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Review: STAR TREK: DISCOVERY — “The Enterprise War”

A shattered ship, a divided crew—trapped in the infernal nightmare of conflict!

Hearing of the outbreak of hostilities between the United Federation of Planets and the Klingon Empire, Captain Christopher Pike attempts to bring the U.S.S. Enterprise home to join in the fight.

But in the hellish nebula known as the Pergamum, the stalwart commander instead finds an epic battle of his own, pitting ancient enemies against one another—with not just the Enterprise, but her crew as the spoils of war.

Lost and out of contact with Earth for an entire year, Pike and his trusted first officer, Number One, struggle to find and reunite the ship’s crew….

…all while Science Officer Spock confronts a mystery that puts even his exceptional skills to the test — with more than their own survival possibly riding on the outcome!

John Jackson Miller returns to Star Trek with his first novel since the 2016 Prey trilogy, to pen the fifth Star Trek: Discovery tie-in novel: The Enterprise War.

The Enterprise War tells the story about what happened to the USS Enterprise during the Klingon War — while the USS Discovery had its Season 1 adventures — and what Captain Pike and crew were up to as Starfleet ordered the ship to stay away from the war… and why, when the Enterprise finally arrives on the scene in “Will You Take My Hand?,” it is in such bad shape.

Miller’s novels have a distinctive style: a lot of fun. That style continues in spades with The Enterprise War. While it deals with serious topics and has a strong message about the futility of war and the importance of dialogue and communication, even with those you might consider monsters, it is always a fun read.

The Enterprise War is the most successful tie-in effort to date that has attempted to mesh together the colorful joie de vivre of the Original Series with the aesthetic of modern Star Trek, and Discovery in particular. And while the book has Star Trek: Discovery branding on the cover and the appearance of several characters unique to Discovery, it would not have felt out of place if it had been branded under the original Star Trek either.

The Enterprise’s crew work as both the Jeffrey Hunter led depiction in “The Cage” and the Anson Mount version of Star Trek: Discovery season two, and the book does a really nice job of bridging the gap, particularly for the Pike character, between the two actors’ portrayals.

And honestly, there were times where I felt like the Bruce Greenwood depiction of Pike was also peeking through, particularly in the character’s relationship with Spock in the latter part of the novel.

The same goes for Spock; I found my mental depiction of the character easily shifting from Ethan Peck to Leonard Nimoy, which is the best sign that Miller nailed the character irrespective of any one actor’s performance.

We also get some additional depth for characters that appeared in Star Trek: Discovery Season 2, including Lieutenant Connolly (who died in the season premiere “Brother”), Lt. Commander Nhan (a fan favorite after she transferred over to Discovery), and Number One (who gets considerably more to do here than she did in Discovery.)

Nhan is particularly delightful, and if you loved Rachael Ancheril’s performance in Discovery you will enjoy the character here also. But the character who benefits the most from the novel treatment is Connolly.

In “Brother” he was a one note character, whose arrogance ultimately got him killed. The Enterprise War spends a lot of time with the character, and his experiences in the novel contribute strongly to turning him into the man we meet — and say goodbye to — in “Brother.”

Miller’s Star Trek novels to date have been marked by their innovative approach to traditional Star Trek concepts, and the same holds true with The Enterprise War. The novel has new takes on starship combat, emergency procedures, and one sequence in which Pike and crew find themselves in a very difficult situation aboard the Enterprise that they must think their way out of — and while many of these are difficult challenges for our characters to overcome, they still remain fun in Miller’s hands.

The primary antagonists of the novel, the Boundless and the Rengru, share a number of similarities with the Xindi from Star Trek: Enterprise in concept and execution, but there are sufficient dissimilarities to make exploring the culture of both a fascinating experience. The Boundless, particularly, and their way of fighting a war, explores a number of ideas that have not been seen much on televised Star Trek.

Miller splits up the crew of the Enterprise and puts them through their paces, which provides more characters than just Pike the opportunity to shine. The narrative decision to do so lets a number of characters set up their arcs for Star Trek: Discovery Season 2, including Spock who ends the novel where Discovery finds him in early Season 2.

The Enterprise War has all the hallmarks of a great episode from the classic Star Trek series. The crew of the Enterprise go up against an implacable alien species who are convinced of their ways, and using the values of Starfleet and the Federation’s commitment to science make a positive impact on their future – but not without plenty of action and adventure along the way.

Coming out of Star Trek: Discovery Season 2, there has been a lot of interest in a Captain Pike show, and The Enterprise War helps satisfy some of that interest – for now. Miller does a great job of bridging the Enterprise characters between “The Cage” and “Brother” while staying true to both sets of actors’ work. We’re five for five on high quality Discovery novels.

Here’s hoping the streak continues with the next entry in the Star Trek: Discovery novel line, December’s Dead Endless!

REVIEW: Deleted Scenes, Fan Testimonials and More Fill the WHAT WE LEFT BEHIND Blu-ray Release

When TrekCore originally reviewed What We Left Behind, we let everyone know that the end credits were legitimately as good as anything in the movie. They were funny and insightful, but most importantly they intelligently highlighted a myriad of topics that ended up on the cutting room floor.

With that in mind then, it is absolutely no surprise that the home video release of the film now includes two hours of deleted scenes and special features that are every bit as entertaining as the brilliant documentary, and well worth your time and gold-pressed latinum.

The bulk of the new features are included in a section of the disc titled “What We Left Out: Deleted Moments” and, when played concurrently, the 17 extra vignettes describing the making of the iconic series are basically a second documentary. The clips total an extra 47 minutes, and are highlighted by “The Toughest Episode,” “Our Friends Behind the Camera,” “Family Tensions” and “One Last Punch.”

Filming on location for “The Toughest Episode.”

Below are brief summaries of each of the fully realized deleted scenes.

The Toughest Episode (3:30)

Brilliantly recounts a brutal location shoot in the heat on “Rocks and Shoals,” with first AD BC Cameron describing what she called “the hardest show I’ve ever done, by far.”

Nog’s Sisko Encounter (2:30)

Aron Eisenberg touchingly remembers the joy of working with Avery Brooks and how he wanted to return on screen everything Brooks gave to his fellow actors.

The Trouble with Onesies (3:47)

The less said about the uncomfortable story told in clip, the better. Stories about pranks on set are all well and good, but honestly the tone on this one is a misfire.

Brotherly Love (1:54)

Armin Shimerman and Max Grodénchik discuss their mutual admiration and recount the oft-heard story about their casting as Quark and Rom.

The Alaimo Way (1 :17)

Some extra introspection from the always animated Marc Alaimo.

Michael Westmore talks about early designs for Trill makeup.

Jimmy’s World (3:45)

Some interesting backstory from James Darren on how he got his start in the business.

The Other Changeling (2:25)

Rene Auberjonois fondly recalls working closely with Salome Jens.

The Death of Baseball (1:45)

Ira Steven Behr tells a great story about Michael Piller’s love for baseball, and how he killed it in the 24th century in his very first script for Star Trek, and how it was his goal to resurrect it at some level on DS9. Pillar’s reaction to both statements? Silence and the same wry, crooked smile. “He killed the thing he loved to get the best job he ever had,” said Behr.

Michael’s Hidden Talent (1:22)

A fun story from Star Trek executive producer Rick Berman telling a story about Michael Piller surprising them in a hotel lobby with his piano skills.

The Gift of Anger (1:51)

A hilarious story from JG Hertzler about an argument between Avery Brooks and Rene Auberjonois on the set of “Far Beyond the Stars.”

Westmore’s Spots (4:50)

Michael Westmore describes the inspiration for his work, including how he designed Jadzia’s spots and Odo’s mask.

Raw footage of Jimmy Darren “Finding Vic” on set.

The Virgin Door-Opener (1:44)

Want to know more about the automatic doors on Star Trek? Done!

Family Tensions (2:14)

Fascinating story about an on-set argument between Avery Brooks and Rene Auberjonois.

Finding Vic (2:29)

An excellent Vic Fontaine casting discussion between Ira Steven Behr and James Darren.

One Last Punch (2:31)

Stunt coordinator Dennis “Danger” Madalone and Marc Alaimo go into details on the well-known story of when Avery Brooks accidentally punched Alaimo in the face during the fire caves scene from “What We Leave Behind,” the DS9 series finale.

The Fuzzy Tribbles (3:33)

A tight vignette detailing some of visual effects work that went into crafting “Trials and Tribble-ations.” Nothing new here, but great, nonetheless.

Supervising producer David Livingston talks about having to “be the bad guy” behind the camera.

Our Friends Behind the Camera (6:00)

One of the highlights of the entire disc, this piece begins as a nice highlight of some of the below-the-line work being done by various line producers (Steve Oster, Robert Della Santina) and assistant directors (BC Cameron, Lou Race), but ends with some good-natured jabs aimed toward prolific Trek director David Livingston.

Livingston served most of his career on Trek in the contrasting positions of supervising producer (responsible for hitting timelines and budgets) and director (a creative role in which budgets aren’t a focus). “Directors should have the conscience of a rattlesnake,” said Livingston. Through the years, if you’ve read through the lines, anytime there has been an interview about Livingston, his co-workers and cast have hardly spoken about him effusively.

In this extended clip we finally get a few candid reactions — softened by 20 years, obviously — about the way in which he approached his two positions single-mindedly and inconsistently based on the job he was serving at that time. “That’s the job. If you get hired for the job, do that job… It’s very schizophrenic. But you have to make the split,” said Livingston, unapologetically.

Ira Behr plays poker with the documentary team.

In addition to the deleted scenes, the release includes several other vignettes and interview features.

An Intro from Ira & the Gang (1:42)

The filmmakers, led by Ira Steven Behr, are sitting around a poker table playing Go Fish (of course) and introduce the special features, revealing that many of them were in the documentary at one point, but for various reasons ended up on the cutting room floor.

A Brief History of DS9 (3:19)

This segment, as revealed by Behr, was initially planned to be part of the opening segment of the documentary, and it’s a mostly by-the-numbers summary of the series, led by university professor and Star Trek fan John Putnam.

The piece, however, is splendidly punctuated by a couple of surprise appearances by “student” Jonathan Frakes, listening to Putnam’s lecture, and at one point declaring, “That’s why you’re the professor, and I’m just a Star Trek icon.” (He also is shown not remembering Michael Dorn’s name, so, yeah, this bonus feature is pretty great.)

Jonathan Frakes goes to ‘Deep Space Nine’ school.

More from the Fans (12:39)

One of the strengths of the original documentary release is the inclusion of so many heartfelt testimonials from the fans of Deep Space Nine. These additional outtakes, introduced by De Mello-Folsom, include several passionate fans recounting their love for the series.

The clips add both emotional weight and frivolity to the proceedings, and more than one or two will leave you teary-eyed.

Variety Photo Shoot (1:45)

A short compilation of clips from the 2018 Variety cast photo shoot set to music. The laughs and smiles of your favorite cast members will make you feel like you were a fly on the wall at the reunion.

Filmmaker HD Roundtable (15:21)

This is the same feature that was screened after most of the film’s theatrical showings earlier in the year.

It’s a detailed piece on the process that the filmmakers, including co-director David Zappone and producer Kai De Mello-Folsom, went through in order to piece everything together and maximize their HD output. The piece is dry, but also very informative.

The Shout! Factory ‘special edition’ Blu-ray.

Shout! Studios, who managed distribution and release of the documentary in theaters and on home media, has their own special limited-edition version of the Blu-ray release available from their online store, with a bonus disc which includes two additional features.

A Roundtable Look at Making the Documentary (53:50)

This extended version of the “HD Roundtable” discussed above spends its lengthy running time allowing the production team to discuss the genesis of the documentary, the six years of time it took to put the film together, the massive impact of the fan fundraising campaign, the integration of the “Season 8” writers room footage, and a look back at the participation of so many Deep Space Nine series actors and contributors for the documentary’s interviews.

The longer running time doesn’t necessarily add dynamism to the conversation, but the depth of information included is certainly fascinating.

Composers Kevin Kiner and Dennis McCarthy talk Trek music.

A Musical Reunion (10:31)

It’s never a bad idea to include a behind-the-scenes vignette on Star Trek’s great musical composers, and this sit down with Kevin Kiner and Dennis McCarthy (the man who composed the famed DS9 theme) is an interesting look at their work and process.

Two composers discuss their mutual admiration and partnership in working on the score for “What We Left Behind,” which includes the fact they weren’t able to use the original DS9 theme over the opening and closing credits because of licensing restrictions, and how McCarthy re-worked it for the documentary.

The composers also go into details on the interesting dichotomy of scoring a documentary that also included elements of a new episode, with the Season 8 clips.

For those who contributed to the Indiegogo fundraiser campaign, the special ‘Backer Edition’ version of the What We Left Behind Blu-ray includes — along with special cover artwork — two additional features exclusive to that release, starting with an informative Technical Info Track which basically serves as a behind-the-scenes text commentary for the documentary.

That version of the disc also includes a section from the Indiegogo Campaign Video Vault with 11 promotional videos shot by Behr’s crew (and including the likes of Jonathan Frakes and Andrew Robinson, among others). The 25 minutes of fun videos created for the fundraising campaign may not be something you thought you needed to see again, but they are a gratifying walk down memory lane for anyone who was part of the documentary’s pitch from the beginning.

The Indiegogo contributor backer disc also includes A Musical Reunion, discussed above.

Ira Behr, Robert Hewitt Wolfe, and René Echevarria plan out DS9’s “Season 8.”

Regarding the “Season 8 Writer’s Room” story featured throughout the documentary, if there is one thing sorely missing from the extras on this disc, it’s more from that session with the architects of Deep Space Nine.

“Season 8” was expertly woven into the fabric of What We Left Behind, but when you know that the writers met for six hours to hash out their new episode — and only 20 minutes of that discussion is seen in the film — it leaves you longing for more. It would have been nice to see more of the writers’ room process in its entirety, especially when we learn via the technical commentary that elements like a child between Bashir and Ezri were part of the story, but not included.

Captain Sisko’s office serves as home base for the Blu-ray menu.

The overall presentation of the home release is also a success. The main menu on the disc serves up an HD view from Sisko’s desk, with his computer showcasing clips from many a familiar face, and there is even a brief silhouetted glimpse of Ira Steven Behr himself walking through Ops outside Sisko’s door.

On the Indigogo backer disc, the ‘Chapters’ menu contains a beautiful HD look at the mural in Quark’s bar, complete with sound effects from a spinning dabo wheel. The menu in this area is slightly clunky to navigate, but it includes a comprehensive breakdown of 32 different chapters to easily skip to whichever section of DS9’s history you are in the mood for.

Adding even more to the immersive feeling of the disc, the ‘Setup’ menu is an HD ops panel and the ‘Bonus Features’ menu features a zoom across the Defiant bridge and into the viewscreen, in HD, of course.

Behr interviews a young fan about her thoughts on ‘Deep Space Nine.’

Overall, as  we said in our original review. What We Left Behind is now the definitive and best Star Trek documentary ever produced, and this home video release of a myriad of special features only adds to its place in the Trek pantheon.

In addition to the the Blu-ray and DVD releases available for purchase, What We Left Behind is also now available to stream on both Amazon Prime Video and iTunes in the United States — where it is also ready to watch in 4K UHD on compatible devices.

While a physical 4K release of the documentary is not planned at this time, that doesn’t mean we aren’t done talking about the high-def upgrades to the episodic footage — we’re stretching our video-editing muscles as we prepare to get back to our SD-to-HD video comparison series for Deep Space Nine thanks to the new Blu-ray availability… so stay tuned!

Jim Moorhouse is the creator of TrekRanks.com and the TrekRanks Podcast. He can be found living and breathing Trek every day on Twitter at @EnterpriseExtra.

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Interview — Looking Back on Ellen Landry with STAR TREK: DISCOVERY’s Rekha Sharma

Last week at the official Star Trek convention in Las Vegas, we had a few minutes to catch up with Star Trek: Discovery actor Rekha Sharma, who played two versions of Ellen Landry — the right hand to Gabriel Lorca in both the prime and Mirror universes — during the first season of the show.

Sharma returned to the Trek franchise in 2019 by way of Star Trek Online, where she revisited Starfleet’s version of Landry in Rise of Discovery, a storyline set in the months before ‘prime’ Lorca was replaced with his alternate-universe counterpart.

We caught up with the former Battlestar Galactica co-star to chat about her role in Star Trek Online and more.

Ellen Landry on duty aboard the USS Discovery.

TREKCORE: The first season of Star Trek: Discovery shares a dark sci-fi tone with Battlestar Galactica. Did your time playing Tory Foster on that series prepare you to take on the role of Ellen Landry?

REKHA SHARMA: Yeah, certainly…. I would say yes, it did help prepare me for my role on Discovery, even just being on a ship. Part of me felt like I was home when I walked onto the Star Trek sets because being on a ship is familiar to me, being on a battlestar, being on Colonial One. Something about walking on those semi-circle hallways, and just being surrounded in metal feels very much at home. [Laughs]

[They are both] essentially war stories, and so once you put yourself into that world of ‘we’re running, we could be killed at any moment,’ I think that hangs around, that stays with you. Of course, there are different things about the Star Trek story, but there is definitely some crossover.

TREKCORE: You’ve portrayed two versions of Landry, both in the ‘prime’ universe and in the Terran Empire. Which was more difficult to play?

SHARMA: I don’t know if I can say one is more difficult than the other. I’ll say that I actually enjoyed the Mirror version more because ‘prime’ Landry had it kinda harder in some ways. It was there on the page, in the circumstance of what ‘prime’ Landry had gone through. And then, of course, when we came to Mirror Landry, we tried to figure out how is she the Mirror version, and how do we do this, and we decided to make it quite subtle.

We actually just figured it out right on the day, just before we started shooting the scene, we were like, “How can we do this?” And it was a conversation between myself, [writer/producer] Ted Sullivan and [director] Olatunde [Osunsanmi] about where does she live — and we decided not to make it a drastic change, but something more subtle.

What I realized is that given the nature of the story, Mirror Landry is actually a freedom fighter. She’s living in an oppressive culture which was kind of a simpler story, which in some ways…the Mirror Universe is less complicated for Landry.

Two versions of Ellen Landry.

TREKCORE: Commander Landry really has a no-nonsense attitude when it comes to her support of Captain Lorca. 

SHARMA: Absolutely. I mean, he made things very clear. He was not like other captains! [Laughs]. And particularly he made them very complicated with Landry and um…yeah, very unfortunate. That’s part of the story, and I’m glad we dared to tell that. Subtly, but it was in there.

TREKCORE: Do you have any fond memories of working on the 2009 reboot of V on ABC? You were particularly memorable on that show, playing yet another villain…

SHARMA: Thank you. Yeah, you know, sometimes you gotta just be a lizard and just eat people! You gotta do what you gotta do. [Laughs] I would say the most memorable (experience) was my death, when I’m tortured to death by somebody who’s now a dear friend, Charles Mesure, he played Hobbs. It was an intense day.

TREKCORE: If you’re going to be tortured, it’s best to have it done by a friend, right?

SHARMA: Yeah, yeah, I think that bonded us for life! He was always just like, “God, you’re like, the last person I wanted to kill, and they’re making me do that.” Then I’m screaming and crying, and he’s like, “This day sucks.” [Laughs]

Sharma joins the team from ‘Star Trek Online’ on stage at STLV 2019.

TREKCORE: Your support of the charity Race to Erase 22 is commendable. What encouraged you to join the fight against PTSD-related suicide among military veterans?

SHARMA: You know, I had the pleasure of meeting a couple of lovely men who are still in my life, who fought in Iraq.

One of them is Josh Flanagan, who was at our event this year. He actually flew in from Austin that morning. He’s a good friend. Also Ernesto Rodriguez, he goes by “Nerd Nesto” online, and he walked across the country 2,200 miles, he actually went a little bit over to raise awareness about this situation. He fought in Iraq for a very long time. He’s been through a lot.

Between these two men I learned a lot about it, in moving to the US. So being Canadian, and not knowing about this tragedy of 22 people on average killing themselves daily… it just shook me to my core. In my mind growing up, it was like, that was like a thing of the past. Because we learned, right? We learned from Vietnam, and we weren’t gonna do that anymore.

Something about moving to the States [from Canada] and becoming friends with these men woke me up to the fact that no, it’s happening right now, and these sweet people that I adore are struggling daily from what they’ve been through. So I was very grateful for that wakeup call, and yeah, I just want to do whatever I can.

Next year, we will be doing the [Donuts for Vets benefit event] again. I believe it’s Saturday, June 6th,, which is the day after National Donut Day [a day to celebrate men and women who served soldiers donuts during the First World War], but it happens to fall on D-Day. A lot of the fans had said they were bummed that they couldn’t come on Friday, since National Donut Day always falls on a Friday. So we thought, you know what? Let’s cheat a bit and just move it to Saturday, so that all of you who work can come on Saturday.

Rekha Sharma can be heard voicing Ellen Landry in Rise of Discovery, playable now on PC and console gaming versions of Star Trek Online.

Hallmark Unveils 2020 STAR TREK ‘Storyteller’ Releases

Last weekend at Hallmark’s panel at the annual Star Trek convention in Las Vegas, the team from the company’s PopMinded division debuted a first look at their plans for 2020’s holiday ornament offerings.

Unlike years past, where the annual ornament releases would include characters, ships, and scene recreations from memorable moments in Star Trek history, Hallmark will be spending the next three years rolling out the first line of Trek “Storyteller” ornaments — a collection of electronic, ‘intelligent’ releases which coordinate to perform the classic episode “Mirror, Mirror.”

Hallmark representative Kevin Dilmore explained how the team had to find an episode of the Original Series which gave each member of the show’s cast something meaningful to do — not just a casual “yes, sir” or “hailing frequencies open” — and they landed on “Mirror, Mirror,” not only a famous episode of the show but also one that allows each character ornament to work independently from the others if bought separately.

Each of the character ornaments contain audio from the episode, and will play back lines from the episode on their own — but when brought together, the ornaments will communicate with each other with built-in radio technology to replicate scenes from the episode where those characters interacted.

Once all seven $29.00 ornaments are released — Kirk, Spock, McCoy, Scotty, Sulu, Uhura, and Chekov — the entire set will work together to perform a cut-down, abbreviated rendition of “Mirror, Mirror” for owners.

Dilmore told the audience at the STLV panel that over 250 arrangements of episodic dialogue had to be constructed to account for every possible combination of ornaments, with the consideration that not all collectors may purchase every character — and will keep the ornaments useful until all seven are released.

In addition to the character ornaments, the company is also releasing their first Star Trek tree topper — a classic Constitution-class USS Enterprise.

This $129 release will not only light up and play the series opening and closing themes, but when paired with the Storyteller character ornaments, its built-in tech will coordinate to play appropriate sound effects from “Mirror, Mirror” as well.

The Star Trek Storyteller ornaments aren’t the first in the Hallmark series; the company has previously released Star Wars and Peanuts Storyteller ornaments over the past few years as they expand upon the concept of coordinated presentations.

Here’s a video one Star Wars collector shot of that line of Storyteller products:

While these four releases are going to be it for Hallmark’s wide-release Star Trek contributions for 2020, there’s still an expectation that we may see some convention-exclusive releases announced as we get closer to next summer — like this year’s ISS Enterprise ornament — which would be separate from the Storytellers line.

Are you a Hallmark ornament collector? What are your thoughts on their plans for 2020’s releases? Let us know in the comments below!

 

Trek Comics Review: THE Q CONFLICT #6

I never like finishing reading a Star Trek comic series and that’s how I felt after finishing Star Trek: The Q-Conflict #6.

Okay – don’t get me wrong; it’s not like I’m attaching the welfare of my emotional well-being to this story, but comics are such a flexible and fluid medium for storytelling that it’s like the story shouldn’t have to end. But, all good things… am I right?

That’s the power of comics. This six-issue mini-series was a lot of fun. Scott and David Tipton really don’t disappoint when it comes to adding to the Star Trek continuity of stories. What was enjoyable about this one was that we had a chance to see the crews from four iterations of Trek work together.

Remember how much fun it was to see Kirk and Picard together in Generations? You get the same type of vibe in this comic, but owing to the extended cast, you get a lot more bang for your buck. There’s no way this could have even been done on television, but that’s comics for you.

The story has come to a head now with the different crews in open conflict with Q and to a lesser extent, Trelane, who has proved to be more of an ally than an adversary to Q in this story. The other immortals are clearly bored with this game despite Q’s insistence that it should continue. The crews have received help from the Traveler and Wesley Crusher and the former human-turned-Q, Amanda Rogers. With their assistance, they are ready to challenge Q and end the conflict.

What’s really challenging about doing a story like this is to properly balance the involvement of all the characters. You need to be able to enjoy the characters for who they were in the television shows in order to provide that degree of Trek authenticity. Throughout the series, I think both Scott and David have managed that quite effectively.

For instance, the focus for each of these series has been traditionally the captain of each ship; in other words, their decisions, their plans, and the way the crew supports them has always made up the bulk of the storylines. In this story, the Tiptons have Kirk, Picard, Sisko and Janeway to all manage. Each of them needs their own time in the spotlight in order for them to have the same sort of bearing as they do in their respective shows or else the characterizations in the comic fail to ring true.

In an earlier issue, we saw Kirk literally ram a shuttlecraft through a Borg bulkhead to accomplish the task that Q set out for them. Completely Kirk, and thoroughly what we would expect from this maverick captain. In this issue, we see Sisko’s personality manifest itself in the tactical way he manages the ground battle against Q’s minions.

It’s very reminiscent of the DS9 episode “Rocks and Shoals,” in which we see Sisko’s tactical prowess pitted against the Jem’Hadar. Janeway shows her calming, supportive nature during the planning session and obviously Picard’s own personal involvement with Q is a fundamental part of this story, the other two captains’ encounters with him notwithstanding.

But the understanding of the supportive characters’ natures is also well-portrayed. When Tom Paris manifests his ideal version of a Q weapon, he rationalizes it to be an epitomal 20th century weapon, an AK-47, to be precise. Constable Odo refuses to leave Quark behind because if he does, “he’ll steal the ship blind.” Using Dr. Bashir’s genetically-enhanced abilities in combat is another nod of authenticity the Tiptons add to the story, which adds to its enjoyment.

Comics are the perfect, cost-effective and flexible medium for this sort of premise. First of all, it’s an immense cast. The entire crews of four shows are employed in various facets of the story. Secondly, to depict the unpredictably omnipotent antics of Q and to a lesser extent, the other immortals. But this is when a reader appreciates the visual storytelling of artists like David Messina.

Messina acquits himself well in replicating the Napoleonic guards Q has employed before in TNG episodes for the battle sequences in this story. But he also faithfully recreates classic creatures like the Mugato from the Original Series, the Jem’hHadar from Deep Space Nine, and the Borg as other soldier minions in the battle sequences. Then, with a FWASH!, he easily transforms a battlefield to a court-room. There are a lot scene changes in this book and Messina works hard to make them happen.

Speaking of art, the covers are limited in number but excellent. Messina provides the art for the two-part spanning covers ‘A’ and ‘B.’ Q is in the middle of the image with the other immortals surrounding him. They are flanked by the different captains, with Kirk and Janeway on the left-hand side of Cover A and Sisko and Picard on the right in Cover B.

The retailer-incentive cover is provided by George Caltsoudas. I think this is my most favorite of all his works. it’s a wonderfully styled series of side profiles of the four captains with miniature silhouettes of their starships streaking across the page. It’s dynamic and less abstract than he’s done in the past and I have to say, I love it without pause.

Still, with this issue, another one of the Tiptons’ stories has come to an end. They have all the luck: being comic writers and Trek fans, they manage to pitch the most amazingly wild Trek stories that only the comics medium can deliver.

Combining the crews of four iterations of Trek is definitely an exotic premise, but it’s one they know they can deliver owing to the flexibility of the medium and the excitement of the fans who want to see this premise happen.

Of course, the obvious question to ask is: what do they have up their sleeves for the next time? We’ll just have to wait and see!

REVIEW: XL Starships — Ambassador-Class ENTERPRISE-C

The larger-scale Ambassador-class USS Enterprise (NCC-1701-C) warped into collector’s hands earlier this year, and in the process completed the initial ten releases that Hero Collector had promised for the XL collection when the line was announced.

The battle-damaged USS Enterprise-C, as seen in “Yesterday’s Enterprise.”

The XL Enterprise-C is a significant improvement upon the smaller version from the regular Official Starships Collection, which was met by significant criticisms from fans for both its shape and detailing. Many of the XL-sized models are just sized-up versions of the original release (the most recent release in the line, the XL Runabout, suffers from being such), but it is clear with the Enterprise-C that many of the criticisms of the standard release were heard, and a number of corrections were made.

In fairness to Hero Collector, many of the issues that relate to making a great model of the Ambassador-class derive from the fact that there were — and reports differ on this — either two different studio models of the Ambassador-class ship, or the Enterprise-C underwent significant structural changes following its appearance in “Yesterday’s Enterprise.”

The ship as it appeared in “Data’s Day,” (as the USS Zhukov) and “Emissary,” (as the USS Yamaguchi) had many significant changes from the Enterprise-C model as it appeared in “Yesterday’s Enterprise.” Even structurally, the shape of what I assume to be the two different models deviates in a number of ways, particularly around the nacelles and the secondary hull.

The XL Enterprise-C is in many ways a hybrid of the two ships, but hews much closer to the Ambassador-class from its first appearance in “Yesterday’s Enterprise” than the smaller version released as part of the main line.

The model, like most of the XL line, looks great. The detailing is crisp, and the ship has the heft to it that you would expect for the higher price point. On this ship, the top of the saucer and much of the secondary hull is die cast metal, whereas the nacelles and flat aft section of the secondary hull are plastic.

The biggest change from the standard line release of the Enterprise-C, which is sure to please many fans, is the addition of the impulse engine to the neck of the ship. The engine is painted blue, which is accurate to the “Yesterday’s Enterprise” version of the ship, but is not accurate to the later version of the model where it was colored red — see why this is challenging?

The saucer gets many details right for the “Yesterday’s Enterprise” studio model, except for the painted life boats at the rear of the saucer. Those were not present on the USS Enterprise-C, but were present on the second version of the model that displayed the subsequent ships.

The place where they hybrid nature of this model is most evident is on the nacelles. The “Yesterday’s Enterprise” version had rounder, more bulbous nacelles than the XL model, whose shape sits much more in line with the second version of the model. But it is not completely accurate to that version of the model either; the second model had caps over the nacelles, which are absent on the XL and more true to “Yesterday’s Enterprise.”

The stand for this model is sturdy, and grips it both at the back of the nacelles and around the secondary hull. The placement may detract slightly from the presentation, but there will not be some of the issues with slipping seen on the USS Voyager or the USS Reliant with this ship, and given the weight of the ship other stand placements would likely not have provided as much support.

A few other minor issues with the model include missing stripes around the rim of the saucer, an issue with many of these models — and because the deflector dish is large and clear, you can easily see the support bracket inside the model that is holding the top and bottom of the secondary hull together.

But honestly, none of these issues take away from the fact that this is a gorgeous model, and that Hero Collector has clearly listened to feedback and concerns that fans had about the smaller version of the model in developing this one.

In addition, the Enterprise-C continues the recent trend of ditching the window indentations that has led to such pernicious recurring problems with properly aligning the paint with those indentations. No indentations means no misalignment.

The production history of the Ambassador-class is clearly a fascinating one – were there really two models? Or was the model significantly altered? Why was that? These are all questions worth pondering as you enjoy looking at this fabulous model upon your shelf.

If the Ambassador-class Enterprise-C is a ship you’d like to add to your personal fleet, you can get the 10.5″ starship model from Eaglemoss’ US web shop for $74.95, and in the UK you can pick it up for £49.99.

The Best STAR TREK Las Vegas 2019 Cosplay!

Like many other attendees, we’re still recovering from our week-long away mission to the 2019 Las Vegas Star Trek convention, and while we shared with many of you our favorite costume efforts from the STLV floor last week on social media, we wanted to make sure the rest of you got to share our joy in these wonderful fan creations!

STLV 2019 had a great balance of cosplay from all the television shows and many of the feature films — and even one of the most complicated recreations of on-screen Trek characters we’ve seen in a long time, with a working-wing Red Angel outfit!

We also had a handful of fans representing twists on familiar characters and aliens, and some who even brought some non-Star Trek sci-fi fun to the show floor.

Beauty and the Beast — Jadzia and Worf.
Futurama representation
A visitor from ‘The Orville’

There were also a few Star Trek franchise guest stars putting on their old Starfleet uniforms for panels and fan interaction.

Robin Curtis in ‘Star Trek III’-era Saavik uniform and makeup
Natalija Nogulich as Admiral Necheyev

Here’s our full gallery of all the great Trek costumes we saw over the convention week!

Which of the dozens of outstanding costume ideas is your favorite? Sound off in the comments below!

STLV: Hero Collector Previews Next STAR TREK Models

This past weekend at the Las Vegas Star Trek convention, our friends over at Hero Collector gave us a comprehensive preview of everything the Eaglemoss team has lined up for the next several months of model starship releases!

Hero Collector’s Matt Buss and Chris Thompson lead Saturday’s presentation.

Hero Collector brand managers Matt Buss and Chris Thompson took the stage on Saturday morning to walk the assembled audience through the next additions to the Star Trek and Star Trek: Discovery model starship lineup, along with some new larger-scale XL Starships and even a few bonus and special releases set to leave Spacedock soon.

The team announced that the larger-sized XL Starships line of models has been extended to a total planned run of 22 models — of which 15 have been formally announced to date — and they revealed two of the next mystery models at the event.

After debuting the delayed Akira-class USS Thunderchild (#12) at their convention sales booth — and showing off a product image of the already-announced USS Excelsior (#15)– Buss and Thompson announced that the next two XL-sized releases will be the D’Deridex-class Romulan Warbird (#16)and the first station in the collection: Starbase Deep Space 9 (#17) which will come with a stand for display use.

The remaining five XL Starships models weren’t yet ready to be revealed, but the audience had plenty of suggestions for the Hero Collector team — hopefully we’ll learn more about their remaining plans soon.

Moving on to the bonus and special releases, the team gave us a first look at the next bonus edition, the SS Conestoga from “Terra Nova” (#20), a mid-21st century colony ship from the first season of Star Trek: Enterprise, and expanding the special-edition model line is the first alien ship from Star Trek: Insurrectionthe Son’a flagship (#19) — followed then by Spock’s Vulcan warp sled (#20) from The Motion Picture.

Next up, the Star Trek: Discovery subscription line continues on with four new announcements. Release #19 is the Discovery-era Class-C shuttle, the long-awaited first shuttlecraft model from the new series.

Following that will be Jett Reno’s medical frigate USS Hiawatha (#20), T’Kuvma’s ‘Becon of Kahless’ Klingon obelisk (#21)… and then the flagship of the Terran Empire will round out this set of Discovery ships, as the ISS Charon becomes the second special-edition ship in the series.

For those of you who subscribe to the ongoing Official Starships Collection, the Hero Collector team announced that the series has been officially extended out to 180 issues — so start clearing out some more shelf space now!

Revealed this weekend were seven more issues spanning several Trek adventures, starting with the freighter Batris (#158) from TNG’s “Heart of Glory,” another Nilo Rodis-created USS Excelsior concept design (#159), and the transport ship Sarajevo (#160) from Enterprise’s “Daedalus.”

Following those ships are the Void alien ship (#161) from Voyager’s “Night,” the El-Aurian transport ship Lakul (#162) from Star Trek: Generations, and the Enterprise-era Orion Interceptor (#163) from “Borderland.”

Rounding out the standard-release announcements were yet another Rodis-designed USS Excelsior concept model (#164), as well as the DS9-era Karemma starship (#165) from “Starship Down.”

STAR TREK ONLINE’s Thomas Marrone announces the new ship line.

Finally — as if that wasn’t enough — the Hero Collector team announced that yet another line of starship models will be coming from the collectibles company… and we aren’t talking about tie-ins to the next round of television shows.

At the end of the panel, Star Trek Online lead artist Thomas Marrone came on stage to announce that Hero Collector will be launching an official Star Trek Online subscription program for starship models based on the long-running multiplayer game.

While specific ships were not detailed at the panel, fans of the game can expect many of the dozens of established Star Trek Online vessels to be included when more details are released.

We’ve got several reviews on the way for some of the recent Official Starship Collection releases, but in the meantime: do any of these new announcements already have places in your personal fleet?

Let us know what’s got you excited in the comments below!

STAR TREK: DISCOVERY Season 2 Blu-ray Trailer & Details

We learned at last week’s Star Trek convention that the second season of Star Trek: Discovery is headed to home media release this November, and now we can bring you a full breakdown of the four-disc release, along with the trailer for the Season 2 Blu-ray set.

https://www.youtube.com/watch?v=98WDkjTPl2M

Hitting stores November 12 in the United States as we reported last week, the four-disc Blu-ray set will include four audio commentary tracks — which will include participation from actors Sonequa Martin-Green (Burnham), Anson Mount (Pike), and Ethan Peck (Spock), along with directors Alex Kurtzman, Jonathan Peck, and Olatunde Onsunanmi.

The set will also feature a gag reel, several deleted scenes, and a number of behind-the-scenes features including one focused on building the USS Enterprise bridge set.

The main audio track will be English 5.1 DTS-HD Master Audio, along with alternate German, French, Italian, Castilian and Japanese 5.1 (Dolby Digital) languages. Included subtitles are English, Italian, German, French, Castilian, Japanese, Dutch, Danish, Finnish, Norwegian and Swedish.

The full breakdown of the Blu-ray set is as follows:

DISC ONE

“Brother”
– Audio Commentary by Sonequa Martin Green and Alex Kurtzman
– Episodic Promo

“New Eden”
– Audio Commentary by Anson Mount and Jonathan Frakes
– Episodic Promo
– Deleted Scenes

“Point of Light”
– Episodic Promo
– Deleted Scenes

“An Obol for Charon”
– Episodic Promo

Special Features
– Designing Discovery: Season 2
– Prop Me Up: Season 2

DISC TWO

“Saints of Imperfection”
– Episodic Promo

STAR TREK: SHORT TREKS: “The Brightest Star”

“The Sound of Thunder”
– Episodic Promo
– Deleted Scene

“Light and Shadows”
– Episodic Promo
– Deleted Scene

“If Memory Serves”
– Episodic Promo

Special Feature
– Dress for Success: Season Two

DISC THREE

“Project Daedalus”
– Episodic Promo
– Deleted Scene

“The Red Angel”
– Episodic Promo
– Deleted Scene

“Perpetual Infinity”
– Episodic Promo

“Through the Valley of Shadows”
– Audio Commentary by Anson Mount and Ethan Peck
– Episodic Promo
– Deleted Scenes

Special Features
– Creature Comforts: Season Two
– Creating Space

DISC FOUR

STAR TREK: SHORT TREKS: “Runaway”

“Such Sweet Sorrow”
– Episodic Promo
– Deleted Scenes

“Such Sweet Sorrow, Part 2”
– Audio Commentary by Olatunde Osunsanmi, Michelle Paradise, Jenny Lumet and
Alex Kurtzman
– Putting It Together
– Episodic Promo
– Deleted Scene

Special Features
– Star Trek: Discovery: The Voyage of Season Two
– Enter the Enterprise
– The Red Angel
– Gag Reel

Regarding the Short Treks entries not included in this release — the Harry Mudd-centric “The Escape Artist” and the far-future “Calypso” tale, both of which aired prior to Season 2 last fall — we don’t have an official explanation for whey they aren’t included here, but we’ve heard some rumors (and rumors only) about a potential Short Treks-specific release which may be in the works after the next six Short Treks debut on CBS All Access later this year.

“Runaway” and “The Brightest Star” are required-viewing for the Season 2 Discovery storyline, which explains why they are included in this collection now — but we aren’t concerned about never seeing the other Short Treks; it’s likely that we’ll get another announcement regarding “Calypso,” “The Escape Artist,” and the next round of Short Treks in the next few months…

…and of course, we’ll bring you that news if and when it breaks right here at TrekCore.

Star Trek: Discovery
Season 1 Blu-ray

Star Trek: Discovery
Season 2 Blu-ray

Star Trek: Discovery
Season 3 Blu-ray

LOWER DECKS Star Tawny Newsome Set to Host New Official STAR TREK Podcast PRIME DIRECTIVE

Announced late last month at San Diego Comic Con, the Star Trek franchise is planning to get back into the world of podcast production with Prime Directive, a new official project which is the first expansion of CBS’s new Global Franchise Group.

Picking up where Engage: The Official Star Trek Podcast left off where that Jordan Hoffman-hosted show ended in early 2018, this new podcast — set to be hosted by Star Trek: Lower Decks star Tawny Newsome — looks to be a much more structured series with a format already determined.

Here’s the official announcement on the upcoming show, which notes that a yet-to-be-named co-host will also join Newsome on the podcast when it launches later this year.

Tawny Newsome

With unparalleled access to “Star Trek” luminaries and behind-the-scenes creative professionals, this official podcast will take a smart, witty and thoughtful look at all things “Trek”– both old and new.

Offering a high-level discussion of the themes, ideas and characters that resonate across the history of the franchise’s storied universe, episodes will also explore the brand’s 50-plus year legacy and influence in an accessible and inclusive way for dedicated and casual “Star Trek” fans alike.

“‘Star Trek’ has always been a touchstone for a larger cultural conversation,” said Veronica Hart, EVP, Global Franchise Management. “‘Prime Directive’ will continue that legacy by being a launching point for wider discussions of social issues, literature, music, philosophy, popular culture, space exploration, the environment and other topics that spring out of this vast universe.”

Each episode features an in-depth personal interview with a notable guest, coverage of a “Star Trek” event, or a discussion of a specific topic with one or more guests. Listeners will also be able to hear updates about new projects and take part in a regular quiz segment.

Guests will include the cast and creative teams behind upcoming, current and legacy projects, as well as noted writers, performers, critics, scientists, musicians, historians and scholars – all offering fresh perspectives as the franchise continues to expand with a range of new projects.

The podcast will be co-hosted by Newsome who also co-hosts the popular comedy-meets-culture podcast “Yo, Is This Racist?” Newsome is a sketch/improv comedian who wrote and performed her work on the Second City Mainstage in Chicago. She also frequently appears playing characters and improvising on podcasts like “Comedy Bang! Bang!,” “Spontaneanation with Paul F. Tompkins,” and “Hello From the Magic Tavern.” Newsome has also appeared on IFC’s “Brockmire,” “Bajillion Dollar Propertie$,” “The Carmichael Show,” IFC’s “Documentary Now” and the upcoming sketch and music parody series “Sherman’s Showcase.”

A second host will be announced at a later date.

While there’s been no specific launch date for the new podcast series yet, the Prime Directive show is set to be available on StarTrek.com, Apple Podcasts, Google Play Music, and other podcasting sources when it arrived this fall.

Do you plan to tune into the Prime Directive podcast? Let us know in the comments below!