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The STAR TREK UNIVERSE Beams Down to the Big Game

As the upcoming launch of Paramount+ featured in ads throughout last night’s Super Bowl broadcast on CBS, the Star Trek franchise got its own spotlight moment during the annual football event.

While the general “Paramount Mountain” spots that first debuted online last week included Star Trek characters Michael Burnham, Christopher Pike, and Spock among the numerous ViacomCBS personalities, the Trek franchise itself (using the new Star Trek Universe branding) got a headlining commercial in the latter half of the Super Bowl.

A region-unlocked version of this ad can be viewed at the Paramount+ Instagram page.

While Jean-Luc Picard (Patrick Stewart), Michael Burnham (Sonequa Martin-Green), and Christopher Pike (Anson Mount) get the main spotlight moments for Star Trek: Picard, Star Trek: Discovery, and Star Trek: Strange New Worlds, also seen are Saru (Doug Jones), Spock (Ethan Peck), and Seven of Nine (Jeri Ryan) from each series.

The tagline for the ad notes that the service carries “every series” and “every episode,” however there’s no appearances from any Star Trek: Lower Decks characters, nor any legacy characters from the previous shows in the franchise.

A longstanding cornerstone of the streaming service CBS All Access (set to rebrand into Paramount+ on March 4), this is the first national ad dedicated specifically to the Star Trek Universe which the ViacomCBS corporation hopes will be a continued draw for existing and new subscribers to the service.

In addition to the Star Trek-centric spot, there were also a pair of additional social media ads connected to the Trek franchise, featuring Stewart (as himself) and Peck (in character as Lt. Spock) grooving to the music of Spongebob Squarepants.

Paramount+ is officially set to launch on March 4, and existing CBS All Access subscribers’ accounts will carry over to the new service on that date. The service is currently advertising a 50%-off-one-year deal to new subscribers through March 3; you can find out more details at the Paramount+ website.

(TrekCore is not a financial partner or affiliate of CBS All Access or Paramount+, and receives no referral income or revenue — truly just an FYI for any interested fans.)

REVIEW: Eaglemoss XL — Space Station DEEP SPACE 9

In late 2013, Eaglemoss kicked off their line of “special issue” releases for The Official Starship Collection with a special issues to the Star Trek Starships Collection by releasing a 6″ model of Cardassian space station Deep Space 9 — which we reviewed a few years ago.

Now, fans of the hero starbase from Star Trek: Deep Space Nine can pick up a larger-sized edition of the Bajoran-owned station, as Deep Space 9 expands into the XL Starships Collection — and it’s not just scaled up, but a refined edition of the station with updated paint coloring and texture details.

The Eaglemoss XL Starships are larger format models of ships (and this station) released to date. While some of the XL ships have been disappointing their lack of additional detail —  like the disappointing Starfleet runabout — many include a number of features or details that could not be included on the smaller ships due to size considerations.

The Nor-class starbase is a gorgeous design, developed primarily by Herman Zimmerman and Rick Sternbach — and this larger 8-inch release is a marked improvement over the original, smaller 6-inch special edition.

With the exception of Ops and the six docking pylons which surround the perimeter, the XL-sized Deep Space 9 is almost completely formed from die-cast metal. That makes this is a heavy model, but the metallic sheen which breaks through the paint works very well for the Cardassian space station.

The detail on the model is also impressive, with the 8-inch version offering more definition to a number of features along the habitat and docking rings, as well as the central core. Because of its larger size, the smaller details of the core section like the subspace communications antennae are nicely rendered.

The added crispness of the details on the model also allows for the splashes of color to really pop in a way that they do not on the original — like the bright red ‘glow’ of the station’s fusion reactors, which were a dull puce coloring on the first release, or the inset sections of the docking ring and pylons, now a shiny bronze.

The model also has a number of window markings all around the habitat ring and the central core, and  I am pleased to report — on the model I am reviewing, at least — that the windows are well aligned to the grooves provided for them. This has been a big issue on many previous entries in the Official Starships Collection, for both the smaller and XL-sized models.

Perhaps the biggest improvement of the XL DS9 model has nothing to do with the model itself, but its presentation: unlike the original release, which was criticized for not coming with its own display stand, this larger version gets one.

Lifting the lower pylons about an inch off the display surface makes a massive difference in making the model appear more impressive. Where the smaller edition simply sat upon its own pylon ‘legs,’ the XL-sized version floats in the air, the same way the station hangs in space in so many iconic shots from the series.

The stand itself is a sturdy one, with three brackets that grip the station around the struts which connect the central core to the habitat ring. Cradled at three separate points, the XL DS9 is much less likely to fall off its display stand (something which has been an issue for some of the larger models in the past, like the XL-sized Enterprise NX-01 or Voyager).

If there is one criticism of this edition of Deep Space 9, it is that a key design decision made for Eaglemoss’ original DS9 model is still in use for the XL-sized version, keeping this from being 100% true to the original studio model built for Star Trek: Deep Space Nine filming.

Because the first edition didn’t come with a display stand, the shape of the station was slightly tweaked: the pylons were angled just a little further inward than on the studio model to ensure the replica could stand comfortably on its ‘legs.’ The XL model retains that slight modification, despite having its own stand — but frankly that’s a minor issue and hardly detracts from my enjoyment of this model.

Overall, the XL Starships edition of starbase Deep Space 9 is a significant improvement from the original 2013 edition — and while it’s more expensive than the smaller release, it you’re trying to decide between the two, the XL edition is certainly the one I’d recommend due to its superior detailing, coloring, and the included display stand.

If the XL-sized Deep Space 9 starbase model is one you’d like to add to your own Federation, it’s available now from the Hero Collector web store for $74.95 in the United States, or in the UK (currently on backorder) for £49.99.

Mego Beams Down STRANGE NEW WORLDS’ Captain Pike to Join STAR TREK Action Figure Lineup

Last fall, we brought you a first look at the new Mego expansions into the modern era of Star Trek with their Discovery Saru action figure — and today, the next release from the action figure line is revealed!

Originally announced back in October, today we’ve got our first look at Mego’s take on Anson Mount’s Enterprise captain Christopher Pike, who debuted in 2019 in Star Trek: Discovery (and will soon be returning in his own show Strange New Worlds).

Set to follow Pike (and last fall’s Saru) this spring will be Discovery’s Michael Burnham, along with a trio of classic Trek characters — Dr. McCoy, Montgomery Scott, and the M-113 from “The Man Trap.”

The Saru figure is available now at regional Wal-Mart stores in the United States, and we expect the Captain Pike figure to be available at Wal-Mart and similar retailers like Target and Meijers as well, along with online specialty retailers worldwide.

One in stores, the Pike figure – like the others in the Mego line – will retail at $15.99 each.

Spock and Burnham Join the Paramount+ Promotional Push as ViacomCBS Ramps Up Publicity Efforts

As we first reported last week, the new ViacomCBS streaming service Paramount+ — which takes for over CBS All Access in early March — has begin its promotional push, and is continuing to up the Star Trek content in each new commercial.

This weekend, the company debuted its fourth commercial for the service, this time featuring Star Trek: Strange New Worlds‘ Ethan Peck as Spock — complete in gloves and pointed earmuffs — attempting to help a icy member of the puppet cast of Crank Yankers, an MTV property (under the ViacomCBS corporate umbrella).

(An non-region-locked version of the ad can be seen here on Instagram.)

In addition to the new spot, which gives us a nice close-up of the Discovery-era tricorder thanks to Spock’s scanning effort, Ad Week today detailed how the initial ramp-up of Paramount+ publicity efforts will hit its peak — pardon the mountain-climbing pun — during the Super Bowl, which airs this Sunday on CBS (naturally).

Paramount+ will be featured prominently in promos during CBS’ Super Bowl 55 telecast (including pregame and postgame coverage), coupled with digital and social support, talent participation, paid efforts and even some in-game stunts and content teases to introduce its big subscription effort.

The planned push represents the first step in a three-phase effort to get the word out about Paramount+. The campaign aims to position it as an all-purpose streamer that, with news, live sports and “a mountain of entertainment,” will be an attractive family service that can compete with the likes of Netflix, Disney+ and HBO Max.

The campaign’s first phase, featuring the mountain-climbing expedition, will make use of CBS’ promotional inventory throughout the Super Bowl broadcast to tell a sequential story of characters climbing to the peak of Mount Paramount—“the ultimate metaphor” that makes use of the iconic mountain that has opened Paramount movies for decades, said Josh Line, ViacomCBS’ chief brand officer.

Here’s a second new ad which arrived overnight — featuring Sonequa Martin-Green as Michael Burnham, who leads Christine Baranski (The Good Fight), Jeff Probst (Survivor), DJ Khaled, Bill Cowher, and Thomas Lennon (Reno 911!) across an icy crossing.

(Martin-Green wears the ‘old’ Discovery uniform as it is the most familiar to those only casually aware of Star Trek: Discovery.)

(An non-region-locked version of the ad can be seen here on Instagram.)

The company also plans to push through springtime, to the Grammy Awards and to a February 24 investors event that will preview additional plans and content ahead of the official launch of the new service.

(At present, we don’t yet know if this “Streaming Event” will be available for viewing by the public at large, but we’ll be sure to update you here if we learn more.)

Ad Week continues:

Phase two of the Paramount+ marketing plan will begin almost immediately after the game ends, with brand-forward spots highlighting the depth and breadth of the service’s programming that will air immediately following the Super Bowl, during the postgame series premiere of drama The Equalizer and the special post-Super Bowl edition of The Late Show With Stephen Colbert, which will follow local news.

Throughout the rest of February, the company will showcase the depth and breadth of the service’s offering, which will include content-centric brand spots and promotional materials across ViacomCBS’ broadcast properties and on streaming, including Pluto TV, its free ad-supported platform.

The Grammy Awards, which were postponed by nearly two months in early January, will now serve as a cornerstone of the streamer’s phase two plans, as will a streaming-centric investor day with ViacomCBS executives and investors in late February.

In addition, Ad Week confirmed our reasonable suspicions about how these commercial spots were filmed; each actor was shot separately due to COVID-19 restrictions and composited together on the snowy slopes of “Paramount mountain.”

To follow Covid-19 protocols and ensure additional safety, talent who appeared in the spots had to film separately, and the footage was digitally altered after the fact to insert them into the same scenes. “There was a lot of math involved, making sure that everybody’s in the right place, looking and nodding, or communicating with the person that they know is going to be there,” DiMeglio said.

After 14 studio days and weeks of post-production, executives are hopeful the spots will be well-received.

Paramount+ is officially set to launch on March 4, and existing CBS All Access subscribers’ accounts will carry over to the new service on that date. The service is currently advertising a 50%-off-one-year deal to new subscribers through March 3; you can find out more details at the Paramount+ website.

(TrekCore is not a financial partner or affiliate of CBS All Access or Paramount+, and receives no referral income or revenue — truly just an FYI for any interested fans.)

WeeklyTrek Podcast #127 — New TREK Merch and STAR TREK: DISCOVERY Season 4 Hints

On this week’s episode of WeeklyTrek, brought to you in partnership between The Tricorder Transmissions Podcast Network and TrekCore, host Alex Perry is joined by guest Marina Kravchuk to discuss all the latest Star Trek news.

This week, Alex and his guest discuss the following stories from around the web:

In addition, stick around to listen to Marina’s wish to learn more about the current status of Star Trek: Strange New Worlds, and Alex’s wish for CBS to remaster Deep Space Nine and Voyager using the same technique recently applied by Warner Bros to Babylon 5.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, YouTube, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Outer Space Alcohol and Vulcan Philosophy: An Interview with STAR TREK Author Glenn Dakin

Late last fall, we spoke with Hero Collector’s Ben Robinson about the company’s new expansion in to Star Trek publishing — and this month we had a chance to catch up with Glenn Dakin, the writer of several of the new Hero Collector books.

Dakin’s first release is one we reviewed back in December, the fun Star Trek: Quibbles with Tribbles search-and-find book, modeled after the popular Where’s Waldo? series and set in the classic Trek timeframe aboard Captain Kirk’s Enterprise. 

(And yes, there’s already a Next Generation edition in the works!)

One of the more unique Star Trek publications from the last year is Mr. Spock’s Little Book of Mindfulness, Dakin’s collection of Vulcan wisdom and philosophy, meant to help folks get through this chaotic world.

We spent some time discussing how this book came to be, how a Vulcan-inspired outlook on life might benefit illogical, emotional human lives, and the backstory behind the cute illustrations that fill the book’s pages.

TREKCORE: How do you begin to get inside the mind of a character like Spock to even attempt to write something like this?

DAKIN: I rewatched lots of the Original Series, and the movies — at the same time, Spock was turning up in Discovery. There’s a lot of material there and it was great fun combing through it for his words of wisdom.

What the book tries to do is to take Spock’s wise words, and see if we can apply them to our own lives, and maybe get a few answers and a bit of help with our own daily ups and downs — from the point of view of Mr. Spock raising an eyebrow at us and saying maybe there’s another way.

Spock is always looking for another way, a calmer, more intelligent way of approaching problems. I think it’s quite nice, especially in the kind of a world we live in at the moment to try and get people to tune into that way of thinking.

It’s very close to the mindful way of thinking, which is very fashionable at the moment. We found a lot of similarities between ideas like where Mr. Spock says, “Now is all we have,” and in mindfulness, you have to get yourself into the now. Forget the future, forget the past, and just breathe and experience the now. That’s very much a Vulcan point of view.

Also, being nonjudgmental, Mr. Spock doesn’t call a rock monster a monster just because it’s a monster made of rock. He’s prepared to find out that it’s the mother with beautiful feelings for her many offspring as in the “The Devil in the Dark.” It’s about seeing beyond the surface of things.

The introduction to ‘Mr. Spock’s Little Book of Mindfulness.’

TREKCORE: There’s a lot of genuinely good life advice in here on living in the moment, on love, on self-acceptance, et cetera.

How do you balance the Star Trek-iness of it with the actually trying to provide people with some genuine advice that maybe you want them to take away from in terms of thinking about how to live their own lives?

DAKIN: It’s a big question as to how much you make the book for fans, and how much you make the book for people who want to read about wisdom and little fables that help people to understand life better.

At one point when I was working on the book, I was talking about how Spock says, “You may find that having is a lot less pleasing than wanting.” I was talking about something you may not want, like when somebody bringing their homemade pie into work for you to taste. Someone said to me, “Couldn’t that be a dish of Klingon live mealworms?,” translating that to the Trek world.

And then I was writing something about how sometimes people aren’t very forgiving, like if you go on holiday and there’s no WiFi in the place, your friends aren’t going to forgive you. I thought, “Wait a minute. It doesn’t have to be WiFi; it could be ‘no basic force field’ instead.”

I sort of got into the habit of replacing basic items from our universe with parallels in the Star Trek universe; anyone reading the book will soon get it. They’ll soon realize that we’re using simple parallels to Trek the book up. The Star Trek fans will enjoy the references.

TrekCore: There are a number of places where you have drawn upon Earth parables and the like, a little key to help people decipher the messages back from Star Trek language.

Glenn: Yes, I didn’t want us to simply say that all this wisdom was from the Buddhists and the Tao wisdom, or from famous thoughtful writers like Mark Twain, or leaders like Winston Churchill. Their presence in the main text was a bit distracting, so what we did was attribute some of the quotes from Churchill to a Ferengi politician  — that sort of thing.

In the back of the book, of course, there’s a section where we give clues and we re-attribute the quotes back to their real source, just so that it gives people a chance to maybe do some further reading.

There’s a couple of parables that come from Buddhism, or from ancient Chinese folktales that we’ve said are Vulcan folktales. Just took some poetic license, I guess!

TREKCORE: We have to talk about the fabulous illustrations that accompany the text, these little vignettes of Spock finding himself in these difficult situations. 

DAKIN: I started out as a cartoonist, and I used to write and draw my own comics when I was in my early 20s. That’s what led me into writing for TV animation and comics.

When I was at work — in the days when we were all still in the office — people would very often ask me to do a cartoon of something or rough something out if they needed an idea for something. I’d find myself drawing a picture of Batman or the Daleks just on a daily basis, roughing something out.

When we were putting the book together, I was asked if I’d like to illustrated it as well. “We don’t want people to open this book and think it’s serious life advice,” I was told, there was an effort to include an element of frivolity and fun about it.

I’m quite proud of the design that shows Spock sitting near a signpost pointing nowhere, saying, “Nothing Unreal Exists,” which is one of my favorite Star Trek quotes [from Star Trek IV: The Voyage Home].

There’s another one with Spock looking up at the clouds and seeing the shape of the pi mathematical symbol in the clouds, whereas, other people see rainbows and patterns in the sky. He sees mathematical symbols.

It was great fun. I just covered loads and loads of sheets of paper with drawings of Mr. Spock doing various things! I took them all into the office and the designers had fun with them, and it made the project a lot of fun for me as well.

TREKCORE: And some of them are already being used for merchandising at the Hero Collector website, I noticed.

DAKIN: It’s quite fun, and lovely for me to see my own art used in that way. Maybe once conventions start up again, you’ll pass somebody wearing a “Nothing Unreal Exists” shirt!

For the booze buffs among you, Dakin also crafted the intriguing Star Trek Cocktails: A Stellar Compendium that beamed down in November, with a range of adult recipes that span the Trek timeline.

TREKCORE: Were you writing both of these books at the same time? You were doing Mindfulness in the morning, and then you’re thinking about boozing in the afternoon?

DAKIN: We’d finished Mindfulness by the time I started on the Cocktails guide, because that one is something that we had planned a long way in advance.

Suddenly, there was a little gap in the publishing schedule — we had a meeting and decided we’ve got room to get out another book. Cocktails kind of came along at the last minute. Once it started to roll, it was such great fun, we couldn’t resist doing that one as well!

The project manager on that, Stella Bradley, she was very keen on that one and getting that one through and making it a lot of fun. It’s a slightly more colorful, slightly crazier book than Mindfulness, which is designed to be gentle and witty.

Cocktails is absolutely loaded with wacky and entertaining ideas for drinks. There’s funny quotes from the series, and a whole load of little vignette scenes in there when drink made an important appearance in the show.

We’ve had a lot of fun with that book.

TREKCORE: Outside of the now-closed Star Trek: The Experience, I often more associate Star Trek and alcohol with a fandom experience — but you actually make this really compelling case in the introduction about how important drink is to the franchise as a whole.

DAKIN: Yes, it’s not just important in Star Trek, I think it’s important in television. Scenes with drink in them — it’s a celebration, or it leads to a fight, or it’s a romantic moment — they can be very important signifiers of occasions.

What are people drinking in these moments? What did they talk about when they’re drinking? Often in Star Trek, drink comes up among friends or enemies meeting. It’s a good illustrator of key moments in the show.

A lot of it I think goes back to when Star Trek was first on, there were comparisons to Western shows. When I grew up as a kid, every other show on television was a Western, and drink was fundamental. Having a whiskey, getting drunk, fighting, going into the bar… every story had the big scene in the saloon and a fight breaking out. Classic Trek even did a little tribute to that in “The Trouble with Tribbles.”

Some of the funny episodes have got drink or drunken behavior in them, and it’s not just the Original Series. There’s a whole range of dramatic opportunities you get with people being drunk — or maybe sometimes you have an awkward or intimate drink between two characters.

There’s that very funny scene in The Next Generation episode “Conundrum” when Riker and Ensign Ro have a fling and then they’re there in the bar with Deanna Troi and there are lovely little awkward and funny moments like that in the series where they use the meeting in the bar.

Of course in Deep Space Nine, you’ve got Quark’s, with loads of funny scenes around the bar. There’s a lovely one when Bashir says he needs something to relax him and Quark gives him a Warp Core Breach and he says, “This will relax you for a few days.”

TREKCORE: How did you put together all the recipes?

DAKIN: Well, we adapted a number of real-world drink recipes for this book, but I didn’t invent all the new ones myself. I came up with the ideas for the cocktails, but we worked with two mixologists, Simon Pellet in Paris and Adrian Calderbank in London — each of whom are properly credited in the book.

Some of them, of course, we invented from scratch, like the Ice Planet — which is based on Rura Penthe — the Klingon Bird-of-Prey, and the Borg Queen. Simon was in Paris, Adrian was in London, and I was in Cambridge, and we worked together remotely during lockdown to work out their details.

Normally I would either invent the idea for the cocktail, or I would base it on an existing cocktail — or in some cases, we would take it from something in the Trek shows and we would do some guesswork to derive a recipe for it.

TREKCORE: Do you have any personal favorites?

DAKIN: Well, I really like the “Live Long and Prosper,” which is rather more of a light, refreshing cocktail, but my favorite I think is the “Trixian Bubble Juice,” which has sparkling water and tequila.

Some of the other ones are a bit more like the “Warp Core Breach”, which will blow your mind — it’s rather strong!

Portions of this interview have been condensed or edited for clarity.

Mr. Spock’s Little Book of Mindfulness and Star Trek Cocktails: An Interstellar Compendium are both available now through the links above.

Keep checking back to TrekCore in the days and weeks ahead for more book and product reviews as our journey into 2021 continues!

STAR TREK ONLINE Celebrates 11 Years With ‘House Reborn,’ DISCOVERY’s Mary Chieffo Joins Voice Cast

The long-running Star Trek Online multiplayer game hit its eleventh anniversary this past week, and to celebrate, Cryptic Studios revealed a look at “House Reborn,” the newest chapter of the game.

The Klingon-centric storyline includes the arrival of two Star Trek: Discovery characters, L’Rell (voiced by Mary Chieffo, returning to the role) and Tevanik (voiced by Sam Witwer in place of Kenneth Mitchell), as players revisit the Boreth Monastery seen in Discovery‘s second season — home of the vault of Time Crystals where Captain Pike saw his future in “Through the Valley of Shadows.”

Here’s the official announcement:

After the Klingon Empire broke apart in “House Shattered,” J’Ula, matriarch of House Mo’Kai, travels to the sacred planet of Boreth. Plagued with guilt, she tracks down Tenavik (voiced by Sam Witwer from “Star Wars: The Clone Wars,” under the guidance of Kenneth Mitchell, who originated the role), the Klingon outcast who was first introduced in “Star Trek: Discovery,” with hopes that he can lead her to enlightenment.

The journey won’t be an easy one, however. Players will be tasked with guiding J’Ula along her spiritual voyage, one where she will not only have to face ghosts of the past, present and future, but also descend into the pits of the Klingon underworld Gre’thor itself.

There she will seek guidance from L’Rell, the famed Klingon warrior who played a pivotal role in the first few seasons of Discovery (voiced by Mary Chieffo, who originated the role). Captains will also reunite with General Martok (played by J.G Hertzler from “Deep Space: Nine”), Adet’Pa (voiced by Rekha Sharma from “Star Trek: Discovery”) and Aakar (played by Robert O’Reilly from “Star Trek: The Next Generation” and “Star Trek: Deep Space Nine”).

All this takes place across two brand new featured episodes. “House Reborn” also introduces a ton of new playable content for PC players to explore and exciting updates exclusively for Klingon characters.

The new “House Reborn” expansion is live for PC players now, and will become available to Star Trek Online players via Playstation 4 and Xbox One later in 2021.

EXO-6 Expanding 1:6-Scale Figure Line to STAR TREK: FIRST CONTACT Picard, Borg Queen Releases

As we reported a few weeks ago, new Star Trek licensee EXO-6 has taken up the mantle of producing 1:6-scale character figures from around the Trek franchise — and they’re already expanding their planned offerings to additional releases.

Earlier this month, the company announced plans for their 1:6-scale Lt. Commander Data figure, designed around the android’s multiple appearances in Star Trek: First Contact, and today EXO-6 is ready reveal plans for two more releases tied to the 1996 film.

Joining Data will be a similarly-detailed, 1:6-scale Captain Jean-Luc Picard articulated figure , as well as a static statue of Alice Krieg’s Borg Queen, expanding the First Contact line to a trio of releases.

While photographs of the Picard and Borg Queen replicas aren’t yet available, EXO-6 has created a playful recreation of the Star Trek: First Contact theatrical poster using digital sculpts of the characters, giving us an early glimpse of the detailed likenesses being used.

As for that Lt. Commander Data figure announced two weeks ago, EXO-6 will be officially opening up a purchase window for the android figure next week; preorders for the $189 figure will be available to submit from February 1-28, with a $20 non-refundable deposit required for all preorders.

More specifics on the figure itself can be found in our earlier report, and at EXO-6’s website.

Preorders for the Data figure can be placed at EXO-6.com beginning Monday.

Keep an eye here at TrekCore for all the news about additional releases from the company — and if you’re planning to add this edition of the Enterprise android to your collection, let us know in the comments below!

WeeklyTrek Podcast #126 — Farewell CBS All Access, Hello Paramount+

On this week’s episode of WeeklyTrek, brought to you in partnership between The Tricorder Transmissions Podcast Network and TrekCore, host Alex Perry is joined by guest Melanie (aka Shuttlepod Two) to discuss all the latest Star Trek news.

This week, Alex and his guest discuss the following stories from around the web:

In addition, stick around to listen to Melanie’s wish for a Star Trek: Enterprise continuation, and a listener theory about potential Short Trek announcements at the launch of Paramount+.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, YouTube, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

STAR TREK Helps Lead Paramount+ Promos, PLUS: Updates on PRODIGY and LOWER DECKS

We’re still more than a month away from the official CBS All Access changeover into Paramount+, the revitalized streaming service emerging from the ViacomCBS merger of 2019 — but promotion has kicked into full gear, with Star Trek helping to lead the way.

Last week, online imagery began to update across the platform’s social media accounts, putting both Star Trek: Discovery’s Michael Burnham and Star Trek: Picard’s Jean-Luc Picard at the front of their group of featured characters and content.

In addition to those graphic updates, Paramount+ television commercials began airing on Sunday night in the United States.

Quickly making their way online after initial broadcasts, the commercials — narrated by the just-vaccinated Patrick StewartStar Trek: Strange New Worlds’ Captain Pike (Anson Mount) and Lt. Spock (Ethan Peck) joining some of the ViacomCBS family of performers in a climb up the “Paramount mountain.”

(For those of you facing region-locking issues, you can watch the videos here on Instagram.)

Both videos appear to be brand-new footage of Mount and Peck, filmed specifically for the promotion, including Captain Pike giving The Jersey Shore’s Snooki some side-eye in response to former Pittsburgh Steelers coach Bill Cowher (part of CBS’s The NFL Today team), and Spock hiking through the snow with gloves on, as MTV’s Beavis & Butthead follow.

*   *   *   *

In a video chat with fan @jemabean1 on Twitter this weekend, Star Trek: Voyager star Kate Mulgrew — returning to the franchise as the voice of Kathryn Janeway in the upcoming animated series Star Trek: Prodigy — indicated that her work on the first season of the show has been completed.

Prodigy was ordered with a two-season commitment, and the recently-vaccinated Mulgrew says that here that she “certainly enjoyed” revisiting Janeway for the project, and that she think’s “we’re going in to next season very soon.”

The animated series is expected to debut sometime in 2021 on Nickelodeon.

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Star Trek: Lower Decks finally began its international distribution late last week, and as fans around the world started to enjoy their chance to watch last year’s new animated series, the team behind the show weighed in on the reactions from abroad.

Series creator and showrunner Mike McMahan, and series producer Brad Winters:

Series lead Tawny Newsome (Mariner) also had kind words to say about fan reaction, and hinted that there’s some exciting guest star performances coming in Season 2.

The second season of Star Trek: Lower Decks is expected in the second half of 2021.

In the United States, Paramount+ will be the ongoing homes for Star Trek: DiscoveryStar Trek: PicardStar Trek: Lower Decks, and Star Trek: Strange New Worlds. A fifth Paramount+ series, Star Trek: Section 31 with Michelle Yeoh, is in development now.