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Gentle Giant Reveals SDCC-Exclusive Saru DISCOVERY Bust

It first made a sneaky appearance at last month’s Licensing Expo in Las Vegas, but today Gentle Giant Ltd. has finally revealed their forthcoming Commander Saru Star Trek: Discovery bust, the first Trek product from the company, set to debut at San Diego Comic Con in July.

Available for $100 preorder now through June 8, this lifelike recreation of Doug Jones’ Kelpien character measures 4″ x 4″ x 7″ and will be shipping to customers after the late-July Comic Con event this summer.

From Gentle Giant:

Gentle Giant artists worked with production to use original concept models and authentic production files to accurately match and recreate the prosthetic makeup appliance worn by actor Doug Jones for this bold new mini bust.

This limited edition convention exclusive mini bust of first officer Lt. Saru is hand-cast, hand-painted and hand-numbered with a limited edition Certificate of Authenticity.

This product is the first Discovery release from the nascent licensee, but so far the detail on this Saru sculpture looks quite promising, and hopefully will be the first of many such items from Gentle Giant.

If you’re interested in bringing Saru back to your sector, you can preorder at Gentle Giant’s site — but hurry, because after June 8, you’ll only be able to order it at Gentle Giant’s booth (#3513) at San Diego Comic Con in July.

Keep checking back to TrekCore for the latest in Star Trek product news!

“After Trek” Companion Show Will Be “Re-Imagined” for STAR TREK: DISCOVERY Season 2

The first season of Star Trek: Discovery wasn’t the only franchise production for CBS All Access last year, as the Matt Mira-hosted After Trek companion talk show featuring both on-camera and behind-the-scenes guests from the series followed each episode of the season.

We even had the chance to visit the set and be part of the live audience for one of the Sunday night broadcasts — if you missed it, check out our photo gallery from the New York City-based studio!

While Season 2 of Discovery is well underway in Toronto, the future of After Trek seemed not so clear today, as rumors began to swirl on social media about a possible “cancellation” of the companion series.

Despite those rumors, however, TrekCore was able to confirm today that After Trek is not ending, but is in fact coming back with Season 2 in a new format (hence Mira’s “dry dock” comment, indicating a refurbishment or upgrade).

A representative from CBS All Access told us today that the studio is “re-imagining” the show for Discovery’s second season — but that the new After Trek will “continue to have all the fan-driven elements that Star Trek: Discovery viewers enjoyed this season — and more.”

While the studio did not have any additional specifics available about what After Trek will look like when the show returns with Discovery Season 2, they did tell TrekCore that more details will arrive as we get closer to the return of Discovery.

Watch for more news about After Trek and Star Trek: Discovery here at TrekCore!

Tig Notaro Shares a Bit More About Her DISCOVERY Role

Comedian Tig Notaro, who we learned back in April would be joining the second season of Star Trek: Discovery in a recurring role, appeared on last night’s Late Show with Stephen Colbert and gave us a few additional tidbits of detail about her character.

I am a human. I’m a commander… Jet Reno. I actually got to name myself.

When originally reported in the Hollywood trades, Notaro’s character was detailed to be “Chief Engineer Denise Reno of the USS Hiawatha,” so her reference to the name ‘Jet’ could mean that the character’s name has changed since the news release was first issued, or it’s simply a nickname for the engineer (much like Charles ‘Trip’ Tucker III on Star Trek: Enterprise).

While it was assumed by the character’s name, this is also the first confirmation that Notaro will be playing a human Starfleet officer.

Notaro also shared her mild frustration at the complicated Trek technobabble dialogue that has plagued many a franchise actor, as she learns to pretend to be a 23rd century Starfleet specialist.

I don’t [understand the tech dialogue]. It’s so embarrassing. I can’t even picture what I’m talking about, you know?

When I’m learning lines in other shows or movies, I can kind of visualize what I’m talking about, but on ‘Star Trek,’ I’m just like, ‘Okay, I just have to remember these words.’

Star Trek: Discovery is projected to return in early 2019, but there’s no word yet on how many episodes will feature Notaro’s character.

Keep checking back to TrekCore for all the latest in Discovery news!

New Videos Continue CBS’s Push for DISCOVERY Emmys

A few weeks ago, we took you inside CBS’s Emmy Award campaign for Star Trek: Discovery, as the studio mailed full-season DVD sets to members of the Television Academy to promote the show — and those efforts continue today with a half-dozen new videos showcasing different parts of the Discovery production team.

Six new videos, featuring a mix of new and old interviews and behind-the-scenes footage, arrived from CBS today — and were sent out to Academy voters — to highlight the series as we approach awards season.

Focusing on the show’s Visual Effects, Production Design, Costuming, Makeup and Prosthetics, and Music departments — as well as the series as a whole, campaigning for “Outstanding Drama Series” — a combination of 2017 promotional material and previously-unseen footage present CBS’s “For Your Consideration” efforts for Discovery.

https://www.youtube.com/watch?v=oQ1wq8aSmcM

https://www.youtube.com/watch?v=sNxxJOdtTZw

The official 2017-2018 Emmy Award nominees will be announced next Tuesday, June 12 — we’ll find out then if Star Trek: Discovery has a chance at TV’s highest award at that time.

Keep checking back to TrekCore for the latest in Star Trek: Discovery news!

Trek Comics Review: “DISCOVERY — Light of Kahless” #4

After reading the final chapter of Star Trek: Discovery — The Light of Kahless, the issue that comes up in my mind is: I hate being lied to.

It doesn’t matter how much hair, extra nostrils or even if they have forehead ridges or not, a Klingon is still a Klingon and they have this sticking point in their character about honour that really gets in the way when you’re trying to tell a story about them.

In The Light of Kahless #4, we learn more about T’Kuvma’s path towards unifying his people in the name of Kahless — or, in other words, how he trying to remind them of the nature of their character in bring them together in the face of who he perceives as the biggest threat they have known.

Honour is a driving principle in the Klingon mentality, and it exists on a near spiritual level. One only has to remember how pigheaded Worf was throughout his time on The Next Generation and Deep Space Nine to get a sense of this resolve. That’s what veteran IDW writer Mike Johnson and Discovery writer Kirsten Beyer are exploring in this latest issue in the series, as we learn more and more about the background of a character who we barely got to meet in the television series.

The story so far: Voq is still being taught T’Kuvma’s history by L’Rell, and in this issue, she describes T’Kuvma’s ascension to warrior status — someone the Empire now has to take seriously. He has gained a name for himself by freeing the enslaved multitudes of the Empire, preaching the word of Kahless, and commanding a battlecruiser that is rumoured to be crewed by the dead. This is the story of how T’Kuvma became a hero to his people, while simultaneously becoming a threat to the status quo of the Empire. This is the mantle that Voq will inherit.

The Light of Kahless #4 sets us up for the television series in a way that allows us to understand more of the desperation of the Klingon people. Despite their war prowess and skill at battle, they are still a fractured people, searching for a single purpose to define them. In this issue, that purpose has not been found, only manufactured to cement their identity in dealing with a new species in the only way they know… by defeating them in battle.

A lot of this context was not included in the show, begging the question just exactly what else was left out that might have provided more background and added appreciation to the Star Trek: Discovery premiere? That’s a question only Kirsten Beyer can answer.

In terms of character, we also learn more about Voq and L’Rell from this issue. While the former is struggling with his new place of leadership in T’Kuvma’s absence, L’Rell is trying to harden him to the decisions of that role.

He now has to learn a secret of the Beacon of Kahless that T’Kuvma believes it is his destiny to find…. which I’m not going to give away. But suffice it to say, it’s a revelation that places the entire Federation-Klingon War into a new perspective, and perhaps gives Michael Burnham’s conscience a break.

The art for this book is done by my favourite Star Trek comic penciller, Tony Shasteen. Shasteen’s work is not only intensely accurate, but his speed is legendary. We haven’t seen enough of Tony’s work, and I’m hoping that there will be more opportunities to do so in the future.

The covers are pretty striking on this issue.

  • Cover ‘A’ is Tony Shasteen’s depiction of L’Rell prior to her facial scarring, and it’s hard to distinguish this from a photograph. Tony has Mary Chieffo’s fierce expression rendered perfectly on this cover; it’s stunning and definitely conveys L’Rell’s warrior spirit.
     
  • Cover ‘B’ is actually a photograph from the Discovery pilot. As much as I can understand the desire for direct connections to the show, the presence of a photo on a comic cover is just something that I’m opposed to. Given that Shasteen’s work is photo-perfect, give the work to the artist. Is the budget for the book that low?
     
  • The retailer-incentive ‘A’ cover is another knock-out portrait by Angel Hernandez. His work is spectacular and, in this case, features T’Kuvma leading a mob of downtrodden, oppressed Klingons into battle. It says something about the nature of the character we are reading about, and is a wonderful suggestion about the interior story.
     
  • Finally, the retailer-incentive ‘B’ cover is another ship cover by Declan Shalvey. Shalvey has been doing a number of these ship renderings lately and in this particular case, it is the USS Discovery in angular flight. As much as I love Shasteen’s work, I have to give the nod to Shalvey. What can I say? I’m a ship guy and I love seeing a Federation starship in flight.

The best line in this book belongs to L’Rell: “Only a child believes that the great are infallible. Now that you are leading us in T’Kuvma’s place, you can no longer cling to that childish view.”

As much as I hate getting lied to, I am no longer a child. Sometimes the truth isn’t something that needs to be found as much as it needs to be explained. That’s the meat of this story and while the discovery of the nature of T’Kuvma’s truth may be a burden for Voq, it’s one that he will need to endure for the sake of his people and the sake of T’Kuvma’s message.

That’s something that couldn’t have been explained to us in the show. Backstory is fun, but it can take forever to explain. That’s why supplemental stories are so important to a franchise.

Kirsten Beyer and Mike Johnson have that freedom to go back in time, look at different characters and present their full nature to us to gain a better appreciation of the hard work and effort that have gone into the production of the show… and that’s no lie.

Lots of Star Trek: Discovery comic action is still on the way — watch for my review of the next entry, Succession #3, later this month!

BOOK REVIEW: Prometheus — “The Root of All Rage”

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The second entry in the German ‘Star Trek’ novel series comes to the United States with its first English translation!

The Federation races to discover the culprits of several terrorist attacks, sending their flagship, the USS Prometheus, to stop war breaking out in the galaxy.

A dangerous evil is flourishing in the Alpha Quadrant. In the Lembatta Cluster, a curious region of space, fanatics who call themselves the Purifying Flame are trying to start a galactic war, and the warlike Klingons are baying for blood.

The Federation have sent the U.S.S. Prometheus to settle the crisis, and the crew must contend with both the hostile Renao: the secretive inhabitants of the Cluster, and the Klingon captain of the I.K.S Bortas, who is desperate for war.

The Star Trek: Prometheus trilogy, written by German authors Brend Perplies and Christian Humberg (with translation assistance from Keith R.A. DeCandido), returns this month with The Root of All Rage.

This novel, which was originally published in German in 2016 in conjunction with the franchise’s 50th anniversary, reaches the English-speaking world and continues the story of the USS Prometheus investigating a threat to the galaxy.

If you enjoyed the first book in the trilogy, you’ll enjoy this one too. Perplies & Humberg continue to spin out their story that stretches from the Lembatta Cluster, to Office of the President of the Federation on Earth, and to the Great Hall of the Klingon High Council on Qo’Nos.

The book is also stuffed full of references to the Star Trek canon, events and characters from other novels, some subtly, but many not so subtly intertwined with the narrative.

Overall, I enjoyed The Root of All Rage more than its predecessor, Fire with Fire, though the book still took a while to really get going. While I struggled a lot with Fire with Fire, this month’s The Root of all Rage really begins to pick up after the first third of the novel, and the back half is a fun adventure and an easy read.

When the narrative focuses on the Lembatta Cluster and the two protagonist ships – the USS Prometheus and the IKS Bortas – the book really hums. However, in the early parts of the book the narrative frequently gets dragged aside, and the crew of the Prometheus feel like they are relegated to supporting characters in their own trilogy.

I can see the intent behind including characters on Earth and Qo’Nos, as the writers were attempting to raise the stakes significantly for the protagonists and give the story a scope fit for the 50th anniversary. Unfortunately, however, these sections of the book never really convincingly sell that the Lembatta Cluster crisis is one worthy of the attention of the entire political structure of the Federation and Klingon Empire.

In The Root of All Rage, the number of guest stars from the franchise continues to mount. Accompanying the Prometheus and the Bortas are Ambassador Spock and Ambassador Alexander Rozhenko, who both drop in and out of the narrative as required. Rozhenko in particular is entirely absent from the first portion of the book, suddenly reappearing as the story required.

Spock is handled better here than he was in Fire with Fire and felt more important to the overall narrative. However, I couldn’t shake the feeling that he was dropped in just because the writers wanted a main character along for the ride.

On Earth, Lwaxana Troi appears in this novel as an important guest star, and Captain Picard makes an appearance. Again, many of these inclusions of characters from the Star Trek canon can be fun, but these books are stuffed so full of them that there is little weight to it. Picard’s appearance, for example, is entirely superfluous to the story and feels like the writers were working on box-checking the characters they’ve always wanted to write.

In addition, spending so much time with guest stars robs the new characters of the USS Prometheus from development. Captain Richard Adams, who was little developed in Fire with Fire, remains a generic Starfleet captain with few discernible unique personality traits. Some of the other members of the crew are better served, but their character development is frequently brief which makes it confusing to understand which Starfleet character is which.

Thankfully, this problem does not hold true for the IKS Bortas, where the Klingon crew are well developed in the book and interesting. It is always welcome to see more of the Klingon perspective in Star Trek novels, and the Bortas are an interesting crew of misfits, many of whom have their own agendas. From a character perspective, the Bortas crew are the absolute stand outs from this novel.

Though The Root of All Rage’s character issues and sprawling cast of characters hurt the overall story, I still found the book to be an enjoyable, easy read. The narrative zips along, and the book’s final twist ties into an episode of The Original Series and a trilogy of Star Trek: The Next Generation novels that I was not expecting. I am excited to see how that plays out in the resolution.

If you’re a fan of galaxy-spanning Star Trek stories that include action, mystery, Klingons, and politics – and especially if you love fan service – I would say to go ahead and give the Prometheus trilogy a go, a definite improvement from the first book in the series.

If you liked The Root of All Rage, you should check out:

  • The Q Continuum, Book One: Q-Space, by Greg Cox: The Prometheus trilogy ties into the events of this book its two sequels, originally published in 1999. The book involves a threat to the Q Continuum that Q enlists Picard’s help to solve.
     
  • The Battle of Betazed, by Charlotte Douglas and Susan Kearney: The events of this novel are referenced a couple of times in The Root of All Rage, and depict the events surrounding the Dominion conquest and subsequent liberation of Betazed during the Dominion War.

Finally, if you like the first two Prometheus books, you can preorder In the Heart of Chaos, the third and final chapter of this novel series. Due in November, this release concludes the journey of the USS Prometheus and IKS Bortas through the Lembatta Cluster as they work to flush out a threat to the entire Alpha Quadrant.

FanSets Reveals June TREK Pins, Hints at STLV Exclusives

Licensed pin manufacturer FanSets is continuing their roll-out of Star Trek releases for 2018, and as we head into the early days of summer, we have some new reveals for upcoming pins arriving over the next few months.

This past month, three new Trek pins debuted: Star Trek Beyond Kirk (their second Kelvin Timeline entry), wheelchair-bound “Menagerie” Pike, and green-skinned Vina in her Orion appearance from “The Cage.”

For June, FanSets is returning to Star Trek: Discovery with the just-released Lt. Commander Airiam, the ‘augmented human’ Spore Drive operations officer played by Sara Mitich on the series, and June 15 brings the USS Franklin starship pin from Star Trek Beyond, the first ship from the Kelvin Timeline to make FanSets’ listings.

There are expected July releases coming from the company as well, to be announced in a few weeks, but today FanSets began teasing their plans for August’s Las Vegas Star Trek convention.

Expected are “super-rare, show-only [pins] limited to 100 pieces,” a Deep Space Nine 25th Anniversary pin set (likely similar to last year’s TNG 30th set), an STLV 2018 event “poker chip” pin (following last year’s TNG version), and more offerings — including this “LLAP” Vulcan salute pin, launching at STLV (for both attendee purchases and online sales).

Finally, for those of you headed to STLV, FanSets says they’re going to have another sponsored party at the convention like in 2017, and all attendees to their event will take home an exclusive party-only pin (not yet revealed).

Keep checking back to TrekCore for the latest in Star Trek product news!

Trek Comics Review: “TNG — Through the Mirror” #5

We have been waiting for a battle royale in Star Trek: TNG — Through the Mirror, and that’s exactly what writers Scott and David Tipton along with artist, Debora Carita, gave us here in this final chapter of this summer’s first Mirror Universe saga… as the crews of two starships Enterprise square off for a climactic showdown!

When we left the story last week, the Imperial Terrans have managed to lure the USS Enterprise to the Martorelles Array, where they plan to beam the entire ship over to the Mirror Universe. It’s an ambitious plan, but  Mirror Picard clearly overlooked the fact that if he could conceive of this plan, his counterpart from “our” universe would be able to figure it out too — and sense that there was a trap lurking in the shadows.

Through the Mirror #5 picks up right from last week’s cliffhanger ending, with the crews of each Enterprise staring down their counterparts, phasers at the ready. When the battle begins, both crews scatter and the entire story is one big fight scene with some interesting one-on-one clashes.

However, during this battle, I did happen to notice a few discrepancies — for example: when the two sides are arrayed opposite to each other, in one panel, the Terran Imperials were weaponless. Yet just a few other panels later, they were armed with not just hand phasers, but phaser rifles. I don’t know where they hid them, but it must have been a pretty imaginative place!

Dr. Crusher and Inquisitor Troi were in the “order of battle” too. While it’s clearly within the realm of reason that they would have made themselves scarce as non-combatants, I think I would have liked to have seen them leave. I’m not a stickler for great detail, but every now and then, the occasional one catches my attention and stays with me.

This brawl isn’t the end of the story in this book, though — the story of the Mirror Next Generation crew is far from over. The grand scheme didn’t go off as planned for the ISS Enterprise crew, and their story ended with open storylines to fill a Galaxy-class starship.

Case in point: Reg Barclay, everyone’s favourite poster boy for insecurity, is actually the diametric opposite in the Terran Empire, an hotly aggressive officer willing to take risks and claim dangerous situations for himself. The Mirror duplicate of “good old Broccoli” manages to slip past the crew of the ‘good’ Enterprise, and stows away on the Federation flagship — setting up the launch of Star Trek: TNG — Terra Incognita, the forthcoming sequel story to Through the Mirror.

Also, I love that the parting words between the Picards were clear foreshadowing of future encounters. It’s obvious that IDW likes what the Tiptons have written here, and that they’ll be more from this duo in the future.

The second tale that’s been woven through this five-issue story, “Ripe for the Plunder,” is somewhat truncated in this issue, fighting for page count with the big battle in the primary presentation. Despite its brevity, though, it’s still a source of pure fascination for me.

Even though Data has now found Emperor Spock, we still don’t know what happens between them during their encounter. It is apparent that Data managed to get the information he needed — learning the existence of ‘our’ universe from the former first officer of the first ISS Enterprise — but while things look fairly dire for the elderly Vulcan, the possibility that he still lives remains.

While this is the end of this short tale, I’d like to think that this is also the starting point for a possible future storyline in which we will see some more of J.K. Woodward’s incredible art. Call me an optimist, but there’s more that can be written out of this and I’m sure the Tiptons are up for more.

The covers for this issue are fairly remarkable.

  • Cover ‘A’ is the final entry in J.K. Woodward’s spectacular panel piece of reflection. The two Doctors Crusher are facing each other on this cover, with Worf and the Mirror Barclay beneath them. This is definitely my favourite cover, and I would give my eye-teeth to collect all of the panels.
     
  • Cover ‘B’ is an epic one-on-one fight between Mirror Data and our Captain Picard. This is by the interior artist, Debora Carita and it holds itself well, if it was a cover to attract the attention of the casual passer-by in a local comic shop. It hints at the conflict within and to see Commander Data, with his Borg attachments strangling Captain Picard is a fairly striking image.
     
  • The retailer-incentive ‘A’ cover is a stock photo of the Next Generation cast from the sixth year of the television series. It’s been seen so many times that its familiarity actually detracts from the adventure of the story (at least, in my opinion).
     
  • Peter McKinstry provides the art for the retailer-incentive ‘B’ cover, and as I’m seeing more of his work, I like it even more. It’s a stunning image of the alternate Riker, complete with a biker beard and scarred, dead eye. This Riker is a complete bad-ass, and I think McKinstry has captured the attitude of this character perfectly.
     
  • Finally, the convention-exclusive cover (not pictured) is a black-and-white version of the main cover by Woodward. I’d love to get all of these myself, so I hope that my next convention has all of them in stock!

While this is the end of this marathon of weekly books, this isn’t the last of the battles between the two crews. Unlike some other Mirror Universe tales, the storyline that began with last year’s Mirror Broken and continued with Through the Mirror is just start of these two crews actively planning to encounter each other in the future.

The challenge for the Tiptons is to think of a tale that will take into account that each side is, at least theoretically, evenly matched. It will be the environmental factors that will decide whether one side succeeds or fails, and I can imagine some stories which might let one side have the clear advantage for an entire story arc… and we won’t find out the outcome until the next one.

Still, this will be a challenging series to continue, but I’m sure that Scott and David Tipton will be up for the challenge when the six-issue Star Trek: TNG – Terra Incognita story begins this August.

Keep checking back to TrekCore for the latest in Star Trek comic news and reviews — including my take on the final entry in the Star Trek: Discovery – The Light of Kahless story, coming soon!

“Planet of the Titans” STAR TREK Model Up for Auction

One of Star Trek‘s more unusual props is going back up for auction this week — a study model for a possible USS Enterprise redesign — created by artists Ken Adam and Ralph McQuarrie for the abandoned film Star Trek: Planet of the Titans during the late 1970s.

Created as one of a few different possible Enterprise designs for the eventually-scrapped film project, this model — now labeled “B-24-CLN” after it was reused in TNG’s “Unification I” in the Qualor II ship yard — is a handmade wood-and-plastic build measuring 8″ x 15″.

This model, as well as its blue-toned counterpart from the ’77 production, has a triangular secondary hull which served as a direct influence on the look of the Crossfield-class USS Discovery in the current Star Trek: Discovery series now in production.

…as seen in “Unification I.”

While this is certainly a historical collector’s item from Star Trek of decades’ past, the starting bid for this week’s auction — which ends at 5PM Pacific on Thursday — begins at a whopping $40,000.

For comparison, the last time this went up for public auction in 2010, it sold to a bidder at merely $3,500… so we’re not sure if this year’s auction will get much traction at that high price point.

If you’re in the market, however, you can check the auction yourself at Nate D. Sanders Auctions right now.

DISCOVERY Makeup Team Reveals Early ‘Saru’ Alien Look

In a Facebook Live video discussion between Star Trek: Discovery makeup and prosthetic wizards Neville Page and Glenn Hetrick this afternoon, during a long conversation addressing fan-submitted questions, the duo discussed several topics around the series creature designs, from Klingons to 3D printing.

One of the most fascinating parts of their discussion, however, was addressing a fan inquiry about the early — and abandoned — “ten-eyed Saru” design, something first mentioned during the cast’s PaleyFest panel back in October.

This mentioned-but-never-seen alien look was sketched out by Discovery writer Bo Yeon Kim back in November (above). But on today’s video discuss, Page and Hetrick shared a first look at behind-the-scenes footage of “ten-eyed Saru” makeup being applied and given a screen test in the early days of the series’ development.

Here’s some screencaps of the footage, along with commentary from the artists.

A sculpt of the “ten-eyed Saru” design.

NEVILLE PAGE: Brian Fuller had this vision of doing a multi-eyed character, that had a specific V-shape to it. What that meant was, we needed to come up with something that would have a lot of [post-production] CG augmentation, particularly in the eyes. We also wanted to change the shape of Doug [Jones’] head to make it very alien.

There was a lot of factors in trying to get this to work, and I personally have never been a fan of doing multiple eyed creatures. The reason why is that I feel like I must answer a biological question honestly — would there be that many redundant eyes?

So to reconcile that desire was a real challenge — but with the time that we had to explore it, and with the absolute boon of having Doug Jones in it, really kind of made this version of Saru very hopeful.

Seeing Doug start to perform through it was encouraging, but that was the moment that we realized that we [needed] more of Doug to perform through. Just having his lips, essentially, be Doug, wasn’t enough. We all recognized it, so we went back to the drawing board… we all knew what it needed to be.

GLENN HETRICK: The best thing that came out of that test is that it unshackled us from trying to make [Saru] so alien, and now we could make him more relatable and make him more “Doug.”

This kind of early development footage is a real treat for Trek fans like us who soak up production-based behind-the-scenes revaluations, and we’re hoping that should Star Trek: Discovery make it to DVD/Blu-ray, this kind of content is included in potential bonus features for further examination.

Neville Page (left) and Glenn Hetrick (right) discuss ‘Discovery’ makeup secrets.

Finally, in response to a question regarding a Trek species that has not yet been seen on-screen, the pair offered some tantalizing teases to a forthcoming Season 2 design.

GLENN HETRICK: That we’re going to have to leave as a mystery… because the one that we both agree on — and if you look closely at promotional things, you may be able to guess at this — but we’ve already done it for Season Two.

We’re fortunate enough to work on what is the most collaborative show I’ve ever heard of. The executives were talking to us [at the beginning of the season] about if there are species that hadn’t been filmed yet from canon that [we] would like to do.

We came back [with] this whole list, and we went to Memory Alpha and pulled a bunch of images and bios… one of those things has made it, and has a pretty substantial role in Season Two. And it is AWESOME.

You can check out this footage as part of the 35-minute discussion with Page and Hetrick over on Facebook — where the pair also discuss their approach to updating Tellarite makeup for Season 1, how they might take on recreating the Borg, and more thoughts on their work redesigning the Klingons for Discovery over on Facebook.