Home Blog Page 183

Trek Comics Review: “TNG — Through the Mirror” #1

Star Trek: The Next Generation returns to the Mirror Universe in Through the Mirror #1, a follow-up to last year’s Mirror Broken saga — and it’s the Star Trek comic we all want.

In as much as fans are wont to proclaim the Utopian vision of Star Trek as one of its major virtues, we are still drawn to the dark underbelly of the Mirror Universe in a perverse desire to see how our heroes are warped into villains.

The story by Scott and David Tipton is divided into a pair of parallel tales, first focused on Lieutenant Commander Worf (and a pair of security officers) who have beamed down to the mining facility on planet Naia VII for a routine follow-up check.

IDW Star Trek readers may remember the facility from the 2012 Star Trek / Doctor Who crossover Assimilation². The facility is a critical one, that supplies resources and manufacturing for the decimated fleet after the battle at Wolf 359. However, the base’s commanding officer reports to Worf that that they have discovered a decrease in stores and sundries, and he would like the team from the Enterprise to investigate.

It’s a fairly straightforward premise, drawn by Marcus To and colored by Brittany Peer, but one that would seamlessly fit into the beginning of any Next Generation episode. The draw, of course, is the Mirror Universe, and what promises to be a match-up between Captain Picard and ‘our’ Enterprise crew and the Mirror Picard we were introduced to in the Tiptons’ first series, Mirror Broken.

To’s pencilling is crisp and solid. No distractions or fancy tricks; it is focused work and full of energy. I can see the effort he takes in displaying the characters’ emotions. The expression of disdain on one of the Mirror Universe characters in his part of the story is particularly enjoyable — if you read Mirror Broken.

In the second half of the book, “Ripe for the Plunder,” the tale flashes back a few months — and jumps across dimensions to Picard and his Mirror Universe warship Enterprise. We get a hint of how the Mirror Next Generation crew begin to realize that there is more than just their own universe out there.

(When you remember that there have been multiple incursions in the 23rd century — most recently seen in Star Trek: Discovery —  it makes sense that must still be some of the Terran Empire’s classified information remaining for the wily Mirror Picard to pilfer.)

J.K. Woodward paints this part, following the art style of Mirror Broken, and once again the work is no disappointment. Painted work is so fascinating. I am a firm devotee of illustrator John Bolton’s work, for instance, but it never fails to surprise me how precise the work rendered by talented artists like Bolton and Woodward can be. Such is the case in this book.

I’m curious to see how the Tiptons will reconcile all of this with established Star Trek canon, especially with the new Discovery comic, Succession, which takes place in the aftermath of the first season of the television series. Factions vying for control after the apparent death of Emperor Georgiou, so with this story set more than a century later, will there be any ties to that story in this new tale? (Clearly, I have lots of questions!)

Still, it’s glorious stuff. I’ve always wanted to see the Next Generation crew interact with the Mirror Universe. The fact that the Tiptons take it one step further, actually having them interact with their quantum duplicates, makes this a story well worth anticipating — not just out of a sense of a return to this perversely fascinating place, but because we want to see if good will triumph over evil.

There is a great variety of covers for this book, and save for one are quite excellent in execution.

  • Cover ‘A’ is by J.K. Woodward, featuring a stoic pair of parallel half-face portraits of both Picards staring each other down. It’s not only technically brilliant but it also has an emotional resonance to it that certainly conveys the nature of the inevitable confrontation between the two captains. This one ranks as my favourite cover, and is the first of five covers which will span across all the issues of this minieries.
  • Cover ‘B’ is by Marcus To, centered on Worf’s action-packed chase that we see in the first story. A cover should convey some sense of the story in my opinion, so this is not only an excellent piece of work but also relevant. It’s good stuff.
  • The retailer-incentive ‘A’ cover is a simple photograph of Patrick Stewart’s Jean-Luc Picard. Of course, my problem with this is not only is it a photograph — depriving some artist of work — but it’s also the same autographed photo I have on my office door.
  • The retailer-incentive ‘B’ cover by Peter McKinstry is what the previous cover should have been; a thoroughly dramatic rendition of the Mirror Universe Picard — simple in execution and definitely striking. McKinstry and I are both fans of the British comic 2000 AD. He grew up wanting to draw sci-fi and space ships and now he does. It’s a great piece of work and I hope IDW keeps him on with other projects in the future.
  • The retailer-incentive ‘C’ cover is an exciting presentation of both Picards and Rikers from Mark Laming, locked in mortal combat with each other. Not only does this give us a flavour of the eventual face-offs that are about to come, it’s also a great cover to look at.
  • There’s also a convention-exclusive cover for this book, a black-and-white rendition of J.K. Woodward’s ‘A’ cover. It doesn’t lose any of its intimidating nature and, while I prefer the colour, the desaturated version gives the picture a stark quality that seems to enhance its confrontational essence. I’m looking forward to picking up this one myself.

Through the Mirror is an exciting tale, and I think it’s one that a lot of Star Trek fans will want to read, since it’s an aspect of the Trek universe ignored by The Next Generation. 

I’m eagerly anticipating the conclusion of this story, but with four more issues to go this month — and the Terra Incognita sequel series still to follow this summer — there’s plenty of TNG-era Mirror Universe adventure ahead of us.

Watch for my review of Star Trek: TNG — Through the Mirror #2 next week!

Today’s Medical Tech in DISCOVERY’s Sickbay Science

by Matt Hall

Why do you like Star Trek? I’ll bet if I threw that one out there I’d get a huge variety of reasons, since there’s a lot to like.

That said, those answers tend to fall into two different categories, from “its progressive, optimistic vision of the future” to “it’s a future where a huge variety of species come together to make the galaxy a better place in spite of their shortcomings.” Good, noble reasons. Reasons you might try out when convincing the skeptical or uninitiated.

Then there are the other reasons — the ones that maybe brought you in when you were younger that may be more emotional than high-minded… like “The space battles are awesome!” or the adventure of visiting different planets every week.

Let’s face it, the starships of Star Trek are pretty damned incredible. Able to travel faster than light, protect their crews from the vacuum of space and hostile enemies, able to house a whole community in relative comfort, simulate jazz bars on the holodeck, and make excellent replicated tea on demand. Starships are frickin’ awesome.

The classic TOS-era sickbay, recreated at the Star Trek Set Tour in New York.

There’s one technological marvel aboard ship that probably doesn’t get as much love as it should: sickbay. The engine room has a lot of glamour, science-wise, and the bridge is always where the action is — but dating back to the days of Leonard McCoy, sickbay is also a key part of any interstellar (ahem) enterprise, and it’s no stranger to Star Trek’s spooky ability to predict future technology.

The classic Trek series had its biobeds, and back in the 1960s, a display which combined heart monitor, blood pressure, body temperature, and a few other not-easily-identifiable measures of a patient’s well-being seemed pretty neat — and of course these days, those monitors are now commonplace in a modern hospital.

Beverly Crusher’s sickbay in The Next Generation brought 3D imaging, some very cool heart surgery, live brain simulations, and various therapeutic rays to do things like knit bones or speed up healing in the skin — and the launch of Voyager took it to the next level with the introduction of the Emergency Medical Hologram.

Brain scans from ‘The Next Generation,’ ‘Deep Space Nine,’ and ‘Voyager.’

Star Trek has never been shy in speculating about the future of medical technology… even if none of it ever seemed to help Miles O’Brien’s frequently-dislocated shoulder after kayaking in the holosuite.

I’ll admit that it’s a bit of a stretch to claim that dermal regenerators are about to leap off the shelves, but modern research has given us a few things that bring us a bit closer to the medical miracles of the 23rd and 24th centuries — in particular, 3D imaging. MRI or CT scans actually give us a look inside a patient without cutting them open.

While you may not have seen them in your doctor’s office or your local emergency room, there are a few little boxes of tricks that are gaining traction in hospital research labs — ones that as a scientist, I work with every day.

As you might have guessed by all my Star Trek sickbay fanboy stuff, my research is in medical imaging and medical technology. In particular, I’ve spent the last several years working on a thing called diffusion MRI, as part of a whole team in the UK’s National Physical Laboratory at University College London.

Stamets’ brain under scan in the Discovery’s sickbay.

I was excited to see what new medical surprises that Star Trek: Discovery would bring to the franchise, so imagine my delight when diffusion MRI turned up in the new series. Right there on my screen, I watched Sylvia Tilly work with Starfleet technology that’s just nearly right out of my own lab.

In last season’s “The Wolf Inside,” we see a number of scans of Paul Stamets’ brain — intended to illustrate the damage to his white matter from exposure to the spore drive — and the imagery was clear enough for someone like me to make a decent guess at how the images were created in Discovery’s sickbay.

Here’s the joyous moment: that’s all diffusion MRI imagery! These reconstructions of Stamets’ corpus callosum, a large white matter structure in the brain, are built using a technique called streamline tractography. We use that process in our lab pretty routinely, and even use the images when we work with neurosurgeons.

This is a real thing, that can be done right now, as this video illustrates:

Let’s rewind a bit, though, so I can explain a bit about how one goes about making a 3D map of someone’s white matter. White matter is essentially the ‘cabling’ of your brain, carrying signals from the grey matter and relaying them to places like your muscles when you want to move. (Grey matter is what does your cognitive processing, gets upset, feels happy, receives signals, stores memories, makes decisions, and all that other wonderful stuff your brain gets up to.)

It also carries sensory information and allows the different bits of the brain to exchange information. If your brain was the internet, grey matter is the servers, white matter is the cabling which links them to the peripherals and end users.

Stamets’ brain scan shows the corpus callosum, which is a very large extruded U-shaped tract which allows the two hemispheres of the brain to talk to each other. The close-up is good enough to see that this is constructed with the streamline algorithm I just mentioned, and rendered using straight-line segments. It’s pretty well segmented — in fact, you can see lots of lateral connections, which are easily missed in tractography.

Tilly reviews scans of ‘Ripper’ the tardigrade’s brain.

Tilly even states that the scan is showing “changes in gross white matter structure, caused by interactions with the mycelial network,” which is neat, because diffusion and tractography is exactly what you’d use to look for structural abnormality. I have to admit, though, that I haven’t seen a lot of work on diffusion MRI and the mycelial network — but conference season is starting up again, so you never know!

Here, you could compare Stamets’ scan to either a population average, or to earlier scans from his own brain taken before he took on tardigrade duty. It’s all right there — hats off to the show researchers.

Diffusion imaging a particular type of MRI which measures (you guessed it!) diffusion. The human body is full of fluids, and our brains sit in a bath of warm, salty water inside our skulls — and the water is always moving. The molecules jostle and bump into each other randomly and slowly move around in a more-or-less undirected way.

You might remember Brownian motion from high school; that’s the same phenomenon. Dust motes are jostled by the water and slowly spread out, and diffusion imaging allows us to measure how much jostling motion is going on — constructing an image which tells you how much jostling is happening in each pixel. The more jostling, the lower the signal and the darker the pixel.

Up close with Paul Stamets’ brain.

We can do a lot better than simply ‘dark vs. light,’ though: one of the cool things about the technique is that you can do this in 3D, and get a picture of how things are moving in different directions, in each pixel. From there you can estimate which directions have the most diffusion, and which have the least. There’s a difference between the high school Brownian motion and diffusion in a brain, however: the brain gets in the way.

Diffusing particles don’t just bump into each other, they bump into other things in the tissue, like cell membranes, processing architecture, and cabling — something particularly interesting, because it points in a particular direction.

Imagine being inside a narrow pipe: you can move along the pipe in either direction, but it’s hard to move across it. Flip that around, and if you could measure the direction particles diffuse the furthest, you tell what direction the pipe was pointing. With 50 or 60 different measurements, you can do exactly that.

What’s more, you can do it separately in each and every pixel in the image, ending up with images that look a bit like these (courtesy of my friend Donald Tournier’s MRtrix software):

If you look closely, you can see that there’s a little coloured blob in each pixel, which represents the diffusion in 3D. The peaks of the blobs are the directions of most diffusion. We can extract the directions corresponding to the peaks, and we’ve got our estimates of which direction the tissue points.

At this point, we’ve got a load of local orientations; a grid of tiny arrows which tell you which was diffusion is greatest. This works very nicely in cable-like structures like white matter, as we’re estimating local orientations and can even split out the directed tissue from the undirected fairly easily.

We’re not quite at Stamets’ scan yet, though, because there’s still one more thing to do: join those arrows together — this is called tractography. It starts with a 3D field of orientations, and builds up a set of continuous fibres.

There are actually a few different ways to do this, and some are more sophisticated than others, but one standard way is pretty much join-the-dots.

You pick a place to start, and then you follow the field by stepping along the local direction by a small distance, checking the new local orientation, turning in that direction and stepping on. You keep going until there no more directionality — or the structure takes a sharp turn, usually greater than 90 degrees.

Do this a few thousand times from a bunch of start points, and you can construct what’s called a tract — a big piece of white matter which looks like the sort of thing you’d find in a medical textbook — and with that in mind, we reach our lab’s version of Stamets’ brain scan:

This is a reconstruction of the corpus callosum using diffusion MRI and streamline tractography. It’s the same data from before, but with the streamlines built up. We’ve also added a 3D cortical surface from the same scan… which is there mostly to make it look cool. This isn’t Stamets’ brain, of course; it’s actually a scan of Kiran Seunarine, our resident tractography expert. (To the best of my knowledge, he’s not able to navigate the mycelial network yet…)

So if we’re not scanning for spore drive brain issues, why might you want to do this in real life? Well, one of the nice things about tractography is that it shows you the 3D structure in each individual patient, not just a textbook version of a brain. This might be interesting if you’re studying how brains change during aging or natural development, for example, but it’s also useful if something goes wrong: brain tumours, for example.

A growing tumour pushes the tissue around it aside or can grow right over the top of something else. If a surgeon is operating to remove it, the biggest risks are either not removing all or it — in which case it could grow back — or removing too much, taking some healthy tissue out as well.

There’s also the question of how you get to the thing in the first place. You want to avoid cutting through white matter, because once it’s gone, it’s gone — and a broken cable in the brain is like a broken cable in any other network. Information can’t get through, except in this case that blocked sensory information might be coming from your eyes or fingertips. You want that information to get through.

Tilly watches Stamets’ brain bloom with color after her spore treatment.

One of the things we do in our lab is tractography for neurosurgeons, used in reconstructing white matter around, say, a tumour, so the surgeons can use it to plan the procedure. The more information they can get, the better they can plan, and the better patients will recover.

Tilly also uses imaging to monitor how well a treatment is working, and we do that too. We also use diffusion imaging and tractography to look at brain maturation — from early childhood to adolescence — to learn more about what’s happening in healthy kids, and when they’re suffering from a disease like epilepsy or multiple sclerosis. There’s a lot you can tell from white matter.

Diffusion MRI technology is a little bit of 23rd century sickbay magic that’s actually already here. As far as I know, no one is using it to scan tardigrade brains quite yet, but I’m trying to see if my colleagues in the lab will let me render everything in Discovery’s pink and blue color scheme to bring that Starfleet feeling back down to Earth.

Matt Hall is a research scientist at University College London and the UK’s National Physical Laboratory working with advanced MRI technology to develop the tools needed to obtain the most detailed and accurate images possible of human tissue. He is part of a team of scientists and clinicians at The UCL Institute of Child Health who develop and apply new MRI methods, particularly for childhood illnesses.

The images in this article were created by Kiran Seunarine, a scientist with a background in design and visualisation — a modern-day Geordi La Forge who works with magnets instead of warp reactors.

REVIEW: Eaglemoss STAR TREK BEYOND Enterprise Refit

We’re back with a look at the first of two new Kelvin Timeline starship models due for 2018, Eaglemoss’ new Star Trek Beyond refit edition of the USS Enterprise!

The ship got its start in the 2009 Trek film, and was redesigned for Beyond under the eye of director Justin Lin, something we first covered in 2016 when the starship’s new look first debuted — the Enterprise was streamlined from stem to stern in anticipation of the confrontation above Altamid.

Eaglemoss has brought the Beyond starship to life in this new model, which features a great deal of the Enterprise upgrades in its 8″ length — and unlike some of the model line’s other variant releases, this is a totally new sculpt compared to their Star Trek (2009) model which debuted in 2014.

This new build is a definite necessity thanks to the number of changes to the original ship, which include added textural details to the saucer and secondary hull, the completely redesigned warp nacelles and swept-back struts, and stretched neck connecting the two halves of the ship. Even the rear shuttlebay door has texture, compared to the smooth dome seen on the 2014 model.

The one detail that isn’t very well represented is the new phaser emitters on the Beyond refit, however; the digital model in the film had nearly double the weapons banks of the original ship, beefed up for the Swarm Ship battle in the film, but there’s no sign of them on the saucer of the new edition.

While this version of the Enterprise only had a short life on the big screen, destroyed in the first act of Star Trek Beyond, it certainly seems to have a life to it that the original Kelvin Timeline Enterprise didn’t — with the reduction to the big, bulbous warp nacelles, now shifted away from the saucer, it really gives the Enterprise the ‘hot rod’ feel that was intended from the beginning of the Kelvin Timeline film series.

As for the window alignment issues that’s affected previous Eaglemoss releases? Well, this Enterprise is almost completely spared from that issue, thanks to having only a very few sculpted windows on the secondary hull… which don’t match the black paint that go with them. (Sigh.)

Here’s some more images of the new model:

We’ve also put together this comparison to the 2014 Enterprise model, based upon the ship as it appeared in the 2009 Star Trek film.

In addition to the structural changes, the Beyond edition also has a bit of a different color tone to the hull, and sports a number of additional spots of grey and blue in its design.

As for the Enterprise-A seen in the final moments of Star Trek Beyond? Don’t expect a physical model of that ship anytime soon, as Eaglemoss director Ben Robinson told us last summer that the company won’t be building that ship until they know what the future holds for the adventures of the Kelvin Timeline crew — something only recently starting to crystallize at Paramount.

That being said, if you’re on the hunt for another new Enterprise model, the new Star Trek: Discovery variant of the Constitution-class ship is expected from Eaglemoss within the next year.

In the meantime, this Star Trek Beyond refit of the Kelvin Timeline Enterprise is available now from the Eaglemoss web shop ($45 in the US and £24.99 in the UK), if you’re up for expanding your Federation fleet with this new variant.

Keep an eye on TrekCore as we’ll next be taking on the Kelvin Timeline special Klingon Battle Cruiser warship!

GIVEAWAY: ThinkGeek Captain Picard Facepalm Bust

We’ve all experienced it: that moment of stupefying frustration that makes you put your head in your hand, wondering how you can put up with it for even another second… and there may be no more famous ‘facepalm’ moment then Captain Picard’s frustration with a newly-human Q in “Deja Q.”

While the now-infamous image of Picard’s exasperation has become a well-known meme online over the last decade, and has appeared on T-shirts and other printed merchandise over the years, ThinkGeek (in partnership with Icon Heroes) hasnow brought the facepalm to the third dimension with their new desktop bust:

The bust measures 6″ tall and weighs approximately 1lb — it debuted online today and is retailing as a ThinkGeek exclusive — and we’ve got one of these Picard sculpts available to give away to one lucky TrekCore reader!

There have been so many funny moments in the Star Trek franchise, but we want you to think about your biggest laugh and answer the following question in the comments below:

From “The Cage” to “Will You Take My Hand?” — and all the episodes and films in between — let us know your favorite comedic Star Trek moment by Saturday night, and thanks to ThinkGeek, one of you lucky entrants will be able to add this Picard bust to your own collection.

Make your mark in the comments below, and watch for our winner notification on May 6!

IMPORTANT NOTE:

We will email our selected winner, drawn randomly from all entrants on May 6, and send a follow-up email 48-hours later to confirm mailing information. If we do not receive a reply within 24 hours of our follow-up, an alternate winner will be chosen.

Add TrekCore.com to your ‘safe senders’ list so we don’t go to your spam folder!

div_spacer

Contest Rules

  • Contest runs through 11:59 PM Eastern on Saturday, May 5.
  • Only one comment per user; users with multiple comments will be disqualified.
  • This giveway is open to residents of USA and Canada only.

Upcoming STAR TREK: DISCOVERY Models, More Revealed

This year’s Destination: Star Trek convention in Dortmund, Germany kicks off today and as always Eaglemoss is there with a retail booth for local fans to check out their Official Starships Collection model line — and some previews of upcoming releases due later this year.

Eaglemoss director Ben Robinson has been showcasing some of the upcoming releases from their Star Trek: Discovery series, along with some exclusives planned for subscribers to the program, on Twitter today, starting with the Shepard-class USS Kerala, due around September, as the Discovery series takes a break for the summer.

Photo: Ben Robinson/Twitter (source)

Here’s the retail preview image featuring another angle:

Also on display is the Discovery-era Klingon Bird of Prey model, in a first public viewing:

Photo: Ben Robinson/Twitter (source)

Robinson also revealed for the first time some exclusive Discovery products only available to subscribers to Eaglemoss’ model programs, starting with the ISS Shenzhou, a relabeled edition of the first starship in the series (which we reviewed back in February).

Eaglemoss has a history of using existing model builds and relabeling them for the Mirror Universe, as they’ve done with the Constitution-class Enterprise, the Enterprise NX-01, and Ben Sisko’s USS Defiant.

Photo: Ben Robinson/Twitter (source)

Additional subscriber-only materials will include a Tardigrade figurine, ship scale comparison posters, and ship dedication plaques, including these “not-quite-final” USS Shenzhou and USS Discovery plaque recreations:

Photo: Ben Robinson/Twitter (source)

Finally, Robinson teased the forthcoming Discovery version of Captain Pike’s USS Enterprise, featured on the convention booth’s poster artwork. The ship itself is not expected to be available from Eaglemoss for some time, as production could not begin until after it debuted in the February Discovery season finale, but this gives some additional views of the digital model.

Photo: Ben Robinson/Twitter (source)

Keep checking back to TrekCore for all the latest in Star Trek product news!

Order Star Trek:
The Book of Lists
!


Order Star Trek:
Treknology
today!

S.J. Clarkson Tapped as STAR TREK 4 Director

The Trek news keeps coming this week, as Variety is now reporting that the next film in the franchise has found its director.

S.J. Clarkson has been named as the director for the forthcoming fourth film in the Kelvin Timeline Star Trek series, reports Variety, which still looks to follow the storyline first announced in the summer of 2016 featuring the return of Chris Hemsworth as George Kirk (originally killed in the 2009 Trek film).

Hemsworth as George Kirk in “Star Trek” (2009).

Clarkson is the first female director to take on a Star Trek movie – only one of a few female directors to work the franchise to date – and has been recently working on Netflix’s Jessica Jones series.

The trade also reports that the still-in-development Quentin Tarantino story would be a follow-up film to be released sometime after Trek 4.

Of note, The Hollywood Reporter details that none of the Kelvin Timeline cast are still under contract with Paramount Pictures, a potential hurdle to overcome:

The studio does not have acting deals with the cast members, which also include Simon Pegg, John Cho, Zoe Saldana and Karl Urban. Fresh contracts would have to be drawn up, making the project pricey, but Trek is a crown jewel for the studio.

Keep checking back to TrekCore for all the latest in Star Trek 4 news!

Star Trek:
The Art of the Film


Star Trek Beyond:
The Makeup of Joel Harlow


The Art of Star Trek:
The Kelvin Timeline


Familiar Starfleet Colors in First Look at DISCOVERY S2

CBS isn’t letting Paramount take all the Star Trek news spotlight this week, after the studio announced two more Trek films are in active development last night — today we get our first look at Star Trek: Discovery‘s second season as well!

(Note: a region-free version of this video is available here.)

In this brief teaser video from the sets up in Toronto, we get to see the familiar Discovery cast back in costume as filming on Episode 201 takes place under the lead of director Alex Kurtzman… but we also get our first peek at what the arrival of the USS Enterprise will bring to the series as new uniforms and set plans are featured.

Most notably, we get to see the long-awaited Discovery adaptation of Starfleet’s period-familiar gold, red, and blue uniforms (with some Discovery-era texture from costume designer Gersha Phillips included), on the series for the first time — including what appears to be the back of Captain Christopher Pike (Anson Mount) in bright Starfleet gold… and next to Pike, an actor in similar Starfleet blue.

Whether this is intended to be Spock or not is undetermined, but the teaser features myriad of voiceovers from both Jeffrey Hunter and Leonard Nimoy (extracted from the classic Trek series) which makes us think that the series is leaning hard into the EnterpriseDiscovery meetup for this premiere storyline.

The Enterprise uniform looks to have the Discovery-era shoulder piping and ‘flap’ color, though the collar is colored black to emulate the TOS-style black shirt collar.

Looking closely at this Enterprise delta badge, we can also see that the Discovery “split delta” design has been replaced with the more familiar TOS-era solid delta — with rank moved to the sleeves — another sign of evolving towards the classic Trek look.

Like as described in David Mack’s Discovery novel Desperate Hours, it seems that the series has decided that the Enterprise crew is among the first in the fleet to wear the traditional TOS-era coloring, a topic which is likely to be addressed directly in the season’s premiere episode.

In addition to the flashy new Enterprise uniforms, there is also some set reveals which makes it clear that Michael Burnham (Sonequa Martin-Green) will be boarding the Constitution-class ship in the opener… and enters the quarters of one Commander Spock.

Photo from the Star Trek Set Tour in New York; seen on-screen in “Amok Time.”

Here’s a few actors being turned into 23rd Century aliens, with help from Discovery makeup effects lead James MacKinnon:

Finally, we also get a look at some set construction blueprints, which includes both a large-scale design for L’Rell (Mary Chieffo), presumably on Qo’noS, as well as several pages of prints labeled for Section 31 use — following last month’s reveal that the clandestine organization would be a big part of the Season 2 storyline.

It’s exciting to see the crew of the Discovery back on set and ready for action… now all we need is a date to expect them back on our televisions.

Keep checking back to TrekCore for all the latest in Star Trek: Discovery news!

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


Paramount: Two More STAR TREK Movies in the Works

We have breaking news this evening out of tonight’s Paramount Pictures presentation at the 2018 CinemaCon conference in Las Vegas, the annual gathering of National Association of Theater Owners in the United States!

Paramount CEO Jim Gianopulos took the stage to discus some of the studio’s upcoming slate — ranging from a sequel to Top Gun to spin-offs in the Transformers and Cloverfield series — and to the surprise of the audience, he personally confirmed that Paramount is not working on just one Trek film with partner Skydance Pictures… but two!

Here’s some immediate coverage from the on-site film press in attendance at the event:

We’ve known for some time that multiple story treatments were being batted around for another big-screen Trek adventure, from the 2016-announced George Kirk story which would see the return of actor Chris Hemsworth to the franchise, to the more recent out-of-the-blue news that Quentin Tarantino was developing a Trek tale. (We’ve reached out to Paramount for comment on today’s announcement, but the studio did not have any additional comment at this time.)

We don’t have any additional information past the on-stage comment from Gianopulos — like if the current Kelvin Timeline cast will be involved in one or both of the films, official writer or director announcements, or other specific details — and it’s also unclear as to what timetable Paramount is considering for a release of either film, as the ongoing production on Star Trek: Discovery may impact scheduling (as the reverse occurred when Beyond debuted in 2016).

Keep coming back to TrekCore for all the latest in Star Trek movie news!

Order
Star Trek Beyond
on Blu-ray!

Order
Star Trek Beyond
on 3D Blu-ray!

Order
Star Trek Beyond
on 4K Blu-ray!

Enter Our STAR TREK ONLINE ‘Victory is Life’ Contest!

Attention Star Trek Online PC players: TrekCore is hosting a brand new contest to celebrate the upcoming release of the new “Victory is Life” Deep Space Nine expansion, which is coming this summer!

This contest has ended. Winners have been notified by email.

25 winners will receive codes to unlock both the Federation-only Tactical Escort Retrofit (Tier 5) and the Stalker Stealth Fighter — plus, an additional 75 winners will receive a code to unlock the Stalker Stealth Fighter for their own fleet!

[metaslider id=”37625″]
 
The Tactical Escort Retrofit was declared a new type of warship created to fight the Borg, but was later revived to fight the Dominion War. Starfleet updated the vessel with the latest equipment available in the early 25th Century, including a universal cloaking device.
 
The Stalker Stealth Fighter is lightly armed, fast and maneuverable. The ship’s energy signature is low, making it hard to detect at long distance until it attacks.
 
[metaslider id=”37631″]
 
To enter the contest, just email us with your name by May 8 — and on May 9, we’ll be selecting 25 winners to receive both a Tier 5 Tactical Escort Retrofit and Stalker Stealth Fighter. 75 additional names selected to win one Stalker Stealth Fighter.
 
All winners will be emailed the in-game code and instructions how to add the ship to your Star Trek Online account, so watch for our winner notifications on May 9!

TOYS THAT MADE US ‘Star Trek’ Episode Debuts May 25

Back in February we talked with Brian Volk-Weiss, the creator of Netflix’s retrospective documentary series The Toys That Made Us, about the show’s upcoming Star Trek-focused episode, set to come in the second wave of episodes in 2018.

Today, thanks to Netflix’s monthly announcement of new shows coming to their service, we’ve learned that the Star Trek episode of The Toys That Made Us will be released on May 25 for subscribers worldwide.

If you missed our interview, we really recommend that you check it out — Volk-Weiss previewed many of the topics that the Trek episode will be covering, from the earliest days of Original Series toys from Mego to the still-in-development Star Trek: Discovery products from McFarlane Toys.

Season 1 debuted on Netflix last fall with episodes covering He-ManBarbieG.I. Joe, and Star Wars. In addition to Trek, their Season 2 lineup includes features on LegoTransformers, and Hello Kitty.

Watch for our review of their Star Trek episode when it arrives next month!