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Michael Giacchino’s BEYOND Score Titles Revealed

STAR TREK BEYOND composer Michael Giacchino is known for stacking his movie soundtrack releases with titles full of witty puns, and his score for this summer’s new Trek adventure is no different.

Minor spoilers below!

The new soundtrack, available to preorder now, contains plenty of tantalizing hints about what may be coming in BEYOND – some of which we’ve already speculated about in our Trailer 2 breakdown.

  • Logo And Prosper (1:47)
  • Thank Your Lucky Star Date (2:15)
  • Night On The Yorktown (5:36)
  • The Dance Of The Nebula (2:22)
  • A Swarm Reception (2:30)
  • Hitting The Saucer A Little Hard (6:10)
  • Jaylah Damage (2:50)
  • In Artifacts As In Life (1:51)
  • Franklin, My Dear (2:50)
  • A Lesson In Vulcan Mineralogy (5:17)
  • MotorCycles Of Relief (3:17)
  • Mocking Jaylah (3:26)
  • Crash Decisions (3:16)
  • Krall-y Krall-y Oxen Free (4:23)
  • Shutdown Happens (4:35)
  • Cater-Krall In Zero G (2:17)
  • Par-tay For The Course (2:46)
  • Star Trek Main Theme (3:45)

The composer just wrapped up recording sessions this month.

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Preorder the Star Trek Beyond soundtrack today!


Chris Pine Talks Jim Kirk’s Evolution in STAR TREK BEYOND

Continuing the interviews dropping today from British science fiction and fantasy magazine SFXSTAR TREK BEYOND’s Jim Kirk – actor Chris Pine – spoke with the publication about the captain’s growth leading into this third film, the lead up to production, working with Idris Elba, and if William Shatner might ever appear in the new movies.

On how Jim Kirk has changed in the new movie:

Everyone always talks about the pressure; I never felt one iota of pressure [on BEYOND] at all. In fact, it was the most fun we’ve had. Nine years in, it just gets easier.

What I really enjoy about this part of Kirk’s arc is that he’s relieved of all the onus of trying to live up to his father and the anger of never having met his father, all the stuff that drove the first films.

I think it was very important, especially for the first film, to [see Kirk being a young maverick]. There were fans that were dismayed that he had so much bravado – but there’s no place for the character to go if you don’t start somewhere. And that guy is certainly still in there.

Now he’s an older guy, not a young man anymore… he’s a leader and his priorities and motivations have changed. He’s thinking to himself, “Now that I don’t need [to be like my dad], what else is there?”

On the compressed development time that launched the BEYOND production:

The actors are usually the last people to find out anything; we have no control… they tell me when to show up.

You can bemoan the fact that you’re getting the script so late… you can either dive headfirst into that or you can struggle against it. I decided to dive headfirst into it. I’ve done enough of these [films] to know that, strangely enough, the more money that’s put into a project the more free-form it can be.

Simon [Pegg] and Doug [Jung] have come up with a great story, and Justin [Lin] is a master navigator [of these] big-budget film waters, so I trusted these people. My job is just to bring it to live, and be open on the day for anything to happen.

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Krall catches Kirk on the Enterprise. (Paramount Pictures)

Pine also discussed working with Idris Elba – playing the villain Krall – and if he’d ever don similar prosthetic makeup appliances in the future:

He’s a huge guy; I’m not a small guy myself but Idris is a big dude, very charismatic. He came up with this rather extraordinary character. Let’s just say he’s an angry man and Kirk sees in him a lot of his own anger, just like Khan.

The thing that ties all these antagonists together, from Nero to Khan to [Krall] is their anger, obviously, but how it’s reflected off Kirk’s own anger. And Kirk is learning to deal with his anger, whether he’s set off by it or whether he can be zen.

[Prosthetics?] No. Seriously, never. I don’t ever want to do it. You’re not sleeping, you’re working 15, 16-hour days and you’re getting force-called every day, which means you’re finishing at 6 or 7 [at night]… you’re in bed at 10 [and] you’re up at 3:30 or 4AM.

Not an effing chance I’m doing that.

I like the idea of [motion capture], the idea of completely creating a [completely CGI character like] Gollum. But with prosthetics you’re just dealing with your sheer force of will. It’s an immense amount of concentration.

Sometimes they can’t even eat [and] have to use a straw… it’s awful!

The actor also spoke about the often-rumored appearance of William Shatner in the ongoing movie series, something he feels would overshadow everything else:

At this point there’s been so much built up about this potential portentous meeting between the two Kirks… [but the movie] would just become about that. The movie can’t be come about that. The movie has to be about whatever story we’re trying to tell.

It’d be fun, it’d be kitschy… but beyond that I don’t know what it serves for our storytelling purposes.

Chekov and Kirk hike through the woods. (Paramount Pictures)
Chekov and Kirk hike through the woods. (Paramount Pictures)

Lastly, Pine addressed what it means to be a Star Trek movie in modern times, and how the films have needed to change to be successful in the current cinematic marketplace – and what he’d like to see in a potential Trek 4.

You can’t make cerebral ‘Star Trek’ in 2016. It just wouldn’t work in today’s marketplace. You can hide things in there – ‘Star Trek Into Darkness’ has crazy, really demanding questions and themes – but you have to hide it under the guise of wham-bam explosions and planets blowing up.

The question that our movie poses is, “Does the Federation mean anything?” And in a world where everybody’s trying to kill each other all the time, it’s an important thing. Is working together important? Should we all go our separate ways? Does being united against something mean anything?

[If we get a fourth movie,] I would like a slower film. That’d be kind of fun. Kirk and team land on a planet and go explore.

It’s not going to happen, but it would be fun to make the Merchant Ivory version; a slow, talky film.

Stay tuned for more STAR TREK BEYOND news as it breaks.

Justin Lin and Cast Chat About STAR TREK BEYOND

A new feature interview with director Justin Lin and the STAR TREK BEYOND cast arrives today from British science fiction and fantasy magazine SFX, conducted this Spring as post-production concludes on the next Trek adventure.

Sulu at the helm of the USS Franklin. (Paramount Pictures)

First up, Sulu actor John Cho on the rocky start, and Justin Lin’s onboarding process:

Bob Orci had written a script. [He and the studio] had gotten far along in the process and they decided to part ways. I understand it was amicable, but money had been spent, time had been burned, and Justin was under the gun. The release date was not moving [past July.]

So he went into independent director mode. It was time to get creative and lean on his gut instincts. I think it could lead to something special, because he was having to be mindful of what his instincts were.

Cho’s hopes for Sulu’s development in BEYOND:

I wanted Sulu to advance emotionally. [Having a daughter] complicates the mission in a weird way and makes it personal… his family complicates his belief system as it relates to Starfleet.

McCoy takes aim. (Paramount Pictures)
McCoy takes aim. (Paramount Pictures)

Karl Urban discusses McCoy’s expanded role:

There’s a lot more McCoy in this movie than probably the last two movies combined. My relationship with Captain Kirk is not inferred – it’s there, you see it. You see him being a supportive friend, a consigliere, even a psychologist in a way.

Also, for a huge part of the film, I get to spend time with Spock, which is something new. [McCoy and Spock are] thrown into great jeopardy and have to depend on each other to survive.

Jaylah in the forest. (Paramount Pictures)

Newcomer Sofia Boutella talks about becoming Jaylah:

Jaylah is a survivor, and she is someone who thinks outside the box. She’s an alien warrior [who] has more in common with Kirk than anyone else in the film; they’re both very independent. She makes her own weapons.

I was attracted to this character because she’s an alien, and she’s a completely original character in the ‘Star Trek’ universe, so I don’t have to compare myself with anyone who came before me – I am Jaylah.

I spent four hours in makeup every morning, and when I put on the prosthetic and saw myself in the mirror, it instantly put me into the character.

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Justin Lin directs Chris Pine. (Paramount Pictures)

Director Justin Lin also had a lot to say, expanding upon his previous remarks on the storytelling themes of STAR TREK BEYOND.

[‘Star Trek’] had the ultimate mission statement – which is to try new things.

I think that sometimes gets lost. Let’s sometimes go to places where we’re not that comfortable. IF anything, this is the one franchise where you can do that.

Part of the deconstruction was that we needed to take the security blanket away, which is the Enterprise. That’s always been there and I felt like we should just take it away pretty early on. Not in a disrespectful way, but let’s find a way of doing it so that is launches our characters into their most uncomfortable places without their ship.

On casting Idris Elba as the film’s villain, Krall:

When I talk about deconstructing the Federation, obviously a big part of that is to have an opposing view. Idris [Elba] was my top choice by far, because antagonists don’t really have a lot of screen time.

You need someone who can command a presence and be able to fully commit and carry that through very surgically. We had a great conversation, but at the end, he paused – he goes, “It’s gonna be four hours of makeup every morning, right?”

It was, and he was awesome. He’s delivering 100% every time.

Lin also touches on the somewhat-controversial nature of action sequences in Star Trek films.

I knew why they came to me [to direct the film]. They know i can make big-budget movies. But at the same time, I had to find the appropriate journey for this movie.

So yeah, there is a lot of action, but it can’t be action for action’s sake. In a very short amount of time I had to maek sure that they understoon that I know that that’s where commerce and art collide.

It’s my job to make sure that the action is appropriate, it’s organic, it’s something that can be embraced by people who like ‘Star Trek.’

‘Star Trek’ is, I think, the only franchise that’s been able to cross over from TV with a limited budget to mega-franchise; that’s part of the DNA of ‘Star Trek.’ So for Simon and Doug [Jung] and I, our challenge was to bring that.

We know this is a big-budget movie, but at the same time let’s not forget that we can have two characters in a room talking, and if we do our job right it’s equally compelling. That’s something we definitely took to heart.

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Scotty, Jaylah, and Kirk on the USS Franklin. (Paramount Pictures)

The director also reveals a bit of on-set improvisation:

The scene in the trailer where Sofia sits in the captain’s chair – that happened during rehearsal. It was not scripted. We hadn’t rehearsed it. The camera was set up, she came in an sat down, and she said, “This is my house.”

I looked at Simon [Pegg] and said, “This has to be the scene.” So we re-crafted it… and now it’s one of my favorite moments in the movie.

Finally, Lin addresses critics ahead of the STAR TREK BEYOND release, standing behind the content of the film:

I had Simon and I had Doug and I had JJ [Abrams]; it was a great team. But when it comes down to it, at the end of the day, if you watch a movie and you hate it, it’s on me.

STAR TREK BEYOND arrives on July 22.

Paramount Cancels June 22 STAR TREK BEYOND Event

For several weeks, Paramount Pictures has been planning a June 22 publicity event at the Cannes Lions advertising exhibition in France, where STAR TREK BEYOND cast members Chris Pine, Zachary Quinto, John Cho, and Simon Pegg would not only talk about the film, but also participate in a live-streamed Q & A session with fan questions.

Lions Live – Star Trek Beyond: Retelling an Iconic Story for a New Generation

How much do you get to create in the realm of an iconic movie? And how do you re-tell a story in a way that’s relevant for today’s audience?

Featuring the co-writer and cast of Star Trek Beyond, they’ll explore their creative processes in approaching this iconic franchise: how they use technology to bring their characters to life across different mediums and how new innovations will change their approach to telling stories in the future.

This evening, however, Paramount has announced that they are pulling out of the scheduled event after this weekend’s tragic death of Trek actor Anton Yelchin, who was killed on Sunday morning.

In a statement released by the studio:

All of us are deeply saddened by the loss of our friend Anton Yelchin. Out of respect, we are withdrawing our participation in the previously announced Star Trek Beyond event at Cannes Lions this week.

This decision is certainly one that we can respect, as putting the cast in front of press just three days after their friend and co-star’s passing would surely be difficult.

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Header image by tillieke.

TNG Remastered: “Firstborn” HD Comparison Video

Worf and Alexander encounter K’mtar – an old family friend of the House of Mogh – after an assassination attempt at Klingon outpost, where the elder warrior saves the security officer’s life. But while he attempts to coax Alexander to adopt a more traditional Klingon lifestyle, his secret is revealed: K’mtar is Alexander, back in time from a dark future!

The STAR TREK Family Reacts to Anton Yelchin’s Passing

With this morning’s shocking news of Anton Yelchin’s passing, the tragic loss has been felt heavily within the Star Trek family, with top voices of the past, present, and future sharing their thoughts and feelings on social media.

Star Trek executive producer JJ Abrams:

STAR TREK BEYOND director Justin Lin:

The corporate production partners behind the films:

https://www.instagram.com/p/BG2fI8dq38M/

https://www.instagram.com/p/BG2v19SwJIY/

Yelchin’s Trek castmates:

https://www.instagram.com/p/BG4CjnzB-xL/

https://www.instagram.com/p/BG2fhWktxGt/

https://www.instagram.com/p/BG2Q5RlLi7x/

https://twitter.com/MeetJoeGatt/status/744600954905890817

https://www.instagram.com/p/BG2Sz14njbp/

Trek composer Michael Giacchino:

Bryan Fuller, head writer and showrunner of CBS’s 2017 Trek series:

Cast and crew of past Trek series:

https://twitter.com/Marina_Sirtis/status/744614369338630145

https://twitter.com/wilw/status/744602962425569280

STAR TREK BEYOND opens in just one month.

STAR TREK Actor Anton Yelchin Dead at 27

Terrible news has struck the Star Trek family today, as 27-year-old Anton Yelchinbest known to franchise fans as the second incarnation of Pavel Chekov, was killed early this morning in a fatal accident.

Per the Associated Press:

LOS ANGELES (AP) — Anton Yelchin, a charismatic and rising actor best known for playing Chekov in the new “Star Trek” films, has died at the age of 27. He was killed in a fatal traffic collision early Sunday morning, his publicist, Jennifer Allen confirmed.

Yelchin started small with roles in indie films and various television shows, before breaking out in films like the crime thriller “Alpha Dog” and the teenage comedy “Charlie Bartlett.” His biggest role to date has been in the rebooted “Star Trek” films — the third of which, “Star Trek Beyond” comes out in July.

Yelchin, an only child, was born in Russia. His parents were professional figure skaters who moved the family to the United States when Yelchin was a baby. Yelchin’s family requests privacy at this time.

TMZ also reports more detail on the unfortunate accident, that the young actor was found pinned between his car and a brick structure at his home.

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An 11-year-old Yelchin appears on “E.R.” in 2000.

Russian-born Yelchin, who was just 18 when he was cast in 2009’s Star Trek reboot, had been acting since a 2000 appearance in the television show E.R., was an only child.

Yelchin also had a passion for photography, as his personal Instagram feed can attest (NSFW).

This is of course a terrible loss for his friends and family, and our thoughts are with them.

Weekend STAR TREK BEYOND News Roundup

We’ve got a hodgepodge of STAR TREK BEYOND updates today, from promotion to premiere.

First up, there’s a few new BEYOND advertising videos making the rounds on social media, released by Paramount’s international distributors.

https://www.instagram.com/p/BGrbPaBMDE1/

https://www.instagram.com/p/BGwIJk4SJQY/

In addition, this week’s new Jaylah poster is already being used around the United States, seen here at a movie theater in Georgia.

https://www.instagram.com/p/BGxejc2J8QP/

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It seems that Australia will have the unofficial world premiere on July 7, when three of the BEYOND cast – Chris Pine, Zachary Quinto, and Karl Urban – will make their way down under along side director Justin Lin for a red carpet event in Sydney.

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The Enterprise car rental service has launched a contest to win several prizes, from a private screening of STAR TREK BEYOND to tickets for the San Diego premiere in July.

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Michael Giacchino, resident Star Trek composer, talked to the Hollywood Bowl about his new angle for music in this summer’s adventure, and how the STAR TREK BEYOND soundtrack will differ from his two previous compositions.

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Lastly, Malaysian coffee company Min Kaffe has launched a tie-in promotion to BEYOND, sending their consumers “Beyond Coffee” with their new offering.

https://www.instagram.com/p/BGlK87ZKGFU/

This might just be the closest thing we get to an official Raktajino.

Learn More About STAR TREK BEYOND’s Spacecraft

Ever since the USS Franklin concept art debuted here at TrekCore back in January, fans have been curious to learn more about this new ship set to debut in STAR TREK BEYOND this summer.

Along with that, speculation over changes made to the Enterprise herself, most recently seen in May’s second theatrical trailer, have lead some to believe we’ve already seen some new version of that ship, based upon physical differences to the warp nacelles, engine struts, and other features.

Minor spoilers below!

Well, this month’s new Popular Mechanics answers some of those questions directly, featuring a cutaway view of not only the two Federation starships, but the alien Swarm vessels as well – those countless ships seen tearing the Enterprise to bits in the preview trailers.

pop-mech-stb-diagrams
Illustration by Kemp Remillard for Popular Mechanics.

This illustration reveals several new pieces of information about these ships. First, the one thing many have gravitated to are the Enterprise nacelle struts – they’ve clearly been altered since the ship’s debut, from 90-degree support structures to swept-back nacelle stands, giving the ship a more fluid design.

This was likely part of the post-battle restoration efforts made at the end of Star Trek Into Darkness.

ent-stid
The Enterprise, with straight nacelle struts, seen in “Into Darkness.”

In addition, it also confirms the rumors that the multitude of escape pods seen in the film’s trailers are, in fact, being referred to as “Kelvin pods,” in reference to the ill-fated ship briefly seen the opening of the 2009 Trek film – presumably because that ship appeared to have no escape pods around the bridge (leaving George Kirk without an escape from the doomed vessel), Starfleet now includes them after learning a lesson about crew survival.

A few “Kelvin pod” props on display at a recent HP Enterprise tech conference.

The Franklin also gets time in this spotlight (with a handy reference to motorcycle storage, perhaps where Kirk finds the two-wheeled vehicle), and we now have a estimate of where this ship fits in the Trek timeline.

franklin-poster
The USS Franklin concept poster, revealed in January.

Detailed as “an early prototype ship that was the first to reach Warp 4,” this seemingly puts the Franklin just ahead of Jonathan Archer’s Enterprise NX-01, meaning this ship was launched sometime in the mid-to-late 2140’s.

NX-SHIPS
The “Star Trek: Enterprise” era NX-01 and NX-Alpha ships, seen as models in “Into Darkness.”

Lastly, one of Krall’s Swarm ships also makes this artwork, here revealed to be one-man fighter craft clearly designed to penetrate the hull of a starship.

The Swarm ships shred the secondary hull.

Looks like we’ve just been given a lot more to talk about – and we know you Trek tech geeks are going to be digging over every detail in this artwork.

Tell us your thoughts in the comments below!

A Look at the Newest NEXT GENERATION DVD Box Set

tng-dvd-box

We’ve been all-in on Star Trek’s leap to Blu-ray since the first Original Series release in high definition back in 2009 – but we know a good number of you haven’t yet made the transition to HD home media.

Several of our readers have asked about this month’s new Star Trek: The Next Generation DVD box set, so here’s our hands-on review of this latest release!

By our count, this is TNG’s fourth roll-out on DVD in North America, and the second in just three years.

After the original silver Next Generation DVD boxes arrived in 2002, they were all packaged together in a giant green-tray “20th Anniversary” collection in 2007 – and yet another round of single-season sets in 2013.

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This year’s new Next Generation DVD set arrives alongside the long-awaited TNG Blu-ray box set, as well as the first all-in-one Original Series Blu-ray set that hit stores this week.

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Like many of CBS’s recent home media releases (including the TNG Blu-ray collection), the first six seasons discs are packed into two oversized cases – along with a standard case for Season 7 – together in an outer slip box.

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For those of you who already own one of the previous Next Generation DVD sets, there’s really no reason to purchase these – they are straight re-pressings of the 2003 DVD masters, with no added or changed content from that first presentation; the remastered versions of these episodes remain Blu-ray exclusives.
There are two groups of content that are not contained in the box set, however. The first are the several standard-definition Best Buy-exclusive bonus features only available through that retailer in 2003 – but they were pulled out of the archives for the TNG Blu-ray releases… so if you already bought the series in HD, you have these features in your collection already.

The last content left out of this new set is the eighty minutes of material produced for the 20th Anniversary DVD set in 2007 – and not included in the TNG Blu-rays – so once again, that collection remains the only source for these three features.

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Let’s get down to the biggest question that this release raises: will we ever see a reissue of Deep Space Nine or Voyager on DVD (while the physical media market still has legs)?
We’ve grudgingly accepted that neither of these 90’s Trek series will be heading for HD anytime soon, but the fact that it’s been over a decade since either show were last released to North American consumers on disc – while TNG’s had three outings in the last ten years – is a bit disheartening.

CBS Home Entertainment has been releasing many, many series from the Paramount television archives over the last couple of years – but if shows like MatlockMacGuyver, Frasier, JAG, The Fugitive, Family TiesWalker: Texas Ranger, I Love Lucy, Have Gun, Will Traveland The Untouchables can all get another shot on DVD for less than $100 each…

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…then new boxes of DS9 and Voyager can surely be released in place of the expensive, unwieldy, and oversized twelve-year-old collections currently for sale.

Only time will tell if we’ll ever return to the Gamma and Delta Quadrants.