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Comedian Tig Notaro Joins DISCOVERY in Guest Role

Some more casting news for Discovery Season 2 has been revealed today, following in announcement Monday of Anson Mount’s recruitment as Captain Christopher Pike of the USS Enterprise.

Noted comedian Tig Notaro has signed up for Starfleet in a guest-starring role next season, according to Deadline Hollywood, as Chief Engineer Denise Reno of the USS Hiawatha — though past that, no additional information on her role is yet available.

Notaro has led both a number of stand-up comedy specials, and was most recently seen in the Amazon series One Mississippi which ended its run earlier this year.

Meanwhile, Discovery actors Anthony Rapp, Mary Wiseman, and Emily Coutts are gearing up for the launch of Season 2 filming, as Rapp tweeted this morning:

Keep checking back to TrekCore for more on Notaro’s role, and all other Star Trek: Discovery news as it breaks!

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


STAR TREK: DISCOVERY Nominated for Peabody Award

The prestigious Peabody Award nominees for 2018 were announced today, and for the first time since 1988, Star Trek has captured the attention of the organizing committee thanks to the first season of Star Trek: Discovery.

Nominated along side critical and viewer programs like Better Call SaulOne Day at a Time, Halt and Catch Fire, and The Handmaid’s TaleStar Trek: Discovery is the first Trek production to be recognized by the Peabody board since the first season of Star Trek: The Next Generation, where “The Big Goodbye” won one of that year’s coveted spots in the “Peabody 30,” the nickname for the winning group of nominees.

“The Big Goodbye” took home a Peabody Award in 1988.

As the Peabody site describes them, these awards honor “the most powerful, enlightening and invigorating stories in television, radio and digital media… Honorees must be unanimously chosen by the Peabody Board of Jurors, a diverse assembly of industry professionals, media scholars, critics and journalists who each bring a unique perspective of what constitutes a story that matters.”

The full list of entertainment nominees for 2018 include:

· “Alias Grace” A Halfire Entertainment Production in association with CBC for Netflix (Netflix)

· “American Vandal” CBS Television Studios for Netflix (Netflix)

· “Bala Loca” Chilevision-Turner, Chilean National Television Council, Filmo Estudios (Chilevision-Turner/Netflix)

· “Better Call Saul” Sony Pictures Television, Gran Via Productions (AMC)

· “Halt and Catch Fire” AMC Studios/Gran Via Productions (AMC)

· “Hasan Minhaj: Homecoming King” Netflix, Art & Industry (Netflix)

· “Insecure” HBO Entertainment in association with Issa Rae Productions (HBO)

· “Jazz Night in America” NPR, WBGO, Jazz at Lincoln Center (NPR)

· “Last Week Tonight with John Oliver” HBO Entertainment (HBO)

· “Legion” FX Productions, Marvel Television (FX Networks)

· “One Day at a Time” Sony Pictures Television for Netflix (Netflix)

· “Saturday Night Live: Political Satire 2017” SNL Studios in association with Universal Television and Broadway Video (NBC)

· “Star Trek: Discovery” CBS Television Studios (CBS All Access)

· “The Good Place” Universal Television, Fremulon, 3 Arts Entertainment (NBC)

· “The Handmaid’s Tale” Hulu, MGM, White Oak Pictures, The Littlefield Company, Daniel Wilson Productions (Hulu)

· “The Marvelous Mrs. Maisel” Amazon Studios (Amazon)

The final 2018 Peabody Award winners for the Entertainment category will be announced on April 19.

Trek Comics — STAR TREK: DISCOVERY ANNUAL 2018

I think mushrooms are inherently funny.

Think about it: their contribution to the ecological community is that they break down waste, grow and take up space. So, when the notion of fungus as the source of propulsion for Trek’s newest starship was revealed, I had my arsenal of protist jokes for at least a season’s worth of fungal humour.

I think a lot of Star Trek fans were of the same mind. ‘Astromycology’ is a strange and surprising scientific mixture to work into a new iteration of Trek that was pretty much dumped on the viewer without a lot of explanation in the show, unlike a lot of Trek science.

But then there’s Star Trek: Discovery Annual 2018, written by Kristen Beyer and Mike Johnson, that actually alleviates this oversight with a confident, explorative examination and explanation of the science behind the fungal reasoning for Discovery’s black alerts. I can honestly say that this book puts me in my place and after being exposed to a heightened amount of detailed revelation that explains and eliminates a lot of assumptions I thought I was just supposed to accept, I’m satisfied.

Star Trek: Discovery Annual 2018 looks at the origins of the research — and the researchers — who discovered the unique fungus that is behind the spore drive. There are also a lot of notions about Lieutenant Paul Stamets that were introduced in this comic that I had not considered. For example, he isn’t a career Starfleet officer; that was the first assumption I thought I should just go along with in the show.

If it was mentioned, I missed it. According to Star Trek: Discovery writer and veteran Star Trek comic writer, Mike Johnson, he was about as pure a research scientist as one could expect and his indoctrination into Starfleet was about as welcome as putting on a scratchy uniform. But that’s the advantage of having a writer with ties to the show, which begs the question, as Kristen Beyer is one of the Disco writers; should we consider this canon?

(This is the type of question that keeps me up. Well, that and I’m trying to figure out exactly what the division of writing is between Beyer and Johnson.)

Fifty pages plus, filled with revealing background of characters we already know like Stamets, Cadet Sylvia Tilly, and Dr. Hugh Culber, but then there are the characters we don’t know. Stamets’ research partner, Justin Straal, who we briefly saw in “Context is for Kings” before his untimely demise, was the other research half responsible for the spore drive.

This book gives more of a voice to that character (played in the episode by by Saad Siddiqui) and allows us to learn more about the human side of the spore drive’s development and the sacrifice behind it.

We also learn more about Stamets’ personality and the beginnings of his relationship with Culber. First of all, Stamets is not just an unlikeable person… he is a thoroughly unlikeable individual whose harsh and unwelcoming exterior actually masks a frightened and insecure personality.

As the research into the particular fungus responsible for the spore drive, stellaviatori, develops throughout the story, not only do we learn more about Stamets the character, but also about the quantum theory about the fungi, and the moment of inspiration that allowed Stamets and Straal to experiment with its propulsive applications.

Sylvia Tilly, one of my least favourite characters from Discovery’s first season, also gets some minor attention in this issue. Background work, to be sure, but while this fawning, socially awkward, second-rate, Starfleet wannabe adds little value to the crew (in my opinion), at least we now understand why she is on board one of Starfleet’s most advanced vessel. Her devotion to Stamets’ research makes her an excellent assistant and the justification for her presence on the show is also explored and identified in this comic.

Dr. Culber gets more face time as well. Though, his only story value is to provide a comforting relationship to Stamets. It’s clear that Stamets is a complicated character whose need for a nurturing partner can be concentrated in just one person. He describes Culber as “perfect” in this book, and that insight lends more validity to the relationship we see on the show.

The covers are limited for this book, only two designs, but quality rules over quantity here.

  • Angel Hernandez provides the ‘A’ Cover, as well as the interior art, and it’s definitely representative of high-quality work. Well-defined and enjoyable, it’s art that captures the emotional resonance of the characters. Anthony Rapp’s facial expressions and haughty attitude are well-captured, adding to the pleasure of reading this book.
     
  • Cover ‘B’ is by George Caltsoudas, another of IDW’s staple cover artists. Caltsoudas has a more figurative style and usually goes for more stylistic works, but this issue is very much in the same portrayal format as Hernandez’s cover. He matches Hernandez’s likeness standard and also presents a very enjoyable cover.
     
  • The final cover is a blank ‘convention’ cover, which will allow comic readers to obtain their own sketches by artists of their own choice at various conventions.

In the end, this is a thoroughly entertaining and informative read that reinforces the notion that the spore drive and Stamets are inseparable. Their connection becomes that much more physical as we see in the development of the television show, but this comic explores the background of its creation and reinforces to us exactly how indispensable the character is to the latest incarnation of Star Trek.

Beyer and Johnson have given us a detailed look at the scientific rationale behind the spore drive, greater insight into the characters responsible for its operation and maintenance and now I need to know if Star Trek: Discovery Annual 2018 will be regarded as canon?

Hmm… all of a sudden, mushrooms just became a lot less funny.

Anson Mount is STAR TREK: DISCOVERY’s Captain Pike

After two months of speculation, the news is in today that actor Anson Mount has been cast as the USS Enterprise‘s captain Christopher Pike ahead of Star Trek: Discovery Season 2.

Revealed by CBS today, the actor becomes the forth to portray Captain Kirk’s predecessor, following Jeffrey Hunter in “The Cage,” Sean Kenney in “The Menagerie,” and most recently, Bruce Greenwood in two of the Kelvin Timeline features.

Three prior Pikes: Hunter, Kenney, and Greenwood.

Mount has been most recently seen as the silent Inhuman king Black Bolt on ABC’s critically-panned Inhumans miniseries, and was the lead on AMC’s Hell on Wheels, where he co-starred with Deep Space Nine alum Colm Meaney.

We don’t yet know the extend of Captain Pike’s role in Discovery Season 2, but we’ll bring you all the latest on Mount’s participation as we learn more about next year’s storyline.

Keep checking back to TrekCore for all the latest in Star Trek: Discovery news!

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


 

DISCOVERY Enterprise Design in 2019 STAR TREK Calendar

We first brought you a preview of 2019’s Star Trek calendar offerings back in January, but now all the early listings for next year’s options include newly-updated preview artwork, photography, and digital renderings as we get nearer to Universe Publishing’s releases.

First up is an update to Juan Ortiz’s Original Series poster calendar, with his now-familiar TOS episodic designs spanning the year. Each poster page has perforated top and bottom edges for removal and display, and now we can see all the images that make up the 2019 design – including “Spock’s Brain,” “The City on the Edge of Forever,” “Arena,” and more.

This hanging calendar will be available August 7 and can be preordered at Amazon.

Next up is a nice refresh of the Star Trek: Discovery calendar, featuring publicity photos from throughout the first season, along with an artists’ rendering of the USS Discovery flying through some sort of vortex.

The cover artwork comes from artist Paul Shipper; this wall calendar will be available August 7 and can be preordered at Amazon.

2018’s weekly calendar focused on the Kelvin Timeline films, but the 2019 edition Star Trek 16-Month Weekly Calendar will return to a wider range of Trek television imagery, as it will include 40+ images from the six live-action series, including Discovery.

This desktop calendar will be available August 7 and can be preordered at Amazon.

Keeping with the recent franchise focus on the Mirror Universe, 2019’s classic Trek calendar gets a new cover photo, showcasing Captain Kirk’s encounter with Mirror Spock from “Mirror, Mirror.”

The rest of the 12-month calendar appears to be the same as the first preview images; it will be available August 7 and can be preordered at Amazon.

Finally, the biggest reveal comes as an updated look at the 2019 Ships of the Line calendar, which is the first to feature Star Trek: Discovery‘s redesigned Constitution-class USS Enterprise as it’s July centerpiece.

The Discovery and the Enterprise, by Scott Schneider and John Eaves

The fan-favorite wall calendar returns for its 19th year with a great series of poster images from around the Trek universe, including the USS Voyager docked at Deep Space 9 ahead of its fateful trip to the Badlands, what appears to be the destruction of a Constellation-class starship, a rendezvous between the Enterprise NX-01 and a Vulcan cruiser, and more.

Voyager at Deep Space 9, by Alain Rivard

This wall calendar will be available August 7 and can be preordered at Amazon.

Keep coming back to TrekCore for the latest in Star Trek product news!

DISCOVERY CG Artists Showcase Starship Renderings

Now that the first season of Star Trek: Discovery has concluded, some of the digital artists who worked to create the starships of the series have posted some of their work for all to see.

First up is longtime Trek artist Pierre Drolet, who worked as Lead 3D Artist Modeler for Discovery; Drolet featured highly-detailed renders of the Walker-class USS Shenzhou, as well as a few Klingon vessels – including the ‘cleave ship’ seen in “Battle at the Binary Stars.”

You can see larger versions of these images, and more views of Drolet’s work at his portfolio site.

*   *   *

Also showing off their work is Spain-based 3D CG artist Victoria Passariello, who helped to render the many Klingon and Federation starships seen fighting the “Battle at the Binary Stars” via Pixomondo Studio.

Included in her designs are the Shepard-class USS Kerala, as well as the Veqlargh-class and Bstlh-class Klingon vessels seen in the series’ opening episodes — and thanks to the upcoming Eaglemoss Discovery model series, we can connect ship designs to their names.

You can see more views of each of these ships, as well as alternate render designs of these and additional vessels at her portfolio site.

Keep coming back to TrekCore for the latest Star Trek: Discovery coverage!

S1 Soundtrack: Chapter 1

S1 Soundtrack: Chapter 2

S2 Soundtrack

 

G Creative Showcases STAR TREK BEYOND Graphic Designs

Design company G Creative, which develops advanced graphic work for feature film and commercial productions, managed the creation of the vast majority of the Starfleet display graphic for the Enterprise, the Franklin, and Starbase Yorktown for Star Trek Beyond.

Now, their professional portfolio of Star Trek Beyond design work is online for all to perused, filled with detail never seen so closely in the film. Here are a few selections from their creations:

You may note some inconsistencies with the final film; in these graphics the starbase is still called ‘Yosemite,’ and the old Starfleet ship from Altamid is still labelled the ‘USS Frontier,’ both early names for each from drafts of the Star Trek Beyond script.

Also of note is this shot featuring Captain Edison’s Starfleet service record, noting the registry number of the USS Franklin as NCC-7317. This version of the graphic actually made it into the theatrical run of Beyondwe noted it on Twitter back in 2016 — but it was corrected to NX-326, matching the correct number, for the home media release.

You can check out all of G Creative’s Star Trek Beyond designs at their site.

Order
Star Trek Beyond
on Blu-ray!

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Star Trek Beyond
on 3D Blu-ray!

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Star Trek Beyond
on 4K Blu-ray!

DISCOVERY Roundup: Doug Jones on Saru’s Captaincy Hopes, Convention News, and New Merch Revealed

We’re just a few weeks away from the launch of Season 2 production, and today we’ve got a collection of Star Trek: Discovery news tidbits that have arrived over the past few days – including some new convention appearance plans and merchandise reveals!

First up comes comments from Saru actor Doug Jones, who tells ScreenRant.com that he while the Kelpien definitely wants to take on the center seat, Jones prefers Saru away from the captaincy at the moment.

[Saru] very much wants to be captain. He’s been on that deck for so long in the command track and as the first of his species to have gone through Starfleet Academy and have come out as a high ranking officer on a starship, he’s the first of his kind to ever even come close to this, so he’s got a lot to prove and he’s got a lot to say.

But, me personally, as Doug Jones the fan of ‘Star Trek,’ I think the dynamic of that character works very well as a first officer; as second fiddle to a captain.

I think [Saru will have] the captain’s chair one day. Early on, we’re only about to start filming season 2, there’s still a lot of room ahead of us. So I think for now, he still has more to learn in the leadership department and the courage department under a captain who’s been there and done that a lot, a seasoned captain.

After seeing his aptitude for the role, some fans were disappointed that Saru wasn’t tapped to lead the USS Discovery after Gabriel Lorca perished in the Mirror Universe last season, ending the year with the starship headed to Vulcan to pick up the crew’s new captain — but Saru is still relatively new to the first officer position, having only been promoted after the Battle of the Binary Stars.

Speaking of Saru, yesterday StarTrek.com revealed the newly-revised, final cover artwork for the third Discovery novel, the Saru-centric Fear Itself from author James Swallow, set to arrive from Simon & Schuster this June.

Lieutenant Saru is a Kelpien, a member of a prey species born on a world overrun by monstrous predators…and a being who very intimately understands the nature of fear.

Challenged on all sides, he is determined to surpass his origins and succeed as a Starfleet officer aboard the U.S.S. Shenzhou. But when Saru breaks protocol in order to prove himself to his crewmates, what begins as a vital rescue mission to save a vessel in distress soon escalates out of control.

Forced into a command role he may not be ready for, Saru is caught between his duty and the conflicting agendas of two antagonistic alien races.

To survive, he will need to seek a path of peace against all odds, and risk compromising the very ideals he has sworn to uphold….

This purple-hued artwork replaces the previously leaked cover design which briefly held a place on Amazon’s product page for Fear Itself last month.

In other Discovery merchandise news, FanSets has revealed their new Admiral Katrina Cornwell ‘MicroCrew’ character pin, styled after Jayne Brook’s breakout character.

The metal pin is available for purchase now at FanSets’ site for $5.95. The company has also revealed that another Discovery character pin, based upon the augmented human Airiam, will be coming in June.

In convention news, several of the Discovery cast have been added to the guest lists for both the upcoming Destination Star Trek convention in Dortmund, Germany and at Star Trek Las Vegas later this year.

Jason Isaacs (Lorca) had to cancel his appearance at the Dortmund convention, scheduled for April 27-29 in Germany, but he’ll be replaced by both Shazad Latif (Tyler) and Mary Wiseman (Tilly), both making their first Trek convention appearances. Previously-announced Discovery guests include Ken Mitchel (Kol) and Mary Chieffo (L’Rell).

At August’s Las Vegas conventionDiscovery bridge officers Emily Coutts (Detmer) and Olin Oladejo (Owosekun) will be joining already-announced Wilson Cruz (Culber), James Frain (Sarek), Ken Mitchell (Kol), Mary Chieffo (L’Rell), Rainn Wilson (Mudd), and Jason Isaacs (Lorca).

Keep checking back for the latest in Discovery news here at TrekCore!

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


REVIEW: Eaglemoss STAR TREK Shuttlecraft Set #3

Eaglemoss’ latest Star Trek shuttlecraft model collection debuted in late October, bringing four more of the franchise’s smallest space vessels to collectors — this time, all from the world of Trek feature films! We took a look at their first shuttle set last year, and their second collection in January, and today we dig into the next four-ship series, featuring on craft from Star Trek: The Motion PictureStar Trek: Insurrection, and the often-ignored Star Trek: Nemesis.

Like previous shuttle collections, this set includes four Starfleet auxiliary craft, measuring between about 1″ and 3″ in length, and each small model also includes a translucent plastic Okudagram detailing a technical cross-section of each ship, rendered in each shuttle’s era-specific design.

First up is a ship that also first appeared in The Motion Picture, Starfleet’s travel pod, which first brought Admiral Kirk over to the refit USS Enterprise at the beginning of that film. (It also appeared in recycled footage during Star Trek II, and served to bring Kirk’s crew up to the newly-christened Enterprise-A during the final moments of Star Trek IV.

This is one of the more unique shuttle designs in the Trek franchise, serving only as a courier between existing structures and ships in Federation space, and not intended for flight outside of a controlled area — since the entire rear section is a door meant to fit into an airlock!

Star Trek: Enterprise created their own predecessor ship to this pod, that series’ inspection pod, seen most notably in “Broken Bow.”

Next up is the tiny Starfleet work bee, the diminutive support craft which is often found operating around Starbases and other orbital stations. This ship made its first appearance in Star Trek: The Motion Picture, and was later seen in Star Trek II, Generations, hard at work around Deep Space 9, and a silver version later appeared in Star Trek: Nemesis during the Enterprise-E‘s final moments on screen.

This is an interesting little model, with – despite its measurements – large transparent windows that reveal an operator’s seat inside. Most of Eaglemoss’ other shuttle models have windows simply painted an opaque black, so it’s nice to see some additional detailing for a model of this size.

The bright goldenrod paint job really makes the work bee pop when it’s on display, a nice dash of color for a line of shuttles that usually are a somewhat-bland Starfleet beige.

 

The third member of this set is the Starfleet Type 11 shuttlecraft, which to date has only appeared once, in 1998’s Star Trek: Insurrection. Stationed aboard the Enterprise-E, the unnamed Type 11 shuttle was piloted by Captain Picard and Lt. Commander Worf to capture a malfunctioning Data aboard the Ba’ku homeworld.

I have to admit this model is really quite sleek, and well-represents the first shuttle of the Sovereign-class era. Since it debuted as a completely-digital model in the third Next Generation film, designer John Eaves was no longer bound by what could be built in the Star Trek model shop; the long, streamlined lines of the Enterprise-E certainly carry over to this ship.

The only really unusual part of this model are the warp nacelles, which for some reason were produced for this collection with a dark grey hull coloring rather than the standard white-beige that makes up the rest of the ship. While the sculpting and translucent red and blue plastic components look quite nice, the dark nacelle coloring kind of throws off the entire look of the ship.

It’s an odd choice on an otherwise faultless release.

The final ship that rounds out this set is the copper-toned Argo cargo shuttle which debuted in the final Next Generation movie, Star Trek: Nemesis. Mostly remembered for the ‘dune buggy’ vehicle it carries within, used for the less-than-successful ground chase sequence on Kolarus III, the Argo is the final shuttlecraft introduced (chronologically speaking, that is) in the prime Star Trek timeline in 2379.

The ship as seen in Nemesis featured movable wings for transitioning between spaceflight and atmospheric navigation, but like all of Eaglemoss’ ship models, this is a fixed-wing production that can’t be adjusted — which is something that I don’t mind, as when the wings are closed the Argo resembles the NX-01-era shuttlepod design stretched out for use in the 24th Century. The wings-down configuration presented here gives the ship a more unique profile among the 12 shuttles released so far.

The outer hull features a metallic copper-grey paint job which definitely adds to the singular look of this shuttle; with the majority of the Argo‘s screen time in Nemesis relegated to the harsh, overexposed scenes on Kolarus III, we never really got a good look at the shuttle’s coloring in the movie aside from its brief launch from the Enterprise-E.

The Argo also has some interesting color points around the front and rear of the integrated warp nacelles; there’s just a hint of red near the front of each side of the ship, but the rear features two bright blue drive assemblies that emulate the look of the ship from Nemesis fairly appropriately.

Aside from the nacelle coloring on the Type 11 shuttle, this set of ships is pretty much without any glaring issue or anything that is worth complaining about from a production standpoint.

The size of the work bee and travel pod, however, do deserve a bit of additional discussion. These both are really small models, barely 1.5″ in length — and while each are nicely detailed, the tiny sizes of each really seem like they should be paired together as a single release.

Just due to their small size, these two certainly don’t seem like they should be taking up half of the $99 price tag on this model collection. Maybe if the work bee had a cargo train behind it (as illustrated in the screencaps from the above gallery) it would feel more like a model worth the cost, since it would have a bit more heft to it. As it stands, this set does feel somewhat undeserved for the price point.

That being said, if you want to add this set to your personal collection, you can order it over at Eaglemoss’ site now (for $99 in the US, or for £75.00 in the UK). This isn’t the final shuttlecraft set that the company will be producing, but their all-Kelvin Timeline shuttle set, announced as the next release in the series, doesn’t have any scheduled date for release as of this writing.

Keep coming back to TrekCore for our coverage of the Official Starships Collection model series, as we next check out the unique concept model for the Star Trek: Phase II refit USS Enterprise!

In Eaglemoss’ US store, TrekCore readers can use promo code TREKCORE at checkout for 10% off any ‘Star Trek’ collectible purchase $60 or greater (some exclusions apply).

DISCOVERY Season 1 Vinyl Soundtrack Release Revealed

For those vinyl soundtrack collectors out there, Jeff Russo’s Star Trek: Discovery soundtrack has now been revealed by Lakeshore Records, coming this summer!

Featuring 28 tracks from the first season of Discovery — selected from the “Chapter 1” and “Chapter 2” separate albumbs — the two-record special edition arrives in a limited-release format, in 140-gram vinyl pressed in wild ‘intergalactic starburst’ coloring, and includes printed inner sleeves.

Here’s the full track listing that will be included in this vinyl edition:

SIDE A
Main Title (Aired Version) (1:34)
We Come In Peace (1:22)
I’ll Go (8:00)
The Day Is Saved (3:11)
Torchbearer (1:57)
Stranded (4:12)

SIDE B
I Can’t Dance (1:53)
Captain Mudd (2:47)
Stella (2:06)
Watch The Stars Fall (2:00)
Weakened Shields (4:21)
What’s Happening? (1:00)
The Charge of Mutiny (2:09)
Main Title (Extended) (2:11)

SIDE C
Burnham Take Over (1:31)
I Can’t Rest Here (1:23)
Tell Me The Truth (6:30)
The Rebels Haven’t Completed Their Evacuation (1:50)
Kasseelian Opera (2:31)
The Lorca I Knew (2:38)
212 Days Of Torture (1:27)

SIDE D
Safe To Drop Out Of Warp (4:27)
Lorca Is Finished (2:26)
I’m No Good (2:36)
War Is Over (4:48)
I’ve Never Been To Vulcan (0:56)
Incoming Transmission (1:12)
Theme From Star Trek (Episode 115 End Credits Version) 1:03)

The special release is available now for preorder over at Lakeshore Records’ webstore for $34.98, and is limited to two purchases per customer. (They also note that the vinyl coloring seen here is subject to change.)

We don’t have an official release date for this vinyl set yet, but once Lakeshore can be more specific than “Summer 2018,” we’ll be sure to update you here.

S1 Soundtrack: Chapter 1

S1 Soundtrack: Chapter 2

S2 Soundtrack