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STAR TREK: PRODIGY Season 2 Canon Connections, Part III

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Star Trek: Prodigy’s second season contains an avalanche of references to previous Star Trek shows and movies to help center the show within the wider Star Trek canon, tease younger viewers about all the fun waiting for them in more than 900 other episodes of Star Trek, and reward the longtime fans and deepen their enjoyment of what they’re watching.
 
With 20 new episodes, we’ve revived our Canon Connections series to recap the references, callbacks, and other cool Star Trek ephemera — and today we’re taking on the next four Season 2 entries: the “Devourer of All Things” and “Last Flight of the Protostar” two-parters!

“The Devourer of All Things, Part I”

Cloaked Planet — The Travelers’ world is concealed between quantum realities that effectively cloaks the planet. Cloaked planets have appeared in Star Trek before, such as Aldea in “Where the Bough Breaks” and the planet Meridian in the Deep Space Nine, which shifts between realities.

The Travelers — As the crew of the Infinity arrives on the planet Wesley Crusher has sent them to find, they discover a base of operations for the Travelers, the race of beings who control space, time, and thought first encountered in The Next Generation episode “Where No One Has Gone Before.” There is a statue of a being who looks just like the Traveler introduced in that episode, played by Erik Menyuk. (Menyuk has a voice cameo of the echo of a conversation between Wesley and the Travelers about saving the Prime Universe.)

Vault Door — The mid-21st century Earth vault door is a callback to The Original Series episode “Assignment: Earth” and Star Trek: Picard Season 2. The latter of the two was where Star Trek first established a link between the Travelers and the Supervisors from TOS.

Wesley Crusher — Wesley Crusher returns – his second appearance in modern Star Trek (after Picard Season 2’s “Farewell”). Prodigy goes much deeper than the quick Picard cameo to establish who Wesley is now, but one thing he hasn’t abandoned is his love of sweaters.

 

The sweater Wesley wears in this episode (and the rest of the season) is an homage to his early season one sweater from The Next Generation. Rok-Tahk describes him as “member of Nova Squadron” (seen in “The First Duty”), “genius of the Enterprise D, made acting ensign at age 15.”

Janeway Hates Time Travel — Admiral Janeway’s distaste for time travel is a long running joke from Star Trek: Voyager – the past is the future, the future is the past, sooner or later it starts to just give me a headache – and that continues into Prodigy.

Janeway’s Three Rules — Admiral Janeway’s three rules for captaining a starship – keep your shirt tucked in, go down with the ship, and never abandon a member of your crew – were first shared with Naomi Wildman in the Voyager episode “Dark Frontier.”

The ‘Star Trek’ Multiverse — In explaining the concept of different universes and timelines (“quantum timelines, alternate realities, planes of existence”) to the Infinity crew, Crusher lists a number of realities that Star Trek fans are familiar with – the Prime Universe, the Mirror Universe (from The Original Series, Deep Space Nine, and Discovery), the Narada Incursion (from Star Trek 2009, Into Darkness, and Beyond), Fluidic Space (Voyager’s “Scorpion”), and the Mycelial Plane (from Discovery, though Wesley acknowledges the crew aren’t supposed to know about that).

 

Wesley acknowledges that his fondness for the Prime Universe, and commitment to saving it from annihilation, is driven in part by the fact that his mother – Doctor Beverly Crusher – calls the Prime Universe home.

Temporal Wars — The Temporal Wars (first seen in Star Trek: Enterprise and referenced several times on Star Trek: Discovery) get another namecheck here, with Wesley admitting that after the Temporal Wars, there are not many Travelers left to repair broken timelines.

Quantum Signatures — Wesley tells the Infinity crew that he needs to align their quantum signatures. The idea that an individual has a quantum signature that is specific to their unique timeline or universe is first established in The Next Generation episode “Parallels.”

Assignment: Earth — At the end of the episode, the Infinity crew and Welsey flee through the vault door to a room that mirrors Gary Seven’s office from “Assignment: Earth,” further confirming the direct connection between the Travelers and the Supervisors. Early in part 2, Crusher describes the supervisors as “field agents, who work in other time periods.”

“The Devourer of All Things, Part II”

Apollo 7 — The newspaper in the “Assignment: Earth” style office is dated for the Apollo 7 launch in 1968, which was the year that the episode was set.

Wall of Heroes — Commander Tysses swears he’ll keep Maj’el safe “on the blood of my ancestors at the Wall of Heroes.” The Wall of Heroes was established in the Enterprise episode “United” as an Andorian memorial on the homeworld where the blood of Andorian Imperial Guardsman who died offworld was returned.

Battle Bridge — The Voyager-A has a battle bridge, similar to the Enterprise-D.

Level 10 Force Field — The Doctor attempts to erect level 10 forcefields to repel the advance of the Loom. A level 10 forcefield has previously been established to be the strongest forcefield available to Starfleet.

Janeway’s Undershirt — Admiral Janeway’s decision to remove her uniform jacket to take on the Loom echoes a similar decision in the Voyager episode “Macrocosm.” Those arms!

Phase Variance — Janeway’s theory that matching the shuttle’s phasers to the phase variance of the Loom will make them susceptible to weapons fire proves effective. Episodes like “Time’s Arrow” have established that matching the variance of something that is out of phase allows you to more easily interact with that thing.

Tom Paris — Voyager’s helm officer gets a shout out from Admiral Janeway as having taught her a shuttlecraft maneuver that comes in particularly handy in fighting off the Loom.

Time Travel Tech — The time ziggurat employs different time travel technologies to function, including the Boreth time crystals (from Discovery Season 2) and the Orb of Time (from DS9’s “Trials and Tribbleations”).

Sum of Both of Us — Maj’el refers to the old Vulcan proverb “together we become greater than the sum of both of us.” That proverb was first heard spoken by the recreation of Surak in The Original Series episode “The Savage Curtain.”

Jibalian Omelette — Jankom worries that Wesley’s technology will scramble his genes like a Jibalian omelette, a Delta Quadrant favorite referenced by Neelix in “Prototype.” Like Wesley missing the seventh necessary crew member to save the cosmos (Maj’el), Neelix missed the seventh necessary ingredient to make the perfect Jibalian omelette (salt).

Multispectral Sweep — Janeway orders a multispectral sensor sweep. Multispectral sensors were first installed aboard Galaxy class starships (mentioned in The Next Generation’s “Encounter at Farpoint”).

“Last Flight of the Protostar, Part I”

Emergency Power Cells — Emergency power cells are commonly used technology aboard starships to supplement the power when it fails, perhaps seen most dramatically when the Voyager carries one into Engineering during the events of “Night.”

No Antimatter — Kids get a crash course in warp drive design in “Last Flight of the Protostar,” beginning with the need for a matter and antimatter reaction to provide the fuel to power a starship.

The Needs of the Many — Chakotay believes he must remain stranded with the Protostar to protect the Federation from the Living Construct, which in this timeline is still aboard the ship. To justify his actions, he modifies the famous Spock line “The needs of the many outweigh the needs of the few” to “the needs of the many outweigh the comfort of the few” when the Infinity crew balks at the state of their once proud ship.

Cowboy Hat — There is a lot of classically Western iconography in this episode, including Chakotay’s cowboy hat. But that may also serve as an homage to his father Kolopak who wore a similar hat in the flashback sequences in “Tattoo.”

Dedication Plaque — We get our first look at the Protostar’s dedication plaque as it is returned to its rightful place on the wall (similar to how Voyager’s dedication plaque is returned to the wall in “Equinox, Part II” to hint that the ship and its crew are getting things back to normal after a difficult period).

“Last Flight of the Protostar, Part II”

Physical Therapy — The Doctor has a history of providing painful physical therapy to Admiral Janeway, first seen in the Voyager episode “Scientific Method.”

Beverly Crusher — Beverly is wearing the same jacket as during the opening episodes of Star Trek: Picard Season 3. Janeway says it’s been a while since the “Shinzon incident,” referring to Kate Mulgrew’s cameo where it was first revealed she was promoted to Admiral in Star Trek: Nemesis. And the Picard/Crusher dynamics are hinted at with Beverly telling Janeway that Picard’s priority is the Romulan evacuation — and not, as it turns out, the son he doesn’t know anything about.

Warp Drive Mechanics — This episode is chock full of warp drive mechanics, including the need for deuterium gas to ignite the reaction between matter and antimatter (Voyager was frequently low on deuterium), the use of bussard collectors, and the ram scoops to absorb particles from around the ship (as seen in Star Trek: Insurrection).

Chakotay’s Heritage — Chakotay discusses his origin story with Dal, discussing the loss of his father, his purpose in Starfleet, his heritage following the Federation-Cardassian Treaty that saw his home end up on the Cardassian side of the border, and his decision to join the Maquis.

We’ll be back with more Canon Connections soon, covering the next four episodes of Prodigy Season 2. Did we miss any of your favorite connections? Share them in the comments below!

Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.

WeeklyTrek Podcast #259 — STAR TREK: LOWER DECKS Season 5 is Coming!

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On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by Katie to discuss all the latest Star Trek news.
 

 
This week, Alex and his guest discuss the following stories from TrekCore and around the web:

In addition, stick around to hear Katie’s wishes for the fan-demanded Star Trek: Legacy and Alex’s reflections that we’re squarely in the lull of new Star Trek caused by last year’s strikes — but that lull is close to ending….

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Book Review — STAR TREK: THE ART OF GLENN HETRICK’S ALCHEMY STUDIOS

Star Trek: The Art of Glenn Hetrick’s Alchemy Studios, the new 192-page reference book detailing much of the creative make-up design and application for Star Trek: Discovery from Joe Nazarro and Titan Books, is appropriately titled.
 
When first diving into the publication’s detailed prose and artistry, you might think the focus would invariably land on just Glenn Hetrick himself as the pages churn through the creation of everything from the Discovery-era Klingons and Saru to the debut of the fifth-season Breen.
 
And why not? Hetrick is a visible force in the industry, with a massive reputation for his many career accomplishments, including his presence on the gone-too-soon creature design reality show, Face-Off, with his tattoos, hair and style always matching the work he was putting on screen.
 

(Photo: Titan Books / TrekCore)

But the truth about Hetrick, if you’ve ever heard him interviewed — or if you pick up this excellent book and actually read it (instead of just getting lost in the thousands of riveting photos) — is that he is a scholar in the world of make-up design and application. At every phase in the process. And you learn about each of those phases in this publication as Hetrick, and seemingly scores of names, are referenced throughout each chapter of this book discussing designing, sculpting, molding, casting, fabrication, printing, painting, applying, touching up, etc., ad infinitum.

Brilliantly and simply broken into five main sections detailing each of Discovery’s five seasons, the book is easy to go through from that aspect, but offers amazing detail on each page, whether diving deep into the Hetrick’s vision for how his version of the Andorians came to be (originally he toyed with covering their eyes, so they were actually blind) or skimming quickly over a character like Facian from the episode “…But to Connect,” with a cool otherworldly insect-like design. There is just so much here.

Of course, a book about the make-up design of Star Trek: Discovery can’t escape the never-ending discussion, from every angle, of the Discovery-era Klingons and all the strong opinions that come with it. If you are looking for this book to address the reception of the Klingons back in the early seasons of the show, you will be disappointed. It doesn’t really do that.

(Photo: Titan Books)

However, it does detail in full Alchemy’s design process for the Klingons. From a fantastic two-page spread on the Klingon Cultural Axioms created by Hetrick himself that set the stage for the design impetus behind each Klingon house, to a brilliant photo spread on the creation of the intricate Torchbearer costume, there is a lot here on the Klingons. (They’re bald! They have hair! That one looks like Glenn Hetrick!)

In regard to the Torchbearer costume from the Discovery pilot, many of the details here have been told before in behind-the-scenes vignettes and on stage at conventions, but the information compiled here is accompanied for the first time by a myriad of intricate photos that allow you to really understand how the suit was actually constructed and fitted for the stunt performer. It’s a great piece — and the Torchbearer design and production remains a standout for Alchemy even after all these years.

Another interesting section in the book is a four-page spread on the addition of the Orions to Discovery in Season 3. The short prose addresses the reasons that Hetrick and his artists went with a full silicon make-up for the Orions, instead of just painting the actors green (since they basically share the same features as humans).

“If you’re shooting in HD, you can’t get away with paint anymore,” Hetrick is quoted saying. “It just looks like what it is — and even worse in HD. To achieve the hyper-realism demanded of us nowadays, we needed to go full silicon…”

(Photo: Titan Books)

Although the Orion photospread in this section certainly highlights the eye-popping green and clean edges for all the actors portraying one of Star Trek’s most venerable aliens, it is sometimes hard to get past the idea of a human face being applied with basically an extra layer of “human face” silicone on top of it. Something about it felt off, which seemed to be corrected when the Orions were revisited in Strange New Worlds’ “Those Old Scientists.”

In another oddity in the book, the section on Callum Keith Rennie’s incredible Captain Rayner character — based on the deep-cut Deep Space Nine one-off alien race the Kelleruns — gives us cool background on Hetrick originally basing his ear design on the Srivani, a one-off race featured in Voyager’s “Scientific Method.”

(The problem? There is no reference to the Kellerun in the book, and the final design is credited as Srivani, which is clearly where it started, based on Hetrick’s design process, but not where it ended.)

(Photo: Titan Books / TrekCore)

Perhaps the biggest creative surprise from Alchemy in their five seasons of Discovery was the reveal that this famous “physical make-up and creature effects” studio was responsible for producing the 100 percent digital creature design, Species 10-C. This process, which originated from the mind of Hetrick, is analyzed in a comprehensive breakdown across 14 pages, the largest section of the book. (In contrast, the rest of Season 4 is covered in just 16 pages.)

In breaking down his process for working with a myriad of designers to visualize Species 10-C (or the “Gas Giants,” as they are referred to here), Hetrick perfectly sums up the impressive way his expertise and craft go so far beyond just sculpting and painting:

This is a skill that young people need to understand. When I’m doing signings at conventions, I get asked what skills they need to be working on. They know they need to sculpt and paint, and a fundamental understanding of this type of art is to be able to do effects.

 

Too many people jump into blood and guts and zombies, and covering things with gore, and everybody gets the same lesson about learning anatomy, but nobody tells you that you have to work on your speaking skills as well – not just group discussion as a team leader in the studio or trailer, but also your ability to interface with other intelligent people that are working on your level, where you’re talking about scripts and stories and narratives and emotions.

 

You have to be able to actively listen to what people have to say, so you can interpret their comments and come back with something else.

Perfectly said.

In the end, Alchemy Studio is about big swings and professional production. And that might not have been something you would have known before you picked up this reference book, but it surely will be a takeaway once you go through its detailed presentation.

(Photo: Titan Books)

It’s a historical framing of Alchemy Studios’ intense, detailed work on Star Trek: Discovery, while also serving as a testament to the leadership of Alchemy’s visionary mastermind, Glenn Hetrick. The man is obviously an artistic genius, but in so many ways is unexpectedly so much more than that in the way he manages his studio and his group of artists at every stage of production.

The work speaks for itself and has cemented his contributions to the Star Trek universe, which are now immortalized for all-time here and on the screen in Discovery.

Star Trek: The Art of Glenn Hetrick’s Alchemy Studios is in stores now.

Jim Moorhouse is the creator of TrekRanks.com and the TrekRanks Podcast. He can be found living and breathing Trek every day on Twitter at @EnterpriseNXtra.

STAR TREK Brings SECTION 31 and LOWER DECKS to New York Comic Con

The annual tradition continues this October as Paramount+ plans to bring the next two big events in the Star Trek Universe to New York Comic Con.
 
Announced through Variety on Sunday, Star Trek: Lower Decks Season 5 and Star Trek: Section 31 will be the focus of the yearly Star Trek Universe panel on Saturday, October 19 — when the cast and creatives of each project take the stage at the Javits Center in New York City.
 
The panel will kick off at 2:30 PM with “cast and producers” of Lower Decks, where fans can expect a new trailer for the animated series’ final season which debuts October 24 on Paramount+. It’s not yet clear which cast members will be part of the on-stage discussion.
 
The second half of the 90-minute panel will focus on the upcoming Section 31 movie starring Michelle Yeoh. It’s likely that additional video from the film will be previewed, but beyond that the streamer hasn’t specified who will be present to represent the cast and production team.
 

The Paramount+ social media posts about the panel also tease “more exciting reveals and surprises for fans,” which probably means we’ll get something about the now-in-production Star Trek: Starfleet Academy series… and perhaps more.

Be sure to follow TrekCore’s Twitter/X feed for live coverage from the October 19 panel, and right back here for the full report on all of this year’s Star Trek news from New York Comic Con.

WeeklyTrek Podcast #258 — Remembering STAR TREK: DEEP SPACE NINE’s James Darren

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On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by Jamie McGregor to discuss all the latest Star Trek news.
 

 
This week, Alex and his guest discuss the following stories from TrekCore and around the web:

In addition, stick around to hear Jamie’s opinion about how fan perception of the quality of Star Trek shows, episodes, and concepts has always improved with the passage of time, and Alex’s excitement to play the second edition of Star Trek Adventures.

WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify — and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.

Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Review — STAR TREK: DISCOVERY Season 5 on Blu-ray

The fifth and final season of Star Trek: Discovery arrived on Blu-ray at the end of August, and — in what is likely one of our last pieces about the series for quite a while — it’s time to check out the Season 5 home media content, including that special bonus disc of exclusive extras!
 
The four-disc Blu-ray set (available in standard packaging and the annual Steelbook special case) contains all ten episodes of Discovery‘s final outing — “Red Directive, “Under the Twin Moons,” “Jinaal,” “Face the Strange,” “Mirrors,” “Whistlespeak,” “Erigah,” “Labyrinths,” “Lagrange Point,” and “Life, Itself” — along with the behind-the-scenes bonus features typical of past releases.
 
There’s also a single commentary track this season; the natural trio of showrunner Michelle Paradise, executive producer/director Olatunde Osunsamni, and series lead Sonequa Martin-Green (Burnham) speak about the production of “Life, Itself” over the show’s series finale.
 

The four-disc Steelbook edition of DISCOVERY Season 5. (Paramount Home Entertainment)

Along with the commentary, Discovery Season 5 includes production featurettes, a gag reel, and a deleted scene from the series finale. Some of the featurettes are more engaging and more essential than others, but overall there’s a good amount of interesting and informative behind the scenes content.

I do have one minor (but recurring) quibble — the title page for many of the features, particularly the text of the title itself, looks like something someone with a shaky understanding of kerning put together in PowerPoint. (It’s a little bit more of a “graphic design is my passion” situation that I would have expected on this kind of release, personally.)

(Paramount Home Entertainment)

Oftentimes “season roundup”-type features just rehash the plot and character arcs of the season, but The Voyage of Season 5″ (38:57) has enough production tidbits to make it worth watching. As someone who “always uses pockets in [his] acting,” for example, Callum Keith Rennie (Rayner) faced the challenge of figuring out how to play a character who wears a uniform without any pockets. Who’d have thought?

Eve Harlow (Moll) had never done any stunt work or stage fighting, and had to learn the process from scratch; meanwhile, Doug Jones’ (Saru) longtime stunt double Bauston Camilleri gets a well deserved spotlight for his work in “Under the Twin Moons.”

(Paramount Home Entertainment)

This season’s “Being Michael Burnham” (13:15) feature chronicles Sonequa Martin-Green’s experiences during the three-day shoot of the “Life, Itself” series coda. As I discussed in my review of the episode, the coda didn’t really work for me. This making-of piece, though… this is more moving than the coda itself!

Martin-Green’s genuine love for the people she works with, both in front of and behind the camera, is infectious to watch. When she says she’s honored to be on set at 1:30 AM for the application of her old age makeup, you know she means it 100%. (By the way, she is wearing a lot more prosthetic makeup in the coda than I realized.)

The rest of the cast make appearances as well, and we get a real sense that the footage filmed for the coda’s emotional slo-mo goodbye scene required very little acting.

(Paramount Home Entertainment)

“A Team Effort” (20:04) spotlights Q’Mau sand-speeder sequences from “Red Directive” and the fight sequences from the series finale in this walkthrough of the environmental design process for the AR wall — and the physical set elements that sit inside the virtual set.

We’ve seen Discovery get more and more sophisticated with its use of AR backdrops over the last two seasons, and it’s clear from the onscreen results (but also from this featurette) that Season 5 was the pinnacle of what they were able to accomplish. An incredible amount of work went into making this show look as good as it does, and this is a nice overview of the art department’s efforts.

(Paramount Home Entertainment)

“Character Development” (23:31) focuses on Stamets, Culber, Tilly, and Saru, and this feature follows their development throughout the series both onscreen and also with respect to how their actors viewed their characters. Showrunner Michelle Paradise also provides commentary throughout. A highlight is Doug Jones’ thoughtful examination of how playing Saru over these five seasons has impacted his personal life.

(Paramount Home Entertainment)

If you’re interested in learning about director Olatunde Osunsanmi’s technical or creative processes behind the camera, this feature probably isn’t going to be for you. If you want to hear about how much everyone involved with Discovery loved working with the guy, then you’re in luck. In “Discovery’s Creative Force” (09:50), we do learn that he was responsible for a few significant creative decisions beyond his role as director, but for the most part this is a lovefest, pure and simple. Which, hey, always nice to be reminded that Discovery’s was a happy and supportive set.

(Paramount Home Entertainment)

Season 5’s Gag Reel (3:53) is considerably more fun and higher energy than the one included on the Season 4 set, understandable given that Season 4 was filmed under strict pandemic protocols which surely dampened the mood. Highlights this season include Doug Jones repeatedly mispronouncing “nuptials” as “nupitals,” Sonequa Martin-Green and David Ajala (Book) clearly having a great time on set together, and the occasional bit of off-camera commentary from director Jonathan Frakes.

(Paramount Home Entertainment)

The season only provides one Deleted Scene (0:41), a short walk-and-talk from “Life Itself” as Nhan and Saru discuss wedding plans and the challenges and rewards of mixing work and relationships. These kinds of casual character moments are something of a precious commodity on Discovery, so for that reason it would have been nice for this to have been kept in. (Nothing substantive to the overall plot is lost by its omission though.)

The full-series collection. (Paramount Home Entertainment)

That, of course, are not ALL of the Season 5 bonus material out on disc this summer — unfortunately for fans, there are three additional video features that have been held back from the season set and reserved as exclusive content for the Star Trek: Discovery Complete Series box set.

Two of them are extended slideshows set to music, which is no big loss unless you’re a hardcore Discovery completist — but the longest feature is something that has disappointingly been locked away on this big box set.

(Paramount Home Entertainment)

“The Art of Discovery: Costumes” (16:03) is essentially a slideshow. This feature is a visual journey through costumes throughout all five seasons of Discovery, comparing design drawings with episode footage of the final costume as it appears onscreen. It’s… interesting to a degree, but would have benefited from some narration from costume designer Gersha Phillips or the costume fabricators. Probably the most entertaining thing about this are the uh, questionable digital maquettes of the actors seen in some of the drawings.

(Paramount Home Entertainment)

Like the costume feature, “The Art of Discovery: Production Design” (41:51) is a slideshow of production art from throughout the series, set to music from the show. I have to be honest, I have a hard time imagining someone watching this more than once — and even that first time would quickly become a “leave it on in the background while you do something else” viewing experience.

(Maybe they could release this as a screensaver or something?)

(Paramount Home Entertainment)

The only really worthy feature is the “Series Roundtable” (57:15), which starts out immediately weird: we join Alex Kurtman and five castmembers (Sonequa Martin-Green, Doug Jones, David Ajala, Blu del Barrio, and Wilson Cruz) as they silently watch a screenshare of a Season 1 featurette.

A strange beginning, but trust me you do want to watch this if you get the chance. The “work videocall” vibe quickly gives way to “punchy convention panel” as these six people (with great chemistry!) comment on old video clips and lovingly roast each other and the sometimes silly things they were asked to do in the name of Star Trek. “Sonequa saw my entire taint,” Wilson Cruz says at one point, laughing about his his nude rebirth in “Saints of Imperfection.”

“I did!” Sonequa Martin-Green agrees. It’s a good time.

***

Overall, the Season 5 package is fairly robust for bonus features this day and age; while a few additional commentary tracks or deleted scenes would have been nice, getting this much behind-the-scenes content on a physical release is still better treatment than most television shows get these days.

The cast roundtable piece is the lone detractor, relegated to the Complete Series box that (as of this writing) is only $15 more than the separate Season 5 set — but as exclusives go, it’s not as bad as some previous Trek releases in that department. (It’s still a disappointing move, certainly.)

But look — if you’ve been buying Star Trek: Discovery box sets for the last six years, it’s absolutely worth rounding out your library with the Season 5 collection. And if you’ve been waiting to open your wallet? The Complete Series box set is a no-brainer at the current retail pricing, and it’s a win-win with that extra cast roundtable feature.

You can order Star Trek: Discovery — The Final Season on Blu-ray or Steelbook Blu-ray now, or you can preorder the full-series Blu-ray collection here.

STAR TREK: PRODIGY 211/212 Review — “The Last Flight of the Protostar”

In two of the most beautiful and unexpected episodes of the season, Star Trek: Prodigy takes a satisfying detour through an emotional journey framed by a deserted island castaway adventure.
 
The entire promise of the “finding Chakotay” plot that has permeated both seasons is realized in these two episodes in touching and unanticipated ways. The two-part “Last Flight of the Protostar” brings both Chakotay and the Protostar back into play while showing us sides of both the man and the ship we’ve never seen.
 

(CBS Studios)

Part I opens with a bleak montage of Chakotay’s (Robert Beltran) repetitive days stranded on the unforgiving planet of Ysida. Ysida itself is stark and eerily beautiful — the color pallet unique and striking, with bold reds, deep purples, and greys. Day in and day out, he takes care of his basic needs, living off of fruit and eel eggs, polishing his solar collectors and literally whittling away his time. Until today, when he captures our Protostar gang in a net trap. It’s then that we learn he’s been marooned on this planet for ten years.

Ten years. That’s longer than he was in the Delta Quadrant! And that was, of course, in infinitely better conditions. What a bold choice for Prodigy to make — as it seems like a really harsh fate for someone we know and love. But because we know him, we know Chakotay can handle anything. And this version of Chakotay is arguably the best we’ve ever seen.

He’s older and wiser, a little bit grizzled, a man determined to live out his life alone as the caretaker of the Vau N’Akat weapon, heroically giving up himself to save the Federation. He’s awesome. (And as an aside, this isn’t even the worst fate modern Trek has delivered to someone we care about. I still haven’t recovered from what Picard did to poor Icheb!)

(CBS Studios)

The kids tell Chakotay the whole time-bending story, and he either doesn’t believe them — or isn’t ready to process it all — so he tells them ‘No!’ and leaves them to fend for themselves in the impending ion storm. There’s also the small matter of the protodrive and warp drive fuel being ejected… so even if he did want to help, the ship can’t fly. We get a chance to see the power of this planet during the ion storm with terrible lighting and strong wind as the kids seek shelter. Hologram Janeway (Kate Mulgrew) shames Chakotay into letting them in by invoking the memory of Adreek: “He would have let them in”.

Seeing Holo-Janeway again is incredibly comforting, given her eventual/previous fate — and also as a relief that Chakotay wasn’t completely alone for all these years. I did have to give my youngest a temporal mechanics refresher, as she was confused how Holo-Janeway was still alive, but that wasn’t due to any lacking in the episode. The dialogue actually did a nice job of explaining just where everyone exists in the timeline, with the kids so happy to see her and her not yet knowing them.

We find out that Adreek —  Chakotay’s first officer — had a plan to try to collect some antimatter, and the crew decides they have to get both the ship and its curmudgeonly captain ready to try to get the Protostar aloft again. We are treated to a lovely montage of the crew engaged in getting the ship back into shape while Chakotay slowly melts as he witnesses them working together.

(CBS Studios)

When Murf (Dee Bradley Baker) squeegees himself across the window, it becomes clear what is actually happening here: that they are the ones who get the Protostar into the pristine condition we know they find it in. That this ship has been through a lot more than we realized by the time it’s eventually found on Tars Lamora. That they have earned this ship in more ways than one. Knowing all this deepens season one and I can’t wait to rewatch “Lost and Found” in particular knowing what I know now.

Dal (Brett Gray) gets lost during the next ion storm and we know Chakotay is back to his old self as he immediately goes looking for him. He, Gwyn, Jankom, and “the blobby guy” go off in the newly-fixed Runaway. The vehicle once again delivers some really dynamic action as the Runaway zooms around the red dunes and down into the vast array of tunnels (in hovercraft mode!). They zoom around dodging some really impressive looking graboid/molduga/sandworm type creatures that fit perfectly with the aesthetic of this P-class nightmare of a planet.

(CBS Studios)

They find Dal, and in an incredibly somber moment, Adreek. For how little we got to know Adreek, he loomed large over Prodigy as Chakotay’s Number One. At first it was partially due to his unique looks (It doesn’t get much cooler than a birdman!) but then when we got to meet him properly in “Who Saves the Saviors,” his wry personality and heroic attitude cemented him as a favorite.

When his skeleton came on screen, my daughter gasped. We all felt his loss. Robert Beltran’s heartfelt performance made us feel the depth of Chakotay’s loss too. We soon find out that Adreek died as he lived: a Starfleet hero. He managed to rig up some kind of lightning rod and was able to harness the energy of the storms to collect antimatter. Way to go, feathered friend.

Chakotay is fully on board now and ready to try to get the Protostar to fly again. Part 1 ends with the best setup line, that Adreek knew “before this ship could fly, first it has to sail.” My jaw dropped at that reveal of what has to come next to get the Protostar off of Ysida. I was surprised when Part I ended after that most intriguing statement because it absolutely flew by. The entire episode was riveting and I was completely captivated by the emotional payoffs and setbacks finally finding Chakotay introduced to the season.

(CBS Studios)

Composer Nami Melumad just absolutely out does herself in this two-parter. The music ebbs and flows along with the emotional highs and lows — like so many waves on the vapor sea — making the character moments feel even more intimate and the action moments even more epic. A beautiful companion and guide on this journey.

Part II finds our heroes modifying the Protostar into a sailing ship worthy of sailing through the high density vapor ocean of Ysida. Their destination is the eye of a gigantic storm where Holo-Janeway has detected a large concentration of the deuterium they need for the matter/antimatter reaction that powers the warp drive.

I. Love. This. Plan! What a cool and different adventure for a Star Trek crew and their ship to embark on. Such a romantic notion to turn the Protostar from a starship into, as Dal puts it, “a ship-ship,” while Chakotay declares it the HMS Protostar in a nice touch.

After a quick lesson on simple machines (“Give me a lever and a place to stand and I can move the world!”), she is in the vapor and they are sailing. Just wonderful nautical language and imagery as Captain Chakotay gives everyone orders while they navigate the sea. I could watch the Protostar floating on this sea of clouds with its rigging and gorgeous solar collector forward sail forever. What an absolute delight!

(CBS Studios)

Dal makes a mistake and gets demoted from the jib to rope coiling duties. This leads to what might possibly be my favorite scene in all of Prodigy. Dal and Chakotay sit on the edge of the ship and have a moving heart-to-heart chat. Chakotay talks about his history, familiar to us, about how he felt the same way when he was Dal’s age and he joined the Maquis — but he never felt like he truly belonged until Voyager.

He gives him some great advice: “Whenever you’re feeling lost, it’s best to find where you’re needed most.” This quiet little moment of connection — this poignant conversation between two characters we love — is the best sort of reason to bring back these legacy characters. And Prodigy has done some of the best work of all the newer shows in making their returns worthwhile and meaningful.

And then? Back to the action, as the ship has reached the storm. It’s too much to fight and they get caught circling the eye. The rudder is stuck and, luckily, Gwyn (Ella Purnell) was paying attention when we learned about levers earlier so she has the idea that they operate it manually just long enough for the Bussard collectors to do their thing and collect the deuterium they need.

(CBS Studios)

They all go up to the rudder with their levers, and the plan works. Listen to those Bussard collectors hum! But Jankom’s (Jason Mantzoukas) joy of having gas as the deuterium tanks fill is short lived as Chakotay falls overboard. There’s no hesitation from Dal as he grabs the rope and jumps in after him, with a few tense moments until Dal’s quick thinking gets them back onboard via hitching a ride from an eel — and then it’s just sheer joy as everyone is ok and warp and impulse drives are online.

I felt caught up in their excitement watching as Dal calls it our ship and relays Chakotay’s advice back to him: “we just went where we were needed most.” Could I be any more proud of him? Of Chakotay? Of the rest of the gang? Could I love this two-parter any more?

The Protostar is back in space. Unfortunately, the Voyager-A is 3,000 light years away. But no biggie, as they vow to get the protodrive working. The confidence on Dal here is earned this time, as he gives a great closing line: “We just rebuilt a starship, so let’s go build a star.” It’s such a great setup for what’s next on the agenda, and I can’t wait to find out the “how” of this part.

I haven’t even mentioned the fantastic and surprising Gates McFadden cameo! It certainly looks like we are definitely going down the path of intersection with what we learned about the Crusher family in Picard. It’s a lovely conversation between two wonderful women. The emphasis on Janeway being like a mother to the Protostar crew adds depth to Chakotay becoming somewhat of a fatherly figure, as in his “father-son” heart-to-heart chat with Dal. The idea of them “co-parenting” in that way is one I’d really like to explore more.

(CBS Studios)

“The Last Flight of the Protostar” feels like an emotional interlude in the middle of the season but it’s more than just that. It’s integral in advancing the plot to get both Chakotay and the Protostar back into action. It’s unique to slow it down this way, to let it breathe and to allow us the time necessary to get to know Chakotay again and — for the younger viewers and the Protostar crew — for the first time.

Giving them such a sublime adventure together in which to bond feels like Star Trek stripped down to it’s basics. A special episode that will be remembered as one of the best of the modern era.

(CBS Studios)

Stay tuned for our next Star Trek: Prodigy review, covering Season 2’s “A Tribble Called Quest” and “Cracked Mirror” in the days ahead!

Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.

Check out the New STAR TREK: LOWER DECKS Season 5 Key Art and Watch a First Preview Clip

We’re only a month and a half away from the fifth and final season of Star Trek: Lower Decks, and today Paramount+ has released the first key art for the last adventures of the USS Cerritos — this new poster from Vice Press artist Matt Ferguson.
 

(Paramount+)

In season five of STAR TREK: LOWER DECKS, the crew of the U.S.S. Cerritos is tasked with closing “space potholes” – subspace rifts which are causing chaos in the Alpha Quadrant. Pothole duty would be easy for Jr. Officers Mariner, Boimler, Tendi and Rutherford…if they didn’t also have to deal with an Orion war, furious Klingons, diplomatic catastrophes, murder mysteries and scariest of all: their own career aspirations.

 

This upcoming season on Paramount+ is a celebration of this underdog crew who are dangerously close to being promoted out of the lower decks and into strange new Starfleet roles.

In addition to the new poster, the streamer has also shared this first clip from Season 5, teasing what life has been like for Lieutenant j.g. Tendi (Noel Wells) now that she’s back with the Orion Syndicate after leaving Starfleet at the end of last season.

 
Of course even this short clip contains several Star Trek franchise Easter eggs, with the collector’s look modeled after Palor Toff from “The Most Toys,” and his gallery designed to emulate Kivas Fajo’s display room from that same episode.

(Paramount+)

The most notable object on display is the Bajoran Reckoning tablet introduced in the Deep Space Nine episode “The Reckoning,” an object later seen in Admiral Jean-Luc Picard’s study in the Star Trek: Picard Season 2 premiere.

(Paramount+)

Lower Decks Season 5 begins October 24 on Paramount+.

Vice Press Debuts Newly-Remastered STAR TREK IV: THE VOYAGE HOME Posters, Plus Restocks on Previous Releases

Following Vice Press’ previous steps into Trek film history — with The Motion Picture,  The Wrath of Khan, and The Search for Spock — the UK-based art group is once again bringing the next entry in their remastered Star Trek poster series to fans, just in time for Star Trek Day.
 
Artist Matt Ferguson’s remastered edition of Bob Peak’s original Star Trek IV: The Voyage Home theatrical poster hits the Vice Press website next week, with three versions to choose from.
 
The standard poster will be a timed edition, with sales beginning at 1pm ET / 10am PT / 6pm UK time on Sunday, September 8. It will retail for $50 / £40 and measure 24″x26″.
 

(Image: Vice Press)

The first limited edition variant will be a rainbow foil edition, and limited to just 200 pieces — its price is $65 / £50 and will be on sale starting the same time on September 8.

(Image: Vice Press)

The third and most limited edition will be the remastered version of the Star Trek IV Japanese poster, which will only be available in 150 prints before it sells out. This will also be priced at $65 / £50.

(Image: Vice Press)

In addition to these new Star Trek IV posters, Vice Press will also be offering a limited restock on all of their previous Star Trek poster products — but that won’t last long, as the company described in today’s announcement.

As it is Star Trek Day, we thought we would do something else a little special, too. We will be RE-STOCKING all of our previous Star Trek prints. But how, you ask? Well, whenever we do a release, we hold back a VERY SMALL number to cover damages or any lost in the post. These are those spare copies. However, there isn’t very many of them at all, so if there is a specific one you want, you will need to be quick.

To place your order for one of the Star Trek IV posters or one of the Trek poster restocks, head over to the Vice Press website on Sunday, September 8 for purchase options.

Keep checking back to TrekCore for all the latest Star Trek merchandise news!

Fanhome Releases Preorder Info for New STAR TREK Model Program, Announces First Starships in Lineup

It’s been nine months since Fanhome first announced that they’ve formally become the new home for Star Trek starship models — bringing the first new manufacturing since Eaglemoss’ collapse back in 2022. Today, the company has announced more details about their first fleet of ships, complete with three new starships and preorder details!
 
Fanhome told fans back in June that the first three starships in their new model line would be the USS Farragut from Star Trek: Strange New Worlds, the Sagan-class USS Stargazer from Star Trek: Picard Season 2, and the USS Titan from Picard Season 3 — and here are some first-look images of the initial releases and MUCH more news about their new program!
 

(Photo: Fanhome)

First off, pricing details: while all the regular-sized monthly releases will be available for direct purchase at $65 USD each (a month after subscriber deliveries go out), fans who subscribe to the new Official Starships Collection program will receive each monthly ship for $55 USD each — with an additional $10 discount on the first delivery.

Ship #1 will be the Constitution III-class USS Titan (NCC-80102-A), which will measure 8.6″ in length, and is expected to ship to model-program subscribers in November 2024. The ship will later be available for direct purchase to non-subscribers in December.

(Photo: Fanhome)
(Photo: Fanhome)
(Photo: Fanhome)

Ship #2 is the Sagan-class USS Stargazer (NCC-82893) at 7.9″, which will ship to subscribers in December 2024 — and will be available for direct purchase in January 2025.

(Photo: Fanhome)
(Photo: Fanhome)
(Photo: Fanhome)

Ship #3 will be the previously-announced Bellerophon-class USS Farragut (NCC-1647) from Strange New Worlds, likely to follow in January 2025 and measuring 7″ long.

(Photo: Fanhome)

Ship #4 will be the Odyssey-class USS Enterprise-F in XL size (see below), Ship #5 will be Beverly Crusher’s S.S. Eleos XII, and Ship #6 will be Vadic’s deadly Shrike warship.

(Photo: Fanhome)
(Photo: Fanhome)
(Photo: Fanhome)

In addition to all that, Fanhome also unveiled their plans for XL-sized models, which will be about 2 inches larger than the monthly regular releases. Every fourth release in the new Fanhome program will be an XL-sized ship, with these models kicking things off:

(Photo: Fanhome)

Ship #4 will be the Odyssey-class USS Enterprise-F as seen in Picard Season 3, Ship #8 will be the Constitution III-class USS Enterprise-G from “The Last Generation,” Ship #12 will be the Lamarr-class USS Voyager-A from Star Trek: Prodigy, and Ship #16 will be the USS Protostar from Star Trek: Prodigy.

XL-sized starships will cost $95 each for direct purchases, and $85 each for subscribers.

(Photo: Fanhome)

For those of you who do sign up for the subscription program, Fanhome has already revealed the first of five gifts that will ship out as bonus items as the program proceeds.

Accompanying the third delivery will be a binder for the included magazines and a raktajino mug; the fourth delivery will include an LCARS graphic reproducing the Titan’s turbolift display; a reproduction of the USS Titan dedication plaque will come with a subscriber’s tenth delivery; and the twentieth delivery will include the Pathfinder-class USS Eaves, named for Trek starship designer John Eaves.

At present, the Fanhome program is not expected to reproduce models previously released through Eaglemoss’ years of starship production… but they already have 20 ships in their initial release slate (14 more than already announced today), with expectations that more ships from Star Trek: DiscoveryStar Trek: Picard, Star Trek: Lower Decks, Star Trek: Strange New Worlds, and Star Trek: Prodigy will all be included.

Additionally, right now the ships are only going to be available for subscription to residents of the United States and the United Kingdom, but that may expand once the company’s e-shop opens later this year.

(Photo: Fanhome)

For those of you headed to New York Comic Con in October, expect to see Fanhome’s first in-person display of their new Star Trek model line at Booth #1445 — with more reveals expected during the show.

For more information on Fanhome’s plans, preorder your subscription program, and more, head over to the Fanhome regional websites — for USA residents and for UK residents — today.