Home Blog Page 27

Book Review — THE AUTOBIOGRAPHY OF BENJAMIN SISKO

The Autobiography of Benjamin Sisko by Derek Tyler Attico is the best of Titan Books’ line of Star Trek autobiographies that it has published to date.
 
Following the autobiographies of James T. Kirk, Jean-Luc Picard (both by David A. Goodman), Kathryn Janeway, and Spock (both by Una McCormack), Attico takes over for the story of Benjamin Sisko and takes on the hard task of figuring out how to make an autobiography work for a character who ascended to a higher plane of existence — and one whose fate in canon is not yet known.
 
Previous autobiographies have been written from the furthest point in the character’s life prior to what we know of their death, and included lengthy sections on the character’s life before the events we saw on screen, quick recaps of those on-screen events, and then normally some information about what happened to the character after they last appeared in canon.
 
In the case of the Picard and Janeway books, this makes for a bit of an awkward read; both were written before the characters’ respective returns in Picard and Prodigy and so the narrative about what happened to these characters after Nemesis and Voyager respectively differ from the canon.
 

A portrait of a young Benjamin Sisko by artist Russell Walks. (Titan Books)

Attico could have made a similar choice for Sisko if he had chosen to tell the story of his return from the Bajoran Wormhole and all the events that happened after. But in a decision that serves the book very well — and also future proofs it against the possibility the character does return in some way in future Star Trek — the author declines to take this route. Established in a framing narrative for the autobiography, this is the story of Benjamin Sisko as told in Deep Space Nine, from his birth all the way through the events of “What You Leave Behind.”

Attico does a great job capturing Ben Sisko’s voice, and telling a story that feels authentic and true to who Sisko is as a person. The book also feels the most authentically connected to the show in which it came from. Previous Star Trek autobiographies from Titan have been a little frustrating in the presence of canon mistakes or interpretations for the characters that don’t make sense. The Sisko autobiography, perhaps because it hews closest to the source material, avoids all of that and fits extremely well with what we know about the Sisko character from the TV show.

It also wrestles with some inconsistencies in the character’s backstory from the show. I hadn’t remembered, for example, that Sisko makes one reference to having two brothers in “Paradise,” in addition to his sister Judith. In the rest of the series, particularly after Joseph Sisko is introduced, the brothers are never mentioned again, and you’d be forgiven for operating under the assumption (as I did before I read this book) that Sisko had only one sibling. Attico weaves all that together nicely, and demonstrates a strong command of the backstory for Benjamin Sisko.

Sisko’s Creole Kitchen, revisited in STAR TREK: LOWER DECKS. (Paramount+)

There’s a lot to like in the way Attico breaks down the character’s life and shows us pieces of it, but the best stuff is in describing Sisko’s childhood in New Orleans. Attico brings the Sisko’s restaurant façade briefly glimpsed in the show to life in a vibrant 24th century New Orleans that feels futuristic but retaining the unique culture of the city that its had for several centuries. Sisko’s family, his parents and grandparents, are well rendered, and help you understand where the different aspects of Sisko’s personality came from.

It is also great to go deeper into the Sisko/Dax relationship, this time with Curzon during Sisko’s earlier years. Getting to see how the two character met and how they developed their bond adds depth and nuance to your understanding of Sisko. The same is true of his relationship with Jennifer Sisko; Attico has a smart and surprising take on the way we saw their first meeting in Sisko’s orb vision in “Emissary” that I got a kick out of.

Sisko enters a memory of his first meeting with Jennifer in “Emissary.” (Paramount)

The inclusion of Captain Benjamin Sisko into the line of Titan Books’ Star Trek autobiographies was overdue, but I am pleased that the publishing house waited to find the right author to take on Sisko’s story. They succeeded in tapping Derek Tyler Attico for the task, who gives us a rich portrayal of Sisko’s life and story up to and including the events of Deep Space Nine. This autobiography is the best companion to the show of any of the previous books in the series, and should be applauded.

Can we get one for Jonathan Archer next, please?

The Autobiography of Benjamin Sisko is in stores now.

WeeklyTrek Podcast #238 — STAR TREK: PRODIGY Hits Netflix at Warp Speed

1

On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by Stephen Van Doren to discuss all the latest Star Trek news.
 

 
This week, Alex and his guest discuss the following stories from TrekCore and around the web:

In addition, stick around to hear Stephen’s wish for Star Trek to lean less on nostalgia and begin doing more interesting and innovative things, and Alex’s wish for Netflix to upload the “Lost and Found” in its original full-length format.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Patrick Stewart Says There’s a Jean-Luc Picard STAR TREK Movie Script

We’ve seen the end of Jean-Luc Picard’s story several times over the last thirty years — following the conclusion of Star Trek: The Next Generation in 1994, the final film Star Trek: Nemesis in 2002, and Star Trek: Picard just last year — but now the actor has shared that a film script focused on the starship captain is in the works.
 

STAR TREK: PICARD — “Dominion” (Paramount+)

Since the press tour for Picard Season 3 began back in 2022, Stewart has often hinted that there is an opportunity for one more Trek film for Jean-Luc Picard (and his Next Gen cohorts), from a joke at New York Comic Con…

…to an interview with IndieWire where the actor suggested elements from Picard Season 3 could carry over into a big-screen adventure.

“I think we could do a movie, a ‘Picard’-based movie,” he said. “Now not necessarily at all about Picard but about all of us. And to take many of those wonderful elements, particularly from Season 3 of ‘Picard’ and take out of that what I think could be an extraordinary movie. I keep telling people and mentioning it, and so far there’s been no eager response, but it might well happen. And that would be I think a very appropriate way to say, ‘And goodbye folks.’

Now in a recent interview with the Happy Sad Confused podcast (recorded in November 2023 during the actor’s memior press tour, as noted by TrekMovie.com), Stewart has revealed that there’s actually a Picard-focused script in the works that by now is likely already in his hands.

Stewart told host Josh Horowitz (at timecode 35:16) that:

“I heard… about a script that is being written, but written specifically with [me] to play in it [as Picard] — and and I’ve been told to expect to receive it within a week or so. I’m so excited, because it sounds like the kind of project where the experimentation that I want to do will be essential for this kind of material.”

Of course, at this point there’s absolutely no guarantee that a Stewart-starring Star Trek movie will move into production, with the many false starts the franchise has seen in the theatrical arena over the last several years — and even if it’s eventually planned as a straight-to-streaming movie like Michelle Yeoh’s Section 31 movie, there’s also the many challenges facing Paramount+ (and the Paramount Mountain as a whole) right now.

There’s also no guarantee that if the film does get made, other members of the Next Generation (or Picard) cast would appear, noting the “experimentation” that Stewart mentions in his comments; Stewart famously agreed to return to the character for Star Trek: Picard if it was not treated as the reunion show Season 3 ultimately provided.

So it’s truly anyone’s guess if this script will lead to another, last, we-really-mean-it final Star Trek adventure for Jean-Luc Picard and Patrick Stewart — in the meantime, let us know your thoughts about this “Picard movie” in the comments below!

WGA Lists STAR TREK: DISCOVERY Season 5 Episode Titles

We’re back from our holiday break, and now it’s time to catch up on some of the news we missed — starting with a look ahead to the forthcoming final season of Star Trek: Discovery.
 
While the series won’t return for the last run of adventures until April, some tantalizing clues about where the show’s concluding season have come in the form of Season 5’s ten episode titles.
 
Normally held back under a veil of secrecy until closer to airdate, with the long delays since Discovery finished filming (almost a year will have passed when the upcoming season airs), we’ve gotten a look early thanks to script registration listings on the Writers Guild of America website. The final year of Discovery will be a now-standard Trek season of ten episodes, with contributions from twelve different writers including series showrunner Michelle Paradise.
 

Oyin Oladejo as Owosekun, Patrick Kwok-Choon as Rhys, and Sonequa Martin-Green as Michael Burnham. (Paramount+)

While it’s of course still very possible that these final episode titles may change between their 2022-2023 registration dates and the April 2024 airings, here is what’s been listed as of this week:

Season 5 begins with “Red Directive” (Episode 501) by Michelle Paradise, followed by “Under the Twin Moons” (502) by Alan McElroy and “Jinaal” (503) by the Kyle Jarrow and Lauren Wilkinson.

The season continues with “Face the Strange” (504) by Sean Cochran, “Mirrors” (505) by Johanna Lee and Carlos Cisco, “Whistlespeak” (506) by Kennith Lin and Brandon A. Schultz, then “Erigah” (507) by M. Raven Metzner, and then “Labyrinths” (508) as a second entry from Lauren Wilkinson, joined by Eric J. Robins.

Discovery’s final entries are known to be a two-part story, with “Lagrange Point” (509) directed by Jonathan Frakes and written by Sean Cochran and Ari Friedman, while the concluding “Life, Itself” (510) is scripted by Kyle Jarrow and showrunner Michelle Paradise, and directed by longtime supervising director and executive producer Olatunde Osunsanme.

Elias Toufexis as L’ak, and Eve Harlow as Moll. (Paramount+)

There’s already been plenty of speculation in the Trek community about these titles over the last few days, but we’ll throw in our ideas as well.

  • “Under the Twin Moons” may be a Saru-focused episode, as his homeworld of Kaminar is known to have two moons (as seen in “The Brighest Star” and “That Hope is You, Part 2”).
The twin moons of Kaminar seen in “That Hope Is You, Part 2.” (Paramount+)
  • Perhaps “Whistlespeak” might refer to whale song… if Discovery decides to check in on the Whale Probe aliens from Star Trek IV: The Voyage Home in the 32nd century? (This one’s pretty unlikely, we’ll admit!)

Anyway, we’re still a ways off from really learning more about the upcoming final season of Star Trek: Discovery, which will be returning sometime this April and is — so far — the only live-action Star Trek scheduled for 2024.

Keep checking back to TrekCore as we get closer to the show’s return for more on the closing chapter of the Discovery story!

WeeklyTrek Podcast #237 — Looking Back on 2023’s Year of STAR TREK News

1

On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by Jenn Tifft for our annual year-in-review episode.
 

 
Before we jump into the Star Trek news for the new year, we take a look back over the highlights and lowlights of 2023, as Alex and Jenn discuss six of the biggest news stories and moments in the franchise from last year.
 
We talk Picard, Strange New Worlds, Lower Decks, Prodigy, merchandise, Discovery, and more! In addition, we preview what we’re most looking forward to over the next twelve months.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

BlueBrixx Ends 2023 with 20+ New STAR TREK Brick-Building Kits

We’re closing out 2023 with one final Star Trek collectible spotlight, and this time we’re heading back overseas for the latest round of additions to the growing BlueBrixx collection!
 
The Germany-based company has expanded their line of Trek brick-building kits once more, with more than two dozen new ship, object, and character sets debuting over the last few months — including some really fun designs that just became available before the holiday season.
 
The biggest new Trek entries begin with a 1596-piece Enterprise-E kit, joined by an even larger 1845-piece version of Captain Archer’s Enterprise NX-01. You can also now build a 748-piece NX-class shuttlepod, and will be able to obtain the classic Galileo-style Class-F shuttlecraft when the next 767-piece kit becomes available in 2024.
 

BlueBrixx has also added a number of new medium-sized Federation starships to their existing fleet, from several eras of Starfleet service — starting with a 700-piece edition of the Constellation-class USS Stargazer. 

You can also now find a 505-piece Akira-class Thunderchild, a 585-piece USS Excelsior, and 693-piece version of the Danube-class runabout. There are also three smaller ships available as well: a 209-piece USS Equinox, a 206-piece Maquis raider, and a 210-piece build of the USS Raven, the ship piloted by Seven of Nine’s parents before their Borg assimilation.

Moving on to aliens and enemies of the galaxy, you can revisit the Dominion War with new Jem’Hadar ships from Star Trek: Deep Space Nine — the 511-piece Jem’Hadar attack ship (also available in a smaller 251-piece size), along with the 306-piece Jem’Hadar battleship.

BlueBrixx has also designed a 207-piece Ferengi Marauder, a 218-piece edition of Shinzon’s Scimitar from Star Trek: Nemesis, a 275-piece version of V’Ger from Star Trek: The Motion Picture, and a small 123-piece build of Khan’s Botany Bay from “Space Seed.”

Not just focused on starships, BlueBrixx has also started rolling other types of releases, with several new kits bringing Star Trek universe objects — and characters! — into their lineup.

Star Trek: The Next Generation fans can add a piece of Captain Picard’s ready room to their collection with an impressive 3744-piece recreation of Andy Probert’s Enterprise-D painting, which comes complete with hooks to hang it on the wall once completed.

If you’ve got an affinity for Trek tech, two of the newest releases are builds right out of sickbay: a 356-piece Mark X medical tricorder (with removable hand scanner) and a 290-piece Starfleet hypospray set complete with three injection vials.

If you’re looking to terrify visitors, the new 1615-piece Borg done bust is a tall kit that shows off the cybernetic features of an assimilated member of the Collective.

Borg Drone

Finally, BlueBrixx has also released seven new Star Trek characters in their “Brick Buddies” series — which started with Captain Picard, Worf, and Mr. Spock — expanding into Deep Space Nine and Voyager.

The new entries include Captain Kirk from the Original Series, Data, and Judge Q from The Next Generation, Captain Sisko and Quark from Deep Space Nine, and Seven of Nine from Voyager.

Brick Buddies

As always, we’ll remind you that BlueBrixx is only licensed for sale within Germany, so all of their products deliver internationally from that country to the United States with a 35 Euro ($38 USD) shipping fee — but you can typically order multiple items which can ship together under a single fee.

It’s definitely an inconvenient annoyance for those of us who live outside of Germany, but — with the state of licensed Star Trek products in North America these days — it’s worth the additional delivery cost to support this expansive line of fun-to-build Trek collectibles.

This isn’t a sponsored post — several members of our team have imported these kits and really enjoy having them on our shelves. If you like build-up projects, you should definitely check out one of BlueBrixx’s 80 different Star Trek releases for yourself!

Check back to TrekCore often for the latest in Star Trek collectible news!

WeeklyTrek Podcast #236 — STRANGE NEW WORLDS Season 3 Begins Filming as PRODIGY Season 2 Wraps

2

On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by Infinite Diversity co-host Thad Hait to discuss all the latest Star Trek news.
 

 
This week, Alex and his guest discuss the following stories from TrekCore and around the web:

In addition, stick around to hear Thad’s opinion that Star Trek: Discovery Season 1 is the show’s best season so far, and Alex’s thoughts on whether Star Trek should continue down the path of Picard Season 3 or Strange New Worlds Season 2. (Spoiler alert: why not both?)

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Fanhome Revives the Die-Cast STAR TREK Model License with New Starships Coming in Late 2024

It’s been a year and a half since Eaglemoss collapsed, ending the long-running Official Starships Collection model line and leaving the future of die-cast Star Trek starships in limbo.
 
Since then, the team at Master Replicas has been working for months to locate and centralize leftover Eaglemoss stock from around the world for their weekly inventory drops — but as they’ve picked up new production licenses from StargateThe ExpanseDune, and Foundation, they did not land the Star Trek license when it went back on the market this year.
 
That went to Fanhome, the same company who also resumed production and fulfillment on the interrupted Build the Enterprise-D model program originated by Eaglemoss a few years ago — and while it’s been under-the-radar knowledge since earlier this summer, the company made their official announcement about the license acquisition this week.
 
Touting new Star Trek starships, here’s the full press release:
 

 

Fanhome Partners with Paramount Consumer Products to Create Star Trek Die-Cast Collection

 

Officially Licensed, Impressively Detailed Collection Launches in 2024 and Brings an Incredible Fleet of NEW Ships from the Star Trek Universe Home to Collectors

 

New York, NY – Fanhome, the leader in subscription-based collections and models, has
announced that it has licensed the rights to create a new line of die-cast scale model replicas of starships featured in the iconic Star Trek franchise.

 

This brand-new collection of impressively detailed Star Trek starship replicas will be warping to subscribers in the Alpha Quadrant Q3 of 2024. A comprehensive list of starships in the Star Trek Die-Cast Spaceship Collection will be released shortly.

We don’t yet have any more information on the ships coming in this new model line, but we can speculate that the “new ships” promised might include the USS Stargazer, USS Titan / USS Enterprise-G, the SS Eleos XII, and the Shrike from Star Trek: Picard, the USS Farragut and Gorn starship from Star Trek: Strange New Worlds, the Obena-class from Star Trek: Lower Decks, and both the USS Protostar and USS Dauntless from Star Trek: Prodigy.

For more information on Fanhome’s plans, fans can register for the company’s planned mailings about “notices, additional information, and sneak peeks of the Fanhome collection at the Fanhome website — for USA residents and for UK residents — today.

STAR TREK: STRANGE NEW WORLDS Season 3 Filming Begins as STAR TREK: PRODIGY Season 2 Post-Production Ends

It’s been nearly 18 months since Star Trek: Strange New Worlds went before cameras, when Season 2 wrapped principle photography all the way back in July 2022.
 
Originally expected to start filming on Season 3 this spring before the WGA and SAG-AFTRA strikes, the cast and crew returned to Toronto for new Enterprise adventures this week.
 
https://www.instagram.com/p/C0tsnoEueJN/

Srange New Worlds executive producer Davy Perez, writer of “Memento Mori,” “All Those Who Wander,” “Among the Lotus Eaters,” and “Under the Cloak of War” shared the above photos from the Enterprise set this past Monday, as filming on Season 3 began.

In addition, Episode 301 director Chris Fisher (“A Quality of Mercy,” “The Broken Circle”) also shared this photo of one of the bridge stations rigged for pyrotechnics — likely ahead of stunt photography for the expected Enterprise-Gorn battle in the season premiere.

https://www.instagram.com/p/C0tgpuzLRlu/

As we reported a few weeks ago, Ontario production listings show that filming on Strange New Worlds Season 3 is expected to run through late May; as with the previous years the new season is planned to be a 10-episode run.

Director Jordan Canning (“Charades”) is returning for Season 3’s second episode, and it’s been confirmed that Jonathan Frakes will also be revisiting the Toronto-adjacent sets for one of the third-season episodes this spring.

https://www.instagram.com/p/C0wwbengwWj/

*   *   *

Moving from the restart of live-action Trek production to the conclusion of animated efforts, Star Trek: Prodigy has officially completed work on its forthcoming second season this week, marking the end of a years-long effort to bring the originally-planned 40-episode run to an end.

The end of production was announced by showrunners Kevin and Dan Hageman and Season 2 co-showrunner Aaron J. Waltke on Twitter this week.

Though production may be ending on the planned two-season Prodigy story, the Hagemans have expressed potential for a third season and beyond — but until Season 2 debuts and its success (or lack thereof) is known, there’s no word on additional aventures just yet.

After Paramount+ unceremoniously cancelled the series and removed it from its platform this summer, Star Trek: Prodigy will be returning to streaming on Netflix starting December 25. The already-aired first 20-episode season will land on that service Christmas Day, and the just-wrapped Season 2 is expected to debut sometime in 2024.

Keep checking back to TrekCore for the latest in Star Trek production news!

Review — The Making of STAR TREK II: THE WRATH OF KHAN

Meticulously researched and organized, the recently released behind-the-scenes book, Star Trek II: The Wrath of Khan – The Making of the Classic Film, is a definitive piece of film-making history, detailing the production and legacy of arguably Star Trek’s most famous production.
 
The 192-page publication from Titan Books detailing the 40-year-old film is both broadly digestible, and jampacked with comprehensive minutiae and details. And one should expect nothing less than that from the book, which is a dissertation of sorts from authors and educators John and Maria Jose Tenuto, who have for many years been visible authorities on many topics in the Star Trek universe — most notably this film, but also on the life and career of the great Ricardo Montalban.
 

Image: Titan Books

All of their expertise features prominently here in a dense, thorough tome that is easy to consume and enjoy for fans both new and old. The book includes narratives and stories that have been told in various forms for decades (like how producer Harve Bennett went back into the Original Series archives to land on continuing the narrative of “Space Seed”), but also dives deep into new revelations that are not as well known (exactly how that iconic introduction shot of Admiral Kirk against a smoky white background came together).

Often the highlight for coffee-table style books like this one is the art and layout of the publication, with bright, colorful production photos and grainy behind-the-scenes images you can get up-close-and-personal with, and while that element shines throughout the pages here, the real star of this piece is the accompanying prose from the Tenutos. Their writing dissects the who, what, where, when and why of how it all came together.

The book is broken up into 14 chapters, that pretty much takes you through the production both chronologically and organizationally. No stone is left unturned as the authors seemingly cover it all. The editing process of getting all this information, accompanied by a genuine photo history as well, must have been a daunting task for everyone involved. Here is a quick snapshot of how the book flows, with some stand out moments.

  • Chapter 1: Needs of the Many: Harve Bennett, Executive Producer
  • Chapter 2: We Learn by Doing: Early Scripts
    • A detailed analysis of how the script from Jack B. Sowards came to be, including references to early versions that include Project Omega, a robot named Ru-byk (!!!), Janet and Daivd Wallace, and the evolution of Saavik (Savik? Ssavik?) and the Kobayashi Maru
  • Chapter 3: Undiscovered Country: Nicholas Meyer
  • Chapter 4: Enterprise Welcomes You: New and Returning Faces
  • Chapter 5: Sworn to Live and Die at My Command: Company and Crew of the Botany Bay
    • “Ricardo Gonzalo Pedro Montalbán y Merino changed the world, both through his own artistic achievements, and because of his activism and inspiration.” That opening sentence says it all, as the Tenuto’s amazingly summarize the actor’s immeasurable lifetime of accomplishment succinctly and eloquently in a few pages detailing how he became Khan.
  • Chapter 6: Nautical But Nice: Robert Fletcher and Costume Design
  • Chapter 7: Why Things Work on a Starship: The Art Department
  • Chapter 8: One Big Happy Fleet: Industrial Light & Magic
    • The design of the Reliant, with the nacelles below the hull, came around when Harve Bennett mistakenly signed off on an upside-down blueprint sketch of the ship after receiving documents to sign off on while working on a film in Israel. With no time to circle back with him, the creative team flipped the design and history was made.

  • Chapter 9: These Are Pets of Course: The Wee Beasties of Ceti Alpha
  • Chapter 10: Clear and Free to Navigate: The Camera Department
    • An entire section just on the technical specs that went into much of the creative shooting of the film, including deep dive call-out sections on three names many fans may not be familiar (Gayne Rescher, Catherine Coulson and Craig Denault).
  • Chapter 11: So Much the Better: Werner Keppler and the Makeup Department
  • Chapter 12: No Win Scenario: The Stunt Performers
    • Even the stunt performers get their moment in the sun in this retrospective, with a number of rare photos, including some of famed stunt coordinator Bill Couch, Sr., as both Kirk and Khan.
  • Chapter 13: Remember Spock: Spock’s Death
  • Chapter 14: First Best Destiny: The Reaction to Khan
Image: Titan Books

In the end, its simple title, The Making of the Classic Film, really says it all. This historical reference book is both the beginning and end of knowledge when it comes to how The Wrath of Khan came into existence. It’s a classic unto itself.

Star Trek II: The Wrath of Khan – The Making of the Classic Film is in stores now.