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Trek Comics Review: STAR TREK YEAR FIVE #3

The only constant in the universe is change. It doesn’t matter if that’s good or bad but there you have it.

This month’s edition of Star Trek: Year Five sees Brandon Easton take his turn in the rotating roster of writers the series, a trend which is expected to continue as each issue follows the Enterprise crew through the 23rd century. Meanwhile, writers Jackson Lanzing and Colin Kelly have shifted into the “showrunner” role as they manage the overall story for the Year Five title.

Look at the story so far. In Issue #1, we saw a brief glimpse of the ending of this arc, with a despondent Captain Kirk lamenting on the state of affairs to this point and a phaser pointed to his head. That was a powerful set-up that seemed fairly straight-forward.

Then, after a scientific procedure, the Enterprise responded to a distress call from a Tholian colony that was under attack. They rescued a young survivor and were then confronted by a Tholian vessel.

The second issue saw a bit more excitement with the battle with the Tholian vessel, which formed the basis of the story’s events. Using the equipment from the scientific procedure we saw from the first issue, the Enterprise was able to defeat the Tholian ship and safely soar off into the stars. End of episode.

Issue #3, however, is a little busy. Let me put together a list of what’s going on in this one. The amount of activity was fairly high so I found that it gave the plot a bit of a frantic pace.

The crew of the Enterprise is trying to communicate with their unexpected Tholian passenger, which creates a myriad of sub-plots, including an attempted mini-mutiny from one Ensign Satie (notice the last name), who clearly sees the Tholian as an enemy of the Federation. However, there’s also Jim Kirk’s failed relationship with Carol Marcus and the son he never knew at play in this story as well. With the hint of a romantic interest between Uhura and Scotty in the subtext… like I said, there’s a lot going on here.

However, this is also just background. The main storyline centers on the Sigma Iotians, last seen in “A Piece of The Action.” When the Enterprise last left this highly imitative civilization, the Prime Directive had been violated by the last visitors from the Federation who left a book about 1920s-era mob culture. The book formed the blueprint for their society, indicating contamination on a significantly high level. At the end of that episode, further cultural contamination was suggested by Doctor McCoy’s admission that he had left his communicator behind.

That’s the basis for the main plot. Departing from the battle with the Tholian vessel, the Enterprise receives indications that a nearby system is experimenting with warp-flight capabilities. It just happens to be Sigma Iotia II, the same planet that Kirk and crew had visited a few years prior. In that short time, the Iotians have developed space flight and Captain Kirk, Mr. Spock and Dr. McCoy are regarded as the fathers of their current civilization.

It’s a lot to cram in to one book, and I think that was the problem with my enjoyment of it. It’s rich, and I appreciated its richness in detail and information, but it’s a lot of flavour to contend with. Let me put it this way: I’m still trying to figure out what’s going on with the Tholian survivor and then all of a sudden, the Enterprise is returning to figure out another “piece of the action,” so to speak, but this time it’s on a governmental front as the Iotians have now developed a representative democracy to replace their brutal criminal society.

At the same time, there were a few issues with the portrayal of Captain Kirk’s character that I had difficulty in accepting. First, the dilemma with Carol Marcus is probably one of the saddest times in Kirk’s life. Not only does he know he has a son out there but he also knows that he’s not worthy of being his father. As a Captain Kirk fan, I liked this insight into his personal past, but I didn’t feel that it got the full respect it needed to fully convey its importance.

I found it also difficult to accept the near-whimsical way that Kirk treats the Prime Directive violation when reminds McCoy of the communicator he left behind. McCoy is agonizing over this mistake, and Kirk dismisses it with flat jokes about court martials. There’s also a scene where Spock is kidnapped by a Sigma Iotian faction, but Kirk easily disregards it as a serious issue, relying on the Enterprise’s ability to transport him out of harm’s way.

We know Kirk is daring and he’s also been described as a cowboy when it comes to diplomacy and interstellar incidents, but he’s also the successful commander of a near-legendary five-year mission. I just can’t see him easily dismissing his first officer’s safety so casually – even though “A Piece of the Action” was regarded as one of the funniest episodes.

Treating franchise characters with accuracy is something I look for in a Trek comic. This just didn’t speak “Kirk,” and I found it a bit awkward.

As for the art, I have no complaints. Even though it’s a different artist this month, and I was really enjoying Stephen Thompson’s work in the previous two issues, I can’t find any fault with Martin Cocollo’s work.

  • The regular cover is by Stephen Thompson, which makes me feel a little relieved, to be honest. Like I said, I was enjoying his work so far, so I guess it’s heartening to see him doing a cover. Artists always prefer covers; they can be interpretive or stylistic so they give the artist a great deal of leeway in their work.
     
  • The retailer-incentive cover is created by J.J. Lendl. Continuing in the propaganda-type format that we saw in previous covers; Lendl doesn’t fail to disappoint. In fact, I have to also point out the use of the lettering from the Gold Key comics from the 1960s and 70s, which adds a nice bit of a nostalgic twist.
     
  • Finally, the Montreal Comic-Con exclusive photo cover (not pictured) is a Captain Kirk stock image that we have seen before. While I’m not a fan of photo covers, it’s pretty easy to figure out why this went into print seeing that William Shatner is a guest at the Montreal Con. I can’t fault a marketing opportunity when I see one.

Change is a part of life, and we have to be prepared to roll with changes. The changes in this issue are fairly prominent. But, I’m intensely curious about the Tholian child the Enterprise rescued from the colony, Spock’s involvement in Iotian culture and if there’s any progress on the Uhura/Scott front!

Like I said: we have to roll with the changes.

STAR TREK: DISCOVERY Season 2 Soundtrack Due July 19

It’s been almost three months since the second season of Star Trek: Discovery came to a time-twisting close, and now we’re getting our first taste of the show’s sophomore soundtrack from Lakeshore Records — as composer Jeff Russo’s score will be beaming down to music aficionados on July 19.

Unlike last year’s soundtrack releases, which was split into a pair of separate collections to align with the two-part first season, Discovery Season 2’s music will be compiled into one 39-track collection.

Set to arrive on digital services July 19, the Season 2 soundtrack will include themes the full 15-episode run of 2019 episodes — including the Discovery/Original Series mashup theme heard over the finale’s end credits — and three entries from the Harry Mudd Short Trek “The Escape Artist,” one of which is the funky disco version of the Discovery title theme.

Here’s the full track listing, as announced via Slashfilm today:

01. The Final Frontier
02. Christopher Pike
03. Lost Communication
04. What’s Wrong
05. All Of Them
06. I’m Coming Back
07. Flashback
08. Stuck
09. The Cathedral
10. He’ll Never Know Me
11. The Sphere
12. Quarantined
13. Shields
14. Questions
15. Prey
16. The Hull
17. Airlock
18. Airiam in Space

19. Fiercely Loyal
20. Song of Remembrance
21. On Site
22. Two Minutes
23. Big Picture
24. Gone
25. What Do They Call You
26. Pillar of the Past
27. Failure
28. Essential Personnel
29. Goodbyes
30. Pike On The Bridge
31. Ready
32. Time Traveler
33. Change
34. Goodbye, Pike
35. Spock’s Personal Log
36. Star Trek Discovery End Credits
(Season 2 Finale Version)

FROM “THE ESCAPE ARTIST”
37. Many Mudds (previously unreleased)
38. Star Trek Short Treks End Credits (Lounge Version)
39. Star Trek Short Treks Main Title (Disco Version)

As with last year’s soundtrack, the Discovery Season 2 collection will later be available in a limited-edition vinyl release, and we expect a version to arrive on CD as well — dates for both are at this time not yet announced.

We’ll bring you more news on the Star Trek: Discovery Season 2 soundtrack as it breaks!

STAR TREK: DS9 Doc to Debut New Footage at SDCC

We’re inching closer to the home release of What We Left Behind, the Star Trek: Deep Space Nine retrospective documentary that’s been making theatrical appearances around the world over the last month and a half — and its next stop is San Diego Comic Con, where new footage not seen in theaters is set to debut.

Announced yesterday by US distributor Shout! Studios, What We Left Behind: Looking Back at Star Trek: Deep Space Nine will appear at SDCC on Friday, July 19 at 7:00 PM (Room 23AB), where Deep Space Nine cast members Andy Robinson (Garak), Aron Eisenberg (Nog) Cirroc Lofton (Jake Sisko), Chase Masterson (Leeta) and Penny Johnson Jerald (Kasidy Yates) will join executive producer Ira Steven Behr and the production team for an hour-long discussion on the film… and showcase new material not seen in the touring theatrical release.

What We Left Behind: Looking Back at Star Trek: Deep Space Nine
Friday, July 19th — 7:00 pm
Room 32AB

Join Star Trek: Deep Space Nine showrunner Ira Steven Behr, filmmaker David Zappone and select DS9 cast members (including Andrew Robinson, Aron Eisenberg, Cirroc Lofton, Chase Masterson, and Penny Johnson Jerald) for an in-depth journey into What We Left Behind, the critically acclaimed documentary feature film about Star Trek’s dark and often overlooked ‘middle-child’ series.

Moderated by Brian Ward (Shout! Factory), the panel will also feature NEW footage not included in the film’s theatrical release.

In addition, the first retail availability of the Deep Space Nine documentary will be at the Shout! Factory booth on the SDCC show floor (Booth #4118), where visitors will be able to pick up copies of What We Left Behind on Blu-ray and will include a free poster (likely the same one distributed at the theatrical screenings, the imagery on the Blu-ray set above).

Fundraiser campaign backers are still expected to receive their copies in “early July,” ahead of SDCC.

As for that new footage debuting in San Diego, we imagine it should be part of the Blu-ray release — and we broke down all the various release options coming back in May to help your decision-making!

We reviewed the What We Left Behind documentary back in May — and watch for our review of the Blu-ray features once the discs arrive this summer!

Is STAR TREK: DISCOVERY Heading Overseas for Season 3?

Back in early 2017, Star Trek: Discovery stars Sonequa Martin-Green and Michelle Yeoh trekked through the deserts of Jordan to film the opening moments of “The Vulcan Hello,” the pilot episode of the series — and now it seems that show may once more be leaving North America for production on the series’ third season.

On her Instagram Stories today, Sylvia Tilly actor Mary Wiseman shared a pair of images from a trip to the island nation of Iceland, one of which included series lead Martin-Green alongside Discovery executive producer Olatunde Osunsanmi in Reykjavik, the western capital of the country — a strong indicator that at least some portion of Season 3 may be filmed there.

‘Discovery’ executive producer Olatunde Osunsanmi (left) and Sonequa Martin-Green.

While it’s a nice surprise so see the show hop on a plane once again — and we can’t wait to see what Burnham and Tilly are up to! — it’s not entirely unexpected. Earlier this year, Discovery production designer Tamara Deverell shared in an interview that the show’s production team were thinking about foreign filming sites — including both Iceland and Scotland — to help represent alien worlds in a way that may not be quite so easy around the Toronto area where Discovery is primarily filmed.

Tamara Deverell, February 2019: [We] looked into going to places like Iceland and Scotland for other planets—that might be in the future for ‘Star Trek.’

With full-on work on Discovery Season 3 set to begin at its Toronto home in July, it makes some logistical sense to take care of any non-Canadian filming up front to avoid future conflicts with later production needs — plus, the June-July timeframe is one of the best times of the year for production in Iceland as well, thanks to the extended, near-24-hour daylight window that is sure to help with the local shooting schedule. (Note the visible sun in Wiseman’s “1 AM” photo above.”)

This trip overseas wouldn’t be the first time Star Trek has visited Iceland, of course; some background imagery for Star Trek Into Darkness was shot on a beach of volcanic rock in the country to represent the barren planetoid where McCoy and Carol Marcus defused the errant Section 31 photon torpedo in that film.

Michelle Yeoh and Sonequa Martin-Green filming in Jordan for the ‘Discovery’ series premiere.

This social media revelation isn’t the first that has appeared on the web this summer hinting at the future for Star Trek: Discovery — a few weeks ago guest director Mark Pellington shared (then deleted) a few photos from his time working on one of the upcoming Short Trek stories which he filmed back in May… featuring USS Enterprise officers Spock (Ethan Peck) and Number One (Rebecca Romijn) seemingly back in action.

Filmed under the working title “Chaos Theory.”
Note the splash of red in the corridor, denoting the Enterprise.
Captain Pike’s crew back on duty.

We’re sure to learn much more about what’s to come for Star Trek: Discovery Season 3, and the upcoming Short Trek tales, when the franchise lands at San Diego Comic Con later this month — so stay tuned for all the latest news as it breaks, here at TrekCore!

Big STAR TREK Plans for SDCC 2019: DISCOVERY, PICARD, and LOWER DECKS All Beaming to Hall H

The Star Trek franchise is about to beam down to San Diego Comic Con in a big way for 2019’s convention, as not only will Star Trek: Discovery be returning for the annual July event, but they’ll be joined by not only the cast of Star Trek: Picard, but we’ll be getting our first look at the animated series Star Trek: Lower Decks too!

Announced today by CBS, the upcoming slate of Star Trek Universe content — a new branding for the overall franchise that launched with licensees earlier this year — will be hitting the coveted Hall H at SDCC this July for a back-to-back-to-back series of panels to kick off the summer convention season.

On Saturday, July 20 at 11:30 AM, a massive ninety-minute ENTER THE STAR TREK UNIVERSE panel will hit the biggest SDCC stage and bring with it Discovery’s Sonequa Martin-Green and Tig Notaro, Lower Decks EP Mike McMahon, and the entire announced cast of Star Trek: Picard in an event sure to give us things to talk about for weeks.

Over 50 years ago, the world was first introduced to what would quickly become a cultural phenomenon for the ages. “Star Trek” broke barriers then and continues to do so now, inspiring people of all generations and walks of life with its celebration of cultural diversity, scientific exploration and the pursuit of uncharted frontiers.

Today, the “Star Trek” universe continues to thrive, exploring all new missions for Starfleet. CBS All Access invites you to join the cast and producers of its hit series STAR TREK: DISCOVERY and be the first to hear about two new upcoming additions to the “Star Trek” universe: the highly anticipated new series STAR TREK: PICARD, starring Sir Patrick Stewart, and the animated series STAR TREK: LOWER DECKS.

The STAR TREK: DISCOVERY cast scheduled to appear includes Sonequa Martin-Green alongside executive producers Alex Kurtzman, Michelle Paradise and Heather Kadin, with series guest star Tig Notaro, who plays Chief Engineer Reno, moderating the conversation.

The STAR TREK: LOWER DECKS panel will feature co-creator and executive producer Mike McMahan and surprise guests sharing an exclusive first look at the upcoming animated series.

STAR TREK: PICARD cast members will come together for the series’ first Comic-Con. The panel will feature Sir Patrick Stewart, Alison Pill, Michelle Hurd, Evan Evagora, Isa Briones, Santiago Cabrera and Harry Treadaway, alongside executive producers Alex Kurtzman, Michael Chabon, Akiva Goldsman and Heather Kadin.

In addition to the on-stage content, CBS will also have a Star Trek booth on the SDCC exhibit floor, where there will be cast and crew from the shows on hand for fan meet-and-greets, as well as a USS Discovery transporter booth.

STAR TREK UNIVERSE BOOTH: U.S.S. DISCOVERY TRANSPORTER EXPERIENCE AND “TREK” TALENT MEET-AND-GREETS, BOOTH #4237

CBS All Access is bringing the “Star Trek” universe to the San Diego Comic-Con Exhibit Hall, Thursday, July 18 through Sunday, July 21, where fans are invited to step aboard the U.S.S. Discovery and travel to strange and distant lands through an immersive transporter experience.

Fans will also have the opportunity to meet some of their favorite “Star Trek” talent in person with meet-and-greets in the booth (#4237), on Saturday, July 20. Comic-Con badges are required for entry.

On top of all that, the studio is set to continue its now-annual tradition of Star Trek prop and costume features, with a gallery exhibit set to run the length of the convention. Returning to the Michael J. Wolf Fine Arts Gallery, a Jean-Luc Picard-centric exhibit will feature screen-used Star Trek items familiar to fans of the Enterprise captain, from his Ressikan Flute to parts of the Borg Queen left over from Star Trek: First Contact — along with a first look at props and costumes from the upcoming Star Trek: Picard series.

JEAN-LUC PICARD: THE FIRST DUTY EXHIBIT

In celebration of Patrick Stewart’s return to his iconic STAR TREK: THE NEXT GENERATION role, “Jean-Luc Picard: The First Duty” is a special exhibition showcasing original props, costumes and other artifacts tracing Picard’s life and Starfleet career. Items on display include his cherished Ressikan flute, the legendary Picard family album, his Starfleet uniforms, models of ships Picard captained and all that remains of the “Borg Queen.”

The gallery also features exclusive first looks at costumes and other items featured in the upcoming CBS All Access series STAR TREK: PICARD. Visitors will have the first chance to purchase exclusive STAR TREK: PICARD merchandise and opportunities for exclusive giveaways. The gallery is located at Michael J Wolf Fine Arts, 363 Fifth Ave., San Diego, Calif. 92101 and will be open Thursday, Friday and Saturday of Comic-Con from 11:00 AM until 9:00 PM and on Sunday from 11:00 AM until 5:00 PM.

If that wasn’t enough, CBS will also be giving away pins to visitors to their SDCC booth and “transporter experience,” including one featuring the Picard family crest seen in Star Trek: Generations… and will give us our first look at characters from the upcoming Star Trek: Lower Decks series.

‘Starfleet Command Visitor Badge’ and ‘Picard Family Crest’ pins

STAR TREK UNIVERSE EXCLUSIVE PINS

A number of exclusive, limited quantity “Star Trek” pins will be available to fans during Comic-Con. All week long, a Starfleet Headquarters visitors badge will be available for those who visit and complete the “Star Trek” transporter experience at the “Star Trek” universe booth. On Saturday afternoon and Sunday, a limited quantity of pins featuring the debut of two characters from the upcoming CBS All Access animated show STAR TREK: LOWER DECKS will also be available from the booth.

At the “Jean-Luc Picard: The First Duty” museum experience at Michael J. Wolf Fine Arts, fans can get an exclusive replica pin of the Picard family crest as seen in STAR TREK: PICARD.

Phew! That’s a big, big push ahead of the launch of the next wave of Star Trek content, with Picard and Lower Decks in production now, and Discovery heading back to Toronto to start filming Season 3 of that series later this month.

Stay tuned to TrekCore for all of the latest news as we get closer to the July 20 Star Trek Universe event, and of course all of our coverage once we get to the big day itself!

Mego Includes Second STAR TREK Pilot Uniform in San Diego Comic Con Exclusive Spock Gift Set

The classic Star Trek action figure brand Mego kicked off its revival from history at last year’s San Diego Comic Con event, and has continued to roll out new entries from its 1970s-era toy lineup over the last several months — including some new items we saw at their ToyFair booth back in February.

This summer, the brand returns to SDCC (via Gamestop/ThinkGeek) with another entry in the growing list of 2019 Star Trek exclusive releases: a special “Mr. Spock” collection which includes three previously-released Mego character variants — the standard Science Officer uniform, Spock’s dress uniform from “Court Martial,” and alternate head and uniform to represent the Vulcan’s Mirror Universe counterpart — but also, for the first time, the once-off ‘command gold’ uniform seen in the series’ second pilot episode.

Mego’s “Spock” gift set. (Photo courtesy MegoMuseum.com)

It took a few episodes for uniform assignments to be sorted out in the earliest days of the Original Series: while Uhura wore gold in “The Corbomite Maneuver,” Spock wore gold and Sulu wore blue in “Where No Man Has Gone Before,” the second attempt at launching Star Trek on NBC.

It’s not often that licensees release a version of this uniform for Spock; while there have been a small collection of Spock products over the years from Playmates Toys and Diamond Select featuring the gold uniform and unusual raised collar, it’s one that isn’t much used thanks to the ubiquity of the Vulcan’s iconic blue standard tunic.

If you’re going to be in San Diego and this Mego collection of Spock variants is in your wheelhouse, they will be available at the ThinkGeek booth (#3349) during the convention for a price of $40.

Upcoming 4K Kelvin Timeline Trilogy Set to Include 2016 STAR TREK BEYOND Retailer-Exclusive Bonus Disc

The other week we told you about the new-packaging Blu-ray release of the three Star Trek Kelvin Timeline films, available in stores and online now — but now we’ve confirmed that the soon-to-arrive 4K version of this trilogy will not only bring along the new artwork and Kelvin Timeline history poster on July 15, but it will also include Star Trek Beyond‘s extra bonus features as well.

This expanded, nine-disc version Star Trek Trilogy release is the first time the Kelvin Timeline films have been available in an all-encompassing Blu-ray and 4K collection, and unlike the standard three-disc release in stores now, this set looks to include every bonus feature ever put on disc from Star Trek ’09, Star Trek Into Darkness, and — for the first time included — Star Trek Beyond.

Back in 2014, Paramount released Star Trek: The Compendium which included all of Trek ’09’s content along with a roundup of all retailer-exclusive Star Trek Into Darkness material — including the iTunes-only ‘enhanced commentary’ for that film, and the once-elusive IMAX aspect ratio presentation — which made home media collectors who had hesitated buying up to three versions of Into Darkness during its first home media cycle.

Now, the 4K Kelvin Timeline trilogy set is set to complete the same task for Star Trek Beyond, bringing aboard not just the Compendium content for the first two movies, but also the 2016 Target-exclusive bonus Blu-ray disc for Beyond, doubling the bonus content for the third film.

The content directory from 2016’s Target-exclusive “Star Trek Beyond” disc.

We’ve confirmed with Paramount that the second disc pictured in the above press image is an exact match to the listing of content on the 2016 Target disc with all of the features pictured above.

The one thing that still appears to be excluded from this collection is the iTunes-exclusive Star Trek Beyond commentary track, which to date has not been available on any physical release of the film. (Should we learn otherwise, we’ll update this post with additional information.)

Along with those Beyond extra features, the set also includes each Kelvin Timeline film in 4K UHD, along with digital codes for each of the three films. The nine discs arrive packed in two cases (with 4K and standard Blu-ray discs packaged separately) in a large slipcover, and include the fold-out Kelvin Timeline history poster that is included with the standard trilogy set.

The 4K UHD edition of the Star Trek Trilogy: The Kelvin Timeline is set to arrive on July 15, and as of this writing is an Amazon Prime member exclusive release, with a preorder price of $59.99.

Star Trek
Kelvin Timeline

Blu-ray Collection

Star Trek
Kelvin Timeline

4K + Blu-ray Collection

Michael Chabon Set as STAR TREK: PICARD Showrunner

While it’s been somewhat assumed up until this point since his name was announced as part of the Star Trek: Picard development team last year, today CBS has made it official: writer and executive producer Michael Chabon is serving as the showrunner of the upcoming Star Trek: Picard series now in production.

In a formal press release from the studio sent out this morning, Trek franchise boss Alex Kurtzman sang praise for Chabon’s talents, sharing his appreciation for the writer who joined the Trek franchise by writing last year’s “Calypso” entry in the Star Trek: Discovery Short Treks series.

June 27, 2019 – Pulitzer Prize-winning author Michael Chabon has been named Showrunner of the upcoming STAR TREK: PICARD series. Chabon is working closely on the day-to-day production of the series with Academy Award winner and veteran “Star Trek” writer and producer Akiva Goldsman, and Alex Kurtzman, who continues to oversee the expansion of the growing “Star Trek” universe for CBS Studios.

“Daring, lyrical, humane, whimsical, celebrated: words that describe both Jean-Luc Picard and the literary genius of Michael Chabon,” said Alex Kurtzman. “Despite a laundry list of accomplishments most writers only dream of, Michael shines with the heart and soul of a Trekkie who’s finally found his dream job. We’re so fortunate to have him at the helm as we explore this next chapter in the great captain’s life.”

“‘Star Trek’ has been an important part of my way of thinking about the world, the future, human nature, storytelling and myself since I was ten years old,” said Michael Chabon. “I come to work every day in a state of joy and awe at having been entrusted with the character and the world of Jean-Luc Picard, with this vibrant strand of the rich, intricate and complex tapestry that is ‘Trek.’”

Michael Chabon is the bestselling and Pulitzer Prize-winning author of the novels “The Amazing Adventures of Kavalier & Clay,” “Moonglow,” “Wonder Boys,” “The Yiddish Policeman’s Union,” “Telegraph Avenue,” “The Mysteries of Pittsburgh,” “Summerland,” “The Final Solution,” “Gentlemen of the Road;” the short story collections “A Model World” and “Werewolves in Their Youth;” and the essay collections “Maps and Legends,” “Manhood for Amateurs,” “Pops: Fatherhood in Pieces” and “Bookends.” Chabon’s screenplays and teleplays include “John Carter,” “Spiderman 2,” “Unbelievable” – which he wrote with his writing partner and wife, the novelist, essayist and television writer Ayelet Waldman – the STAR TREK: SHORT TREKS episode “Calypso” and “Q&A” among others. In addition to the Pulitzer Prize, Chabon has won the Hugo, Nebula, Mythopoeic, Sidewise and Ignotus awards (Spain’s Hugo Award) and many others.

https://www.instagram.com/p/BvNqujtA5it/

The first two hours of the show were directed by Star Trek: Discovery vet Hanelle Culpepper, with the second pairing of episodes directed by longtime Trek contributor Jonathan Frakes.

Keep checking back to TrekCore for all the latest news about the show as it breaks!

Diamond Select: SDCC-Exclusive Gold ENTERPRISE-C

Announced today from longtime Star Trek licensee Diamond Select, the company will be bringing it’s long-awaited USS Enterprise-C model to market for the first time this July… as a golden San Diego Comic Con exclusive.

Last summer, Diamond Select showed off its prototype Ambassador-class Enterprise-C model at the annual San Diego event — we got a good look at it at New York Comic Con this past October — and now Rachel Garrett’s ship is headed to SDCC as a limited-edition gold variant for fans attending the giant convention in July.

The Enterprise C has left space dock, and her first stop is SDCC! Painted gold as it is often seen on the walls of the Enterprise, this model of the Enterprise C measures approximately 16 inches long, the first time the iconic ship has been done in this scale. Packaged in a full-color window box, it includes a display stand. 

The Diamond Select golden Enterprise-C will be limited to just 250pc at SDCC when the event kicks off in July, and the model will retail for $60.

There’s no word yet as to when Diamond Select’s “regular” Enterprise-C model will be available for general purchase, but as soon as we know more about that plan we’ll be sure to let you know here at TrekCore!

Review: Looney Labs’ STAR TREK CHRONO-TREK Game

Looney Labs is releasing the latest entry in its collection of Star Trek licensed games with Star Trek Chrono-Trek this summer — a themed re-imagining of their existing Chrononauts game, where time travelers jump through alternate histories and attempt to repair paradoxes caused by mischievous meddlers.

The Star Trek universe has no shortage of such time-hopping troublemakers and predestination problems that we’ve watched intrepid Starfleet crews tackle over the years. Now, it’s your turn to slingshot around the sun and change the fate of the multiverse!

Editor’s note: This review contains photos of a pre-production printing of Chrono-Trek provided to TrekCore by Looney Labs. While artwork and other content is final, any text legibility issues on the cards are expected to be resolved for the retail release.

This game boasts 32 possible identities for players to adopt, including the starship crewmembers from your favorite TV series, enemies (the Xindi and the Borg), potential allies (Gary Seven from “Assignment Earth” and Guinan), and folks just along for the ride (Berlinghoff Rasmussen from “A Matter of Time” and Cyrano Jones from “The Trouble with Tribbles”).

Each of them has a way to benefit from a potential alternate timeline – and since player identities are secret, you’ll never know who is working toward what temporal paradox until they drop an “Inverter” card and jump to a world where all tribbles have been eradicated from existence.

Star Trek Chrono-Trek uses the same art style as Looney Labs’ recent Fluxx games and the same core mechanic of Chrononauts; this game exists in a middle ground right between the two in terms of complexity and style of play. You lay out a sequence of 36 “Timeline” cards, forming a sort of central board with events from the history of Star Trek’s wide universe — which covers all the television series and films between from the early days of the Original Series to the final season of Star Trek: Enterprise.

By drawing and playing cards from the deck, you can flip over linked card sequences in the timeline to spawn alternate histories, collect creatures and relics (like humpback whales or Data’s severed head), or throw a self-sealing stem bolt into your neighbor’s warp drive by stealing away their items and cards.

The game has four difficulty levels based on how hard the characters’ goals are to accomplish. Level 1 and 2 are functionally equivalent, requiring one timeline divergence and one item for victory. The Fluxx-like chaos is on full display here, since there are so many cards that allow swiping items or fishing through the deck for specific cards.

In my experience, it was common for the game to end after only one or two rounds — often without some players getting a turn to play.

Where this game really shines is Level 3. The characters at this level require more conditions to be in place to win, preventing games from ending in a flurry of activity in the first few rounds. Players will have a chance to collect and play cards that counter each others’ actions; many goals among these characters are directly opposed or share required items, so there is a lot of built-in interaction that is missing from the lower difficulty levels.

Level 4 has villains who rely on “Fracture” cards for their nefarious plots. These cards represent escalated levels of paradox found when multiple variations in the timeline converge on a particularly extreme future.

For instance, if Quark profits from his trip to Roswell in 1947 (“Little Green Men”) by sharing advanced technology in the past and Benjamin Sisko takes a leave of absence instead of assuming command of Deep Space 9 (“Emissary”), it’s possible for the Federation to be “Conquered By The Dominion” – one of the key conditions for the Founders to win the game.

These Fractures also cause downstream effects through history – if another player relies on an event that takes place later in the timeline, they can no longer win the game as the timeline they need simply disappears from the universe until the events leading to the Fracture are repaired.

It’s possible to play with a mix of difficulty levels, with the harder levels granting players extra cards, but I would recommend keeping 1 and 2 separate from 3 and 4. Even just among level 4 characters, some only require two specific cards to win, while poor Emperor Kor needs a whopping six, the most of anyone in the game by far.

And if you draw Q, you are almost playing an entirely different game from everyone else — Q wins by waiting for the Devron anti-time anomaly (“All Good Things…”) to expand backward through time and prevent humanoid life from forming.

The “Event” cards that trigger the anomaly expansion are scattered through the deck and must immediately be played by any player drawing it, so Q is doing whatever he can to delay others from meeting their goals without having to focus on collecting items or altering timeline events.

The “Q wins” condition is just one great example of the incredible attention to Trek lore that is visible throughout this game. Timeline events, Inverter cards that alter history, and even the specific goals tied to characters, show a remarkable level of knowledge and care that went into crafting each card.

You can see deep cuts spanning all of the Star Trek series, like Andorian officer Thelin from “Yesteryear,” or that the timeline event “Borg destroyed by Voyager” as seen in the episode “Endgame” is technically an alternate history while “Voyager returns home after 23 years” — the original fate of Janeway’s crew — is the default position for the card.

Also great are subtle details in the character art, such as characters originating in alternate timelines (Admiral Janeway or Evil Spock from “Mirror, Mirror”) having slightly different lighting and texture to their illustrations when compared to crew from the original realities.

That same level of specificity put into every card also leads to a drawback, however: many “Action” cards allow you to search for a particular card by name from the deck, the discard pile, or another player’s hand. There are characters like Dr. Phlox, who needs to accumulate a collection of “Lifeform” or “Beverage” artifacts, and you may not know the names of every card in those categories off of the top of your head.

Similarly, every Inverter card does the same thing (flip a timeline card) but each one has a unique name of a time-travelling tool associated with it, like the Timeship Aeon (“Future’s End”). A cheatsheet for events necessary to trigger each Fracture card is included for players using Level 4 characters – a card listing all Artifacts or Inverters would be useful for players at every level of difficulty.

For more on how the game is played, we recommend this walkthrough demonstration with the gaming developers from this past March at the GAMA trade show.

Star Trek Chrono-Trek offers a chance to take a ride through the twists and turns of the Star Trek timeline, with the art (and chaos) you know from Looney Labs’ editions of Fluxx.

Keep and eye out for Chrono-Trek at your local game store this August, or look for it on sale at the FanSets booth at the Las Vegas Star Trek convention if you’re attending the event!