While it’s been in the works for a while, the official crowdfunding push for the Star Trek: Voyager documentary project finally launched today — and has already blasted past its initial target goal.
In their official Indigogo fundraiser campaign launched today, the team behind the project notes that the initial round of fundraising — which was targeted at $150,000, a goal hit and surpassed within just four hours — notes that they have a series of basic production needs:
We are still in the early stages of production with more interviews and support footage yet to be filmed. Once that is complete, Post-Production expenses will need to be covered such as editing, music, animation, color-correction, sound mixing and CBS/Star Trek footage licensing.
The more we raise on this Indiegogo campaign, the more creative ways we have of making this documentary unique.
Like the Deep Space Nine fundraiser, the Voyager documentary campaign has several tiers of donation levels, from a basic $5 tier (with no reward) to many levels of digital and physical rewards that can be earned through monetary contribution.
The $35 level is the minimum to get a the Blu-ray/DVD release of the finished documentary when ready for its projected 2022 debut (where we imagine many will set their sights) — but fans can also donate higher amounts for a set of lapel pins of the Voyager crew, private video chats with Star Trek stars and production staff, T-shirts and Delta Quadrant-themed postcards, tours of the Los Angeles area where many Star Trek location shoots took place, and even dinner with a select group of Trek actors.
One of the “add-on” perks is a replica of Captain Janeway’s famous steel coffee mug, which is available starting with the $50 “Bragging Rights” tier.
Additional stretch goals added so far including additional 3D graphics and animation at the $225,000 level, and a filmed Voyager cast reunion if $300,000 is raised — along with larger goals like extending the film’s running time and composing an original score.
(If we’re lucky, with further stretches, perhaps the project will be able to even remaster some original Voyager footage into high-definition, like the DS9 project was able to do.)
Since the first inklings of follow-ups to 2017’s debut of Star Trek: Discovery, the franchise expansion under the watch of Alex Kurtzman has always been explained as a careful, planned rollout, scheduled years ahead of time — and while shows like Picard, Strange New Worlds, and the two animated series are rolling well along, another show still has a long runway towards takeoff.
In addition, Yeoh finally departed Discovery this past season in the two-part “Terra Firma” tale, sending the secret agent back through to the past by way of the Guardian of Forever — to a time and place unknown.
Kurtzman and McNamara say there are still “conversations” about a new “Star Trek” series around Michelle Yeoh’s Philippa Georgiou and the mysterious Section 31, and there are other “Trek” shows in development that haven’t been previously announced. But they emphasized that the current five-series slate will likely not expand further until at least one of the shows runs its course.
“We’re very careful about curating the pacing — the number of shows at any given time — and what those shows are, so that we make sure that it’s always exciting when there’s a new track show coming out,” says McNamara. The rough schedule, she says, is to debut “a new ‘Trek’ a quarter” on Paramount Plus.
“Whether there’s a show that comes up that feels additive and we should add that into the mix, or waiting for attrition of another ‘Trek’ show, we feel good about where we are,” she says. McNamara said that by “attrition,” she means either a “Trek” show “aging out” naturally, or — in an allusion to 80-year-old “Picard” star Patrick Steward, “perhaps an older lead is only committed to a certain number of seasons and and therefore we move on from that.”
While there were some expectations that the Section 31 series may have been headed into pre-production in early 2020 before COVID-19 hit, combinations of pandemic delays, Michelle Yeoh’s commitment to star in Marvel Studio’s Shang-Chi and the Legend of the Ten Rings, and potentially-greater fan interest in the Captain Pike-led Strange New Worlds has seemed to move it off the slate for some time.
This shouldn’t be a major surprise, as back in 2019 McNamara had already been hedging how fast the Yeoh-led spin-off may hit screens, indicating at that time that it may not even come to viewers until after Star Trek: Discovery completed its run.
Despite all appearances, we’re not interested in being in the quantity business. I don’t think that serves the Star Trek universe. We are interested in being in the quality business.
It takes upwards of two years from inception to postproduction. Yes, we’ve thought beyond the five [shows]. Yes, we’re having conversations about what happens beyond the five. But we have to make sure we’re staying true to the way we’ve built the first five.
Each show is incredibly different, offers a specific thing, they’re not all targeted at the same audiences — but interestingly enough, they tend to bring in the same audience. It’s difficult to make something for everyone. You end up making something for no one when you take that approach.
Do I see something on BET? Yes, because there may be a niche Star Trek show that’s perfect for that. I want to make sure as we build this out that we’re being thoughtful about creating a really interesting rainbow of colors, that each show feels different and you don’t think, “I can watch Picard and not watch the others.” Because they’re all very different.
That to us is more important — staying true to that approach.
Finally, Paramount+ debuted this tribute to the past, present, and future of the Star Trek franchise, though it doesn’t include any new footage of in-production or upcoming projects.
We’ll bring you all the latest news on the Star Trek: Section 31 series if and when it breaks; Star Trek: Discovery‘s fourth season is in production now and projected to debut in late 2021.
First announced almost two years ago, the next Star Trek animated series aimed at younger viewers, was initially planned to debut on the Nickelodeon cable channel — and while the show will eventually warp over to that outlet, the show is now set for a berth at the Paramount+ spacedock.
Revealed today during the ViacomCBS investors streaming event, Star Trek: Prodigy — which will feature the return of Kate Mulgrew as Kathryn Janeway — is set to debut its first 10-episode season on Paramount+ for first run release. (The show will debut in second-run airings on Nickelodeon some time afterwards.)
The alien cast of ‘Star Trek: Prodigy.’ (Paramount Plus)
A first look at the show’s cast was revealed in Variety’s report on the series, which highlights the fact that none of the show’s primary cast will be a human character, a first for a Trek series — indicating that Mulgrew’s role will be a secondary one, at best.
So far, no character names, voice casting, or species information on these alien explorers have been released by Paramount+, but we’ll be sure to update you with those additional details as soon as they’re available.
Speaking with The Hollywood Reporter, Paramount+ head of original programming shared more details about the decision to launch the show on the streaming service:
[‘Prodigy’] reflects exactly what we’re looking to do at Paramount+. In the early going for the new platform, franchises are incredibly valuable in driving people across the paywall and we know this.
The addition of ‘Prodigy’ is huge in that it’s taking this franchise and expanding possibility of this hungry new demographic for ‘Star Trek.’ It does speak to the highest execution of the kind of things we’re looking to do at Paramount+. Part of what we’ve seen is our ‘Star Trek’ fans on CBS All Access, it’s interesting what they’ll go to.
They’ll go to ‘The Legend of Korr’a and pop around and find things that fit that particular — and I say this lovingly — nerd demo. Our hope and thought, in concert with [Nickelodeon president] Brian Robbins, is that by bringing those Trek fans and their children into Prodigy on the platform is great way of hitting those hardcore Trek fans.
On the other hand, on the linear side, is hitting kids that may not be interested in ‘Star Trek’ but do watch Nickelodeon and would be interested in trying something new on the network.
We’ll bring you more info on Star Trek: Prodigy, including when the 10-episode first season will debut in 2021, when it breaks.
In addition, stick around to listen to Thad’s theory about whether Jason Isaacs (Gabriel Lorca) might be poised for a Star Trek return, and more of Alex’s hopes and wishes for Wednesday’s Paramount+ investor event.
WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, YouTube, and Spotify— and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.
Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!
After more than half-a-year’s delay — thanks to the COVID-19 pandemic — the cast of Star Trek: Picard have returned to the 24th century as production began this week on the second season of the CBS All Access series.
Effectively one month after series lead Patrick Stewart received his vaccine to protect from against the novel coronavirus, the Star Trek: Picard cast is back in their California-based studio — as revealed by several of the cast on social media.
Michelle Hurd shared this photo on her Instagram on Wednesday evening, showing off her well-marked script after completing a table read of the new episode (as denoted by her ‘Raffi’ table placard).
It’s still going to be several months — if not into 2022 — before Star Trek: Picard returns to television screens, but this new development into active production is just one of now five ongoing Star Trek shows which are creating new episodes now.
Ethan Peck, Anson Mount, and Rebecca Romijn lead the ‘Strange New Worlds’ crew. (CBS)
In addition, the Captain Pike-led Star Trek: Strange New Worlds is just on the cusp of filming, as several Canada-based production sources have the series kicking off work in late February.
While there have been a few leaked set photos (which we’re not able to publish) indicating production on the new Enterprise is well underway, the social media accounts of all three lead actors — Anson Mount (Pike), Ethan Peck (Spock), and Rebecca Romijn (Number One) — have placed them each in Toronto for the last few weeks, in preparation for their return to Starfleet.
While all of these shows are in (or just about to be) in active production, firm air dates for all of them have yet to be announced.
The upcoming year may be devoid of televised Star Trek for a while as the next round of episodes go before cameras, but that doesn’t mean there won’t be any new stories for fans to enjoy in the meantime!
The year’s slate of Trek published fiction is starting to shape up already, with a wide range of new novels from all across the franchise — stretching all the way from the late 23rd century era of the classic Star Trek films, to the distant 32nd century-era of Star Trek: Discovery.
Coming in May is the first far-future tale in the Star Trek: Discovery novel series, Una McCormack’s Star Trek: Discovery – Wonderlands, set during the year between Michael Burnham’s arrival in 3188 (“That Hope is You, Part 1”) and the subsequent crash-landing of the USS Discovery in 3189 (“Far From Home”).
In a desperate attempt to prevent the artificial intelligence known as Control from seizing crucial information that could destroy all sentient life, Commander Michael Burnham donned the ‘Red Angel’ time-travel suit and guided the USS Discovery into the future and out of harm’s way.
But something has gone terribly wrong, and Burnham has somehow arrived in a place far different from anything she could have imagined—more than nine hundred years out of her time, with Discovery nowhere to be found, and where the mysterious and cataclysmic event known as “the Burn” has utterly decimated Starfleet and, with it, the United Federation of Planets.
How then can she possibly exist day-to-day in this strange place? What worlds are out there waiting to be discovered? Do any remnants of Starfleet and the Federation possibly endure?
With more questions than answers, Burnham must nevertheless forge new friendships and new alliances if she hopes to survive this future long enough for the Discovery crew to find her….
With the confirmation that David Ajala’s role aboard Discovery will be continuing in the now-filming fourth season of the series, this “lost era” of Michael Burnham’s time in the future will surely help fill in the blanks for her burgeoning relationship with Cleveland Booker.
June takes us back to the pre-Wrath of Khan days of Admiral Kirk, Captain Spock, and the Original Series crew with Star Trek: The Original Series — Living Memory from Christopher L. Bennett, the author’s next entry in his post-The Motion Picture storyline (and a follow-up to last year’s The Higher Frontier).
While attempting to settle in as commandant of Starfleet Academy, Admiral James T. Kirk must suddenly contend with the controversial, turbulent integration of an alien warrior caste into the student body — and quickly becomes embroiled in conflict when the Academy controversy escalates to murder.
Meanwhile, Captain Spock of the USS Enterprise and Commander Pavel Chekov of the USS Reliant are investigating a series of powerful cosmic storms seemingly targeting Federation worlds — unstoppable outbursts emitting from the very fabric of space.
Endeavoring to predict where the lethal storms will strike next, Spock and Chekov make the shocking discovery that the answer lies in Commander Nyota Uhura’s past — one that she no longer remembers….
The reference to Uhura’s lost memories may be a tie-in to her encounter with the Nomad probe in “The Changeling,” where the Enterprise communication officer had her mind erased during the events of that episode.
July beams us back to the Enterprise-D for Cassandra Rose Clark’s Star Trek: The Next Generation — Shadows Have Offended, a Deanna Troi / Beverly Crusher novel set during the final year of the television series.
The USS Enterprise has been granted the simple but unavoidable honor of ferrying key guests to Betazed for a cultural ceremony.
En route, sudden tragedy strikes a Federation science station on the isolated planet Kota, and Captain Jean-Luc Picard has no qualms sending William Riker, Data, and Chief Medical Officer Beverly Crusher to investigate.
But what begins as routine assignments for the two parties soon descends into chaos: Picard, Worf, and Deanna Troi must grapple with a dangerous diplomatic crisis as historic artifacts are stolen in the middle of a high-profile ceremony… while nothing is as it seems on Kota.
A mounting medical emergency coupled with the science station’s failing technology — and no hope of rescue — has Doctor Crusher racing against time to solve a disturbing mystery threatening the lives of all her colleagues….
This is the first Star Trek novel from Clark, whose book was first announced last September; cover artwork for this tale has not yet been released.
Cristobal Rios gets his own feature in August’s Star Trek: Picard — Rogue Elements, a just-revealed third novel in the Picard line (following January’s The Dark Veil) from John Jackson Miller, set “years” before the events of the Picard television series.
Starfleet was everything for Cristóbal Rios — until one horrible, inexplicable day when it all went wrong. Aimless and adrift, he grasps at a chance for a future as an independent freighter captain in an area betrayed by the Federation, the border region with the former Romulan Empire.
His greatest desire: to be left alone. But solitude isn’t in the cards for the captain of La Sirena, who falls into debt to a roving gang of hoodlums from a planet whose society is based on Prohibition-era Earth.
Teamed against his will with Ledger, his conniving overseer, Rios begins an odyssey that brings him into conflict with outlaws and fortune seekers, with power brokers and relic hunters across the stars.
Exotic loves and locales await — as well as dangers galore — and Rios learns the hard way that good crewmembers are hard to find, even when you can create your own.
And while his meeting with Jean-Luc Picard is years away, Rios finds himself drawing on the Starfleet legend’s experiences when he discovers a mystery that began on one of the galaxy’s most important days.
On his blog, Miller says that he specifically requested the chance to write about Rios, and that his “lockdown novel” is the longest book he’s ever written.
The year’s fiction slate also includes the still-mysterious Star Trek: Deep Space Nine — Revenant (announced last year) and a year-ending trilogy Star Trek: Coda which will “push forward” the long-running novel continuity, which to date has remained independent of the Star Trek: Picard storyline.
Book 1 is Moments Asunder by Dayton Ward, Book 2 is The Ashes of Tomorrow by James Swallow, and the final Book 3 is Oblivion’s Gate by David Mack — the trilogy will arrive in September, October, and November of this year. (Details uncovered by The Trek Collective.)
On top of all that, it also looks like there’s another non-fiction publication also headed to print this summer.
On the way from architectural photographer Dan Chavkin is Star Trek: Designing the Final Frontier — The Untold Story of How Midcentury Modern Decor Shaped Our View of the Future, a 160-page hardcover coffee table book from Simon & Schuster label Weldon Owen.
(COVER ART NOT FINAL)
Celebrate Star Trek: The Original Series and the show’s distinctive Mid-Century modern design that would change design– and television– forever.
Star Trek: The Original Series (1966-1969) was the first installment of one of the most successful and longest-running television franchises of all time.
Today, “Trekkers” champion its writing, progressive social consciousness, and aesthetic. Designing the Final Frontier is a unique, expert look at the mid-century modern design that created and inspired that aesthetic.
From Eames chairs to amorphous sculptures, from bright colors to futuristic frames, Star Trek: TOS is bursting with mid-century modern furniture, art, and design elements—many of them bought directly from famous design showrooms.
Author and mid-century modern design expert Dan Chavkin has created an insider’s guide to the interior of original starship Enterprise and beyond, that is sure to attract Star Trek’s thriving global fan base.
Last month we brought you the first look at Hero Collector’s initial Star Trek: Picard fleet offerings — Captain Rios’ La Sirena and Captain Riker’s USS Zheng He, both coming this April — and today we’re looking ahead to May 2021 where the Star Trek Universe line expands both in number and in size!
Seen on-screen in “Absolute Candor,” May’s first Star Trek Universe starship is the antique Romulan Bird of Prey owned by the Beta Quadrant warlord Kar Kantar. The 23rd century Romulan ship battled with La Sirena over planet Vashti, until Seven of Nine arrived and helped neutralize the vessel in her Fenris Ranger strike ship in the fourth episode of Star Trek: Picard.
The STAR TREK UNIVERSE Starships Collection: Romulan Bird of Prey
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ROMULAN BIRD OF PREY — An antique Romulan starship owned by the warlord Kar Kantar, this Bird-of-Prey terrorized shipping throughout the Qiris Sector. A retro callback to the classic Romulan designs of the Original Series, this Bird-of-Prey met its end when it attacked La Sirena with Jean-Luc Picard aboard.
This Bird of Prey measures about 8.5 inches in width and will retail at $54.95 / €49.99 / £39.99.
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The second release for May 2021 is another edition of La Sirena — this time, the Star Trek: Picard hero vessel joins the larger-scale XL Starships fleet, with an 11-inch version of the Kaplan F17 Speed Freighter set to warp into orbit.
The XL STARSHIPS Collection: La Sirena
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LA SIRENA (XL) — This XL model captures the signature ship of Star Trek: Picard, the La Sirena! A red-and-white Kaplan F17 Speed Freighter hired by Jean-Luc Picard, the La Sirena was helmed by Captain Cristóbal Rios, an ex-Starfleet officer himself, and served as home to Picard’s crew in their search for Doctor Bruce Maddox and Soji Asha.
This bigger edition of Captain Rios’ starship means a bigger price tag, so this 25th entry in the XL Starships Collection will retail at $75.00 / €64.99 / £49.99.
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The next entry in the Star Trek Online series of starship models is the Shran-class Federation Light Pilot Escort, a small but versatile ship with powerful engines that lend it great speed and maneuverability. Its advanced maneuvering systems compliment special targeting systems that exploit vulnerabilities found in the aft sections of most starships, making the Shran-class a formidable opponent to larger, slower ships.
The STAR TREK ONLINE Starships Collection: Shran-Class Light Pilot Escort
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USS Shran
SHRAN-CLASS FEDERATION LIGHT PILOT ESCORT — A versatile starship available to Starfleet players in Star Trek Online, the Shran-Class Light Pilot Escort was designed to meet a variety of wartime requests, from cost efficiency to flexibility to sheer firepower. After a variety of prototypes, the completed ship evolved into a successor to the Magee-class, built to the modern standards of the 25th century.
The Shran-class ship will retail for $29.95 / €24.99 / £19.99, and measures approximately 4.5 inches in length.
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Finally, in addition to the three new starship models scheduled for May, more hardcover reprints of classic Star Trek comic tales are coming from The Official Graphic Novels Collection.
Included are the Star Trek: The Next Generation Manga tale Boukenshin, the Original Series / Next Generation crossover story Convergence, and the DS9-era Starfleet Academy saga Between Love and Hate.
#135 – Star Trek Manga: Boukenshin
The crew of the Enterprise-D face four new challenges—all rendered in the style of Japanese mangas.
Presenting Tokyopop’s manga edition based on Star Trek: The Next Generation, which brought back popular Trek scribes David Gerrold and Diane Duane, along with writers Christine Boylan and F.J. DeSanto.
#136 – Star Trek TOS/TNG: Convergence
When aliens alter history to eliminate the Federation, the Enterprises of two generations must unite to stop them! This volume presents a quartet of special issues from DC Comics: Star Trek: The Next Generation Annuals #4–6, as well as a rare Brazilian Star Trek comic from Editora Abril.
Originally published in Jornada Nas Estrelas #5, this story was adapted from the classic TV episode “The Return of the Archons”.
#137 – Starfleet Academy: Between Love and Hate
Omega Squad comes face to face with the First Cadre and an insane Klingon cadet, in the final issues of Marvel’s Starfleet Academy series—plus, as a bonus, Cooper’s notes for the unseen chapters.
Meanwhile, Telepathy War concludes Marvel’s franchise-wide crossover, and Mirror Mirror, from Tom DeFalco, Mark Bagley, and Larry Mahlstedt, returns readers to the mirror universe.
Each of the republished graphic novel hardcovers run from 170-235 pages each, and will retail individually for $19.95 / €16.99 / £12.99.
In addition to these new starships and graphic novel collections arriving later this spring, Hero Collector also released this week their newest Star Trek Illustrated Handbook — this time focusing on the hero station and starship of Star Trek: Deep Space Nine, Starbase DS9 and the USS Defiant.
You can pick up your copy today from Amazon (US / UK/ Canada) and support TrekCore with your purchase.
Stick around for looks at more from Hero Collector and the Official Starships Collection, as well as reviews of the XL-sized, three-nacelled USS Enterprise-D from “All Good Things…” and and the Regula One station from The Wrath of Khan in the coming weeks!
UPDATE FEB 10: Thanks to the incredible offers of support – we have resolved all the issues below and are in the process of applying them to the website.
2021 marks five years from our last big evolution, where we rolled out a long-needed upgrade to our news and daily reporting blog — and this month, we’re reaching out to you, our loyal readers, to ask for your help with some of the less-frequently-managed fan resources that our site is known for.
While the news section of our site that you’re reading right now will be fine, the more ‘static’ portions of TrekCore, including the heavily-visited image and screencap galleries that most of you use on a regular basis are going to be primarily impacted by this change.
To take you behind the curtain a bit, this week we learned that our site’s web host will be upgrading TrekCore’s servers to run PHP 7.4 (and will no longer support older versions), which puts us in a bit of a tough spot, as much of our existing site structure is built upon older versions of PHP code.
While it’s served us very well for years, early testing with PHP 7.4 has brought us some less-than-optimal results, due to some legacy coding which we’re no longer able to maintain.
TrekCore had a few talented contributors who helped create our current structure several years ago, but our current site management team doesn’t have the needed PHP skillset to address today’s challenges — which is why we’re reaching out to our amazing community to ask for any assistance in resolving our two biggest issues this PHP 7.4 upgrade will cause.
Challenge #1: Headlines.
The most critical fix we need to resolve is a compatibility issue with our custom-built news headline system, which populates both the TrekCore.com homepage as well as the Trek series subsections throughout our site; this simply ceases to work with PHP 7.4 implemented.
We don’t anticipate this to be a very time-intensive fix — hopefully, at least! — and we’re not looking to have the entire system redesigned or rebuilt. At this time, we’re simply asking for assistance in pinpointing the compatibility problem(s), and some help in correcting the issue.
This is the most time-sensitive programming correction we need to resolve.
Challenge #2: Galleries.
Our secondary objective — less urgent, but more impactful for most visitors to the “other half” of TrekCore — relates to our large collection of image galleries, which currently run on the open-source Coppermine photo gallery system.
While we’ve been able to successfully test PHP 7.4 on these portions of our site, successfully carrying over the design and structure of the galleries, the new PHP 7.4 implementation eliminates a custom modification currently in place which we would greatly prefer to remain available to us.
Currently, when you’re visiting one of our galleries, clicking/tapping on an image thumbnail will bring you directly to the full-size version to which it was linked; you also have the ability to right-click/long-press on the thumbnail to open the linked, full-size image in a new tab or window.
Once PHP 7.4 is in place — see this test-upgraded gallery for an example — the Coppermine system no longer retains that convenient browsing option, and forces all thumbnail links to open their related full-size image in a new pop-up window (which immediately closes if clicked/tapped).
This is not only inconvenient for fans browsing our galleries, but with the volume of daily visitors who access our image galleries (a number much higher than you may assume!), the repeated, extra uses of the “displayimage” PHP script involved in this pop-up action will severely impact our server load in a way that will critically impact the stability of our site.
In the past, a volunteer was able to modify two files which made it possible to allow our galleries to bypass this image pop-up functionality, and we have those modifications on file to allow the ‘old’ and ‘new’ versions of the Coppermine implementation to be compared — hopefully, someone with a better working knowledge of PHP scripting will see a ‘quick fix’ to reapply the existing modification.
There is also an existing Coppermine plug-in tool that we are exploring as a secondary option — and honestly this is our preferred path — but it doesn’t quite have the functionality we need. If our ‘bypass’ modification is not something will be an easy implementation to restore our current functionality, perhaps a talented reader may be able to assist in modifying the plugin we’re looking at to work how we need.
We’ve got faith (ahem) that one of our readers may be able to help us out.
UPDATE FEB 10: Thanks to the incredible offers of support – we have resolved all the issues above and are in the process of applying them to the website.
In addition, stick around to listen to Foz and Alex’s predictions for what ViacomCBS might announce about the future of Star Trek at their Paramount+ investor presentation on February 24.
WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, YouTube, and Spotify— and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.
Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!
As the upcoming launch of Paramount+ featured in ads throughout last night’s Super Bowl broadcast on CBS, the Star Trek franchise got its own spotlight moment during the annual football event.
While the general “Paramount Mountain” spots that first debuted online last week included Star Trek characters Michael Burnham, Christopher Pike, and Spock among the numerous ViacomCBS personalities, the Trek franchise itself (using the new Star Trek Universe branding) got a headlining commercial in the latter half of the Super Bowl.
While Jean-Luc Picard (Patrick Stewart), Michael Burnham (Sonequa Martin-Green), and Christopher Pike (Anson Mount) get the main spotlight moments for Star Trek: Picard, Star Trek: Discovery, and Star Trek: Strange New Worlds, also seen are Saru (Doug Jones), Spock (Ethan Peck), and Seven of Nine (Jeri Ryan) from each series.
The tagline for the ad notes that the service carries “every series” and “every episode,” however there’s no appearances from any Star Trek: Lower Decks characters, nor any legacy characters from the previous shows in the franchise.
A longstanding cornerstone of the streaming service CBS All Access (set to rebrand into Paramount+ on March 4), this is the first national ad dedicated specifically to the Star Trek Universe which the ViacomCBS corporation hopes will be a continued draw for existing and new subscribers to the service.
In addition to the Star Trek-centric spot, there were also a pair of additional social media ads connected to the Trek franchise, featuring Stewart (as himself) and Peck (in character as Lt. Spock) grooving to the music of Spongebob Squarepants.
(TrekCore is not a financial partner or affiliate of CBS All Access or Paramount+, and receives no referral income or revenue — truly just an FYI for any interested fans.)
Keep your eye on TrekCore for all the latest news on the Star Trek: Voyager documentary project as it happens!
