When Star Trek: Picard Season 3 wrapped production at Santa Clarita Studios in 2022, the meticulously-rebuilt Enterprise-D bridge set was carefully deconstructed and safely put into storage — and in 2025, it’ll finally be available for fans to visit in a limited-time event in southern California.
Back in August, the franchise announced that it would be part of a planned series of “Universal Fan Fest Nights” at the Universal Studios Hollywood theme park in the spring of 2025, an “all-new interactive and immersive event” promising to bring properties like Back to the Future, Dungeons & Dragons, and of course Star Trek to life — along with “an enticing menu of themed foods and new merchandise, including collectibles, apparel, drinkware, accessories and more.”
The NEXT GENERATION cast back aboard the Enterprise-D in STAR TREK: PICARD. (Paramount+)
Today, it’s been announced that the actual Enterprise-D bridge set from Picard will be part of the Star Trek: The Next Generation component of the Fan Fest Nights, where fans will actually get a chance to walk aboard the bridge as if they were part of Captain Picard’s crew.
From the formal announcement:
Inspired by the Star Trek universe that has entertained millions of fans, this exciting experience will boldly take guests on an immersive and thrilling adventure aboard the U.S.S. Enterprise-D where they will have a once-in-a-lifetime opportunity to step onto the bridge, an original set piece featured in the third and final season of Star Trek: Picard.
Star Trek is one of television’s most enduring franchises, known for groundbreaking storytelling that addresses social, political and cultural issues. Itsoptimistic view of the future and reflection on what it means to be human has inspired generations of dreamers and doers.
Universal Fan Fest Nights will be a limited-time, after-hours experience, exclusive to Universal Studios Hollywood, that will showcase a dynamic line-up of captivating, immersive in-world experiences along with engaging, celebratory activations throughout the theme park, from live entertainment to cosplay, inviting guests to embrace their favorite characters and share their enthusiasm with like-minded fans.
The official dates for 2025’s Universal Fan Fest Nights are April 25-27, May 2-4, May 9-11, and May 16-18 — and per today’s press release, fans can follow @UniFanFestNights on Instagramand visit Universal Fan Fest Nights to learn more about the planned programming as next Spring approaches.
Keep coming back to TrekCore for the latest in Star Trek franchise news!
“A Tribble Called Quest” and “Cracked Mirror” are two fun stand-alone adventures that are more pointedly aimed at the younger set. Similar to “The Fast and the Curious” and “Is There in Beauty No Truth?” from earlier in the season, they mostly take a break from the main story line action to introduce newer fans to classic Star Trek setups — with a Prodigy spin. They manage to do justice to the tribble and the Mirror Universe concepts by maintaining the inherent silliness of both within well-structured adventures that had my kids spellbound.
My kids are still relative newcomers to the Star Trek universe, but even they know what tribbles are. When they were very little I used to tell them the story of “The Trouble With Tribbles” as a non-scary campfire story (“There was even a tribble in his coffee cup!”). So when the title screen popped up on “A Tribble Called Quest,” we were all excited for them to have a tribble episode of their very own.
(CBS Studios / Netflix)
But first there’s the matter of the protodrive needing fuel. And as Rok (Rylee Alazraqui) tells us in the opening voice over, that matter is “bosonite” which, as far as I can tell, is a made up substance that happens to have “all the exotic properties” they need. And Holo-Janeway just happens to have found a planet with a rich supply. Now, I’m not above Star Trek technobabbling things away occasionally, but I did find it a little disappointing that at the end of the last episode, Dal says that they are going to “build a star” and that building a star ends up just consisting of a typical “find the resource” away mission.
But to make up for it, we have tribbles! The crew beams down and come across what appears to be normal tribbles — but I only understood this from dialogue, because the animation style gives them a more “rocky” appearance to me than a soft and furry one. There’s a great call back to the first episode of the season as Dal (Brett Gray) mentions that Rok studied tribbles for her Starfleet Admission thesis, which is what we must have heard her presenting in “Into the Breach.”
We get a little Tribble 101 from Rok — for the watchers who are having their first tribble encounter — while we enjoy the familiar soothing sounds of the tribble “coo.” We live in this scene long enough for even first timers to understand that it is unusual when Rok gets bitten by one of her “cute babies.” And the fact that this bite was strong enough to hurt a rock person is enough to make these tribbles menacing, even before we are introduced to the gigantic boulder-sized tribbles rumbling down their path. They makes the giant tribbles in “More Tribbles, More Troubles” look like pebbles!
We get some great edge-of-a-cliff action as Murf (Dee Bradley Baker) helps everyone get below the overhang, and saves Dal from pitching off completely. They don’t come out of the ordeal unscathed, however, as Zero (Angus Imrie) gets trampled by the rolling horde and hurts their leg. They mention that “the tumbling was exhilarating,” one of many mentions since Zero got their body in “Is There in Beauty No Truth?” of them enjoying experiencing different feelings and physical sensations.
(CBS Studios / Netflix)
I love these little moments as it’s really nice to see Zero getting to have all these new experiences. It’s also nice to reflect on how lucky we are as corporeal beings to get to experience these things. Like, yeah, it’s kind of cool when the hairs on your neck stand up when you’re scared. And, while I wouldn’t want to break my leg, I’m pretty sure getting tumbled around with a herd of gigantic tribbles is pretty exhilarating. I hope my kids have picked up on these little moments of celebrating the physical as well.
Zero and Jankom (Jason Mantzoukas) head to sickbay. Zero’s body does not respond to any treatment, and they realize they might not have as much time with their body as they hoped. We don’t often get the pairing of Zero and Jankom, so it’s really interesting to watch as they have a nice little friendship moment. Jankom comforts Zero with the idea that if you can’t fix something, maybe you can build something even better.
Gwyn (Ella Purnell) and Maj’el (Michaela Dietz) also have a nice little friendship moment in this episode talking about the group dynamics, the plan, and where they fit in. It’s great to see all the different friendships among the crew blossom and evolve. I hope we get some more infrequently paired character moments this season.
We then meet Dr. K’Ruvang (Jorge Gutiérrez) a Klingon scientist, a geneticist. It’s always a treat to run into Klingons in other professions besides “warrior” — and it’s a lot of fun getting all the little Klingon trappings here. His science lab is his gorgeous Bird of Prey, revealed to us after decloaking with the soothing and familiar sounds and shimmers. He name drops Chancellor Martok — one of the all-time best Klingons — and its great to know he’s still in charge.
(CBS Studios / Netflix)
Dal laughs when Dr. K’Ruvang calls the tribbles the Empire’s “ancient blood enemy”, which is always a funny joke and made even funnier when Gwyn shakes her head at him that it’s not a laughing matter to the Klingons. It turns out, the gigantic, toothed tribbles are a result of Dr. K’Ruvang’s experiments and he has lost his honor since he can not figure out a way to fix his mistake.
Luckily, we have our resident expert on all things cute and cuddly and Rok comes up with a solution right away. The events of “Time Amok” are referenced in a really funny way as Chakotay (Robert Beltran) asked Dal exactly how smart Rok is and Dal recounts everything she accomplished in “ten minutes.” My kids thought this was really funny and it sent them off on another round of conversation about exactly how long Rok was alone during that episode, which is something that sparked conversations between my kids for a long time after that episode dropped.
I have to say, seeing just how great at so many different areas of science she’s been this season, my estimate for her alone time has increased. I’m still in awe of how Prodigy truly earned their “science genius” with that fantastic episode and it’s been really satisfying seeing them take advantage of it this season.
So Rok works on synthesizing a virus to return the tribbles to their natural state. They plan to release the virus (through spiked quadrotriticale — nice touch!) into the “omega tribble nest” — which also happens to be where the bosonite deposit is. Our crew venturing into the Star Trek version of a monster den on a treasure hunt? Sign me up!
(CBS Studios / Netflix)
But first we hit a little snag in the lab as Rok’s research produces an unexpected variable. Introducing Bribble, a tribble infused with Brikar DNA from Rok’s sneeze. Putting aside all the scientific and ethical questions Bribble’s existence raises, the little guy is incredibly cute. My daughter squealed at the reveal, but caught herself quickly and said “Murf’s cuter.” True, but giving our cadet crew a pet/mascot tribble is a really fun idea. It does, however, undermine the point they are trying to make about Rok being frustrated at her mistakes when the “mistake” is this adorable.
Dal and Gwyn are lowered into the heart of the tribble nest armed with traditional Star Trek pattern enhancers and they are able to transport the bosonite into the protocore. The animation of the pylons activating and connecting signals into a neon blue triangle is gorgeous. It was a really fantastic visualization that I took advantage of to pause and have a quick geometry lesson on why you need three data points to locate something and that’s why it’s called “triangulating” the signal. (Can’t stop won’t stop mom-ing!)
Gwyn and Dal can’t get beamed out of the nest because here come the giant attack tribbles who knock down the pattern enhancers. The rest of the crew come to the rescue, phasers blazing but they get surrounded. Luckily, however, Bribble isn’t just cute — they speak to the tribble mob, who completely back off. A great lesson on how sometimes “mistakes” can be an indispensable part of the process.
Dr. K’Ruvang and the crew have time for a round of a classic Klingon victory song and they head out. Rok’s tribble cure was a success. The crew activate the magic rocks in the protodrive — look, I’ve made my peace with it, okay? — and set a course for Voyager.
(CBS Studios / Netflix)
My kids knew what to expect as soon as they saw the word “Tribble” in the episode title, “A Tribble Called Quest”, but the “Mirror” in the next episode title eluded them — so we paused while I gleeful explained what to expect! I’ve really enjoyed getting to share the meaning behind such thoughtfully meta titles as “Who Saves the Saviors” and “Is There In Beauty No Truth?” or last season’s “First Con-tact” and “Time Amok.” My son appreciatively said they all are “inside jokes” and I think he liked me letting him in on them. So they were prepared for some alternate-reality action.
The Protostar is back in peak performance with both warp and protowarp drives fully functional, as the crew make their way back to the Voyager-A. Chakotay is being very cute about seeing Janeway once more, and Dal makes a hilarious — and surprisingly suggestive — joke about Chakoatay being sent to the Admiral’s ready room. Prodigy has done a great job of expanding on Chakotay’s feelings about Janeway.
Only hinted at in Voyager, here they are completely obvious but at the same time not intrusive; it’s not a focus of the plot, but just another layer on a very well defined character. He’s not trying to hide his feelings, or his nervousness at seeing her again. I find it incredibly endearing.
(CBS Studios / Netflix)
But the reunion will have to wait as the gang soon realize they are in an alternate universe where Janeway, Tysess, and Noum went on the Infinity mission — instead of the Protostar gang — and perished. I liked learning this about their mission because it adds something good about the Protostar crew’s interference with the timeline. This universe’s version of the EMH (Robert Picardo) beams away to meet them at sickbay and the gang take turbolifts… but end up on decks that exist in other parallel universes.
Dal, Gwyn, Jankom, Maj’el, Murf, and Chakotay end up in a reality where the Vau N’Akat weapon destroyed the Federation. It’s eerie to see this abandoned ship in such a dark timeline, lightened a bit by an unfortunate reunion with Okona (Billy Campbell) who is salvaging Voyager and outrageous-ing all over the place. In the conference room, they reason out what happened.
Gwyn revives Wesley’s sweater metaphor to describe their proto-warp punching a hole in the weakened fabric of the universe. The animation of the Protostar trapped between different universe “shards” is beautiful and reminds me of one of my favorite Discovery visuals, when the NCC-1031 is stuck halfway between our universe and the mycelial network in “Saints of Imperfection”.
Each deck is a different reality, similar to the Voyager episode “Shattered,” and it’s a nice oblique reference to that episode when Chakotay says “I’ve been through something like this before.” It’s truly a shame that “Shattered Mirror” is already an episode of Star Trek, because that would have been a perfect title and reference to an amazing episode of Voyager that really showcases Chakotay. I’m definitely adding “Shattered” to the list of episodes to watch with my kids!
(CBS Studios / Netflix)
Zero and Rok, meanwhile, have taken another turbolift and end up on a Voyager in much better shape. One with Enderprizian crew members from “All the World’s a Stage” and a captain named Tuvix (complete with an orchid cameo)! What two very delightful surprise references. My kids recognized the Enderprizians right away but didn’t know who Tuvix was. I just told them he was a character who is dead in our universe.
I didn’t have the heart to tell them it was Janeway who murdered him. Awkward! They can watch that episode someday and draw their own conclusions. (I’m definitely not adding “Tuvix” to the list of episodes to watch with my kids!).
Maj’el comes up with the tech solution, involving modifying the deflector dish to create an inverse tachyon pulse and between her and Chakotay, the technobabble here is so good that it almost has a melodical quality to it. But to repair the interphasic rift, they have to make their way to the bridge.
The bridge is eight decks away, and despite her claims to the contrary, Gwyn can not handle that many reality shifts. They have Okona try to beam them there. He beams them to another reality, but which one?
The reveal is delicious. Stepping into frame is Mirror Janeway (Kate Mulgrew) and she is glorious. Voyager never had a mirror universe episode — the closest we ever got was the false history in “Living Witness” — and this feels specifically like the Prodigy writers trying to make up for that. Mirror Janeway has the classic Mirror Universe swagger, rolling up in a leather uniform and slicked back hair, rocking both a cool scar and a Seven of Nine-style Borg implant. Pinch me.
(CBS Studios / Netflix)
Kate Mulgrew has a lot of fun leaning into the sarcastic side of evil, giving us yet another flavor of Janeway in the way only she could. Prodigy somehow manages to imply an intimate relationship between Mirror Janeway and Mirror Chakotay — who wears the classic Mirror Universe facial hair very well — while still maintaining the show’s kid-friendly status. It was just provocative enough to be a fun tease to the “will they or won’t they” status between their prime universe counterparts this season.
Before anyone is subjected to the good old agonizer booth (henceforth known as the “mean machine”), Murf subdues Mirror Chakotay incredibly easily, and Prime Chakotay poses as his counterpart. A little bit of Jankom’s thorium grease stands in for the goatee — Dal’s deadpan “And now you’re evil” made me laugh. Murf gets in on the Mirror Universe evil facial hair, too, and my kids awwwed appropriately at such a cute visual.
Mirror Janeway is not fooled for a second, though, so it becomes a chase as they hurry to the bridge. After a thrilling chase, including being ratted out by an evil whale (Mirror Gillian was a fan-favorite in my house), they arrive at the bridge at the same time as the Loom show up. I had almost forgot about the wider threat during all the excitement of these two episodes and it’s very menacing that they showed up here: you can’t hide from the Loom!
This sequence gets incredibly suspenseful as they run out of time trying to explain to Mirror Janeway what is happening as the Loom burst through the defenses. A Loom gets too close for comfort here to both Chakotay and Gwyn and we were all on the edge of our seats until Gwyn reached the deflector and put everything back to normal. Phew!
(CBS Studios / Netflix)
As the episode ends, we get the reunion scene that we’ve been waiting for between Prime Chakotay and Prime Janeway. It’s an incredibly lovely and understated moment played exactly the way you’d think these two characters would react in this situation. You can feel the love between these two and, for now at least, there is no reason to try to define the type of love that is.
These two episodes were a joy to watch with my kids, as I could see them falling in love with the silly side of Star Trek that I adore. One really big strength of this season is the wide variety of types of episodes in a way that is pretty representative of the longer seasons of classic ‘90s Trek — and they were a really great lead-in to the reunion we’ve been waiting for.
And now that everyone is back where they belong, it’s time to save the universe!
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
We got an up-close-and-personal look at the Strange New Worlds phaser back in July, in case you missed our spotlight video from San Diego Comic Con:
The company has partnered with Strange New Worlds to study both original phaser props (as well as associated digital assets), and has even included new audio designed by the Star Trek: Strange New Worlds production team so that the replica will have an accurate “overload” sound — if that overload action is later used in a Strange New Worlds episode.
The regular edition of the Factory Entertainment Strange New Worlds phaser — which weighs in a hefty 2.2lbs — will retail for $799.99 and be limited to a total of 1,000 units, and will come with a specialized display case.
(Photo: Factory Entertainment)
Here’s what the company says about the replica:
The Factory Entertainment team began the process of replicating the Star Trek: Strange New Worlds phaser by meticulously studying the original props, as well as various digital assets.
Star Trek: Strange New Worlds was still in the production of its early seasons at the time our phaser replica was designed. The original screen used props featured functions that were merely hinted at or not addressed at the time. However, in collaboration with the Star Trek: Strange New Worlds production team, we were able to extrapolate and fully realize additional features and functions. Featured in this replica is a removable phaser type-1, an adjustable emitter and other currently unseen features, such as overload sequences, which the production team approved and may become canon going forward.
The body of each replica is cast aluminum alloy, with the same anodized finishes as the original props. Colors and finishes have been precisely matched to the props, and trim pieces are made from machined aluminum, brass and ABS plastic.
Each replica includes a museum style display case, a certificate of authenticity and a numbered metal edition plaque. The replica is powered by a rechargeable battery. A USB-C charging cable is included.
Dimensions
Replica only: 8” Long 5.5” Tall (20.3×13.9cm)
Packaged product in carton: 17x9x11” (43.1×22.8×27.9cm)
Factory Entertainment — 'Strange New Worlds' Phaser
1 of 5
(Photo: Factory Entertainment)
(Photo: Factory Entertainment)
(Photo: Factory Entertainment)
(Photo: Factory Entertainment)
(Photo: Factory Entertainment)
For Strange New Worlds superfans, Factory Entertainment will also be making just 100 units available as a limited-run “Anson Mount Signature Edition” — retailing at $999.99, this version of the phaser replica will include a special metal plaque signed by Captain Pike himself.
Do you plan to add Factory Entertainment’s Strange New Worlds phaser replica to your Star Trek arsenal? Let us know your thoughts in the comments below!
Things have been a bit quiet here at TrekCore for the last week or two, but after a much-needed break we’re back with another look at the latest Star Trek merchandise headed to your sector!
The biggest announcement this week comes from our friends at Master Replicas, who have partnered with Bodum to bring the original “Captain Picard teacup” back into production for Star Trek: The Next Generation fans.
Discontinued in 2016, the 6-ounce glass teacups served as the futuristic-looking favorite design for Picard’s “tea, Earl Grey, hot” throughout The Next Generation — part of Bodum’s BISTRO glassware system, designed by Carsten Jørgensen in 1974. The borosilicate glass mug is supported by a black plastic handle which encircles the cup.
The original Bodum mug used in TNG (and in STAR TREK: PICARD).
Master Replicas’ new run will feature just one small change from the originals: as a now-officially-licensed Trek product, these newly-produced cups will have both the Star Trek and Master Replicas logos next to the Bodum logo on the base of each cup.
The company’s license covers the Original Series, all four Berman-era productions (The Next Generation, Deep Space Nine, Voyager, and Enterprise), as well as the first ten Star Trek motion pictures.
Nacelle’s Star Trek is inspired by some of the most beloved, fan-favorite characters and moments from Star Trek shows and films over its iconic run of nearly 60 years, with a focus on characters never before available.
Covering the era from the Original Series to Star Trek: Enterprise, the franchise is known for celebrating the beauty of exploration and analyzing ethical dilemmas largely based on societal issues. The trailblazing Star Trek franchise portrays unity and collaboration amongst hundreds of different cultures in their interpretation of a future
universal society.
With Star Trek’s rich cast of beloved characters, cameos and unforgettable moments, there will be future waves of releases that will include characters from Star Trek: The Next Generation, Star Trek II: The Wrath of Khan, Star Trek: Deep Space Nine and more.
The company has specifically requested that fans submit their ideas for which characters should appear in the upcoming Trek action figure line — so if you’ve got ideas, be sure to send them in to StarTrekIdeas@nacellecompany.com.
What figures do you want to see us make? Email us at startrekideas@nacellecompany.com
Pop Culture Coffee began a line of licensed Star Trek-themed ground coffee products earlier this year, and now the company has expanded their product line with more blends and a line of Trek mugs as well.
Now Pop Culture Coffee has introduced a Captain Janeway-inspired “Coffee, Black” dark roast, and a “Toffee Crunch” blend themed around the Borg Collective. Like the initial four coffee blends, these two new varieties retail at $16.99 each.
In addition, the company has announced four handthrown ceramic mugs themed around the Star Trek franchise. The Starfleet Command, USS Enterprise, Vulcan Salute, and Klingon mugs are up for preorder now for a price of $42.99 each.
Star Trek: Prodigy’s second season contains an avalanche of references to previous Star Trek shows and movies to help center the show within the wider Star Trek canon, tease younger viewers about all the fun waiting for them in more than 900 other episodes of Star Trek, and reward the longtime fans and deepen their enjoyment of what they’re watching.
With 20 new episodes, we’ve revived our Canon Connections series to recap the references, callbacks, and other cool Star Trek ephemera — and today we’re taking on the next four Season 2 entries: the “Devourer of All Things” and “Last Flight of the Protostar” two-parters!
“The Devourer of All Things, Part I”
Cloaked Planet — The Travelers’ world is concealed between quantum realities that effectively cloaks the planet. Cloaked planets have appeared in Star Trek before, such as Aldea in “Where the Bough Breaks” and the planet Meridian in the Deep Space Nine, which shifts between realities.
The Travelers — As the crew of the Infinity arrives on the planet Wesley Crusher has sent them to find, they discover a base of operations for the Travelers, the race of beings who control space, time, and thought first encountered in The Next Generation episode “Where No One Has Gone Before.” There is a statue of a being who looks just like the Traveler introduced in that episode, played by Erik Menyuk. (Menyuk has a voice cameo of the echo of a conversation between Wesley and the Travelers about saving the Prime Universe.)
Vault Door — The mid-21st century Earth vault door is a callback to The Original Series episode “Assignment: Earth” and Star Trek: Picard Season 2. The latter of the two was where Star Trek first established a link between the Travelers and the Supervisors from TOS.
Wesley Crusher — Wesley Crusher returns – his second appearance in modern Star Trek (after Picard Season 2’s “Farewell”). Prodigy goes much deeper than the quick Picard cameo to establish who Wesley is now, but one thing he hasn’t abandoned is his love of sweaters.
The sweater Wesley wears in this episode (and the rest of the season) is an homage to his early season one sweater from The Next Generation. Rok-Tahk describes him as “member of Nova Squadron” (seen in “The First Duty”), “genius of the Enterprise D, made acting ensign at age 15.”
Janeway Hates Time Travel — Admiral Janeway’s distaste for time travel is a long running joke from Star Trek: Voyager – the past is the future, the future is the past, sooner or later it starts to just give me a headache – and that continues into Prodigy.
Janeway’s Three Rules — Admiral Janeway’s three rules for captaining a starship – keep your shirt tucked in, go down with the ship, and never abandon a member of your crew – were first shared with Naomi Wildman in the Voyager episode “Dark Frontier.”
The ‘Star Trek’ Multiverse — In explaining the concept of different universes and timelines (“quantum timelines, alternate realities, planes of existence”) to the Infinity crew, Crusher lists a number of realities that Star Trek fans are familiar with – the Prime Universe, the Mirror Universe (from The Original Series, Deep Space Nine, and Discovery), the Narada Incursion (from Star Trek 2009, Into Darkness, and Beyond), Fluidic Space (Voyager’s “Scorpion”), and the Mycelial Plane (from Discovery, though Wesley acknowledges the crew aren’t supposed to know about that).
Wesley acknowledges that his fondness for the Prime Universe, and commitment to saving it from annihilation, is driven in part by the fact that his mother – Doctor Beverly Crusher – calls the Prime Universe home.
Temporal Wars — The Temporal Wars (first seen in Star Trek: Enterprise and referenced several times on Star Trek: Discovery) get another namecheck here, with Wesley admitting that after the Temporal Wars, there are not many Travelers left to repair broken timelines.
Quantum Signatures — Wesley tells the Infinity crew that he needs to align their quantum signatures. The idea that an individual has a quantum signature that is specific to their unique timeline or universe is first established in The Next Generation episode “Parallels.”
Assignment: Earth — At the end of the episode, the Infinity crew and Welsey flee through the vault door to a room that mirrors Gary Seven’s office from “Assignment: Earth,” further confirming the direct connection between the Travelers and the Supervisors. Early in part 2, Crusher describes the supervisors as “field agents, who work in other time periods.”
“The Devourer of All Things, Part II”
Apollo 7 — The newspaper in the “Assignment: Earth” style office is dated for the Apollo 7 launch in 1968, which was the year that the episode was set.
Wall of Heroes — Commander Tysses swears he’ll keep Maj’el safe “on the blood of my ancestors at the Wall of Heroes.” The Wall of Heroes was established in the Enterprise episode “United” as an Andorian memorial on the homeworld where the blood of Andorian Imperial Guardsman who died offworld was returned.
Battle Bridge — The Voyager-A has a battle bridge, similar to the Enterprise-D.
Level 10 Force Field — The Doctor attempts to erect level 10 forcefields to repel the advance of the Loom. A level 10 forcefield has previously been established to be the strongest forcefield available to Starfleet.
Janeway’s Undershirt — Admiral Janeway’s decision to remove her uniform jacket to take on the Loom echoes a similar decision in the Voyager episode “Macrocosm.” Those arms!
Phase Variance — Janeway’s theory that matching the shuttle’s phasers to the phase variance of the Loom will make them susceptible to weapons fire proves effective. Episodes like “Time’s Arrow” have established that matching the variance of something that is out of phase allows you to more easily interact with that thing.
Tom Paris — Voyager’s helm officer gets a shout out from Admiral Janeway as having taught her a shuttlecraft maneuver that comes in particularly handy in fighting off the Loom.
Time Travel Tech — The time ziggurat employs different time travel technologies to function, including the Boreth time crystals (from Discovery Season 2) and the Orb of Time (from DS9’s “Trials and Tribbleations”).
Sum of Both of Us — Maj’el refers to the old Vulcan proverb “together we become greater than the sum of both of us.” That proverb was first heard spoken by the recreation of Surak in The Original Series episode “The Savage Curtain.”
Jibalian Omelette — Jankom worries that Wesley’s technology will scramble his genes like a Jibalian omelette, a Delta Quadrant favorite referenced by Neelix in “Prototype.” Like Wesley missing the seventh necessary crew member to save the cosmos (Maj’el), Neelix missed the seventh necessary ingredient to make the perfect Jibalian omelette (salt).
Multispectral Sweep — Janeway orders a multispectral sensor sweep. Multispectral sensors were first installed aboard Galaxy class starships (mentioned in The Next Generation’s “Encounter at Farpoint”).
“Last Flight of the Protostar, Part I”
Emergency Power Cells — Emergency power cells are commonly used technology aboard starships to supplement the power when it fails, perhaps seen most dramatically when the Voyager carries one into Engineering during the events of “Night.”
No Antimatter — Kids get a crash course in warp drive design in “Last Flight of the Protostar,” beginning with the need for a matter and antimatter reaction to provide the fuel to power a starship.
The Needs of the Many — Chakotay believes he must remain stranded with the Protostar to protect the Federation from the Living Construct, which in this timeline is still aboard the ship. To justify his actions, he modifies the famous Spock line “The needs of the many outweigh the needs of the few” to “the needs of the many outweigh the comfort of the few” when the Infinity crew balks at the state of their once proud ship.
Cowboy Hat — There is a lot of classically Western iconography in this episode, including Chakotay’s cowboy hat. But that may also serve as an homage to his father Kolopak who wore a similar hat in the flashback sequences in “Tattoo.”
Dedication Plaque — We get our first look at the Protostar’s dedication plaque as it is returned to its rightful place on the wall (similar to how Voyager’s dedication plaque is returned to the wall in “Equinox, Part II” to hint that the ship and its crew are getting things back to normal after a difficult period).
“Last Flight of the Protostar, Part II”
Physical Therapy — The Doctor has a history of providing painful physical therapy to Admiral Janeway, first seen in the Voyager episode “Scientific Method.”
Beverly Crusher — Beverly is wearing the same jacket as during the opening episodes of Star Trek: Picard Season 3. Janeway says it’s been a while since the “Shinzon incident,” referring to Kate Mulgrew’s cameo where it was first revealed she was promoted to Admiral in Star Trek: Nemesis. And the Picard/Crusher dynamics are hinted at with Beverly telling Janeway that Picard’s priority is the Romulan evacuation — and not, as it turns out, the son he doesn’t know anything about.
Warp Drive Mechanics — This episode is chock full of warp drive mechanics, including the need for deuterium gas to ignite the reaction between matter and antimatter (Voyager was frequently low on deuterium), the use of bussard collectors, and the ram scoops to absorb particles from around the ship (as seen in Star Trek: Insurrection).
Chakotay’s Heritage — Chakotay discusses his origin story with Dal, discussing the loss of his father, his purpose in Starfleet, his heritage following the Federation-Cardassian Treaty that saw his home end up on the Cardassian side of the border, and his decision to join the Maquis.
We’ll be back with more Canon Connections soon, covering the next four episodes of Prodigy Season 2. Did we miss any of your favorite connections? Share them in the comments below!
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
In addition, stick around to hear Katie’s wishes for the fan-demanded Star Trek: Legacy and Alex’s reflections that we’re squarely in the lull of new Star Trek caused by last year’s strikes — but that lull is close to ending….
WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify— and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.
Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!
Star Trek: The Art of Glenn Hetrick’s Alchemy Studios, the new 192-page reference book detailing much of the creative make-up design and application for Star Trek: Discovery from Joe Nazarro and Titan Books, is appropriately titled.
When first diving into the publication’s detailed prose and artistry, you might think the focus would invariably land on just Glenn Hetrick himself as the pages churn through the creation of everything from the Discovery-era Klingons and Saru to the debut of the fifth-season Breen.
And why not? Hetrick is a visible force in the industry, with a massive reputation for his many career accomplishments, including his presence on the gone-too-soon creature design reality show, Face-Off, with his tattoos, hair and style always matching the work he was putting on screen.
(Photo: Titan Books / TrekCore)
But the truth about Hetrick, if you’ve ever heard him interviewed — or if you pick up this excellent book and actually read it (instead of just getting lost in the thousands of riveting photos) — is that he is a scholar in the world of make-up design and application. At every phase in the process. And you learn about each of those phases in this publication as Hetrick, and seemingly scores of names, are referenced throughout each chapter of this book discussing designing, sculpting, molding, casting, fabrication, printing, painting, applying, touching up, etc., ad infinitum.
Brilliantly and simply broken into five main sections detailing each of Discovery’s five seasons, the book is easy to go through from that aspect, but offers amazing detail on each page, whether diving deep into the Hetrick’s vision for how his version of the Andorians came to be (originally he toyed with covering their eyes, so they were actually blind) or skimming quickly over a character like Facianfrom the episode “…But to Connect,” with a cool otherworldly insect-like design. There is just so much here.
Of course, a book about the make-up design of Star Trek: Discovery can’t escape the never-ending discussion, from every angle, of the Discovery-era Klingons and all the strong opinions that come with it. If you are looking for this book to address the reception of the Klingons back in the early seasons of the show, you will be disappointed. It doesn’t really do that.
(Photo: Titan Books)
However, it does detail in full Alchemy’s design process for the Klingons. From a fantastic two-page spread on the Klingon Cultural Axioms created by Hetrick himself that set the stage for the design impetus behind each Klingon house, to a brilliant photo spread on the creation of the intricate Torchbearer costume, there is a lot here on the Klingons. (They’re bald! They have hair! That one looks like Glenn Hetrick!)
In regard to the Torchbearer costume from the Discovery pilot, many of the details here have been told before in behind-the-scenes vignettes and on stage at conventions, but the information compiled here is accompanied for the first time by a myriad of intricate photos that allow you to really understand how the suit was actually constructed and fitted for the stunt performer. It’s a great piece — and the Torchbearer design and production remains a standout for Alchemy even after all these years.
Another interesting section in the book is a four-page spread on the addition of the Orions to Discovery in Season 3. The short prose addresses the reasons that Hetrick and his artists went with a full silicon make-up for the Orions, instead of just painting the actors green (since they basically share the same features as humans).
“If you’re shooting in HD, you can’t get away with paint anymore,” Hetrick is quoted saying. “It just looks like what it is — and even worse in HD. To achieve the hyper-realism demanded of us nowadays, we needed to go full silicon…”
(Photo: Titan Books)
Although the Orion photospread in this section certainly highlights the eye-popping green and clean edges for all the actors portraying one of Star Trek’s most venerable aliens, it is sometimes hard to get past the idea of a human face being applied with basically an extra layer of “human face” silicone on top of it. Something about it felt off, which seemed to be corrected when the Orions were revisited in Strange New Worlds’ “Those Old Scientists.”
In another oddity in the book, the section on Callum Keith Rennie’s incredible Captain Rayner character — based on the deep-cut Deep Space Nine one-off alien race the Kelleruns — gives us cool background on Hetrick originally basing his ear design on the Srivani, a one-off race featured in Voyager’s “Scientific Method.”
(The problem? There is no reference to the Kellerun in the book, and the final design is credited as Srivani, which is clearly where it started, based on Hetrick’s design process, but not where it ended.)
(Photo: Titan Books / TrekCore)
Perhaps the biggest creative surprise from Alchemy in their five seasons of Discovery was the reveal that this famous “physical make-up and creature effects” studio was responsible for producing the 100 percent digital creature design, Species 10-C. This process, which originated from the mind of Hetrick, is analyzed in a comprehensive breakdown across 14 pages, the largest section of the book. (In contrast, the rest of Season 4 is covered in just 16 pages.)
In breaking down his process for working with a myriad of designers to visualize Species 10-C (or the “Gas Giants,” as they are referred to here), Hetrick perfectly sums up the impressive way his expertise and craft go so far beyond just sculpting and painting:
This is a skill that young people need to understand. When I’m doing signings at conventions, I get asked what skills they need to be working on. They know they need to sculpt and paint, and a fundamental understanding of this type of art is to be able to do effects.
Too many people jump into blood and guts and zombies, and covering things with gore, and everybody gets the same lesson about learning anatomy, but nobody tells you that you have to work on your speaking skills as well – not just group discussion as a team leader in the studio or trailer, but also your ability to interface with other intelligent people that are working on your level, where you’re talking about scripts and stories and narratives and emotions.
You have to be able to actively listen to what people have to say, so you can interpret their comments and come back with something else.
Perfectly said.
In the end, Alchemy Studio is about big swings and professional production. And that might not have been something you would have known before you picked up this reference book, but it surely will be a takeaway once you go through its detailed presentation.
(Photo: Titan Books)
It’s a historical framing of Alchemy Studios’ intense, detailed work on Star Trek: Discovery, while also serving as a testament to the leadership of Alchemy’s visionary mastermind, Glenn Hetrick. The man is obviously an artistic genius, but in so many ways is unexpectedly so much more than that in the way he manages his studio and his group of artists at every stage of production.
The work speaks for itself and has cemented his contributions to the Star Trek universe, which are now immortalized for all-time here and on the screen in Discovery.
The annual tradition continues this October as Paramount+ plans to bring the next two big events in the Star Trek Universe to New York Comic Con.
Announced through Variety on Sunday,Star Trek: Lower Decks Season 5 and Star Trek: Section 31 will be the focus of the yearly Star Trek Universe panel on Saturday, October 19 — when the cast and creatives of each project take the stage at the Javits Center in New York City.
The panel will kick off at 2:30 PM with “cast and producers” of Lower Decks, where fans can expect a new trailer for the animated series’ final season which debuts October 24 on Paramount+. It’s not yet clear which cast members will be part of the on-stage discussion.
The second half of the 90-minute panel will focus on the upcoming Section 31 movie starring Michelle Yeoh. It’s likely that additional video from the film will be previewed, but beyond that the streamer hasn’t specified who will be present to represent the cast and production team.
The Paramount+ social media posts about the panel also tease “more exciting reveals and surprises for fans,” which probably means we’ll get something about the now-in-production Star Trek: Starfleet Academy series… and perhaps more.
Be sure to follow TrekCore’s Twitter/X feed for live coverage from the October 19 panel, and right back here for the full report on all of this year’s Star Trek news from New York Comic Con.
In addition, stick around to hear Jamie’s opinion about how fan perception of the quality of Star Trek shows, episodes, and concepts has always improved with the passage of time, and Alex’s excitement to play the second edition of Star Trek Adventures.
WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify— and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.
Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!
The fifth and final season of Star Trek: Discovery arrived on Blu-ray at the end of August, and — in what is likely one of our last pieces about the series for quite a while — it’s time to check out the Season 5 home media content, including that special bonus disc of exclusive extras!
The four-disc Blu-ray set (available in standard packaging and the annual Steelbookspecial case) contains all ten episodes of Discovery‘s final outing — “Red Directive, “Under the Twin Moons,” “Jinaal,” “Face the Strange,” “Mirrors,” “Whistlespeak,” “Erigah,” “Labyrinths,” “Lagrange Point,” and “Life, Itself” — along with the behind-the-scenes bonus features typical of past releases.
There’s also a single commentary track this season; the natural trio of showrunner Michelle Paradise, executive producer/director Olatunde Osunsamni, and series lead Sonequa Martin-Green (Burnham) speak about the production of “Life, Itself” over the show’s series finale.
The four-disc Steelbook edition of DISCOVERY Season 5. (Paramount Home Entertainment)
Along with the commentary, Discovery Season 5 includes production featurettes, a gag reel, and a deleted scene from the series finale. Some of the featurettes are more engaging and more essential than others, but overall there’s a good amount of interesting and informative behind the scenes content.
I do have one minor (but recurring) quibble — the title page for many of the features, particularly the text of the title itself, looks like something someone with a shaky understanding of kerning put together in PowerPoint. (It’s a little bit more of a “graphic design is my passion” situation that I would have expected on this kind of release, personally.)
(Paramount Home Entertainment)
Oftentimes “season roundup”-type features just rehash the plot and character arcs of the season, but The Voyage of Season 5″ (38:57) has enough production tidbits to make it worth watching. As someone who “always uses pockets in [his] acting,” for example, Callum Keith Rennie (Rayner) faced the challenge of figuring out how to play a character who wears a uniform without any pockets. Who’d have thought?
Eve Harlow (Moll) had never done any stunt work or stage fighting, and had to learn the process from scratch; meanwhile, Doug Jones’ (Saru) longtime stunt double Bauston Camilleri gets a well deserved spotlight for his work in “Under the Twin Moons.”
(Paramount Home Entertainment)
This season’s “Being Michael Burnham” (13:15) feature chronicles Sonequa Martin-Green’s experiences during the three-day shoot of the “Life, Itself” series coda. As I discussed in my review of the episode, the coda didn’t really work for me. This making-of piece, though… this is more moving than the coda itself!
Martin-Green’s genuine love for the people she works with, both in front of and behind the camera, is infectious to watch. When she says she’s honored to be on set at 1:30 AM for the application of her old age makeup, you know she means it 100%. (By the way, she is wearing a lot more prosthetic makeup in the coda than I realized.)
The rest of the cast make appearances as well, and we get a real sense that the footage filmed for the coda’s emotional slo-mo goodbye scene required very little acting.
(Paramount Home Entertainment)
“A Team Effort” (20:04) spotlights Q’Mau sand-speeder sequences from “Red Directive” and the fight sequences from the series finale in this walkthrough of the environmental design process for the AR wall — and the physical set elements that sit inside the virtual set.
We’ve seen Discovery get more and more sophisticated with its use of AR backdrops over the last two seasons, and it’s clear from the onscreen results (but also from this featurette) that Season 5 was the pinnacle of what they were able to accomplish. An incredible amount of work went into making this show look as good as it does, and this is a nice overview of the art department’s efforts.
(Paramount Home Entertainment)
“Character Development” (23:31) focuses on Stamets, Culber, Tilly, and Saru, and this feature follows their development throughout the series both onscreen and also with respect to how their actors viewed their characters. Showrunner Michelle Paradise also provides commentary throughout. A highlight is Doug Jones’ thoughtful examination of how playing Saru over these five seasons has impacted his personal life.
(Paramount Home Entertainment)
If you’re interested in learning about director Olatunde Osunsanmi’s technical or creative processes behind the camera, this feature probably isn’t going to be for you. If you want to hear about how much everyone involved with Discovery loved working with the guy, then you’re in luck. In “Discovery’s Creative Force” (09:50), we do learn that he was responsible for a few significant creative decisions beyond his role as director, but for the most part this is a lovefest, pure and simple. Which, hey, always nice to be reminded that Discovery’s was a happy and supportive set.
(Paramount Home Entertainment)
Season 5’s Gag Reel (3:53) is considerably more fun and higher energy than the one included on the Season 4 set, understandable given that Season 4 was filmed under strict pandemic protocols which surely dampened the mood. Highlights this season include Doug Jones repeatedly mispronouncing “nuptials” as “nupitals,” Sonequa Martin-Green and David Ajala (Book) clearly having a great time on set together, and the occasional bit of off-camera commentary from director Jonathan Frakes.
(Paramount Home Entertainment)
The season only provides one Deleted Scene (0:41), a short walk-and-talk from “Life Itself” as Nhan and Saru discuss wedding plans and the challenges and rewards of mixing work and relationships. These kinds of casual character moments are something of a precious commodity on Discovery, so for that reason it would have been nice for this to have been kept in. (Nothing substantive to the overall plot is lost by its omission though.)
The full-series collection. (Paramount Home Entertainment)
That, of course, are not ALL of the Season 5 bonus material out on disc this summer — unfortunately for fans, there are three additional video features that have been held back from the season set and reserved as exclusive content for the Star Trek: Discovery Complete Series box set.
Two of them are extended slideshows set to music, which is no big loss unless you’re a hardcore Discovery completist — but the longest feature is something that has disappointingly been locked away on this big box set.
(Paramount Home Entertainment)
“The Art of Discovery: Costumes” (16:03) is essentially a slideshow. This feature is a visual journey through costumes throughout all five seasons of Discovery, comparing design drawings with episode footage of the final costume as it appears onscreen. It’s… interesting to a degree, but would have benefited from some narration from costume designer Gersha Phillips or the costume fabricators. Probably the most entertaining thing about this are the uh, questionable digital maquettes of the actors seen in some of the drawings.
(Paramount Home Entertainment)
Like the costume feature, “The Art of Discovery: Production Design” (41:51) is a slideshow of production art from throughout the series, set to music from the show. I have to be honest, I have a hard time imagining someone watching this more than once — and even that first time would quickly become a “leave it on in the background while you do something else” viewing experience.
(Maybe they could release this as a screensaver or something?)
(Paramount Home Entertainment)
The only really worthy feature is the “Series Roundtable” (57:15), which starts out immediately weird: we join Alex Kurtman and five castmembers (Sonequa Martin-Green, Doug Jones, David Ajala, Blu del Barrio, and Wilson Cruz) as they silently watch a screenshare of a Season 1 featurette.
A strange beginning, but trust me you do want to watch this if you get the chance. The “work videocall” vibe quickly gives way to “punchy convention panel” as these six people (with great chemistry!) comment on old video clips and lovingly roast each other and the sometimes silly things they were asked to do in the name of Star Trek. “Sonequa saw my entire taint,” Wilson Cruz says at one point, laughing about his his nude rebirth in “Saints of Imperfection.”
“I did!” Sonequa Martin-Green agrees. It’s a good time.
***
Overall, the Season 5 package is fairly robust for bonus features this day and age; while a few additional commentary tracks or deleted scenes would have been nice, getting this much behind-the-scenes content on a physical release is still better treatment than most television shows get these days.
The cast roundtable piece is the lone detractor, relegated to the Complete Series box that (as of this writing) is only $15 more than the separate Season 5 set — but as exclusives go, it’s not as bad as some previous Trek releases in that department. (It’s still a disappointing move, certainly.)
But look — if you’ve been buying Star Trek: Discovery box sets for the last six years, it’s absolutely worth rounding out your library with the Season 5 collection. And if you’ve been waiting to open your wallet? The Complete Series box set is a no-brainer at the current retail pricing, and it’s a win-win with that extra cast roundtable feature.