used on the album).

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If you want to add this new Star Trek II: The Wrath of Khan expanded score to your own collection, you can head over to La-La Land Records’ official site now — where you can explore the entire track listing for the new 2-CD soundtrack set, and place an order for shipment today at a price of $29.98 USD.

STAR TREK: DISCOVERY 3-Season Blu-ray Collection Announced

If you have been holding off on buying Star Trek: Discovery on Blu-ray, the folks at CBS Home Entertainment and Paramount Home Entertainment have announced this week that the first three seasons of the flagship Paramount+ series will be coming in a collected set this fall.

Set for release on November 2, the complete first three years of Star Trek: Discovery will be available in a repackaged 12-disc collection spanning the 2017, 2019, and 2020 seasons of the show.

No new on-disc content has been announced as part of this three-season collection, but if you’ve been holding off on the single-seasons, this may be a good way to save some shelf-space.

You can read our reviews of Season 1, of Season 2, and of Season 3 on Blu-ray — and then if you’ve decided this set is for you, head over to Amazon now to preorder the Star Trek: Discovery — Seasons 1-3 Blu-ray collection today ahead of its November release.

Star Trek: Discovery is nearing the end of filming its fourth season now in Toronto; while a specific release date has not yet been announced, Paramount+ advertises the series’ return for “2021.”

STAR TREK WINES Debuts Cardassian Kanar and Andorian Wine

For the third year in a row, alcohol licensee Star Trek Wines returns to the scene with a pair of franchise-inspired special releases — and for 2021, the company is fulfilling a three-year-long journey to replicate one of Star Trek: Deep Space Nine’s signature alien drinks.

When we talked to the Star Trek Wines team back in 2019, they told us that they’d been researching Cardassian Kanar bottles for months, trying to sort out if and how they could replicate the twisted glass design to bring the reptilian beverage to the masses, and after a long struggle it’s finally reality — Cardassian Kanar is the first of two new 2021 wine releases.

CARDASSIAN KANAR RED WINE BLEND

Utilized in both Star Trek: Deep Space Nine & Star Trek: The Next Generation, the story of Kanar is intimately connected with the rise of the Cardassian Union and the strong bonds which hold the Union together.

In its quest for authenticity, the Star Trek Wines/Wines That Rock team conducted a rigorous multi-year search for an original Cardassian Kanar bottle, a unique ‘serpent-shaped’ vessel, originally utilized in the 1950’s through the 70’s in Europe. With only a handful of the original bottles found, the team at Star Trek Wines/Wines That Rock rendered the few remaining bottles in 3D for accuracy and worked with a specialized facility in Southern Italy to recreate and forge an identical replica, resulting in one of the most fascinating bottles in the Galaxy.

Also replicated in a 3D rendering, this ornamental headpiece will be included with every bottle of Kanar. Rather than a traditional cork, the Kanar bottle also features a unique glass bottle seal complete with a glowing Cardassian logo. For the Kanar, our award-winning winemakers crafted this delicious, premium red blend of Cabernet Sauvignon, Merlot, Petite Sirah and Petite Verdot resulting in a dark, rich wine with notes of ripe blackberries and juicy blueberries, velvety tannins, and a long, delightful finish.

Along with the fantastic bottle, the Kanar will be labeled with Cardassian-style graphic labels, and a bottle tag featuring the orange and red glass design from Quark’s Bar — complete with ‘liner notes’ on the in-universe history of Kanar by Star Trek novelist Una McCormack.

It also includes two different stoppers; the bottle will ship with the glass seal in place, but will include a metal stopper as well. We got to check out the bottles at the ongoing 55 Year Mission Convention in Las Vegas:

The second release for 2021 is from the icy moon of Andoria: a blue-hued Andorian Blue Premium Chardonnay which honors the antenna’d aliens, with a lovely bottle adorned with a stamped metal United Federation of Planets seal.

ANDORIAN BLUE PREMIUM CHARDONNAY

Third in a series of United Federation of Planet wines, the 2021 Andorian Blue Chardonnay features one-of-a-kind hand-numbered bottles, elegant silk screen designs and a special United Federation of Planets metal medallion affixed to the front of the bottle. Since the original Star Trek Series, blue spirits have long played a role in the Star Trek universe.

The Andorian Blue Chardonnay, a premium Chardonnay from Santa Lucia Highlands, has a stellar blue color that pays homage to the history of colorful Star Trek spirits. Aged 12 months prior to bottling, the Andorian Blue has delicious notes of citrus, peach, and apricots. Bright, fresh acidity with a lush mouthfeel and long finish.

We also got to examine the new blue Andorian wine at the Las Vegas event, and were quite impressed by the design of the metal UFP seal.

Both new Star Trek Wines releases are available for preorder now at their official website; they expect to ship to buyers this fall. Do note that the company has a two-bottle minimum purchase requirement, though they do over several mix-and-match options from their listings.

STAR TREK: LOWER DECKS 201 Review: “Strange Energies”

The crew of the USS Cerritos is back, as the second season of Star Trek: Lower Decks kicks off this year’s ten-episode run with “Strange Energies” — a new take on the classic ‘one of our heroes becomes a god’ Star Trek story.

Written by series creator Mike McMahan, the episode allows for some hilarious lines from Commander Jack Ransom (Jerry O’Connell), some nice character work between Ensign Beckett Mariner (Tawny Newsome) and Captain Freeman (Dawwn Lewis), and some new challenges for best friends Ensign Samanthan Rutherford (Eugene Cordero) and Ensign D’Vana Tendi (Noel Wells).

What a delight to have this show back in our lives! Between the opening sequence of Mariner working out on the holodeck — a rather unconventional program — to the floating head of Jack Ransom chewing on a warp nacelle, I have truly missed the energy of this show, its characters, and its mischievous take on Star Trek.

“Strange Energies” is definitely a ‘catch-up’ episode, allowing viewers to see how the USS Cerritos crew has been faring since last season’s finale. By the end of last year’s “No Small Parts,” Mariner and Freeman formed an cordial alliance, allowing the rebellious ensign to take on off-the-record side missions during the ship’s second contact assignments – taking actions that Starfleet may not approve, but that are the right thing to do.

But we discover in this episode that both characters have leaned a bit too hard into their new mother-daughter bond, which takes a godlike Ransom to push them to a point where they can both admit it’s not working out.

“Stop pretending to like each other!” the giant Ransom head bellows at the Cerritos, enraged from being stuck in the middle of the two women but unable to assert his authority. The ship’s stalwart first officer gets the all the funniest material this week, as the “Strange Energies” take on the mortal-becomes-god trope stays true to Lower Decks’ approach to making Star Trek funnier through connections to the larger canon (in this case, the ill-fated Gary Mitchell from “Where No Man Has Gone Before.”)

To be sure, there also some really nice, animated visuals here too – from the design of Mariner’s holodeck program, to the manifestation of god-Ransom’s powers and the refined look of the Cerritos itself. In addition to being a funny show, Lower Decks sure is a pretty one, and so far this season the animation feels more vibrant and bold.

Meanwhile, Tendi and Rutherford continue to rebuild their relationship in the wake of Rutherford’s injury and memory loss last season. Rutherford is both himself, but not – after quickly rejecting Ensign Barnes in the first season, the pair are back together again, now on a third date – leading Tendi to feel insecure about their friendship.

Their B-story is a sweet acknowledgement of the impact of Rutherford’s memory loss without rushing to undo it; while Tendi’s efforts to ‘fix’ Rutherford through ever-increasing chaotic science experiments run a little over-the-top by the end of the episode, she eventually explains herself – and her fears – to her friend.

Finally, we hop over to the USS Titan for a last-minute check-in with Ensign Bradward Boimler (Jack Quaid), who seems like he’s way, way in over his head on Captain Riker’s (Jonathan Frakes) ship… but more on that next week.

TREK TROPE TRIBUTES

  • Just to be safe, Dr. T’Ana (Gillian Vigman) makes sure to drop a boulder on Ransom, just as Captain Kirk buried Gary Mitchell at the end of “Where No Man Has Gone Before.”
     
  • Naturally, Ransom’s uniform top immediately rips open after being impacted by the strange energies.
     
  • “Look I know we’re not supposed to have interpersonal conflicts, but I really hate that Andorian,” Mariner quips, a nod to the ‘Roddenberry rule’ established during The Next Generation, where writers were forbidden to put the show’s Starfleet crew at odds with one another.
     
  • “They keep showing me lights,” jailed holographic Boimler tells Mariner in the Cardassian prison exercise program, nodding to Picard’s experiences in “Chain of Command, Part II.”

CANON CONNECTIONS

  • The Cardassian uniforms, weapons, and architecture — including their door controls! — seen throughout Star Trek: Deep Space Nine are faithfully recreated in Mariner’s holodeck programs.
     
  • The prison facility is guarded by both Cardassian Galor-class warships and Hideki-class patrol ships, which look fantastic in animated from.
     
  • The bridge of the Miranda-class USS MacDuff is identical to the bridge of the USS Reliant as seen in Star Trek II: The Wrath of Khan, where this ship design was first introduced.
     
  • In addition to the MacDuff, the hangar at the holographic Cardassian facility also holds a Jem’Hadar fighter, a Bajoran Interceptor (“Shadows and Symbols”) a Federation fighter (“Caretaker”), a Danube-class runabout with sensor pod, a Delta Flyer-class ship, and a Star Trek: Enterprise-era Klingon D5 warship.
     
  • In one final nod to Gary Mitchell, Lt. Commander Stevens offers to read “Nightingale Woman” to Ransom in sickbay – the same poem which Mitchell quoted after being zapped by the galactic barrier in “Where No Man Has Gone Before.”

OTHER OBSERVATIONS

  • In another tribute to California, the undersea mural Mariner uncovers while power-washing the Apergosian city is inspired by Robert Wyland’s Whaling Walls.
     
  • In her holodeck workout program, Mariner is wearing Starfleet branded sweatbands and sneakers – surely a cosplay we’ll see at future conventions.
     
  • The show’s opening credits sequence has been updated for the new year, as both Pakled battle harpies and Klingon Birds of Prey are now part of the growing battle between Romulan Warbirds and Borg cubes.
     
  •  The Cerritos’ digital model has also gotten an upgrade this season, with some added definition to the warp nacelles and deflector array – most notably, the dual shuttlebays at the rear of the saucer section are now clearly visible and ringed by blue lighting.
     
  • The indecisive Apergosian leader is voiced by the always-welcome Randall Park, known from his roles as FBI Agent Jimmy Woo in the Marvel Cinematic Universe, Louis in Fresh Off the Boat, and more.
     
  • Boimler’s old bunk on the Cerritos is filled with items calling back to last year’s episodes, including Mariner’s bat’leth and her bottle Romulan whiskey, a T-88 scanner from “Much Ado About Boimler.” (There’s also a three-dimensional chess set tossed in there.)

While “Strange Energies” does not quite hit the propulsive heights of last season’s final few episodes, we’ve seen the first five episodes of this season, and trust us, the show hasn’t lost any of its steam. It’s still a decent episode in its own right, but “Strange Energies” is definitely the appetizer to Season 2’s main course.

But a reintroduction to this crew, the feel of a Lower Decks episode, and the humor, this episode helps to ease us back into comedy after the dramatic action-adventure of Star Trek: Discovery.

I’m glad new Star Trek is back, and looking forward to the rest of this season!

Star Trek: Lower Decks returns on August 19 with “Kayshon, His Eyes Uncovered” on Paramount+ in the United States and CTV Sci Fi Channel in Canada, followed by Amazon Prime Video (in select international regions) on August 20.

STAR TREK: DISCOVERY Prop and Costume Auction Set for September, Featuring 200+ Items from Season 1 and 2

Star Trek: Discovery may have left the 23rd century in 2019, but the show’s commitment to staying in their new far-future era has been cemented today, as ViacomCBS and Prop Store have announced the first official Discovery prop and costume auction — where hundreds of items from the show’s first two seasons will be available for public acquisition.

Set to include “over 200 original costumes, props, set decoration, and behind-the-scenes memorabilia” from the first two years of Star Trek: Discovery — as well as the seven Discovery-connected Short Treks — the action will run from September 2 through September 16 through the online auction house Prop Store, a company that’s often sold entertainment memorabilia, including Star Trek items, over the years.

While the full catalog of included items isn’t yet available, the initial list of Star Trek: Discovery props and costumes in the sale (with estimated values) includes:

· Tevrin Krit’s (Harry Judge) Captain’s Chair from Short Treks, Est. $8,000 – $10,000

· Hero Type II Phaser from Season 1-3 and Short Treks, Est. $8,000 – $10,000

· Michael Burnham’s (Sonequa Martin-Green) Command Uniform from Season 1, Est. $3,000 – $5,000


· Philippa Georgiou’s (Michelle Yeoh) Section 31 Uniform from Season 2, Est. $3,000 – $5,000


· Christopher Pike’s (Anson Mount) Captain Uniform from Season 2 and Short Treks, Est. $3,000 – $5,000


· Spock’s (Ethan Peck) Science Uniform from Season 2, Est. $3,000 – $5,000


· L’Rell’s (Mary Chieffo) Hero Ensemble from Season 1, Est. $3,000 – $5,000


· T’Kuvma’s (Chris Obi) Battle at the Binary Stars Costume from Season 1, Est. $3,000 – $5,000


· Voq’s (Shazad Latif) Costume from Season 1, Est. $3,000 – $5,000


· Saru’s (Doug Jones) Science Uniform from Season 1, Est. $2,500 – $3,500


· Sylvia Tilly’s (Mary Wiseman) Mirror Universe Uniform from Season 1, Est. $2,500 – $3,500


· Paul Stamets’ (Anthony Rapp) Science Uniform from Seasons 1-2, Est. $2,000 – $3,000


· Hugh Culber’s (Wilson Cruz) Medical Uniform from Seasons 1-3, Est. $2,000 – $3,000


· Rejac’s (Justin Howell) Torchbearer D’k Tahg (Knife) from Season 1, Est. $2,000 – $3,000


· “Hairy Berry” Cereal Box with Tribbles from Short Treks, Est. $1,500 – $2,500

The inclusion of the USS Enterprise uniforms from Discovery Season 2 in this sale seem to confirm the notion that Captain Pike and crew will have another new set of Starfleet attire to wear in their upcoming spinoff series, Star Trek: Strange New Worlds, which is set to debut in 2022.

In addition to the Discovery and related Short Trek items, ViacomCBS is also auctioning off two items from the personal estate of Leonard Nimoy — a framed set of Spock ears from his cameo in Star Trek Into Darkness (the actor’s final appearance in Trek) as well as a Star Trek 25th Anniversary pinball machine — to benefit the UCLA COPD Research Program.

100% of the Hammer Price proceeds from the sales [of the Nimoy items] will be donated in memory of Leonard Nimoy to support the UCLA Chronic Obstructive Pulmonary Diseases (COPD) Research Program under Dr. John Belperio. COPD is a chronic inflammatory lung disease that causes obstructed airflow from the lungs.

Dr. Belperio’s research focuses on early COPD diagnosis and the preservation of lung function of COPD patients. The Nimoy family has been funding Dr. Belperio’s COPD research since Leonard Nimoy’s death in 2015.

For full details on how to register for the auction, as well as to view the full catalog of items set to be available for bids (once announced) and the opportunity to win a screen-used Tribble from the Short Trek “The Trouble With Edward,” head over to the official auction website at PropStore.com/StarTrek.