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“Embrace the Unknown” in New DISCOVERY Promo

The sprint towards Star Trek: Discovery‘s premiere continues today, with another new CBS promo for the upcoming series – featuring some new footage, new dialogue, and new away missions to alien worlds.

Here’s all the new stuff:

Captain Lorca (Jason Isaacs) speaks to his crew. (CBS)

Lorca:

“The Discovery can take us places we’d never dreamed of reaching… no other crew would have a chance of pulling this off. Just us.”

This new character, with enhanced technology in her head is known as “Airiam.” IGN’s Scott Collura, who learned of the character when visiting the Discovery set last month, described her as such:

[She] is a synthetic human-like female character called Airiam, who works on the bridge of the ship.

Okay, disregard that: Collura reached out to us on Twitter to clarify that while he did see the “Airiam” character described above, this screencap is actually some different character (though he understood our confusion):

The actress in question however does appear to be Emily Coutts, referenced as “Kayla Detmer” on IMDB – however don’t take that as final confirmation of her name.

Michael Burnham (Sonequa Martin-Green), with her outfit curiously cropped out of frame. (CBS)

Burnham:

“I live by the principles of Starfleet. It is who I am, and who I will always be.”

The Discovery landing party in a Toronto-based forest. (CBS)
Burnham scans with her tricorder. (CBS)
Cadet Sylvia Tilly (Mary Wiseman) in her cabin, speaking to Burnham. (CBS)

Tilly:

“You’re not afraid of anything, are you?”

Burnham stands at a Vulcan location – note the high collar on the guy behind her. (CBS)
Saru (Doug Jones) advises vigilance. (CBS)
Tilly runs through the derelict USS Shenzhou – we suspect… (CBS)
…with Commander Landry (Rekha Sharma) right behind her. (CBS)

Saru:

“Vigilance equals survival.”

Paul Stamets (Anthony Rapp) looks worried. (CBS)
Captain Lorca at his ready room standing desk. (CBS)

Lorca:

“We embrace the unknown.”

Paul Stamets. (CBS)

Stamets:

“…and the journey continues.”

Check back often for more Star Trek: Discovery news at TrekCore!

Composer Jeff Russo Previews DISCOVERY Theme Music

CBS just dropped a first preview of Star Trek: Discovery‘s main title theme, with a new video featuring an interview with series composer Jeff Russo and and shots of his sixty-piece orchestra performing the dramatic score.

The theme starts with hints of Alexander Courage’s classic Original Series theme, but then jumping to a brand new musical arrangement specifically for the new series.

We’ll update this with a region-free video as soon as one is available.

Take a listen through the video above and let us know your thoughts about this breaking news!

Shenzhou Construction Video & More DISCOVERY Details

CBS released today a great new video of the Captain Georgiou’s USS Shenzhou bridge set being built on stage in Toronto, a process that took weeks to complete at the Pinewood Toronto Studios.

Watch as the giant, empty production stage slowly fills with the massive starship set, complete with all the integrated lighting and technology we’ve heard about for the last several months.

The Shenzhou’s dedication plaque (rotated and enhanced). (CBS)

Spotted in the fast-paced video is a close glimpse at the Shenzhou‘s dedication plaque, which reveals that the Walker-class starship was built at the San Francisco Fleet Yards — just like the original Enterprise (NCC-1701) — but also confirms the reporting from the Fan Expo Canada production panel on the ship’s quote from the Zhuangzi:

All existing things are really one.

Also barely visible is the traditional inclusion of series production staff as ‘Starfleet Command,’ with executive producers Alex Kurtzman, Gretchen Berg, and Aaron Harberts listed first.

*   *   *

There are also a few more tidbits of set information revealed by IGN tonight, including some expansion on yesterday’s first report from the outlet’s visit to the Toronto sets.

We learned a while back that Bryan Fuller’s original costume designs were similar to the coloring of the Original Series look, but IGN seems to have seen these text costumes during their visit:

While the costumes on Discovery are a new spin on the traditional Starfleet uniform… early designs more accurately called back to the original show featuring Captain Kirk.

Those costumes, which IGN glimpsed on set, followed the traditional gold/blue/red design and were even used for camera tests. They also felt similar to the look seen in [“The Cage”] but with some added zippers and trim.

Doug Jones‘ Lt. Saru, like Phlox before him, is an alien crewmember – one augmented in post-production by visual effects in certain scenarios.

While Phlox had that creepy Denobulan smile, or the seldom-seen ‘pufferfish’ inflation defense, Saru’s Kelpian species has some different kinds of anatomical abnormalities:

While most of his look is achieved via makeup and prosthetics, the character does have one CGI element. “I have a certain thing in my anatomy called threat ganglia that go and pop out,” says the actor.

“They don’t pop out when I see a threat — when a threat is apparently right in front of me — that’s not when they go off. They go off when there’s an unseen threat. So if a Klingon was out on the other side of the door but I can’t see him yet, but I’m feeling something’s not right — that’s when my threat ganglia should go off.”

IGN also reports that the varied number of displays and maps of the Federation / Klingon conflict contains some familiar names to Trek fans: planets like Galorndon Core, Sherman’s Planet, and prison asteroid Rura Penthe.

*   *   *

Co-executive producer Ted Sullivan continues to share behind the scenes photos from the Discovery set, with some new looks from the series.

Mary Chieffo as Klingon battledeck commander L’Rrell:

https://twitter.com/karterhol/status/906479711395745793

Jimmy Chimarios as a character so far known only as ‘Polygon’ (name via IMDB):

https://twitter.com/karterhol/status/906260013508853760

A look at the floor detailing aboard the Klingon torchbearer ship:

https://twitter.com/karterhol/status/906259346300039169

Finally, a view of an officer manning one of the Shenzhou‘s engineering panels:

https://twitter.com/karterhol/status/906250505910935553

Keep checking back often for more Discovery news!

Lots of New STAR TREK: DISCOVERY Information Arrives from August Press Visit to Toronto Sets

In late August, press from around the world were able to beam up to the Star Trek: Discovery sets in Toronto, and several reports from that visit have begun to debut online as we are now officially two weeks away from having seen the first episode of the upcoming series.

First up, TV Guide’s Alexander Zalben got to shoot a bit of video on the USS Discovery bridge set, and here’s a look at the real-life transparent displays, our first great view at how these innovative set designs rely more on practical effects than digital compositing.

Here’s a few caps of those incredible displays:

As part of their on-set interviews, TV Guide learned a few secrets not yet revealed from the series, such as:

  • Captain Lorca (Jason Isaacs) has a standing desk in his ready room, rather than the traditional chair-and-desk configuration seen in previous captains’ offices
     
  • Viewscreen communication has been upgraded to holographic displays in the series, to allow “two actors in a a room, playing a scene” – per producer Aaron Harberts
     
  • Michael Burnham (Sonequa Martin-Green) will be primarily based out of the USS Discovery’s engineering section below decks, paired up with Tilly (Mary Wiseman) and Stamets (Anthony Rapp) for a key part of the storyline — a section of the ship that also features a mystery room and a strange “reaction cube,” both of which details about are being kept under wraps.
     
  • Lorca has a secure-access room referred to by producers as “Lorca’s menagerie,” without offering any more details on this tantalizing space aboard ship
     
  • A bottle of Chateau Picard wine has a spot in Captain Georgiou’s (Michelle Yeoh) Shenzhou ready room

In addition, several of the cast speak in yet another new interview video focusing on some of the more negative ‘anti-diversity’ feedback some people have expressed towards the show.

*   *   *

IGN also had an opportunity to visit the Discovery sets, and IGN’s Scott Collura sat down with producer Aaron Harberts to talk about the Klingon War, concerns with Star Trek: Enterprise-era canon, and faith in the Final Frontier.

On the burgeoning Klingon War that impacts the first season of the show, Harberts spoke about how the United Federation of Planets approaches such a conflict.

[The] question becomes… how do you end a war, how do you find peace, without crushing and annihilating your opponent? And to me, that’s the Star Trek way of doing a war story. It’s not the Federation annihilates the Klingons. It’s Starfleet and the Federation figure out a way to truly make peace.

Now we know that when TOS picks up, that peace doesn’t last. But we have to find peace in our time, in our slice of the Star Trek pie. That’s a really important thing to us, and we’re going to offer up a way that these two warring factions come to an understanding.

The USS Discovery takes flight. (CBS)

“Anyone remember when we used to be explorers?” This quote from Captain Picard in Star Trek: Insurrection seems to apply to the crew of the Discovery, revealed now to actually be a science vessel during times of peace:

These Starfleet officers who find themselves in war are very quick to remind the audience that they didn’t sign up to do that. That they are explorers first, that they are diplomats first… in fact, Discovery is a science vessel that has been conscripted for the war effort.

[Stamets’] methods and life’s work is now being converted to be used for the war effort, and that bothers him greatly.

Much ado has been made about the time period Discovery is placed in — a year after “The Cage,” and about a decade before Captain Kirk takes command of the USS Enterprise — and Harberts himself expressed a bit of frustration about how the tales told during the most recent Trek television series, Star Trek: Enterprise, impacts their storytelling abilities.

The only thing that’s felt limiting is the era and time that we are telling our story, because you’ve got ‘Enterprise’…

I find that ‘Enterprise actually’ has made things the most limiting, because of some of the retconning that they did in certain ways. And we consider Enterprise canon as well in certain ways, and just as valid, and we’re always trying to kind of make sure that that’s taken into consideration.

Jason Isaacs as Captain Gabriel Lorca. (CBS)

Finally, Harberts took on the “overblown” report that from last month that Discovery characters “can’t say ‘God'” — emphasizing that is strictly a character note for Gabriel Lorca (Isaacs), and not for the Trek universe as a whole.

You will come to understand why [Lorca] has faith — or doesn’t have faith — is of vital importance. We had no interest in killing God, you know, and by God I mean anyone’s God.

So the fact of the matter is I don’t think religion is going anywhere. Polls may say differently, but I think faith and hope and spirituality, whatever you may think that is, we’re carrying that into the future. We have to.

I think that the world is, and our Star Trek universe, is open to any and all belief systems.

I want to actually do some storylines about [faith]…. Let’s talk about what place it has in the future. Let’s talk about what it makes people do. Let’s talk about encountering new ones.

*   *   *

Harberts shows off costumes; Prosthetics supervisor James Mackinnon highlights detail on ‘Osnullus’ alien appliances. (CBS)

CNET has even more detail to share, especially about the technical aspects of the series’ sets and props — starting with a tidbit about a Klingon/Federation war status map that adorns Captain Lorca’s ready room wall:

Along the right wall of the ready room is a bank of flat-panel monitors… [with] a map of several planets with a red line dividing United Federation of Planets and Klingon Empire territories. Aaron Harberts, one of the showrunners of “Star Trek: Discovery”… says the line will change from episode to episode — a detail most viewers may not even catch.

 

And here’s some insight into the new capabilities about the Starfleet communicators, updated with video functionality:

The Discovery crew opted for a subtle update to the communicator using bits of gold and gray. They make it work by jamming Apple iPod Nanos inside of the flip-style communicators, says Sang Maier, who’s in charge of props for the show. He says the screen allows for the playback of images or video appropriate to any scene.

*   *   *

Sonequa Martin-Green as Michael Burham. (CBS)

Finally, Sonequa Martin-Green spoke with StarTrek.com about how her character, Michael Burnham, assimilated into Vulcan culture after being raised by Sarek and Amanda after her parents were killed during her youth.

The idea of how Vulcan I am versus how human I am is one facet we’re exploring. Because there is this dichotomy of Vulcan indoctrination versus human emotion and human DNA, versus Starfleet ideology. And so, it’s really about all of these things, all of these tenets of my being, and how they are relating to each other, and how they’re opposing each other, right?

So, I was born into a human family, and a human life, and then was sort of forced into Vulcan culture. So, there’s the acculturation that has happened, and there was certainly the assimilation that I fought to achieve. And then you have Starfleet. And so almost, I feel as if Starfleet has provided a bridge for me between my humanity and my Vulcan upbringing.

Young Michael Burnham is rescued by Sarek (James Frain). (CBS)

So, it’s interesting because it’s not the same journey as Spock. He, in his DNA, is Vulcan and human. But for me, it’s really about someone who attempted to become someone they were not born to be. Under tremendous pressure. Against insurmountable odds. (She’s) someone who’s succeeded in that to a point, and possibly to a fault.

So, there’s certainly that inner conflict, and a lot of the inner conflict has to do with that, because obviously there’s an identity crisis there, that, “Who am I? Who do I want to be? Who am I becoming, based on these decisions I’m making? Is it Vulcan logic, or is it human emotion that caused me to make that decision? I actually don’t know!”

Phew! That’s a lot of news for one Sunday evening – but keep checking back here at TrekCore for more Star Trek: Discovery updates as they arrive!

Sarek Offers Encouragement in New DISCOVERY Spot

Just because it’s Sunday, that doesn’t mean Star Trek: Discovery takes a day off! A brand-new promotional video arrived from CBS this morning, giving us some more new footage from the upcoming series – now just two weeks away!

While the majority of the promo is material we’ve seen in earlier videos, we do get three new shots:

The tiny Shenzhou stands along against a massive Klingon fleet. (CBS)
Captain Lorca (Jason Isaacs) on the Discovery bridge, hands raised. (CBS)
Sarek (James Frain) speaks words of wisdom to (presumably) Michael Burnham. (CBS)

You are gifted. You are brave. Find a way to help those who need you.

Sarek appears to be speaking to someone near his height – note the shoulder cropped in the lower corner of this shot – but his eyeline is looking downward. Perhaps this is a holographic recording of the Vulcan, and not a live-feed discussion?

And regarding Captain Lorca up there — who (or what?) has him at the defensive on his own bridge?

We’ll find out beginning September 24. In the meantime, have fun watching the Discovery cast try their best at Trek trivia:

https://www.instagram.com/p/BYyvHjmA86_/

Come back often for more Star Trek news here at TrekCore!

DISCOVERY Producers: Real-World Politics Influence Series

In a new interview with Entertainment Weekly, series producers Aaron Harberts and Gretchen Berg share a bit of insight on how today’s real-world, politically-charged environment has influenced the development of Star Trek: Discovery‘s story.

Harberts revealed that things started during the hotly-contested 2016 US presidential election:

The allegory is that we really started working on the show in earnest around the time the election was happening.

The Klingons are going to help us really look at certain sides of ourselves and our country. Isolationism is a big theme. Racial purity is a big theme. The Klingons are not the enemy, but they do have a different view on things.

It raises big questions: Should we let people in? Do we want to change? There’s also the question of just because you reach your hand out to someone, do they have to take it? Sometimes, they don’t want to take it.

It’s been interesting to see how the times have become more of a mirror than we even thought they were going to be.

Harberts’ comment on “racial purity” certainly seems to lend a bit of credence to our theory that the Enterprise-era Augment virus storyline may come into play during Discovery.

Captain Georgiou (Michelle Yeoh) beams over to a Klingon vessel, armed and ready.

He continued, speaking to how the Federation begins to act during this impending war with the Klingon Empire – hinting that the UFP may not play so nice during this crisis, which parallels some current international incidents that may be slowly building to a head.

The thing about the war is it takes Starfleet and the Federation and forces them to examine their ideas and ethical rules of conflict and conduct.

It provides a backdrop to how we want to be as a society and that analysis and self-reflection is new for Trek. They’ve done it in certain episodes in the past, but this is a true journey for the institution in itself.

North Korea is in our thoughts as we finish the [season].

What began as a commentary on our own divided nation — in terms of Trump supporters and non-Trump supporters — has blown out to North Korea and how we’re right on the brink.

[The U.S. is] actually right at the place where Starfleet finds itself in episode one and we couldn’t have anticipated that happening. But how do you end conflict when both sides have such strong opinions?

The USS Shenzhou takes a hit from a Klingon vessel.

Despite the doom-and-gloom of what Harberts indicates about the state of the Federation during this critical point in time, his co-showrunner Gretchen Berg sheds some sunshine on the situation:

In times of stress and conflict it can bring out the best of us and the worst of us, but ultimately brings out the best in our Starfleet officers.

We’ll see how this present-day situation manifests itself when Star Trek: Discovery arrives on September 24.

Up Close and Personal with STAR TREK: TOS Geeki Tikis

First announced early this spring, novelty product design company Beeline Creative has finally released their first wave of Star Trek: The Original Series “Geeki Tikis,” a set of sculpted drinkware themed like six classic Trek characters.

Spock, Kirk, and McCoy tikis
Mugato, Klingon, and Gorn tikis

These first Star Trek tikis featuring Kirk, Spock and McCoy, along with famed alien enemies – the Gorn, the Mugato, and of course, a member of the Klingon Empire.

Each tiki measures about 7.5″ tall, with the Gorn and Mugatu designs each about 3/4″ taller than the rest of the set to account for those aliens’ additional height.

Spock’s tiki flashes the classic Vulcan salute.

While each tiki is painted a colorful hue on the exterior, the interior of each mug are painted either a jet black or bright yellow for contrast.

Our favorite TOS tiki has to be the McCoy design, which somehow truly captures the irascibility of DeForest Kelley’s character!

These tall tiki mugs do not have handles, but each features a detailed 360 sculpt which surrounds the entire exterior. Here’s a look at each of the six designs from all angles!

Captain Kirk
Klingon
Doctor McCoy
The Mugato
Mister Spock
The Gorn

Beeline Creative has already announced a second wave of TOS “Geeki Tikis” are on the way – likely to feature some more of the Enterprise crew – along with a Star Trek: The Next Generation set sometime in the future.

These Star Trek: The Original Series tikis are ThinkGeek.com exclusives, and can be ordered from their store.

Come back often to TrekCore for more Star Trek product hands-on overviews!

Michael Burnham and Captain Georgiou Wander the Desert in New STAR TREK: DISCOVERY Clip

Star Trek: Discovery actress Sonequa Martin-Green continues her media tour this week with an appearance on today’s CBS This Morning, where she debuted another short new clip featuring her character Michael Burnham alongside Captain Georgiou (Michelle Yeoh), walking through the desert of an alien world.

This desert sequence, filmed in Jordan, is one we’ve seen now in bits and pieces going back to the first Discovery teaser trailer released in May 2017, though now here featuring more extended dialogue and a look at the arriving USS Shenzhou descending from the clouds above.

Here’s the full interview with Martin-Green, which also features a few additional shots from Burnham’s spacewalk away from the Shenzhou.

This is the second episodic clip to be revealed, following last night’s space sequence from The Late Show with Stephen Colbert.

Keep watch for more Star Trek: Discovery news here at TrekCore!

REVIEW: Deep Space Nine – “Enigma Tales”

Elim Garak has ascended to Castellan of the Cardassian Union…but despite his soaring popularity, the imminent publication of a report exposing his people’s war crimes during the occupation on Bajor looks likely to set the military against him.

Into this tense situation come Dr. Katherine Pulaski—visiting Cardassia Prime to accept an award on behalf of the team that solved the Andorian genetic crisis—and Dr. Peter Alden, formerly of Starfleet Intelligence.

The two soon find themselves at odds with Garak and embroiled in the politics of the prestigious University of the Union, where a new head is about to be appointed.

Among the front-runners is one of Cardassia’s most respected public figures: Professor Natima Lang. But the discovery of a hidden archive from the last years before the Dominion War could destroy Lang’s reputation.

As Pulaski and Alden become drawn into a deadly game to exonerate Lang, their confrontation escalates with Castellan Garak—a conflicted leader treading a fine line between the bright hopes for Cardassia’s future and the dark secrets still buried in its past…

Una McCormack’s exploration of Cardassian culture and the character of Garak continues in her latest novel, Enigma Tales, a rich character drama set on Cardassia Prime seven years after the events of Star Trek: Nemesis, and eleven years following the destruction of large portions of Cardassia Prime by Jem’Hadar troops at the end of the Dominion War.

The novel continues themes and story elements established in McCormack’s previous novels, and follows up on the aftermath of David Mack’s Section 31: Control, which had a significant impact on the character of Julian Bashir.

Since the events of McCormack’s previous novel, A Crimson Shadow, Garak has been elevated to the leader of the Cardassian Union, serving in the role of Castellan of a Cardassia that has risen from the ashes of the Dominion War and continues to come to terms with its dark past and create a brighter future.

Garak, who has been a central figure in Cardassia’s reconstruction following the Dominion War, may no longer be a simple tailor in this novel, but he still has the same electrifying mix of characteristics that made him such a compelling character in Star Trek: Deep Space Nine. He is at once charming, secretive, sly, loquacious, and sometimes dangerous.

As a former spy with a dark past trying to make amends and build a better civilization, Garak is the perfect metaphor for the Cardassia that McCormack has built.

There are a number of key relationships furthered by Enigma Tales, most importantly the relationship between Garak and Julian Bashir. Following the events of Section 31: Control, Bashir has been left in a catatonic state under the care of Garak on Cardassia Prime.

During the course of the novel, Garak is fiercely protective of Bashir, and each chapter is preceded by a series of unsent letters, written by Garak to Bashir, describing the tour of the planet Garak would take Bashir on if he were healthy. One could almost characterize them as love letters, and McCormack leaves the reader to decide the nature of Garak’s feelings for Bashir.

That seems appropriate, given Andrew Robinson, the actor who played Garak and wrote Garak’s backstory in the seminal work of Star Trek fiction, A Stitch in Time, has always said he intended the character’s sexuality to be ambiguous. Garak’s relationship with Bashir is paralleled by his friendship with Dr. Kelas Pamark, a recurring character in Garak stories who was first mentioned in the DS9 episode, The Die is Cast.

The role of the novel’s foil, agitator, and outside commentator, falls to Dr. Katherine Pulaski, who McCormack featured in her most recent Star Trek: Deep Space Nine novel, The Missing. Dr. Pulaski, the irascible, cantankerous physician whose character never quite gelled with the crew of the Enterprise-D, arrives on Cardassia Prime to receive a medal for her role in assisting Dr. Bashir in solving the Andorian fertility crisis.

She quickly butts heads with Garak, however, and becomes wrapped up in a possible conspiracy surrounding the treatment of Cardassian children with Bajoran parents during the Occupation. McCormack capably captures the Pulaski character that we saw on TNG, but she works so much better in these kinds of situations than she did trading barbs with Captain Picard.

One of the best parts of McCormack’s exploration of Cardassia, for which Enigma Tales is no exception, is the expansion upon Cardassian life and culture that we were never afforded in DS9. Alien races in Star Trek can unfortunately tend towards being depicted as a mono-culture, particularly when we only see predominantly one type of person from that race.

The Klingons have certainly suffered from this in recent years, as we saw more and more warriors and fewer and fewer Klingons in other capacities. In DS9 we saw Cardassians as mostly soldiers and spies, and so our knowledge of Cardassian culture was largely colored by that exposure. Enigma Tales features very little of the Cardassian military, and instead exposes us to more of its politics and culture through civilians, most notably the academics of the University of the Union.

This includes Dr. Natima Lang, a prominent dissident who first appeared in the DS9 episode Rules of Acquisition, and who will have an important role to play in Cardassia’s political future by the end of the book.

The Cardassia that McCormack creates is one that is both alien, and yet frighteningly familiar. Of all the races in Star Trek, the Cardassians always seemed most like 20th century humans, encapsulating many of the dark aspects of human history during the 20th (and arguably the 21st) century.

And yet, the fact that the Cardassians mostly closely reflect the darkest aspects of human nature makes Enigma Tales a novel that fits extremely well within the Star Trek ethos, as here is a race of people who have seen dark times, but are working together successfully to create a better future. Those ideas are explored in one of the book’s central storylines, in which a newly democratized Cardassia considers whether to prosecute war crimes committed by Cardassian soldiers against the Bajoran people during the Occupation.

“I’ll tell you something, Julian, this is an amazing planet. Don’t tell your friend the Castellan that, mind you-we haven’t exactly taken to each other very well. But I think he’s a crook, and he thinks I’m a pest. Which is fair enough. I am a pest. Still, he’s sharp as a laser, isn’t he?

I wonder what he’ll do next. He can’t stay Castellan forever.” – Dr. Katherine Pulaski

Enigma Tales is at once a rich character drama featuring one of Star Trek’s best characters and most interesting races, but it is also an optimistic vision for how people can work together to create something good and worthwhile. I’m excited to see where the evolution of the Cardassians and Castellan Garak’s journey to redemption takes us next.

If you liked Enigma Tales, you should check out:

  • A Stitch in Time, by Andrew J. Robinson – Learn about Garak’s backstory and immediate activities in the days following the Dominion War
     
  • The Never-Ending Sacrifice, by Una McCormack – Follow the political turmoil on Cardassia, from the invasion of the Klingons, the Dominion War, and its aftermath through the eyes of Rugal Pa’Dar, the Cardassian orphan on Bajor first seen in the DS9 episode “Cardassians.”
     
  • A Crimson Shadow, by Una McCormack – Part of The Fall miniseries, this novel shows Garak’s rise to leader of the Cardassian Union, how it relates to the assassination of the president of the Federation, and features Captain Picard and the crew of the Enterprise-E.
     
  • The Missing, by Una McCormack – A standalone DS9 novel that introduces the Athene Donald and follows Dr. Pulaski and Dr. Alden as they work with DS9 to solve a humanitarian crisis.
     
  • Section 31: Control, by David Mack – The riveting and challenging conclusion to David Mack’s Section 31 and Julian Bashir arc; learn how Bashir ended up on Cardassia Prime in the care of Garak.

Michael Burnham Faces Off with the Klingon Torchbearer in New STAR TREK: DISCOVERY Episode Clip

Star Trek: Discovery lead Sonequa Martin-Green made an appearance on The Late Show with Stephen Colbert Wednesday, and along with being interviewed on the program, she also helped debut the first standalone episode clip from Discovery‘s first season.

The clip is included in the below Twitter video, released by The Late Show on Wednesday evening:

In this brief clip, we see the first encounter between Michael Burnham, clad in her Starfleet thruster suit, and the Klingon Torchbearer warrior, armed with bat’leth and ready to fight.

Scanning – from Burnham’s point of view.
The Torchbearer arrives.
Burnham and the Torchbearer face off.
The Klingon crest is found in the Starfleet database.
Burnham introduces herself.
Also familiar is the Klingon bat’leth, identified by Burnham’s suit.

Just as she introduces herself to the warrior – after her spacesuit has scanned and identified the adversary as a Klingon (complete with handy visual indicators on the heads-up display in her helmet – the Torchbearer strikes out with his bat’leth to attack the officer.

Martin-Green didn’t spill any new plot or story secrets during her Late Show appearance, but she did reveal that when the Discovery cast traveled to Jordan to film scenes on the desert planet, the prince of Jordan visited the set.