The fifth and final season of Star Trek: Lower Decks beams down to Paramount+ with a two-episode premiere on Thursday, but ahead of the show’s October 24 return, the cast hit the New York Comic Con stage.
Saturday in New York City, series showrunner Mike McMahan was joined by stars Eugene Cordero (Rutherford), Noel Wells (Tendi), Jack Quaid (Boimler), and Tawny Newsome (Mariner) — all in the same place together, if you can believe it, for the very first time! — to talk about the concluding year of USS Cerritos adventures.
Mike McMahan is joined by #StarTrek#LowerDecks leads Eugene Cordero (Rutherford), Noel Wells (Tendi), Jack Quaid (Boimler), and Tawny Newsome (Mariner) – together on stage at a con for the first time!#NYCCpic.twitter.com/95g77pm7a1
Ahead of their panel, however, the lucky fans in attendance got to watch the entire Season 5 premiere — titled “Dos Cerritos” — before Thursday’s global release. For those of you who weren’t at the convention, Paramount+ has made this preview clip available to whet your appetite… where the Cerritos crew encounters an alternate-reality version of themselves.
The Lower Decks also unveiled the third and final key art poster for the show’s final season — which makes three designs for Season 5 — this time the expected Star Trek V: The Final Frontier key art homage.
(Paramount+)
All three designs for Lower Decks’ Season 5 posters come from artist Matt Ferguson, who last week also unveiled his Star Trek V “Seatbelts” homage poster ahead of Lower Decks’ return.
(Paramount+)
You can find full-resolution downloads of all Star Trek: Lower Decks Season 5 posters in our series gallery.
The fifth and final season of Star Trek: Lower Decks will premiere its first two episodes October 24 on Paramount+.
Check back to TrekCore often for the latest in Star Trek news!
Announced yesterday at New York Comic Con — where returning Star Trek: Voyager actor Robert Picardo (The Doctor) popped in to share the news with the convention crowd — the new series will continue production right into Season 2 after work on Season 1 is completed in Toronto.
The young cast of Starfleet Academy also made a brief appearance via live video at yesterday’s panel, introducing themselves (not their characters) to the New York crowd.
Additionally, the show has added yet another familiar name to it’s already impressive cast list: Emmy Award-winner Tatiana Maslany (Orphan Black, She-Hulk) will appear in Starfleet Academy’s first season in a recurring “special guest star” role.
(Paramount+)
Star Trek: Starfleet Academy will “follow the adventures of a new class of Starfleet cadets as they come of age in one of the most legendary places in the galaxy. The series will introduce viewers to this young group of cadets as they come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.”
Keep checking back to TrekCore for all the latest in Star Trek franchise news!
Back in September, the Nacelle Company announced that they’d obtained a license to produce Star Trek action figures — and today at New York Comic Con, they showcased the first eight characters set to launch their new product line in 2025.
Nacelle founder Brian Volk-Weiss led the hour-long panel during NYCC’s biggest day, explaining the background of the company’s new venture into Star Trek action figures — which will be from all series from The Original Series through Star Trek: Enterprise, and all feature films between The Motion Picture and Star Trek: Nemesis.
Volk-Weiss explained that Nacelle’s goal is to avoid repeating the same characters every new Star Trek action figure venture tackles — like Captain Kirk, Seven of Nine, Data, etc. — and focus on the vast multitude of other Trek characters that have never (or rarely) been seen in the action figure format.
With that effort in mind, the first wave of Nacelle Trek figures are likely to be character selections that few may have guessed!
The 6″-7″ action figure lineup will begin with Captain Edward Jellico (from “Chain of Command”), and continuing with midshipman Peter Preston (from Star Trek II: The Wrath of Khan), Valkris(from Star Trek III: The Search for Spock) and Captain Rachel Garrett (from “Yesterday’s Enterprise”).
The first wave will continue with Tuvix (from the Voyager episode of the same name), Mirror Jonathan Archer (from “In a Mirror, Darkly”), Vorta administrator Weyoun(from Star Trek: Deep Space Nine), and Captain Hikaru Sulu(as seen in Star Trek VI: The Undiscovered Country).
(Nacelle Company)(Nacelle Company)
Three paint-master prototypes were on display at NYCC today:
Captain Garrett, Captain Jellico, and Peter Preston. (TrekCore.com)Captain Jellico. (TrekCore.com)Peter Preston. (TrekCore.com)Captain Garrett. (TrekCore.com)
In addition to this first wave — and more figures already in the works to follow these initial eight releases — Nacelle is soliciting ideas from Star Trek fans on who they would like to see in future waves to complete their collections. If you’ve got ideas for who you want to see in this still-expanding product line, send their suggestions to startrekideas@nacellecompany.com.
Nacelle tells TrekCore that they anticipate opening preorders for their new Star Trek action figures in early 2025, with a goal of delivery before the end of next year. The company is also aiming for a price point in the under-$30 range, similar to the Star Wars Black Series action figure products.
We’ve got a lot more to share with you about Nacelle’s plans for Star Trek, including a lengthy interview with company founder and president Brian Volk-Weiss about their Trek philosophy (and why some of these obscure characters made it to the front of the line) — so stick around!
Buffer Time is a cooperative press-your-luck card game, where you act as junior officers accomplishing tasks around the USS Cerritos — and more importantly, slacking off to pursue some personal projects worth Leisure Points in between. Players draw from a “Shift” deck containing cards with “Effort” points, trying to accumulate enough to reach a variable target number before drawing too many officer cards who check up on you.
You’ll also have a very limited number of special “Alpha Shift” ability cards you can play to avoid officers, peek at the deck, or swap cards with your teammates. If too many officers bust you slacking off, you’ll lose all the progress from that round (and perhaps some slacking-off you’d previously earned points on as well).
The base action you take every turn, adding Effort to reach your target number of points, has an element of risk (potentially pulling an officer card instead of Effort), but occasionally you’re rewarded with a high-value card that makes taking the chance feel worthwhile. Adding more “Side Quests” increases the target number, but scores those precious “Leisure Points” you need to win the game.
Buffer Time is a slick-looking addition to your Star Trek gaming collection with all the quality references (and in-jokes) you’d expect from a Lower Decks-themed offering. It’s nice to see a light and quick game — you can finish within 20 minutes, if things go very well or very poorly — which is a relatively rare niche for Star Trek games.
The overall play cycle is very entertaining, with a variety of ways to manipulate the flow of the game and optimize your crewmates’ goofing off.
Frustratingly, there don’t seem to be enough ways to actually deploy those tricks. The game is punishingly difficult to actually win. Losing one round (out of five in a typical game) feels crushing, rather than merely a setback to be overcome. You not only waste any resources you’d spent that round, but also lose some of your accumulated Leisure Points from previous rounds. There are a few variables that could have likely been sorted out with a little more playtesting to ensure players get the most out of Buffer Time.
The ratio of officers to Effort points in the Shift deck makes the main strategy of chasing high-value cards to earn Leisure points very swingy. Sometimes, the shuffle means you can draw two officer cards back to back and have the last dozen cards you drew — along with any Alpha Shift cards used that round — rendered meaningless. You might even burn the round with rapid officer appearances in the first handful of cards, before you’d even consider spending Alpha Shift cards.
Each player only gets two Alpha Shift cards at the start of the game, plus maybe one more for the player who successfully ends a round to bank points. That’s a startlingly small number of chances to interject a small shot of order into the chaos of pressing your luck. My experience was that spending these cards aggressively in early rounds that start off well to build up a buffer of Leisure points was the route to go. This yielded better results than playing conservatively and running out of gas in later rounds, fully at the mercy of the randomness in the deck.
Buffer Time has a scaling win condition depending on the number of players. When I tried playing with two, four, and six players, I found that the higher player counts felt more exciting and achievable, even while ultimately losing most of the games I played at any player number. More players means a correspondingly higher number of Alpha Shift abilities being brought to bear, which is where the real juice can be found in Buffer Time.
Some of the abilities on the Alpha Shift cards suggest that players are keeping their options a secret from their fellow players (“Each player shows you the Side Projects in their hand…”), but it’s unclear why this would be. Lower Decks is all about solidarity of Starfleet’s peons, so of course they’ll cooperate to sneak in a little leisure time amongst their actual duties! Even playing with open information for optimal coordination, I found it a daunting task to build any momentum and accumulate enough Leisure Points to feel like meeting the win condition was even a possibility.
There are certainly ways to adjust the game with house rules and make the significant challenge worth facing: primarily, better access to Alpha Shift cards. Perhaps everyone draws one after a successful round, instead of a single player. Or even handing out the same number of Alpha Shift cards regardless of player count, but limiting everyone to only having two cards available to play at a time. Playing with open information also seems logical, and there’s no explicit prohibition against telling everyone what cards you have in hand.
Another change might be increasing the number of officer points that end a round from four to five, making the appearance of Captain Freeman (who is worth three officer points herself) not always be an instant round-ender. You might play for six rounds instead of five, or not remove Leisure points after being caught by officers.
Adding a few more Effort cards to the shift deck to thin out the appearance of officers could also help, but that isn’t something the average player is going to do by buying two copies of the game and tinkering with the math.
The basic engine of the play is satisfying, and you can get a lot of mileage out of this card game with your friend group – as long as you’re willing to experiment a little. Making a few adjustments to the difficulty levers in the game can open up your game table to all of the heart-pounding slacking action that Star Trek: Lower Decks — Buffer Time has to offer.
The team at FanHome, who have taken over new Star Trek starship model production following the 2022 collapse of Eaglemoss, announced the first several entries in their upcoming fleet back in September — and today, they’ve unveiled the full 20-ship lineup set to warp into collectors’ hands over the next two years.
Thanks to their previous announcement, we already know that the first six starships in the FanHome collection will be the USS Titan-A from Star Trek: Picard Season 3, the USS Stargazer from Star Trek: Picard Season 2, the USS Farragut from Star Trek: Strange New Worlds Season 1, the Odyssey-class USS Enterprise-F from Star Trek: Picard Season 3, the SS Eleos XII from Star Trek: Picard Season 3, and the deadly Shrikefrom Star Trek: Picard Season 3.
The Eleos, Enterprise-F, Shrike, Titan-A, Stargazer, and Farragut. (FanHome)
Now, the company had formally announced the following 14 starships set to complete the 20-series initial wave, each debuting monthly between now and May 2026. The releases include starships from Star Trek: Picard, Star Trek: Lower Decks, Star Trek: Strange New Worlds, and Star Trek: Prodigy, with a mix of standardized and XL sizes along the way.
Here’s the full breakdown:
October 2024: Constitution III-class USS Titan (NCC-80102-A) from Picard Season 3
November 2024: Sagan-class USS Stargazer (NCC-82893) from Picard Season 2
December 2024: USS Farragut (NCC-1647) from Strange New Worlds Season 1
January 2025 (XL): Odyssey-class USS Enterprise (NCC-1701-F) from Picard Season 3
February 2025: SS Eleos XII (NAR-59019) from Picard Season 3
March 2025: Shrike warship from Picard Season 3
April 2025: Luna-class USS Titan (NCC-80102) from Lower Decks (in live-action coloring)
May 2025 (XL): Constitution III-class USS Enterprise (NCC-1701-G) from Picard Season 3
June 2025: Excelsior II-class USS Excelsior (NCC-42037) from Picard Season 2
The USS DAUNTLESS from STAR TREK: PRODIGY.
July 2025: USS Dauntless (NCC-80816) from Prodigy Season 1
August 2025: USS Archer (NCC-627) from Strange New Worlds Season 1
September 2025 (XL): Lamarr-class USS Voyager (NCC-74656-A) from Prodigy Season 2
October 2025: Edison-class USS Harlan (NCC-52277) from Picard Season 3
November 2025: Obena-class USS Archimedes (NCC-83002) from Lower Decks Season 2
The OBENA-class from LOWER DECKS.
December 2025: Duderstadt-class USS Trumbull (NCC-72370) from Picard Season 3
January 2026 (XL): USS Protostar (NX-76884) from Prodigy Season 1
February 2026: USS Gagarin (NCC-97930) from Picard Season 2
March 2026: USS Gregory Jein (NCC-103145) from Picard Season 3
April 2026: Pathfinder-class USS Drexler (NCC-97626) from Picard Season 3
May 2026: Texas-class USS Aledo (NA-01) from Lower Decks Season 3
The TEXAS-class from LOWER DECKS.
FanHome is exhibiting several of the first-year models at New York Comic Con this weekend, and will have 250 units of the Titan-A initial release for direct purchase during the convention.
TrekCore will be exploring their booth during the show, and we’ll bring you plenty of photos of the new models in the coming days — and reviews of the Titan-A and Stargazer models as soon as we have them in our hands back at TrekCore HQ.
Which of these upcoming models are most excited for? Let us know in the comments below!
The final season of Star Trek: Discovery contained a multitude of new music from composer Jeff Russo, and this week the Season 5 soundtrack heading to digital distribution for fans to experience once more.
(Image: Lakeshore Records)
The 55-track Star Trek: Discovery — Season 5 soundtrack arrives Friday, October 18 from Lakeshore Records, with episodic score from all ten episodes of the series’ final season.
Lakeshore Records is set to release Star Trek: Discovery Season 5 — Original Series Soundtrack featuring music from the fifth and final season of the Paramount+ series. The album, featuring an original score by Emmy Award-winning composer Jeff Russo (Fargo, Ripley), and will be available digitally on October 18. The series is currently available to stream on Paramount+.
Upcoming projects from Jeff Russo include FX’s series Alien; and Paramount+’s Star Trek: Section 31.
Russo’s film credits include Chiwetel Ejiofor’s Rob Peace, which premiered at the 2024 Sundance Film Festival; Bartlett Sher’s Oslo, which he co-scored with Zoë Keating and for which he received an Emmy nomination; Paul Dektor’s American Dreamer, which premiered at the 2022 Tribeca Film Festival; Sabrina Doyle’s Lorelei, which premiered at the 2020 Tribeca Film Festival; Noah Hawley’s Lucy in the Sky, which premiered at the 2018 Sundance Film Festival; Peter Berg’s action-thriller film, Mile 22; and Jon Avnet’s Three Christs, which premiered at the 2017 Toronto International Film Festival.
His music can also be heard on shows such as FX’s Fargo, for which Russo received an Emmy in 2017 and four additional nominations; Netflix’s limited series, Ripley; Peacock’s Mrs. Davis; HBO Max’s Love and Death; Amazon Prime’s The Consultant; Showtime Networks’ The Man Who Fell to Earth; CBS All Access’s Star Trek: Discovery, and Clarice; Paramount +’s Star Trek: Picard and Star Trek: Strange New Worlds; Netflix’s The Umbrella Academy; Cursed; and Altered Carbon; FX’s Legion and Snowfall; Starz’s Power Book II: Ghost, produced by Curtis Jackson “50 Cent”; Apple TV+’s For All Mankind; and more.
In addition to composing music for film and television, Russo is a founding member, lead guitarist and co-songwriter of two-time Grammy nominated, multi-platinum selling rock band,Tonic. Their debut album, Lemon Parade, posted three singles in the U.S. Mainstream rock charts’ Top 10 with “If You Could Only See” rocketing to number one. In 2003, the band received two Grammy nominations, one for “Best Rock Performance by a Duo or Group with Vocal” for “Take Me As I Am”, and one for “Best Rock Album.” Russo also received a BAFTA nomination for Best Music for Annapurna Interactive’s video game, What Remains of Edith Finch.
Here’s a preview track from the new Season 5 collection called “Space Action,” which played in the “Red Directive” season premiere as Captain Burnham rode on the outside of L’ak and Moll’s starship at high warp.
Here’s the full track listing:
01. Space Action
02. Tipsy Tilly
03. Moll And Lak Visit Fred
04. Back Me Up
05. Battle Mol and L’ak
06. Warp Bubble
07. On Qmau
08. Eyes Peeled
09. Last Dance
10. Battle With Drones
11. Saru’s Solution
12. Blow Up Head
13. New First Officer
14. Trouble In Paradise
15. Jinaal’s Story
16. Grey and Adira Breakup
17. Life Is a Journey
18. Time Bug
19. Through The Wormhole
20. Shuttle Gone
21. Shape Your Future
22. Sickbay Standoff
23. Flashback 2 Green Eye
24. L’ak Injured
25. Culber’s Abuela
26. Concerned Father
27. Test Of Thirst
28. Are There No Gods
29. Massive Responsibility
30. L’ak Is Fading
31. Message From Breen
32. Facing Breen
33. Medics Arrive
34. Let Moll Go
35. Into The Badlands
36. You Fail You Die
37. Engineering Figures It Out
38. Complete The Map
39. Dual Back Holes
40. Getting To Shuttle Bay
41. Distraction
42. Rayner Takes Command
43. Think Like Progenitors
44. Meeting Progenitor
45. Michael The Steward
46. Michael Returns
47. Saru’s Wedding
48. True Love
49. Happy Family
50. Jump Breen
51. Just Let It Go
52. Advice For Son
53. Goodbye To Crew – Farewell Discovery
54. Season 5 End Credits
55. The Map
On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by Infinite Diversity co-host Thad Hait to discuss all the latest Star Trek news.
This week, Alex and his guest discuss the following stories from TrekCore and around the web:
In addition, stick around to hear Thad and Alex discuss what news and announcements might be upcoming at New York Comic Con’s Star Trek Universe panel next Saturday, October 19.
WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify— and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.
Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!
Prodigy Season 2 has served up many different flavors of Star Trek. In this “Ascension” two-parter, it’s the taste of a classic space battle action — one that could stand toe-to-toe against any of the best episodes of previous Treks in that genre.
It’s cinematic in quality, reveling in the fantastic sights and sounds of ships attacking and evading, but also thoughtful in the choreography of the back and forth of the fight itself. It’s a thrilling action interlude that gives every one a chance for bravery and clears the path to the final four episodes — by taking the fight to the source.
(CBS Studios)
Dal (Brett Gray) delivers a personal log that sets the stage for what he thinks will be a little bit of a breather. The gang is back on Voyager, and the Protostar is safe while top minds are working on ways to deliver it back in time to Tars Lamora. No dropped balls, as he even remind us how the Federation can handle being in contact with the weaponized Protostar: thanks, Bynars! We also get a nice little quiet moment with Janeway (Kate Mulgrew) and Chakotay (Robert Beltran) in the mess hall acting adorable, as Janeway initiates a little hand-to-hand contact. The flirting flows in both directions here on the Voyager-A.
Nova Squad works on some holodeck drills and Zeph tells Grom, the Lurian, to cut the chitchat. It’s a wonderful nod to Morn, Deep Space 9’s resident Lurian, always mentioned as being very talkative but never seen speaking on screen. And before I could even stop grinning from that reference, the squad gets into position for a “Boothby Supernova”, a sweet tribute to the beloved Starfleet Academy groundskeeper.
But before we get to witness this fancy maneuver, Dal enters the holodeck — Maj’el (Michaela Dietz) has invited him to join them in the training exercises. Zeph pushes back, and in a moment of real character growth, Dal doesn’t get cocky or defensive, but rather extends a hand and says he’s “excited to learn from the best.” I’m so proud of how far he’s come.
(CBS Studios)
In sickbay, it’s prognosis negative for Zero’s body, as none of the damage can be repaired and they realize their time in corporeal form will soon be over. Luckily, the EMH (Robert Picardo) has some good news as Federation technology has advanced enough that Zero (Angus Imrie) can get a body that can “recreate tactile sensations” and look however they wish. Angus Imrie always gives a thoughtful performance as Zero, but his soft and earnest delivery of the line “So I can look like me and feel like me!” is heartwarming. Everyone deserves that. This part of Zero’s journey is Trek at it’s best.
The EMH offers to call the Daystrom Institute, but who needs the best scientific experts in the Federation when you have friends. Zero would rather have Mr. Pog oversee the project. This is the type of pure conceit of a children’s cartoon that Prodigy rarely indulges in and I love it. It’s a beautiful sentiment that Zero wants to keep their journey in the family and for their body to have “the old Jankom touch.” The EMH does mention obtaining some schematics so I’m sure Jankom is working under the supervision of the experts at the Daystrom Institute to get it done right.
The family journey continues as Janeway and Chakotay prepare for his first Starfleet debrief since returning. Chakotay switches out his Protostar combadge for the current Starfleet badge, brought to the “present” by Janeway’s future self in “Endgame” — and we actually get acknowledgment of that fact, as they discuss first seeing it during those events.
Spoiler alert for a twenty-three year old episode of television as Janeway talks about her future alternate version who “blasts her back to the Alpha Quadrant”. My son asked — in such a reverent tone — if that was an episode of old Star Trek. It’s clear to me that he is hooked by all the weird and cool things that have happened in Trek. I really think we’ve created a Trekkie over here!
(CBS Studios)
Admiral Jellico (Ronny Cox) delivers the devastating news that they are to come back to Earth instead of continuing to try to find a way to send the Protostar back in time. He name drops the Romulan evacuation and A500 androids (seen in Star Trek: Picard) alongside Prodigy’s own Living Construct as reasons the fleet is stretched thin — and it’s really cool to ground the show with other events of the time.
Janeway asks for options, but both her old and new Numbers One reluctantly agree with him. I’m loathe to agree with Jellico myself, but the fact that they have a Department of Temporal Investigations who could handle this sort of thing is a solid argument. Of course, he ruins any point he has by being Jellico and referring to our heroes as “would-be cadets” with waves of contempt in his voice. Again, Ronnie Cox does a spectacular job of being such an unlikable buzzkill.
The gang takes the news as poorly as you would expect… but also accept that maybe leaving it to the experts might be the right thing to do. All this quickly becomes moot, however, as Voyager receives a hail from Solum. It’s Ilthuran (John Noble), with an update on Asencia (Jameela Jamil), who has overthrown the council and is building up military forces using advanced temporal technology to speed up the process. The visuals of the time compressed domes of construction really give off an air of menace.
And then, the Vindicator herself breaks into the transmission. Jameela Jamil gives a delicious performance, owning that viewscreen and showing off Asencia as the all-time Trek villain that she is. She taunts both Janeway and Gwyn personally before delivering them a present in the form of the Rev-1 right in their face.
(CBS Studios)
The Rev-1 targets Voyager with a weapon that drains its power and simultaneously hits the Protostar with torpedoes. Battle on two fronts now as Chakotay and the rest of the Protostar crew run to the transporter room to board their ship. Make that three fronts, as Nova Squad has their orders, too, and will be taking shuttles out. When Grom gets injured and Zero takes her to sickbay, they are down a pilot. Chakotay looks at Zeph and nods in Dal’s direction. Chakotay reassuring Dal with a “Go. Starfleet needs you!” is a sweet mentor moment that also gets Dal (and me!) fired up.
Just pure excitement and Star Trek battle goodness as we go from bridge to bridge, first watching the Protostar do some impressive evasive maneuvers. Then sparks fly on the Voyager bridge as Janeway tries to stop the power drain and get control of her quantum torpedoes to target the Rev-1’s weapons array. But there is too much chronometric interference to get a lock. Luckily, we have Mark 2 Nova Flyers —redesigned by Lieutenant Tom Paris himself, of course — that are fast enough to get in close and relay coordinates.
Dal quips in true action movie style, “They ain’t gonna make this easy!” as Asencia and Drednok release a swarm of drones upon the Nova Flyers. And then: oh the teamwork! Dal has the idea for the Nova Flyers to lure the drones away while the Protostar gets close enough to get the coordinates to the weapons.
It’s so satisfying to watch while everyone does their part, and Janeway can finally give the order to fire the quantum torpedoes. But the drones fall back and form some kind of force-field, protecting the Rev-1 and reverberating the torpedo explosions around all of our ships. Things look dire as Tysess (Daveed Diggs) tells Janeway that Voyager’s shields are completely lost.
(CBS Studios)
This would have been a really great way to end Part 1, but the show manages to up the stakes even more when it’s revealed that Asencia has Wesley Crusher (Wil Wheaton) as a prisoner, attached to machines and not looking well. My daughter gasped.
We rolled right into Part 2, and I’m a bit envious that these kids will never know the feeling of the “Best of Both Worlds” summer their mother had to endure when I was their age!
Voyager is helpless, as another round of drones comes on the attack. It’s the Protostar’s time to shine, as they disobey Janeway’s order to stay back and knock out the drones. Great action as Murf (Dee Bradley Baker) gets to pew-pew to his heart’s content and, in one of my favorite moments, Jankom (Jason Mantzoukas) bifurcates the tractor beam. We even get a great “phew!” moment with the just-in-time destroying of drones about to attack our beloved Zero and EMH and the rest of the sickbay evacuees. Dal speaks for all of us as he yells “That’s my crew!”
(CBS Studios)
Meanwhile, Asencia has Wesley show her the future if she uses her next tactic. She likes what she sees so she has Drednok fire “The Incursor,” and there’s nothing anyone can do but watch as it pierces through Voyager’s hull. We find out what this weapon is capable of as it blasts out temporal radiation through the cargo bay.
Commander Tysess goes to full Christopher Pike levels of bravery as he saves an ensign but gets hit by the radiation himself and has aged rapidly. Oh, “The Incursor” is a fantastic name for a temporal weapon and, also a very Vau N’Akat moniker.
Zero’s turn for bravery as they realize they are the only one on the ship who can withstand the effects of the Incursor, as Medusans do not experience the passage of time the way corporeals do. But this means giving up their body so it is still a huge sacrifice. It’s tough to watch as they get weaker and weaker while realizing they can’t shutoff the weapon, only reroute it’s target to another Starfleet ship.
(CBS Studios)
Zero passes the hero baton to Maj’el, who tells them to lock the weapon onto her shuttle. She will lead it into the Rev-1. Nova Squad will perform the Boothby Supernova (“No one’s ever pulled off that maneuver!”, so you know its special). What a delight as they open their coolant interlocks and get into position. The maneuver appears to involve separating the nacelles and pealing off. I’m not sure what’s its supposed to look like outside the context of running into an enemy ship, but I bet it’s neat! The explosion is impressive as the REV-1 is destroyed.
It’s a celebration as everyone is reunited in the Voyager shuttle bay in time for Zero’s big reveal. This is Zero’s best look in the series, taking the best things from their original design and smoothing the rough edges while adding the sensory upgrades. Looks like Zero made the right call entrusting Jankom with the build. But it doesn’t matter how I feel about it; all that’s important is Zero’s statement: “I feel like me”. Janeway punctuates the point with her response of “And that’s what matters most, even if it means we must adapt.” (I really don’t understand why that concept is so difficult for some people to understand.)
I’m very grateful to Prodigy for keeping up the Star Trek tradition of tackling subjects like this and reinforcing the concept for my kids that everyone deserves this same basic respect for who they are.
(CBS Studios)
Prodigy takes everything awesome about Star Trek battle scenes and packs it into “Ascension” in incredibly satisfying ways. They set the momentum bar high and hopefully they can sustain it through the last four episodes. Janeway’s new orders are for Voyager and the Protostar to proceed to Solum.
They have a war to prevent and — although they don’t know it yet — a Traveler to rescue!
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
We’re just two weeks away from the season premiere of Star Trek: Lower Decks, and today Paramount+ released a new trailer for the fifth and final year of animated adventures — featuring more wild away missions, Orion conflict, Trek homages… and legacy guest-stars.
Along with today’s new trailer, the work on Star Trek: Lower Decks Season 5 is coming to a rapid close, as series producer Brad Winters shared on social media this week that voice recording on the show’s last episodes has been completed. Series star Jerry O’Connell (Commander Ransom) also celebrated his last recording session earlier this month.
The series will be part of next Saturday’s Star Trek Universe panel at New York Comic Con (where we expect the fans will get to see one, if not two, episodes from the new season).
For fans who aren’t able to make it to NYCC, the show will also take part in the Newport Beach Film Fest in California next week, where showrunner Mike McMahan will join cast Noel Wells, Eugene Cordero, and Jerry O’Connell on stage after a two-episode screening.
After two years hosting The Shuttlepod Show,Star Trek: Enterprise actors Dominic Keating (Malcolm Reed) and Connor Trinner (Trip Tucker) have recently wrapped the first season of their latest podcast endeavor: The D-Con Chamber. Featuring interviews with Star Trek luminaries like William Shatner, Scott Bakula, and Sonequa Martin-Green, each episode sees Connor and Dom deep dive into the life and career of their guests.
As the show gears up for its second season, TrekCore had the opportunity to speak with Connor and Dom about their experiences on The D-Con Chamber, what it’s like to be podcasters, their ongoing affiliation with the Star Trek franchise, and how fans can support their latest effort.
You can listen to the unedited interview here, or catch a transcript below that has been edited for length and clarity.
TREKCORE: After you’ve both had lengthy and varied careers, why start a Star Trek podcast? What keeps bringing you back to Star Trek and wanting to do a Star Trek project?
DOMINIC KEATING: A mortgage!
CONNOR TRINNEER: I think that our particular show wasn’t represented. We had a conversation with Garrett Wang, who co-hosts The Delta Flyers podcast at the convention just after the COVID lockdown. And we just thought that it was an opportunity for the two of us to do something together again and to utilize the relationships and connections we had throughout the Star Trek world.
And look every podcast hosted by Star Trek actors is subtly different. The D-Con Chamber is different than The Seventh Rule. We’re different than The Delta Flyers. We’re different than Wil Wheaton’s The Ready Room and InvestiGates. And so our unique sort of take on this and our commitment to as often as we possibly can having guests live in a studio with us raises the bar on the whole idea.
KEATING: And there’s a 20 year friendship that’s kind of the secret sauce for us. We truly have been friends since the day we met at the table read for the Enterprise pilot. This was such a welcome opportunity to continue that friendship, and we sort of kicked ourselves for not really picking the baton up a bit earlier and running with the podcast relay. And while we had to walk away from our first iteration of the show, I think with The D-Con Chamber we’re back, we’re stronger, and we’re more polished.
TREKCORE: And how did you settle on an interview format for your show, as opposed to doing episode deep dives?
TRINNEER: I think it was a natural fit to do that — because we had the opportunity to film it in Los Angeles, and the luxury of having a remarkable number of actors living right here. They’ve been kind enough to come do our show. And we’ve always talked about the idea that eventually we are going to visit episodes and do different things like that. But so far we’ve not really had to because we’ve been very fortunate to get great guests to commit time out of their day and come chat with us person to person.
KEATING: Yeah we’d like to sprinkle in some episode watch-alongs eventually. And it would take the pressure off of us to find guests. But we knew all these people for a long time from the convention circuit, but also at the same time we didn’t know them. So this show has been a great opportunity to actually spend some quality time with these people that we’ve known over a couple of decades and really sit down and do a deep dive into their lives and what spurred them on to take the road they took to get into this crazy business.
TRINNEER: Dominic and I have done a lot of conventions, and like all Star Trek actors we do the Q and A’s where there’s probably roughly 15 or 20 topics that we’ve all refined our answers. But the wonderful thing that I’ve discovered about doing this long-form interview is that I think that our guests get to relax. They don’t have to push Star Trek, as it were. We’re investigating who they are and how they got there. And that’s been a good model for us.
TREKCORE: In recent episodes with William Shatner and Scott Bakula, you really got them to open up beyond their “stock” convention pitches. How do you accomplish that — is it through the research you do on the guest?
TRINNEER: When a guest comes on and finds that we also have prepared for them, and we’re not just having them on and asking them the same sort of questions you would ask at a convention, I think that that puts them at ease and offers them a willingness to expound on things that they might not otherwise. And the luxury of having an hour to talk with them. We’re never at a loss for what to talk about.
KEATING: And Bill Shatner, if I might call him that, I think he recognized that early on. As you can hear him discuss in the episode, he hadn’t had a great start to his morning. He’d been up since 6 AM with a family thing, and you could tell he was maybe just going to glide through the process.
But there was a moment when we realized he had opened up to us and was interested. And it pepped him up and I think he stepped up. I know he doesn’t suffer fools gladly. If you’re slow to the mark that doesn’t jive with him. And when he realized that we had read his books and we knew a lot about what he would like to talk about and it cheered him up.
TREKCORE: You also had the honor of interviewing James Darren in one of his last public appearances before his passing, and talked all about his life and career. What memories can you share from recording that episode and knowing him from the convention circuit?
TRINNEER: I feel blessed to have had that opportunity. And to be quite honest, he even told us he was happy to just keep talking. We had a long conversation with him and learned things that we didn’t otherwise know. But, you know, both Dom and I had encounters with him at conventions over the years and shared drinks at the bar and conversations. And he was a mensch.
KEATING: He truly was. Yeah. Jimmy Big Hands, they called him in Philly. He’s got boxers hands, man. Just the history of that man’s career and the people he rubbed shoulders with. And there are definitely times I’ve come away from these interviews like with Michael Westmore and just pinch myself at the history that you’re hearing. Both Connor and I had big dreams when we came to this town and some of it worked out and some of it didn’t. But to sit down with these guys that really hit for the punch and really hit the home runs. It’s been really fantastic.
TREKCORE: And on The Shuttlepod Show you did a great run of episodes with behind the scenes talent from Star Trek. Would you be looking to do more of that on D-Con Chamber?
TRINNEER: It’s a goal of ours. We’ve been very, very fortunate that we’ve gotten the guests that we’ve gotten. Our goal for the show itself is to incorporate astronauts, physicists. And I think that’s a seed that we’ve planted.
KEATING: We’re looking forward to that. And I just hope the audience comes with us because we have to get the big banner names to get the viewer and listener numbers up to. So please join us on Patreon; it’s very important. I can’t stress that enough. We’re not paying these guests, and we’re barely paying ourselves.
TRINNEER: We rent a location, a studio, we have Jonathan West running our camera, we have an editor. The way that we do it requires so much more than just hitting record on a Zoom, and I mean this literally, we can’t do it on our own to keep the lights on.
KEATING: Keeping this show going takes support and so if you like it, please step up to the plate and help us out. A little bit goes a long way.
TREKCORE: And as you conduct these interviews, this is also a big opportunity for you to develop a deeper relationship with your audience and for them to get to know you better and vice versa. How does that feel?
TRINNEER: I think that it makes our show unique. I think that, if Dom and I have a gift, it’s our ability to listen, ask questions, and share in a way that makes a through line for someone to open up.
KEATING: And we hope we’re interesting too. We want to put the spotlight on the guest for the most part because that’s who people are tuning in to listen to. But we hope that, the secret sauce, as I’ve said, is our friendship and our chemistry, and that we’ve managed to sort of walk that fine line of listening, asking and then enjoying the camaraderie with our guests themselves. And I think they enjoy it. And so I think that’s as part of the show as anything else.
TRINNEER: And not to trumpet ourselves, but we’ve had many guests leave and say this is the best podcast I’ve ever been on. And really what it comes down to is when you have an opportunity, your preparation guides that opportunity. If you haven’t prepared enough, then it’s going to be different. We do, and we’re able to go anywhere. We know and like these people and spend time with them and at conventions mostly.
KEATING: And you’ll note that we don’t carry cards. You have to listen. And it’s an art. I mean, I gotta say, I didn’t know that we were going to become chat show hosts, but and they’re not 10 minute chats either. They’re extensive chats and you’ve got to go where the line takes you where they’re taking you and you might have to circle back to something that you go.
TREKCORE: And in terms of that preparation piece, one of the things you both talked about on the show has been how much Star Trek you both have been watching. What’s it like watching your show, watching the other shows, and reflecting on your association with the franchise as this giant nearly 60 year piece of television history?
TRINNEER: So when I got the job on Enterprise, I’d watched the Original Series, The Next Generation had been on, but I was not what you would call “a Star Trek fan.” I loved the job, loved our show, loved my role, and then left it at that. And then when we got involved in doing this podcast, and the investigation into the breadth of the franchise that it has afforded me, I gotta tell you, I became a bigger fan than I was before.
At conventions fans come up and talk about how it affected their lives. And previously, I would be like, oh, that’s great. And then over the course of time doing this podcast, I have begun to understand this is 60 years of a message. And this is 60 years of an idea that we can be better. And I don’t think there’s anything else in the canon of television that provides that. And it took me a little bit to dip my toe in and then dive all the way in. And now that I’ve done that, I’m just so impressed and proud of the fact and honored that I was able to be a part of this.
KEATING: Yeah, likewise. I mean, the older we get and as the years fly by, it becomes so much more apparent just how grateful we are to have landed ourselves on this incredible opportunity and this extraordinary fandom that just supports and keeps on supporting and cares and does charity work. And it’s such a big positive movement that has gone on for so long that I’m just blessed to be a part of it.
It’s humbling. And we’re very fortunate. I have a deep appreciation for all the other actors that literally work their tits off to bring the best show they could bring. I mean, there’s no cast out there that didn’t bring it. We just had an extraordinary opening season chat with Nana Visitor and her book about the women of Star Trek. And it really is an important discussion and we’re very proud to have her back.
But, you know, the modern Star Trek shows are addressing issues and are really putting up on the screen the inclusivity and diversity of the modern world. And the fact that these shows have got the, frankly, the balls, I can use that terminology to put that front and center is, it’s truly commendable.
TREKCORE: Having had a Star Trek podcast for a few years now beginning with The Shuttlepod Show and extending now to The D-Con Chamber, if you have the opportunity to go back to right before your first interview and give yourselves both advice about going into that interview, what would you tell yourselves now that you didn’t know then?
TRINNEER & KEATING: No whiskey!
KEATING: We didn’t do too badly. I guess that I’d have to go look at those early episodes and see how “chat show-y” we were. I’m sure we were a bit!
TRINNEER: I think that The D-Con Chamber is a more grown up version of what The Shuttlepod Show was. I think that that this iteration of our podcast is a bit more grown up. Maybe we’ll throw some more fun in. We have a couple of ideas to toss in the basket and see how it goes.
KEATING: I still get butterflies before the show. And I think that’s a good thing. But I suppose maybe I do trust more in the fact that we’ve done this and I don’t think there’s been a clunker yet. God bless. And trusting in the guests too, that they don’t want this to be boring.
TREKCORE: Anything you can tease about the next season of The D-Con Chamber?
KEATING: We’ve shot one other day at the studio in addition to the episode with Nana Visitor. We had two guests; Michael Dorn and Michelle Hurd on, and they were a lovely duet, talking about their time on Star Trek: Picard in the third season as Raffi and Mr. Worf.
And we’ve also got Armin Shimmerman and his wife Kitty Swink coming on with Jonathan Frakes. We have the Star Trek Rat Pack, the convention group comprising Max Grodenchik, Vaughn Armstrong, Jeffrey Combs, and Casey Biggs. And we’ve got a few I can’t spoil yet!
TREKCORE: How can fans who enjoy The D-Con Chamber support it?
TRINNEER: If you like our show, like it and subscribe to it. And if you feel that you want to donate the price of a cup of coffee a month, or up to whatever you wish, if you want to keep this around, because it really is up to our audience. That’s the only way that we survive, is with the drive from our audience and gaining more and more people. And that’s our goal. We love doing this work.
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