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INTERVIEW — Dan and Kevin Hageman on the Search for STAR TREK: PRODIGY’s New Home, the USS Voyager-A, and More!

It’s been nearly two months since Star Trek: Prodigy was cancelled at Paramount+ and removed from the streaming service, and while the already-aired episodes remain available through digital purchase (and coming to Blu-ray in September), the rest of the series continues on in production.
 
Where (and when!) that next twenty-episode season will be available is the question on every Prodigy fan’s mind — and at the annual Las Vegas Star Trek convention last week, Prodigy creative leads Kevin and Dan Hageman, Aaron Waltke, and Jennifer Muro brought some updates on the show’s future (which we shared in our August 5 report).
 
With the Writers Guild of America and SAG-AFTRA actors’ strikes continuing, there was very little chance for any of the convention guests to talk about Star Trek, due to the limitations placed on the attending actors while striking… but animated productions operate under a separate writers’ union, which meant that Star Trek: Prodigy was the one Trek production that could action be discussed without limitation.
 
With that in mind, we at down with showrunners Kevin and Dan Hageman for an extended chat — where the pair shared their thoughts on the WGA strike, the ongoing search for Prodigy’s new home, the new starship USS Voyager-A, merchandising potential, and more.
 

Kevin and Dan Hageman discuss STAR TREK: PRODIGY at STLV 2023. (Photo: TrekCore.com)

TREKCORE: One of the reasons we’re even able to have this conversation today is because Prodigy — and similar work through The Animation Guild (TAG) — is separate from the ongoing Writers Guild of America strike. Could you share your thoughts on the strike, given that you’re also WGA members?

KEVIN HAGEMAN: I was just on the picket line the other day with my kids, you know? I’m trying to balance striking for live-action work, and finishing our show, which is animation work – and we’re so, one-hundred-percent behind what the WGA is asking for.

DAN HAGEMAN: We’re not just striking for us, we’re striking for the next level of writers. But on top of that, I feel like we’re striking for people who aren’t even part of the writing community – because this whole A.I. business is going to be a topic for the next ten years. People have to be willing to fight for labor now, and if they don’t fight for labor now…

KEVIN: The change right now is that there used to be movie studios and television studios who really cared about the content. It was a closer, smaller business – but now it’s so much bigger, and it’s these giant corporations with entertainment as a just a little offshoot of what they do. So they don’t care as much, and I think you’re seeing that disparity happen in the divide.

Kevin and Dan Hageman on the WGA picket line with actor Jason Mantzoukas (center), who voices Jankom Pog. (Photo: Kevin & Dan Hageman / Twitter)

TREKCORE: On that topic… what was your reaction when you learned that Prodigy was leaving Paramount+?

DAN: Well, Kevin and I are stubborn optimists. We were disappointed, but that was quickly replaced with…

KEVIN: Hope.

DAN: Hope, right. And not just hope, but a thought that “This could be good! This could help the show!” You know, finding a new home could open up new opportunities to get people who aren’t usually watching Star Trek to see Prodigy. We want our show to find a wider audience —

KEVIN: And to bring people to Trek.

TREKCORE: You’ve said there are ongoing talks to find Prodigy a new home, and that you’re “99% confident” that a new home will be found. Are you two involved in that search?

KEVIN: When interested parties with offers come forward, we’re going to be a part of that conversation. But right now, it’s all at a super-high level. The heads of CBS are talking to the heads of — hypothetically, of course — Netflix, or Amazon, or whoever. All we know at our level right now is that there’s active talks happening, right now.

Everyone, not just us, everyone, whether people within Secret Hideout or within CBS, everyone is very supportive, and very, very confident that we will find a home. I just don’t know when or where!

Top row: Bonnie Gordon, Kevin Hageman, Dan Hageman, Aaron Waltke (second from right) and composer Nami Melumad (right) pose with a group of PRODIGY cosplay fans. (Photo: Aaron Waltke / Twitter)

TREKCORE: And in the meantime, post-production on Season 2’s twenty episodes continue — you’ve still got a handful to finish. How long do you expect that to take?

DAN: I think we’re going to be wrapping up Episode 20 in December, which isn’t something that has changed — it’s the same calendar we’ve been working with since before the announcement. That didn’t change anything, which is a huge sign of support from Secret Hideout.

KEVIN: It was a sign of support from CBS and from Secret Hideout, saying “We love this show and we need the show to finish. We need to complete the show.” They stepped up so that we could do that.

TREKCORE: Speaking of Season 2, in that fantastic tease for next season, we get our first look at the new USS Voyager-A. Was there a lot of debate around what ship would be part of Season 2’s story?

KEVIN: Oh boy, there was great discussion about which ship to use. As you know, these ships are like characters, so we had to also make sure we chose a ship that wasn’t going to be used by the other Trek shows. We landed on the Voyager-A, and we’re so happy we did.

The new Season 2 clip is available to watch on StarTrek.com.

A first look at the Lamarr-class USS VOYAGER-A. (CBS Studios)

TREKCORE: The ship is called a Lamarr-class vessel — named for scientist, inventor, and actress Hedy Lamarr. What was the inspiration for that choice?

KEVIN: It was our science advisor, Dr. Erin MacDonald, who had first brought up Hedy’s name, and as we all dug into her history, we knew she was perfect for our new Voyager.

TREKCORE: We’ve only got a glimpse of the ship so far, but can you tell us who is responsible for its design?

KEVIN: While many hands were on that ship, most of the credit goes to our supervising director Ben Hibon. That guy is a true artist, and the love he put into that design is almost tangible.

TREKCORE: You’ve talked about hope for more toys and merchandise — like the rest of the character action figures, a Protostar toy starship…

DAN: The stuff already released has been selling out! People are waiting like four months to get their orders for the toys.

KEVIN: I think it’s just hard, when it comes to toys and merchandise — there are certain tried and true brands, right, like Star Wars, like Teenage Mutant Ninja Turtles

DAN: The stores feel comfortable with those things, or with superhero toys, because they will go on the shelf and there’s a big fanbase for them.

KEVIN: These days Star Trek action figures are not like a no-brainer; it’s a new thing that’s unproven. So it’s gonna take some time — I think it’s going to be a growing curve, but I feel very hopeful that we will grow and we’ll get there.

The first PRODIGY action figures, released by Playmates Toys in early 2023.

TREKCORE: What can Prodigy fans do to support the efforts that might be happening behind the scenes?

DAN: I think they’re doing exactly what they —

KEVIN: They’re doing more!

DAN: More than we ever asked for, or expected.

KEVIN: All the noise they’re making out there is fantastic. I don’t think that telling Paramount+ to pick us back up again is going to happen; I think they’ve made their choice. Now it’s about telling Amazon, Netflix, Hulu, or whoever that “Hey, here’s a great freaking show!”

DAN: Just tell people about the show! Because I think Prodigy looks like one thing from an outsider’s perspective — it could look like a young show, or a show that someone might not be into. But when people say “There’s some great storytelling in there!” or “You don’t even need to have children to enjoy Prodigy…”

KEVIN: Spread the word, it’s an all-ages show.

TREKCORE: And I’ve seen people of many different age groups approach you just today, telling l you how much they love the show.

KEVIN: Yeah. It’s been amazing to see the adults who love it and recognize it — but I imagine that there’s still a really large percentage of Star Trek fans who haven’t given Prodigy a shot yet.

Rok-Tahk, Murf, Dal, and Jankom Pog in a scene from PRODIGY Season 2. (CBS Studios)

TREKCORE: They may think “Oh, that’s just for kids.”

KEVIN: Right, that it’s not for them. You expect it’s not for you, but it’s actually for everyone. So I think, hopefully, it will continue to grow.

DAN: We feel confident in the show, and there’s no reason for us not to. We’re biased, but we love it.

KEVIN: And everyone in our crew who’s seen Season 2 are just like, “There’s so much great stuff that people need to see!”

This interview has been edited for clarity and length.

Keep checking back to TrekCore.com for all the latest Star Trek: Prodigy news as it breaks!

WeeklyTrek Podcast #227 — STRANGE NEW WORLDS Season 2 Takes a Bow

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On this week’s episode of WeeklyTrek, brought to you in partnership between The Tricorder Transmissions Podcast Network and TrekCore, host Alex Perry is joined by Chrys VanDerKamp to discuss all the latest Star Trek news.
 

 
This week, Alex and his guest discuss the following stories from TrekCore and around the web:

In addition, stick around to hear Chrys and Alex theorize about how Star Trek: Strange New Worlds will resolve the “Hegemony” cliffhanger, and how the show’s use of the Gorn is maybe — hopefully! — building up to a big Star Trek payoff.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, YouTube, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Hiya Toys STAR TREK ’09 Kirk and McCoy Figures Up for Preorder

Earlier this month we showcased an early look at Hiya Toys’ new Kelvin Timeline action figures, and now the company has officially released their first entries for preorder.
 
Estimated to ship in the first quarter of 2024, Hiya Toys’ new “Exquisite Mini” 1/8-scale James T. Kirk figure and Dr. Leonard McCoy figure are each available for preorder now at a price point of $24.99 USD each — with new photos of the figure prototypes accompanying each product listing.
 

Modeled after the characters’ appearance in the 2009 Star Trek film starring Chris Pine and Karl Urban, each four-inch figure includes interchangeable hands and Starfleet accessories — a phaser, communicator, and utility belt for Kirk, and a medical tricorder, hand scanner, and shoulder harness for McCoy.

Following Kirk and McCoy, Hiya Toys plans to add two more figures to the preorder lineup later this year — Spock and Nero, based upon Zachary Quinto and Eric Bana’s look in the 2009 film — with additional characters expected to follow in 2024.

Keep checking back to TrekCore for all the latest in Star Trek product news!

STAR TREK: STRANGE NEW WORLDS Season Finale Review — “Hegemony”

Combining well-paced action and medium-to-high stakes with emotional depth, “Hegemony” ended up being better than I expected. That foundation was a good base upon which to build an insightful fleshing out of the Gorn — beyond just ‘monsters’ — undercut only by a classic Trek cliffhanger that leaves half the story in the air.

The following contains major spoilers from the Star Trek: Strange New Worlds season finale!

We open with the USS Cayuga’s crew on planet Parnassus Beta, helping to support the colony with logistical and medical needs. While Christine Chapel (Jess Bush) has tagged along in trade for a ride to Dr. Korby’s internship, Captain Batel (Melanie Scrofano) loses comms, gets distracted by a falling shuttlecraft, and then watches as a large Gorn warship descends on her position — all within a matter of moments.
 
While Captain Pike (Anson Mount) is worried for Batel’s safety, Enterprise rushes to their aid… only to discover the wreck of the Cayuga strewn across orbital space.

The crew monitors the situation. (Paramount+)

It’s a good, punchy, high-stakes start to the finale. The next act is a little slower, as the gang try and figure out what’s happened — all as the writers set up the hurdles that will make everything a lot harder to do. While a Gorn-created dampening field around the planet prevents transporters, sensors, and comms from reaching the surface, the reptilian race has also claimed the planet as part of their territory (and their warships are watching the Enterprise like a hawk).

Starfleet honors the Gorn territorial demands, so it’s up to Pike’s usual disregard for regulations to save the Cayuga crew from the colonists. Thankfully, his own crew shares those sentiments, so Pike whips out a box of super-secret anti-Gorn weaponry — most of which conveniently look like their regular arsenal — and he leads a landing party to go, uh, bug hunting.

Honestly the visceral tone towards killing the Gorn (especially from scientists and healers like Spock, Sam Kirk, and M’Benga) is really grim. It’s clear, perhaps, that it’s being done on purpose — especially from the way that Pike tells April that sometimes “monsters are just monsters” — so there is clearly a reckoning coming. But it still comes across as a little shallow that our Starfleet heroes have embraced “We Come in Peace, Shoot to Kill” to a level that is no longer amusing.

We do, however, finally get some good moments from she-who-flies-the-ship, Erica Ortegas (Melissa Navia). With the Gorn monitoring all orbital activity, our helm officer suggests floating a strike team aboard a shuttle disguised as the Cayuga’s wreckage –which is a cool suggestion, and is immediately followed by an incredibly slick sequence involving a sneak past a Gorn Hunter… before crash-diving through the atmosphere at high speed, showing how much Ortegas likes her job instead of just telling us about it.

They finally made Ortegas cool! With character! It only took 2 seasons!

La’an (Christina Chong) in Starfleet tactical gear. (Paramount+)

Planetside, the strike team — consisting of Pike, Ortegas, Sam Kirk (Dan Jeannotte), M’Benga (Babs Olosunmokun) and La’an (Christina Chong) — make their way through the abandoned town, where their new weapons work well on the young Gorn infesting the colony. With signs of survivors nearby, the team sets out to find a lone biosignature among the seemingly-deserted town…

…which turns out to be decoy trap set by none other than one Lieutenant Montgomery Scott (Martin Quinn)! The intrepid Aberdeen pub-crawler was aboard the stellar study vessel USS Stardiver (great name, by the way) in a nearby system when it was attacked by the Gorn, and he made his way to Parnassus in that crashing shuttle seen earlier.

I can understand why some might be irritated at the introduction of another legacy character from the Original Series; we’ve had a lot of Jim Kirk this season, and with this addition, we’re already halfway to the iconic Enterprise crew in someone else’s show. (Which, fair.)

However, this is Montgomery Scott we’re talking about — the man who knows Enterprise better than Jim Kirk himself! If it were me, I’d have had him on the Enterprise from day one, but I will absolutely take this introduction to the character, especially as in this thankfully-unspoiled surprise.

Ortegas (Melissa Navia) and Pike among the survivors. (Paramount+)

Back on Enterprise, Uhura (Celia Rose Gooding) and Pelia (Carol Kane) crack the location of the Gorn jamming device, and the crew devise a plan to use the Cayuga’s saucer to destroy the Gorn transmitter on the planet — but it requires that Spock (Ethan Peck) spacewalk over to the floating wreckage to attach special thrusters.

Spock’s just really here to worry about Chapel, which is fine, but I’d have preferred him to pretend otherwise for a bit longer than he actually does. These sequences are a slightly annoying (but plot-necessary) distraction from the action on the ground, where Pike and the team link up with the remaining survivors under the command of a weary Captain Batel — who is just as mad to see Pike as she is happy to see him. How nice, I guess.

With no way to evacuate everyone by shuttle alone, Batel and Pike decide to use Lieutenant Scott’s fake Gorn transponder as way to move people secretly. Well, no, that’s not right: it’s more of a contrivance that Scotty can’t build them a new one, so Pike decides to go alone to the engineer’s crashed shuttle — but he gets caught by both Batel and Scotty before he leaves, so they go as a trio.

Aboard the Cayuga, the camera ventures slowly into the mangled and dead saucer section to find Nurse Chapel alive and alone on the floating corpse, struggling to save herself as she sees the Enterprise — and then Spock — coming to her rescue. While Spock is busy placing thrusters to push the Cayuga into the planet, Chapel decides to don an EVA suit to find him. What’s the worst than could happen?

Chapel (Jess Bush) alone aboard the Cayuga wreckage. (Paramount+)

The next bit jumps around a lot in perspective, something that Strange New Worlds has been doing a lot this season — whiplashing viewers from a Gorn-does-Alien3 encounter in Scotty’s shuttle to the equally terrifying shots of Chapel running into an adult Gorn in a full spacesuit aboard the Cayuga. Freaky! But, more importantly, a spacesuited Gorn is a good signpost that the whole “they’re just monsters!” thing has been a planned bait and switch the whole time.

The sequence on Cayuga’s bridge, where Spock and Chapel team up for a very “Arena”-esque slow-motion battle — this time in zero-G — was a good fight scene, and not overly complicated like some of the other action pieces this Strange New Worlds has thrown at us this season.

The way the adult Gorn fights — and how it horrifically dies when Spock breaks the seal on its helmet — definitely speaks to a more nuanced and intelligent understanding of Gorn worldbuilding than before… at least, I hope so. I certainly like the idea of the Gorn scouring the carcass of a starship for enemy intelligence and sealed records more than I do them using their children as biological weapons.

Speaking of Gorn younglings, Pike suspects there is something more to their organized behavior, especially after Scotty’s talk about solar activity influencing the creatures. But while that’s a supposition, it’s a fact that there’s something odd with Captain Batel’s behavior — as we find out that she’s been implanted with Gorn biologicals, much like poor Hemmer last season.

Captain Batel (Melanie Scrofano) reveals her infection. (Paramount+)

Just in time, the Cayuga’s crashing saucer smashes into the Gorn transmitter, knocking out the dampening field. Hooray! With sensors, comms, and transporter locks restored, the crew waste no time in beaming Spock, Chapel, Pike, Batel and Scotty aboard. Batel is rushed to sickbay with Pike and Scotty… who has a mortifying (and amusing) reunion with his former professor, Pelia.

With Gorn ships closing in on Enterprise and Starfleet ordering Pike to withdraw, it’s high time to hit the road — except the colonists and half of the Enterprise landing party (M’Benga, La’an, Ortegas, and Sam Kirk) got beamed aboard one of those Gorn ships when the dampening field went down.

As Pike must decide whether or not to go after his captured crew, the Gorn ships are set on tearing the Enterprise to pieces — leaving Star Trek: Strange New Worlds to end Season 2 with its first “To Be Continued” cliffhanger ending.

GIVING IT ALL HE’S GOT

Martin Quinn’s take on a young Montgomery Scott is fantastic. He walks and talks like Jimmy Doohan, but brings aspects of both Simon Pegg’s Kelvin Timeline performance to the role, along of course with his his own unique characterization.

There are elements of Scotty’s affable, unflappable engineering genius underneath the nervous junior officer’s stress of being in an unfamiliar environment — especially when he catches the Enterprise crew in his Gorn trap.

There are a lot of things about Strange New Worlds I don’t like, but they have yet to drop the ball when they’ve taken on the daunting task of recasting Original Series characters… and I didn’t have to try very hard to see Scotty in Quinn’s performance.

Martin Quinn as Montgomery Scott. (Paramount+)

OBSERVATION LOUNGE

  • The colony town’s midwestern United States design is a clever cover for the use of a contemporary Toronto filming location — and a fun nod to the often-reused city backlot sets used in the Original Series.
  • Batel’s close encounter with the Gorn baby on Scotty’s shuttle is a clear homage to the Alien series — perhaps too clear a nod for my taste.
  • Cayuga’s saucer crash has definite echoes to the crashing Enterprise saucer in Star Trek Beyond.
  • Scotty says “Lieutenant” with the correct English pronunciation (“lef-tenant”), as opposed to that strange colonial pronunciation that everyone else uses in the franchise.

“Hegemony” is the best of the series’ three Gorn episodes to date — the stakes are high, but not they’re not galaxy-ending high; we learn a little more about Gorn biology and culture; we see how much Pike cares for Batel; we get some finality and normalcy between Spock and Chapel — but no conclusion to any of their stories.

It is in many senses, the archetypal Trek cliffhanger episode, and one that is going to last for a long time. With production on Strange New Worlds Season 3 on indefinite hold — since the show can’t proceed until the WGA and SAG-AFTRA union strikes reach a conclusion (solidarity forever, by the way) — it will be at minimum a full calendar year until the series returns, leaving this open story to become nearly as notorious as the summer following “The Best of Both Worlds.”

Spock (Ethan Peck) and Chapel escape the crashing saucer. (Paramount+)

I think I would be more forgiving of this Gorn arc (and of the various character arcs in general) if this had been the end of a 20-episode season. As much as I like the slow serialisation in Strange New Worlds, would it kill them to finish a plot arc within one season?

Granted, the show was green-lit to a two season order, so the producers and writers knew how much runway they had a head of them… but this Gorn arc is so lengthy, and only now are we getting the nuance that all Trek adversaries deserve, something we deserve as a generally-intelligent and curious audience. It was an exciting episode, and I definitely enjoyed it more than I expected, but between the cliffhanger and the frustration that only now are the Gorn getting an ounce of depth… I’m not totally pleased.

But whenever this show comes back — more Scotty, please!

Star Trek: Strange New Worlds will return for Season 3 sometime after the resolution of the ongoing WGA and SAG-AFTRA strikes; production on the next round of episodes has not yet begun.

Star Trek: Lower Decks returns to Paramount+ on September 7, with a two-episode Season 4 premiere.

EXCLUSIVE — New Images from STAR TREK: THE ART OF NEVILLE PAGE

The newest behind-the-scenes Star Trek book is arriving this week, as creature designer Neville Page gets the spotlight in a hardcover release that spans a wide range of Trek artistry.
 
Available this week, Star Trek — The Art of Neville Page by Joe Nazzaro is Titan Books’ latest in-depth book, this time focused on a designer who has been integral to the look of the Kelvin Timeline films, Star Trek: Discovery, and Star Trek: Picard.
 

During a career spanning over twenty years, visionary creature designer Neville Page has applied his considerable expertise to the creation and development of the aliens of the Star Trek Universe. From the movies Star Trek (2009) through to Star Trek Beyond (2016), as well as the shows Star Trek: Discovery and Star Trek: Picard, Page’s incredibly detailed and intricate work has yielded some of the franchise’s most memorable characters.

 

Featuring captivating concept art and detailed sketches, Star Trek: The Art of Neville Page provides exclusive insight into Page’s creative process. This is essential reading for Star Trek fans as it includes a vast collection of illustrations from his remarkable work, plus an exclusive foreword and insightful afterword by award-winning filmmakers, Alex Kurtzman and Michael Westmore. Covers all aliens developed by Page for the recent entries in the Star Trek franchise, including the Klingon redesign and the Kelpiens.

Thanks to Titan Books, we can bring you four exclusive pages from The Art of Neville Page, with imagery from Page’s time at Star Trek: Discovery.

Image TM & © 2023 CBS Studios Inc. © 2023 Paramount Pictures Corp. Star Trek and related marks and logos are trademarks of CBS Studios Inc. All Rights Reserved.
Image TM & © 2023 CBS Studios Inc. © 2023 Paramount Pictures Corp. Star Trek and related marks and logos are trademarks of CBS Studios Inc. All Rights Reserved.
Image TM & © 2023 CBS Studios Inc. © 2023 Paramount Pictures Corp. Star Trek and related marks and logos are trademarks of CBS Studios Inc. All Rights Reserved.
Image TM & © 2023 CBS Studios Inc. © 2023 Paramount Pictures Corp. Star Trek and related marks and logos are trademarks of CBS Studios Inc. All Rights Reserved.

In addition to these four exclusive pages, several other preview pages from the book have been made available at retailer listings.

Star Trek: The Art of Neville Page by Joe Nazzaro is in stores now.

New STAR TREK: STRANGE NEW WORLDS Season Finale Photos — “Hegemony”

Star Trek: Strange New Worlds barrels towards the finish line with this week’s Season 2 finale, and today we’ve got photos from “Hegemony” for your review!
 
This week: after finding the wreckage of Captain Batel’s (Melanie Scrofano) ship, the USS Cayuga, in orbit of a colony world, Captain Pike (Anson Mount) and the Enterprise crew must find survivors and rescue them before they fall victim to the Gorn.
 
Here are six new photos from this week’s episode:
 

In case you missed it, here’s a preview clip released from Paramount+ during the last episode of The Ready Room with Wil Wheaton.

HEGEMONY — When the U.S.S. Enterprise investigates an attack on a colony at the edge of Federation space, Captain Pike and his crew face the return of a formidable enemy.

 

Written by Henry Alonso Myers. Directed by Maja Vrvilo.

Star Trek: Strange New Worlds Season 2 concludes with “Hegemony” on Thursday, August 10 on Paramount+ in the U.S, the U.K., Australia, Latin America, Brazil, France, Italy, Germany, Switzerland and Austria.

Get Your First Look at STAR TREK: PRODIGY Season 2 — and the new USS VOYAGER-A! — in New Footage

We’re coming up for air here at the annual Las Vegas convention to share some breaking news from the world of Star Trek: Prodigy. While the show may be searching for a new home after its Paramount+ cancellation, the creators have brought fans a new tease for the still-in-production second season of episodes.
 
Unveiled on the Las Vegas convention stage, Prodigy creators Kevin and Dan Hageman, — along with co-head writer Aaron Waltke and co-producer Jennifer Muro — shared a first look at the next chapter of Dal and company’s story, set after the former Protostar crew became accepted Starfleet trainees under the tutelage of Admiral Kathryn Janeway.

The new clip is available to watch now on StarTrek.com.

Robert Picardo returns as The Doctor.

Not only do we get a bit of information about where each of our characters have ended up following their arrival to Earth last season, we also get our next returning Voyager crewmate — a returning Bob Picardo voicing The Doctor.

And if that weren’t enough, the Doctor shuttles the series leads up to Admiral Janeway’s new starship: the 29-deck Lamarr-class USS Voyager-A, tasked to study the wormhole opened last season… one which leads to a far-off future where Chakotay and his crew are stranded.

(We learned from the Hagemans after their stage panel that the ship design is named for inventor, scientist, and actor Hedy Lamarr.)

While the clip is thankfully available for fans to watch today, there’s still no word on if or when Star Trek: Prodigy will return to a streaming home for viewers to see the next 20 episodes in the pipeline.

Kevin Hageman emphasized that talks to find the show a new platform continue, and he’s “99% sure” that Prodigy will find a new place to live before everything is done. The show has about seven episodes left to go in post-production, said the Hagemans — expected to be completed around Christmas 2023.

Keep checking back to TrekCore.com for all the latest Star Trek: Prodigy news as it breaks!

STAR TREK: STRANGE NEW WORLD Review — “Subspace Rhapsody”

After months of hints, and a formal announcement at San Diego Comic Con, Star Trek’s first full-on musical episode has arrived — and if you are a musical fan you’re going to find a lot to love in this episode. The last two episodes represent two of Strange New Worlds’ biggest swings yet, and they are both wildly different; the universally well received crossover with Star Trek: Lower Decks “Those Old Scientists,” and the dark and thoughtful war drama “Under the Cloak of War.”
 
And in what will be remembered as perhaps Star Trek’s most experimental season to date, the show switches things up once again and delivers a joyous musical episode that dives deep into the characters and their relationships in meaningful ways — in addition to all the singing and dancing. While Star Trek has had plenty of musicality before, “Subspace Rhapsody” is the franchise’s first true musical, and the episode leans hard into the structure, tone, and some of the tropes of traditional musical theater.
 

The Enterprise crew sing and dance. (Paramount+)

You likely have to be a fan of the musical theater genre in order to connect with “Subspace Rhapsody” — but while this episode is not going to be for everyone, I strongly believe that all fans should applaud Strange New Worlds for undertaking this venture.

When Star Trek takes risks, it creates opportunities for unique experiences and episodes that allow the franchise to try new things and connect with its audience in different ways. A musical might not work for you, but the courage it takes for the franchise to decide to create a musical episode may then make possible another experiment that does. And if this experiment does not work for you? Well, you still have nearly 900 other episodes of Star Trek to enjoy.

“Subspace Rhapsody” works for me. In addition to being a full-on musical complete with big songs, dance numbers, and grand finales, this episode is also a deep character episode that continues, and in some cases concludes, character arcs from season two to this point. It is not a throwaway triviality of a Strange New Worlds episode, but one that is integral to the threads and relationships that have been cultivated across the first two seasons. And it’s fun that so much of that comes to a head through song.

While investigating a naturally-occurring subspace fold — in the hopes that it will unlock the secrets to real-time subspace communication across the Federation — the Enterprise accidentally dislodges a “quantum uncertainty field” that creates a new reality in which people sing uncontrollably.

Dancing redshirts in the corridor. (Paramount+)

Obviously, there is going to be some element of contrivance in order to maneuver a Star Trek episode into a musical, but you know what? This one works for me. It’s technobabbly, it’s connected to the era of Strange New Worlds and the canon of Star Trek — why yes, real time subspace communications would be great! — and it opens the door to a lot of fun.

The ten original songs of “Subspace Rhapsody” — written by Kay Hanley and Tom Polce — range from solos (“Keeping Secrets”) to ensemble numbers which feature the whole crew (“We Are One”). Each has something to like about them, though a few are more forgettable than others. My personal favorite of the whole episode is the opener (“Status Report”), primarily because it blends the unique language of Star Trek with actual music in a way that I personally enjoyed a lot, but Uhura’s big number (“Keep Us Connected”) and Chapel’s song (“I’m Ready”) are also real standouts.

And while the episode potentially feels a little smaller than many fans would have expected from a Star Trek musical as there are not a lot of big choreographed set pieces, that actually feels appropriate for me for this big character episode that focuses more on individual relationships rather than the ship as a whole.

“Subspace Rhapsody” is, at its heart, a character episode. It brings the Spock/Chapel relationship to its apparent conclusion, and provides some exceptional material for La’an and the emotional fallout from her relationship with the alternate James T. Kirk.

Chapel (Jess Bush) is excited. (Paramount+)

When Chapel gets accepted into a fellowship for archeological medicine run by Doctor Roger Korby — who TOS fans knows has some importance in Chapel’s life — this seems like it is the end of the road for her dalliance with Spock.

It is rewarding to see her make decisions that are for herself and not related to Spock, and after what we learned about the character’s experiences during the Klingon War in last week’s episode, it’s tough not to feel like Chapel deserves the happiness (and the career potential for her future career) that she is currently feeling. Chapel’s song is also one of the standouts of the episode, with the most advanced chorography of any of the songs and a really great musical performance from Bush.

And for Spock, it appears we have reached the end of his short-lived experiment with indulging his emotions. Chapel’s decision to leave the Enterprise for three months, which probably means bringing her relationship with Spock to a halt, drives the Vulcan science officer back to pure logic (“I’m the X”) in an effort to cure a broken heart.

Strange New Worlds has added a rich layer of complexity to the Spock/Chapel relationship from the Original Series that I have enjoyed, but everything about it has felt a tad rushed — a consequence of having only ten episodes to tell their (and all of the characters’) story.

One of the advantages of a longer season is that shows had more breathing room to allow things to develop, rather than barreling through the story before time ran out for the year. Despite that, I still think the Spock/Chapel relationship has been a rewarding arc — and I’m thinking there will be more story to tell whenever Season 3 rolls around.

La’an (Christina Chong) laments her loneliness. (Paramount+)

But while the Spock/Chapel breakup is probably some viewers’ biggest character moment in the episode, for me La’an has the most fulfilling emotional arc of this episode. She begins the episode wanting to shut down any singing because of her fear about the emotional release it creates — but by the end of the episode, the security officer has opened herself up fully to her emotions for the first time, and reached out for connection to those around her.

“Subspace Rhapsody” also lobs a bit of an unexpected curveball which dovetails really nicely with Star Trek canon — because while Kirk feels the same connection that La’an does, his current relationship with Carol Marcus, and her pregnancy with his son, make any exploration of that connection impossible.

Ultimately, falling into bed with Kirk is not the obvious route the episode chooses to take, and consummating the romantic connection between the characters is not where the emotional benefits of this experience lie for La’an. This version of Jim Kirk is not her Kirk, but this experience has allowed her to understand that it is possible for someone to see La’an as herself — and not just part of Khan’s legacy.

We already know from the Original Series that La’an was never going to end up in a forever romantic relationship with Kirk, but the events of this episode might make such a thing possible for her with someone else. That’s very smart writing, because it creates a greater depth for the character and thinks beyond the cheap thrill of giving Kirk a romantic liaison on the Enterprise crew — and it is backed by a terrific, emotional performance from Christina Chong, an accomplished singer who threads the musical and dramatic moments of this episode together wonderfully (“How Would That Feel”).

James Kirk on the bridge. (Paramount+)

Jim Kirk’s role this week was a wonderful one — both with La’an, and his first-officer bonding time with Una (“Connect to Your Truth”) — but it feels like the show is running out of plausible reasons to get him aboard the Enterprise. I like how Paul Wesley is portraying the future starship captain, but after four appearances in the the last two seasons, it’s time to let Kirk have his time on the Farragut.

OBSERVATION LOUNGE

  • The soundtrack for this episode is available through many streaming services.
  • The reference to the crew poofing into bunnies appears to be a wink to perhaps the most well-known musical television episode, Buffy the Vampire Slayer’s “One More With Feeling.”
  • Captain Batel finally gets her first name, Marie, spoken aloud this week; it previously appeared on a screen graphic back in “Ad Astra per Aspera.”
  • Kirk mentions his sometimes-relationship status with “Carol,” who of course is Carol Marcus, the Project Genesis scientist seen in Star Trek II: The Wrath of Khan — and her yet-to-be-born child is Kirk’s son, David.
  • The Klingon ships seen this episode were called K’t’inga-class battlecruisers” — introduced in Star Trek: The Motion Picture — instead of the more period-appropriate D-7 designation.
  • Spock’s diplomacy with the Klingons, which began in “The Broken Circle” and is picked up on here — and it nicely foreshadows the critical role he will play in the two civilizations’ peace process in Star Trek VI: The Undiscovered Country.
  • It’s nice to get another look up the Jeffries Tube shaft, using current-day visual effects to let us see the rest of the tube in the way that The Original Series could only hint at.
  • The Klingon general aboard the boy-band warship was played by Bruce Horak, who portrayed Hemmer last season (and again in this year’s “Lost in Translation”)
Bruce Horak returns as the singing Klingon captain. (Paramount+)

“Subspace Rhapsody” is Star Trek at its most experimental, and it is to be applauded and enjoyed and supported for that. The cast and crew clearly had a blast making this episode, and their infectious joy seeps through the whole episode to make it a rewarding affair.

Coupled with some compelling character work, a few very catchy songs, and boy band Klingons, this musical outing is a triumph. I don’t think a reprise of this format would work as well as the first, but I hope Strange New Worlds never stops taking risks.

900 episodes of Star Trek later, the franchise continues to find new ways to tell stories.

Star Trek: Strange New Worlds Season 2 concludes with “Hegemony” next Thursday, August 10 on Paramount+.

STAR TREK Action Figure Roundup: EXO-6 Explores STRANGE NEW WORLDS and Hiya Toys Heads Into the Kelvin Timeline

We’re about to venture into the annual Las Vegas convention, but before that fun begins we have a few new bits of Star Trek action figure news to bring you today!
 
First up, the one-sixth figure dynamo EXO-6 announced today (via StarTrek.com) that their team will be making their first venture into Star Trek: Strange New Worlds later this year — with a first look at five prototype figures from the popular Paramount+ series.
 
The first figures in their Strange New Worlds lineup will be Captain Pike, Lieutenant Spock, first officer Una Chin-Riley, Nurse Christine Chapel, and Lieutenant La’an Noonien-Singh. (Designs for Uhura, M’Benga, and Ortegas are expected, but likely have not reached the public-display prototype stage yet.)
 

EXO-6’s Strange New Worlds figures are expected to go up for preorder later this year, with first deliveries to collectors sometime in 2024. The company will also have a booth at the Las Vegas convention, so we’ll be sure to bring you more coverage on their additional plans (and their new figure prototypes) later this week.

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In addition, newcomer Hiya Toys unveiled a first look at their surprising line of Kelvin Timeline Star Trek figures, based around the cast and crew of the Chris Pine-led film series.

First seen on display at San Diego Comic Con, these four-inch “Exquisite Mini” figures are the company’s initial steps into the final frontier, with first shipments expected to begin by the end of 2023.

Hiya Toys showcased their versions of Captain Kirk, Spock, Dr. McCoy, and Nero from the 2009 Trek film at SDCC, along with additional prototypes of Scotty, Chekov, Spock Prime (Leonard Nimoy), Keenser, and a version of Spock in his high-temperature hazard suit from the opening moments of Star Trek Into Darkness. The prototypes shown are the only ones currently approved — obviously there is no Uhura figure, likely because the character design is still being finalized.

A representative from Hiya Toys told our team that they are planning a second wave of six-inch figures (with fabric costumes) as well as an Enterprise starship with lights and sound; the company told us that they have a worldwide license to all of the live-action Star Trek properties – so there is great potential for additional releases.

Keep checking back to TrekCore for all the latest Star Trek product news!

WeeklyTrek Podcast #226 — LOWER DECKS Stars Break Down the STAR TREK: STRANGE NEW WORLDS Crossover

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On this week’s episode of WeeklyTrek, brought to you in partnership between The Tricorder Transmissions Podcast Network and TrekCore, host Alex Perry is joined by Mike Pasquale to discuss all the latest Star Trek news.
 

 
This week, Alex and his guest discuss the following stories from TrekCore and around the web:
 

In addition, stick around to hear Mike’s wish for a podcast examining the similarity of characters and themes between Star Trek and M*A*S*H, and Alex’s wish for a good time next week at the STLV convention — and celebration over the news that STLV will be returning to the Rio Hotel once more in 2024.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, YouTube, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!