What do you buy for a Trekkie who has expanded their crew with a new ghu this holiday season? Why, the latest collection of Star Trek board books: Smart Pop’s My First Book of Colors and My First Book of Space, and Insight Kids’ Baby’s First Klingon Words — which is how I learned that the Klingon word for baby is ghu!
Star Trek: Baby's First Klingon Words
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The first new title I’d like to highlight is Baby’s First Klingon Words, from publisher Insight Kids. This adorable board book illustrates several important words that your little ghu will want to learn in Klingon — with fabulous artwork from illustrator Ilaria Vescovo — words like: nose, hand, honor, success, enemy, and [censored].
The illustrations are bright and charming, and are sure to keep your ghu entranced. But what sold me on this book were all the humorous bits for us Trekkie parents. Let’s just say that the page on planets, particularly the depiction of romuluS, was very well done.
I was also a fan of the parmaq illustration — love is a battlefield, you know! You get ten points if you can guess which alien won the honor of being depicted for the Klingon word jagh (enemy).
Star Trek: Baby’s First Klingon Words retails for $11.99, and is also available on Kindle for $4.99.
Star Trek: My First Book of Colors
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Another new favorite is Robb Pearlman’s My First Book of Colors, which features a blue Andorian, a green Gorn, and a white Mugato on the cover, and is adorably illustrated by Jason Kayser.
This board book does such a great job of highlighting characters, scenes, and ships from across several Star Trek series. The first spread features a stunning illustration of station Deep Space 9and the Bajoran wormhole! I loved seeing the jellyfish aliens from “Encounter at Farpoint,” along with Armus from “Skin of Evil.”
There were several references to classic Original Series episodes, an illustration of the USS Voyager, and depictions of the kaleidoscope of uniforms from across the franchise. Every Trekkie-in-training should learn what gold lamé looks like, and this book will teach them!
Star Trek: My First Book of Colors retails for $11.99, and is also available on Kindle for $4.99.
Star Trek: My First Book of Space
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Last and certainly not least My First Book of Space, from the eminently-qualified mind of Dr. Erin McDonald. “Dr. Erin” currently serves as a science advisor for Star Trek, so she is the perfect person to pen such a book!
She does such a wonderful job providing child appropriate descriptions of space, while also cleverly injecting little references to the Star Trek universe — especially that Janeway coffee nebula reference, Dr. Erin!
I have to give a shout out to illustrator Jason Kayser, who ensured we got another majestic depiction of Deep Space 9 in this book as well! His artwork combines beautifully with images of real space phenomena from NASA, to create brightly colored and engaging spreads that your young ghu is sure to enjoy!
Like the other two books, Star Trek: My First Book of Space retails for $11.99, and is also available on Kindle for $4.99.
Those are my thoughts on these adorable new books, but from the target audience, what does my toddler have to say? His official review: “Ba ba ba ba ba.”
I think it’s safe to say he likes them!
Keep checking back to TrekCore for the latest in Star Trek merchandise news and reviews!
Yesterday’s Borg-heavy Star Trek: Prodigy adventure allowed our Medusan friend Zero to overcome their anxiety over inadvertently injuring Gwyn in “A Moral Star, Part 2,” and to find comfort in their place among the Protostar crew.
We had a chance to speak with Zero voice actor Angus Imrie ahead of the episode’s airing, to discuss his character’s experiences in “Let Sleeping Borg Lie,” all of Zero’s amusing exclamations, and what’s next for the Medusan navigator.
L-R: Angus Imrie (Zero), PRODIGY creators Dan and Kevin Hageman, Kate Mulgrew (Janeway), Ella Purnell (Gwyn), and producer/director Ben Hibon at the UK series premiere. (Nickelodeon)
TREKCORE: What is it like playing a character who is recovering from abuse, with the trauma and the guilt that Zero has associated with that — is your process any different because it’s a children’s show?
ANGUS IMRIE: Truthfully, I think my process changes with every job. I don’t think I would specifically say, “Oh, well, because this is a children’s show, I need to approach it in any particular method.” You’re always trying to work through play. And rather than doubling down and making it exclusively about Zero’s trauma, you still want the nature of the show and the nature of the character to have moments of light and dark and you just grasp an understanding of where their heart is really.
A massive motivator to Zero is the fact that they were used as a weapon on Tars Lamora by the Diviner. They hold on to that. So when they exposed themselves to the Diviner in “A Moral Star, Part 2,” it’s this great moment for them to experience justice, and yet it’s complicated by the fact that Gwyn catches sight of them.
The last thing Zero ever wants to do again is to harm anyone. And so I think we see in this episode, with Zero’s encounter with the Borg, their real determination to make up for that, to make amends, to protect their family — their Prodigy crew.
Zero fights off Borg assimilation. (Paramount+)
TREKCORE: Zero makes the choice to fight off assimilation, and chooses the Protostar collective over the Borg — but Zero also has a history with the Medusan collective. Would that be a more difficult decision if they were confronted with the choice of returning to their Medusan hive mind?
IMRIE: The greatness of Star Trek: Prodigy, I think, is that it plays with two elements. It plays with the fact that all of these characters are different species and yet they find family with one another. That’s the most profound thing that keeps them together and keeps them looking after one another, but that isn’t at the expense of a curiosity about who they really are.
They’re all displaced. They were all prisoners. They were fugitives on Tars Lamora. So there are two things propelling them. There’s this incredibly tight-knit closeness that they form with one another when they’re thrown together. Like anything in our lives, when you’re put in difficult situations with people, it brings you really, really closer together — but it’s not at the expense of them continuously being curious about who they really are or where they’re from, rather.
Both of those things can exist together. Zero is forever interested in where they came from, that they were a hive mind as a Medusan — and we’ll see in later episodes, their curiosity of what they could be as well if they were to sort of break out of those boundaries that are set by being a non-corporeal entity.
Zero scans Gwyn in the Protostar sickbay. (Paramount+)
TREKCORE: Zero always seems wise beyond their years, at least compared to the rest of the crew – so it will be interesting to see them confront their past and explore their future.
IMRIE: They are, that’s for sure. It’s great because Zero is so outward-looking. They’re almost in service of the others so much of the time, but we will get a sense of what Zero likes to do on their own.
We will see the personal exploration happen in further episodes where Zero starts to encounter sensations they’ve never experienced before. It’s really wonderful.
TREKCORE: Is there any particular element to Zero that you’ve imagined which informs how you portray the character?
IMRIE: Well, you might have noticed some of the certain vocalizations that Zero makes…
TREKCORE: Hoot hoot!
IMRIE: Yes! Yip-Yip and hoot hoot! Those sorts of things were not in the script, ever. They were kind of my invention. Zero doesn’t have breath, you know, and that’s quite a challenge as a voice actor — because everything is all about the breath when you’re trying to explore.
So my understanding is that Zero sort of listens to other people’s expressions of joy or expressions of laughing, that kind of exhalation, and makes a kind of attempt at what they might be. For some reason they’ve come out as the yip-yips, and it’s become who that character is, you know. So we see Zero does, I think, feel, but they’re not quite sure how to express that vocally.
It’s a kind of learned behavior, but very peculiar in and of itself.
Zero temporarily falls under the sway of the Borg Collective. (Paramount+)
TREKCORE: That’s interesting because they kind of frame Zero as the Spock or the Data character of the show – the outsider character — but it comes out in their own individual way.
IMRIE: Exactly.
TREKCORE: How fun was it in this episode to get to say, “Resistance is futile”?
IMRIE: Resistance is futile. Oh, fantastic. That was just bliss. You just have to relish those moments. That’s the fun of being part of the Star Trek series, is the way that everything feeds into one another and you feel part of this wonderful body of storytelling that’s been so influential in people’s lives.
And it’s no good being scared of it. You’ve got to dive in, and it was quite fun being Zero who was assimilated by the Borg.
TREKCORE: The animators conveyed it visually with green, instead of Zero’s typical blues and the purples, and we could hear it in your delivery of the lines as well.
IMRIE: It goes monotone, doesn’t it? Sort of like it’s emotionless and characterless, almost. That was a challenge to still be Zero and yet Borg. That was great.
TREKCORE: Well, my kids and I are certainly looking forward to hearing more from Zero as Prodigy continues — thank you so much for your time!
IMRIE: It was great to talk, and I hope your children continue to love the show.
This interview has been condensed and edited for clarity.
Star Trek: Prodigy will return with “All the World’s a Stage” on Thursday, November 10 on Paramount+ in the United States, and on October 28 in Latin America, Australia, Italy and the U.K. The series will arrive in France, Germany, Switzerland, and Austria in December.
Star Trek: Prodigy continues to assert its place in history with an episode that adds to the legacy of one of Trek’s most famous foes. “Let Sleeping Borg Lie” doesn’t just use the Borg as window dressing, but rather uses their unique narrative specifically as a rich demonstration of the power of love and forgiveness — and it also adds the the mythos of the Borg by showing us a side of the collective we’ve never seen before.
The episode starts with a holodeck reconstruction of the events in “A Moral Star, Part 2,” which serves, it appears, as a reminder to the audience specifically of the time travel aspect of the story — that the Federation will make first contact with Solum, the Vau N’Akat homeworld, sometime in the future.
Starting an episode in the holodeck is a great classic Trek fake out and I was happy to see that it confused my kids at first. They soon caught on it was a simulation as it ran while the crew talked — until it was almost time for Zero’s defense against the Diviner and Zero halted the program, their guilt about the situation still obviously in the front of their mind.
Zero’s arc here is a heavy topic for a “kids’” show. Their story is an example of how Prodigy trusts their audience, not just with scientific sci-fi jargon, but with mature, emotional topics as well. Zero’s guilt and trauma from their abuse on Tars Lamora being something that they have to work through is true to the character.
Nothing is being swept under the rug in this show. I appreciate that as an adult fan, but also I remember what if felt like to be a kid and have a TV show not talk down to you the way so much kids’ programming does — those were the ones that stuck with you.
But the crew has a more immediate problem: they know they have a powerful weapon aboard their ship, but they have no idea where it is. The audience knows where it is from the shot last week, panning down under the floor boards of the bridge. Our crew find it in a really fun way: Jankom locates some Vau N’Akat script, which activates Gwyn’s heirloom into the shape of a key. It’s a moment worthy of a good scavenger hunt movie, and that same vibe continues as a hidden door opens and Jankom bravely offers to go last — which of course got a big laugh from my crew.
I love the design of this weapon, which evokes a feel of a mirror universe protostar. Entombed in the bottom of the ship, it almost feels alive as it hums and pulsates and casts a red glow on our crew in this otherwise empty and silent chamber. They discard the idea of transporting it out into space, realizing someone could still end up using it. Jankom tries some of his patented percussive maintenance in the form of a phaser blast.
The animation and sound design on the weapon are exquisite here, as the weapon protects itself from the blast. This thing is legit scary — and as confirmed by the Hageman brothers on Twitter this week, it’s the circular design the Diviner was drawing on the cave floor at the end of “A Moral Star, Part 2.”
And just when you thought things couldn’t get more creepy, the Protostar detects a vessel… and the viewscreen fills with none other than a Borg Cube. My children had absolutely no idea what this was — but with the gorgeously detailed animation and the classic dramatic music cues, they could tell right away it was sinister.
They also instinctively knew to listen to Hologram Janeway, who delivers a high level primer on the Borg that was really easy for kids to understand. When she recommended they run away, my kids said “Listen to her!” My kids’ initial reaction to the Borg showed right away what a really effective horror piece this was for them. It made me remember the way I felt about the Borg when I was their age, when we were all introduced to the Borg in “Q Who” — back when the Borg were unknown and that was part of what made them so terrifying.
I told them that Janeway was a Borg expert and I would listen to her, too. But, alas, the Protostar crew is bravely — and naively — determined to find out whether the Borg might have a way to disable the weapon. Even with the Borg all asleep, this is an extremely dangerous mission. But taking on such a dangerous mission for altruistic purposes is such a Trek-ian thing to do that you can’t help but respect the “Go boldly”-ness of it.
The atmosphere inside the Borg cube is exquisitely creepy; the initial walkthrough has a real “kids walking through a haunted house” feel to it. Everything bathed in the green glow of the cube was the icing on the cake, leading my ten year old to exclaim, “This should be a Halloween episode!”. The whole episode truly does manage to maintain the same aura of other Trek horror classics.
They find the central control and discover that in order to access the knowledge of the Borg Collective, someone is going to have to plug themselves into it. Zero has experienced a hive mind before — with other Medusans — which makes them a logical choice, and they bravely stepped up to the plate.
When Zero plugs into the Collective, we see it from a unique perspective: instead of an external depiction of the assimilation, we get to see what is happening internally. Zero speaks to the Collective, asking about the weapon. There’s give and take about assimilating the crew and Zero handles themselves with determination and purpose.
The visuals are very dynamic, depicting the Borg as a web of interconnected tentacles and conduits, the green tinge on everything punctuated only by the visualization of Zero and their blue and purple haze. It’s captivating and creepy.
These scenes mesmerized my kids and really facilitated their understanding of the significance of what was happening. This is a great example of Prodigy excelling at taking Trek concepts and presenting them in a way that someone who is having their first encounter with the Borg can understand — while still building on that Trek foundation in a way that is still interesting and fresh to the legacy fans.
This is the first time we’ve ever seen the assimilation process presented this way, internally as a person’s mind/soul/essence is subsumed into the Collective; it’s a fresh angle on an old enemy. Just an amazing tightrope walk that Prodigy continues to perform.
The mood and the stakes are established so well, that when the Borg awoke, my kids were completely invested. The action-packed fight was as good as any Borg fight we’ve seen before and everyone got a moment to shine. When Gwyn escapes — and Janeway tells her to put away her weapon — my kids were on hyper-alert from all the action. My youngest shouted: “I hope she’s right!”
I can’t tell you how much fun it was for me to watch them learn about the Borg in real time like this. We all collectively held our breath as Gwyn walked past the group of drones… what a moment!
Gwyn finds the rest of the crew on the assimilation tables as Zero walks in, the haze in their “eye” now green. Gwyn and Zero continue to be a great pairing as she talks them down and helps them both resist the Borg Collective and come to terms with their guilt over harming Gwyn.
Protecting her was an act of love, she tells them, and this love was manifested visually in a gorgeous way — we see Zero internally struggle against the Borg tentacles, and as Zero sends a signal and puts the drones back into their dormant state, their blues and purples overtake the green.
Putting Zero into this situation with the Borg was an effective way for them to come to terms with their past; to forgive themselves and choose to help people going forward. Zero’s time at Tars Lamora and the harm they caused not of their own volition makes their experience extremely similar to that of an ex-Borg — and there are more than one of those that I hope we get to see interact with our crew someday.
It wasn’t just a useful mission for Zero personally, because they did learn some useful information about the weapon, or the Living Construct(as the Borg Collective so eloquently referred to it) — it can not be removed or destroyed. So for now, our crew has decided to avoid the Federation and help out where they can.
While I do love “Go Fast!”, Dal sitting in the captain’s chair and saying “Let’s do some good!” has a really a nice ring to it.
OBSERVATION LOUNGE
There are a ton of great classic Trek engineering materials referenced in this episode! Jankom’s bridge scan reveals tritanium and duranium alloys, along with transparent aluminum. He is impressed by the Borg cube’s monotanium aperture valves. We also get to see one of the Protostar’s Jeffries tubes as they search the ship. “It’s an engineer’s dream!”, just like the Borg cube.
The processing center at the heart of the Borg cube is called the vinculum, a piece of Borg tech recovered by Voyager “Infinite Regress,” responsible for giving Seven some personality indigestion in that episode.
A Borg vinculum, as seen in PRODIGY (left) and in VOYAGER’s “Infinite Regress.”
The Borg drones lie dormant due to a neurolytic pathogen — and we have the silver-haired future version of Admiral Janeway to thank for this, after offering herself up for assimilation directly to the Borg Queen to infect the Collective in “Endgame.” This was probably part of the off-screen briefing Holo Janeway gave to the crew when she offered to tell them “everything she knows” about the Borg.
Rear Admiral Janeway on the Dauntless is drinking tea instead of her trademark coffee, which also fits in with her future self from “Endgame,” where she says she made the switch due to doctor’s orders.
Gwyn’s heirloom turns into a gorgeous bat’leth during the fight with the drones, and she has a great action line — “Let’s see how they adapt to this!” — very reminiscent of Worf’s classic “Assimilate this!” line from Star Trek: First Contact.
We get to hear the classic phrase “Resistance is futile” four times in this episode. As they fight off assimilation, we hear Zero say “Resistance is NOT futile!’ — and I have to admit that my Grinch heart grew three sizes that day.
Though it was absent last week, the Star Trek franchise opening title card returns today with the Protostar swooping in to form the delta symbol — like Pike’s Enterprise for Strange New Worlds and the Cerritos for Lower Decks. The series-specific variation also includes the Tars Lamora asteroid in the nebulous background.
“Let Sleeping Borg Lie” is a fun and effective horror episode that connects organically to solid character growth for Zero. It’s a great introduction to one of Trek’s most iconic antagonists but also a really strong installment in the Borg’s 33-year history — and another episode that both new and seasoned fans can equally enjoy.
Star Trek: Prodigy will return with “All the World’s a Stage” on Thursday, November 10 on Paramount+ in the United States, and on October 28 in Latin America, Australia, Italy and the U.K. The series will arrive in France, Germany, Switzerland, and Austria in December.
Star Trek: Prodigy returns this Thursday for the second episode of its fall run, and today we’ve got new images from “Let Sleeping Borg Lie” for your review!
After narrowly escaping the destruction at relay station CR-721 last week, the Protostar crew this week encounters the feared Borg Collective — and it’s up to Zero (Angus Imrie) to find a way for the team to escape.
Here are twenty images from this week’s new episode:
STAR TREK: PRODIGY — 'Let Sleeping Borg Lie'
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LET SLEEPING BORG LIE — When the crew encounters a dormant Borg Cube, Zero risks everything to save their ship.
Written by Diandra Pendleton-Thompson. Directed by Olga Ulanova & Sung Shin.
Star Trek: Prodigy will return with “Let Sleeping Borg Lie” on Thursday, November 3 on Paramount+ in the United States, and on October 28 in Latin America, Australia, Italy and the U.K. The series will arrive in France, Germany, Switzerland, and Austria in December.
After launching their first wave and second wave of Star Trek: The Next Generation “ReAction” figures, San Francisco-based toy company Super7 is expanding their foothold into the 24th century with the next generation of TNG figures!
Super7’s latest ULTIMATES! are ready to beam into your collection! Introducing Star Trek: The Next Generation ULTIMATES!
Wave 1, featuring Lieutenant Commander Data, Guinan, Commander Riker, and Locutus of Borg! Super7 is taking these Star Trek: The Next Generation figures where no one has gone before: the highly detailed, intricately designed world of 7” scale ULTIMATES!
Collectors are going to be assimilating these made-to-order figures into their collective, er… collection, faster than a Borg cube!
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Their new Lt. Commander Data figure includes three heads (one with a poker visor and another with an electronic diagnostic cable), multiple hands including one with playing cards, a violin, poker chips, a phaser, tricorder, and of course his beloved cat Spot — this figure is available for preorder at $55 today, with an anticipated October 2023 delivery.
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Their new Commander Will Riker figure includes two heads (one with a classic Riker smirk), multiple hands including one with playing cards, a phaser, a spare deck of cards, his favorite Captain Picard day sculpture, and his trusty trombone — this figure is available for preorder at $55 today, with an anticipated October 2023 delivery.
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Their new Guinan figure includes two heads (one with a look of concern), multiple hands, four beverage options, the Ten Forward tabletop game, a beverage tray, and her sparking rifle from Magus III — this figure is available for preorder at $55 today, with an anticipated October 2023 delivery.
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Their final entry in the first TNG Ultimates collection is Locutus of Borg, with multiple heads to represent Captain Picard’s assimilation progress from “The Best of Both Worlds,” along with a spare hand for gripping — this figure is available for preorder at $55 today, with an anticipated October 2023 delivery.
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Along with the four individual releases, Super7 is also offering a four-pack preorder for $220 at this link — like the standalone figures the company projects delivery to collectors in October 2023.
For both the separate and four-pack releases, fans have until Friday, December 2nd to preorder these figures; it’s unknown at this time if any purchases will be possible after the preorder window ends.
Finally, if you missed it on our social media feeds, Super7 also released an additional Captain Picard figure at New York Comic Con earlier this month — emulating the transporter effect as he beams down to a strange new world.
Keep checking back to TrekCore for all the latest in Star Trek product news — and let us know what you think about Super7’s new figures in the comments below!
Star Trek: Lower Decks wraps up its third season with the Mike McMahan-scripted “The Stars at Night,” another barnstormer of a finale which capably wraps up some of the story threads that have been developed this season — without leaning on any flashy legacy characters or concepts — and it’s exciting to see the show having reached this level of self-confidence.
Be sure you watched the post-credits scene!
Don’t get me wrong, I adore “No Small Parts” and “First First Contact” for their thrilling legacy character connections, and those two finales are probably slightly stronger finales than “The Stars at Night” overall. But it’s exciting that in this time around, Lower Decks decided to focus on the lore it has built for itself over the last three seasons, and ground that exclusively with its own characters.
As the show continues to evolve and develop, it’s got its own recurring cast of characters and story beats that are developing their own depth and wiring the nostalgic connections in our brains that make us want to see more of them. I can’t be the only one who cheered at that surprising post-credit scene!
“The Stars at Night” picks up after the events of last week’s “Trusted Sources,” with the Cerritos in for repair at Douglas Station — while Captain Freeman consults with Starfleet Command on Earth. The successful debut of the fully automated Texas-class leads Admiral Buenamigo to make a bold proposition; that the California-class be retired, and the Texas-class assume the responsibility of second contact for Starfleet.
When the Cerritos loses a race against the Texas-class USS Aledo — to complete a prescribed set of missions trying to prove that the California is king — Freeman uncovers a loophole that allows her to challenge the proposal to retire the California-class. Which is when it is revealed that Admiral Buenamigo is the ambitious Starfleet command officer who had Rutherford’s memory erased, and that the code used to run the Texas-class ships was developed by Rutherford… and it’s the same code base as used for Badgey.
The artificial intelligence on the Texas-class ships goes haywire, killing Admiral Buenamigo, and begins attacking Starfleet. It’s only with the assembled might of the whole California-class, brought together by Mariner who has decided that her place is in Starfleet, that the Texas-class is destroyed and the unique skills of the California-class ships demonstrated.
It was fun to see the conclusion of the Rutherford story, and to learn how that backstory was being sewn into the entire season without viewers realizing it. To have that story ultimately tie into the origin of Badgey, who hasn’t been seen in two years — but who was briefly glimpsed in the post-credits sequence — is another way that Lower Decks is building out its own mythos.
Even though he doesn’t have as big of a role in “The Stars at Night” as the two other Lower Decks finales, it’s also clear how far Boimler has come too. The moment on the bridge where he cuts through the arguing and tells the bridge crew to listen to Shaxs’ suggestion is very far from the timid Boimler from Season 1.
Boimler’s decision to be bolder and grow into his own confidence authentically is on display here, even if he still can’t stand the idea that a senior officer is mad at him. (Some things will never change!)
Mariner’s arc in this episode, though, is perhaps the most satisfying. Seeing her work through the possibility of life outside of Starfleet, and decide that she was actually better off within the organization, is a delight to see.
And the way that her solution relies on teamwork and trusting others — rather than the renegade Mariner who wants to fix everything herself that we started the series with — is a delightful rounding out of that character arc. Mariner really has come a long way since season one, and this episode shows that full force.
If I have one criticism of Star Trek: Lower Decks’ third big, action packed finale for, it’s maybe that. It’s big… and action packed… again! So big and action packed, that for the third year in a row, the Cerritos ends the season needing a long stay at a starbase repair facility.
It feels a touch repetitive in that way, even going so far as to end the season on a celebration in the Cerritos bar while the ship is under repair. But I’m a huge sucker for a big, action packed finale, so… I can’t get too worked up about that.
And then there’s the post-credit scene. Rutherford’s original implant, ripped from his head in “No Small Parts,” was seen floating in the debris field in the opening moments of “A Mathematically Perfect Redemption” — and now someone’s recovered it, along with its repository of Badgey computer code.
Is it the Drookmani scavengers, always looking to loot technology? An agent of A.G.I.M.U.S. and Peanut Hamper? Newly-recruited Section 31 agent William Boimler? What an ominous tease for Season 4!
TREK TROPE TRIBUTES
Admiral Buenamigo is a classic Star Trek “bad-miral.” That’s one of those admirals who does something evil — not necessarily always with evil intentions — whose hubris is ultimately revealed to them, normally right before they die.
Freeman even explicitly calls it out in dialogue, telling Buenamigo that he’s “not one of those bad-faith admirals that’s up to no good!”
CANON CONNECTIONS
The Cerritos starts the episode at Douglas Station, which is where it was at the opening of the pilot “Second Contact.” The Galardoniansfrom that episode also make a quick appearance.
Starfleet Command’s exterior mirrors its appearance from DS9’s “Home Front,” with its design based off the General Motors pavilion from the 1969 World’s Fair.
Starfleet Command in live-action, and in animated form.
Mariner and Aberdeen’s route to Qualor takes them through the Bitrus Expanse. The Cerritos was previously headed to the Bitrus Expanse after the events of “Strange Energies.”
Freeman is offered promotion to the rank of Fleet Captain, a rarely heard rank in Star Trek but that was previously held by Christopher Pike after he left the Enterprise.
Doctor T’Ana’s previous posting was aboard an Oberth-class ship, the science vessel that debuted in Star Trek III: The Search for Spock. She served there for what I’m sure was a completely coincidental seven years.
If you didn’t think the Texas-class would turn out to be evil starship AIs when you saw the computer terminal Admiral Buenamigo used to communicate with the starships was very similar to the M-5 computer from “The Ultimate Computer,” then you need to re-watch that episode!
Qualor II was previously visited by Mariner and Tendi in “We’ll Always Have Tom Paris.”
M-5 interfaces on automated starships? Not good.
Petra Aberdeen and the Independent Archeologists Guild are funded by Admiral Jean-Luc Picard, making this the earliest reference in the timeline to Picard being an Admiral. Mariner was hoping it would be a Xindicabal so she’d have more of a reason to go back to Starfleet.
When the Cerritos increases speed to try and outrun the Texas-class ships, the warm core thrum increases, just like in “Where No One Has Gone Before.” The ejection sequence also mirrors that of Voyager ejecting its warp core in “Day of Honor.”
T’Lyn is wearing a provisional rank insignia — seen most prominently on the Maquis crew members on Voyager — signifying that serves aboard a Starfleet ship, but is not originally of Starfleet training.
OTHER OBSERVATIONS
The episode’s title “The Stars at Night,” is the opening line from the song “Deep In the Heart of Texas.”
Hans Federov is the full name of the ‘Towel Guy’ often seen roaming the corridors; he’s the Cerritos’ gossip king.
Mariner’s escape from Ferengi grave robbers is clearly inspired by Indiana Jones, all the way down to a very John Williams-esque score.
Commander Ransom teaches the famous Riker sit. “You need to sit, cross your leg over the back of it, and slam down. Command that chair!”
The Cerritos conducts a full self-awareness assessment on the sand where they build the outpost, likely inspired by the events of “Home Soil.”
Meridian isn’t the only phasing planet.
Ockmenic 9, the planet that phases into our universe for only a couple of hours a year, is also clearly inspired by planet Meridian.
The three Texas-class ships were the Aledo, the Dallas, and the Corpus Christie.
The Sovereign-class USS Van Citters (NCC-72584) is named after John Van Citters, the longtime head of licensing for the Star Trek brand, who is now the Vice President of Star Trek Brand Development.
The Carlsbad appeared earlier this season in “Mining the Mind’s Mines,” the USS Oakland in “Much Ado About Boimler,” the USS Merced in “Moist Vessel,” the USS Inglewood in “The Least Dangerous Game.”
Four California-class ships with variations in hull-paint designs, both in division color and design.
Including the Cerritos, the California-class fleet includes 24 ships — each with subtly different hull paint designs: the Oakland, Alhambra, San Diego, San Clemente, Sherman Oaks, Vacaville, Burbank, Fresno, Santa Monica, San Jose, Sacramento, Culver City, Anaheim, Riverside, Vallejo, West Covina, Pacific Palisades, Redding, Eureka, Mount Shasta, Merced, Carlsbad, and the Inglewood.
A battle between California against Texas seems like a bit of a commentary on today’s American political landscape, doesn’t it?
The fleet of only California-class ships may be a subtle wry nod at the derided “copy and paste” Inquiry-class fleet led by Will Riker in Star Trek: Picard’s first-season finale.
After a year of waiting, Vulcan outcast T’Lyn makes her first appearance after being sent to Starfleet in “wej duj” — and it looks like we’ll be seeing a lot more of her in Season 4.
Overall, I really enjoyed “The Stars at Night,” and Season 3 as a whole. While I think Season 2 was slightly better overall, the show has done something important this year: it has started to stand on its own two feet, and not simply rest on the shoulders of Star Trek’s previous adventures.
If Lower Decks was just a parade of easter eggs loosely connected by jokes, I think even the biggest Star Trek fan in the world would eventually get tired of it — but a Lower Decks that has its own stories, characters, and arcs that come to the fore more prominently than the easter eggs? That’s a Lower Decks that can last forever.
Star Trek: Lower Decks will return with new episodes in 2023.
Our young Star Trek: Prodigy crew is back! It’s been eight months since “A Moral Star, Part 2” aired — which in kid-time is more like, “Soooo loonnnggg, Mom!” — so my cadets were more than ready to get back on board the Protostar. “Asylum” does a great job of being a plot-refresher, while still adding excitement and action in a rousing demonstration of just how high the stakes will be for the rest of the season.
Straight out of the gate, “Asylum” fires on all cylinders with a fun and exciting opening sequence reminiscent of the opening underwater moments of Star Trek Into Darkness, complete with composer Nami Melumad’s homage to Michael Giacchino’s “Enterprising Young Men” score from the Kelvin Timeline films. The crew has decided that spending their time doing good deeds may help their case when they return their ‘stolen’ ship to Starfleet.
They couldn’t have picked a more Starfleet good deed here: they maintain the grand Star Trek tradition of saving the whales by relocating an endangered “aquathawns” being chased by poachers. This framework is apt — randomly performing good deeds while traveling through space is the whole premise of Trek itself, and our crew literally saving a whale was such a strong unintrusive way to connect them to Treks past.
Everything about this sequence is exceptional. The gorgeous underwater animation, the unique and interesting alien design of the poachers, the cool shuttle-sub (great to know they are making use of that handy vehicle replicator!), and the effortless action-banter between the characters as they navigate themselves out of the situation. All while trying to maintain the Prime Directive. A+, cadets!
This fun little side trip leads to us learning that even weeks later, Gwyn hasn’t recovered her memories after being briefly exposed to Zero’s true Medusan nature. The flashback of the Diviner saying “It’s a weapon” — referring to the trap built into the Protostar’s systems — was enough to jog my kids’ memories, however, so when we hear that the plan is to approach a Federation outpost, they knew that was a bad idea.
The crew, though, are excited to finally arrive. There’s a lovely parent/child moment between Dal and Hologram Janeway as she adjusts his uniform while he squirms (look familiar, kids?), and then she dispenses some really great advice. I love the Dal-Janeway relationship, and I like for both of them that they seem to be becoming more like family then just a teacher/student or a mentor/mentee.
The hug they share here goes down as one of Trek’s best hugs (step aside Miles and Julian!). Hologram Janeway has quickly become her own character, and this scene did a lot to contrast her more with the “real” Janeway — which helps the younger kids, especially, keep track of the two versions of Kate Mulgrew’s character. (I had to remind my youngest why there were two Janeways at first as we got back into the swing of things.)
Reaching the Federation — even the far-flung comm station — really felt like a milestone to the crew, and to my kids as well. My kids were enthralled during the meeting of the Starfleet officer, and completely silent as they curiously watched each member of the crew go through the bio-scanner. What a great way to reintroduce information about the crew and also to deliver us some bombshells!
Jankom Pog learning that Tellarites were founding members of the Federation was really cute. It’s nice that he had something to feel proud about in a connection to who he is. We get to hear for the first time that Rok-Tahk is a Brikar — we’ve known this from Paramount+ publicity, of course, but this is the first time the species has been mentioned by name on-screen. Gwyn shows up as an “unregistered species,” which makes sense as the Federation hasn’t met the Vau N’Akat yet in the timeline.
The most interesting scans were of Murf and Dal, of course. From Murf’s scan we finally learn what Murf is: a Mellanoid Slime Worm — a cut so deep I had to look it up! The term was used as an insult towards our very own Wesley Crusher in “Coming of Age,” but hasn’t been mentioned in any other capacity since that 1988 episode.
I love that the Murf connection involves a young Starfleet hopeful like our Protostar crew. It’s also funny that was meant as an insult — Rondonmust have never met one before, because I can’t imagine anyone thinking being like Murf was an insult! My kids thought this reveal was great, and we had a lot of fun laughing about the name. “A slime worm?!”, my youngest declared, echoing Rok-Tahk’s reaction.
(My ten-year-old is convinced that a “Mellanoid” worm has to be related somehow to the “Graboid” worm from Tremors, and I very much would like to read that cross-over fan fic someday!)
While some questions were answered, Dal’s heritage still remains a mystery. When he stepped into the bio-scanner, an alarm flashed that stated that Dal should report to Starfleet Command. Intriguing! The look on Dal’s face when he realizes he’s close to an answer hit me straight in the gut; the animation and Brett Gray’s line delivery really made me feel that moment for him.
When Barniss Frex (a top tier character name) links the station’s computer with the Protostar, the Diviner’s weapon activates, and the animation here is spectacular. You can almost see the computer virus propagate through the station on each monitor and panel as it’s red fragments move in a very “blocky” way around the screens. Everything gets a red tinge to it as Red Alert alarms blare, malfunctions happen all over the station, and the station’s weapons begin firing on the station itself.
This demonstration of what the weapon can do was a really effective way of showing just how high the stakes are both to the Protostar crew and the children watching, who might not have had as much of a reference for what a computer virus can do as some of us more seasoned viewers.
The weapon itself is beautifully designed as an exact counterpoint to the ship’s Protodrive itself: an evil orb; an immoral star; a red core surrounded by a containment that is almost pulsating as it lies in wait for its moment to unleash its programming. It’s sinister in design in the same way that Drednok is, these technologies obviously of the same origin and time. It’s exquisite.
The crew’s escape from the exploding station felt really suspenseful. The classic Trek trope of the transporter being offline was perfectly used here to give the crew a chance to work together with their patented whole group dynamics that are such a strong suit of this cast.
Trusting Rok’s calculations as their science officer was a great example of how they are falling into their roles on the ship. Her calculations might have been a little off, but they were within the tolerance of the tractor beam. A great fake out!
Meanwhile, Vice Admiral Janeway and her Dauntless crew have tracked the Protostar’s warp signature to Tars Lamora. It feels surreal to have the “real” Janeway back — in command and leading an away team. What a gift. They find The Diviner floating around, obviously still gravely injured by his encounter with Zero.
Connecting him with the Dauntless crew is an interesting way to return him to the story, and makes the Dauntless an even greater threat to Dal, Gwyn, and the rest of our young heroes.
OBSERVATION LOUNGE
Unlike Strange New Worlds and Lower Decks, there is no opening Star Trek franchise intro to this episode. It’s possible this is because it’s a Nickelodeon Animation production and not “really” a Paramount+ managed property, or it simply may be added to the series at a later date.
The aquathawn the crew relocates is pregnant, connecting her even more strongly to Star Trek IV: The Voyage Home —Graciethe humpback whale was also pregnant when she made her trip to the 23rd century. The aquathawn being beamed into the cargo bay is reminiscent of the endangered gormaganderbeing beamed aboard the Discovery in “Magic to Make the Sanest Man Go Mad.”
We visit Communication Relay Station CR-721, or as Barniss Frex likes to call it, “The Final Frontier.” I laughed at Zero’s “Why does he keep saying that?,” to which my ten-year-old said, “I bet you know, mom.” My kids are getting good at parsing out Star Trek references in Prodigy, even if they don’t always understand them.
Lieutenant Junior Grade Barniss Frex is a Denobulan. He mentions not wanting to be stationed somewhere worse than CR-721, like the Gamma Quadrant or Nimbus III. At least it’s not Starbase 80!
Frex has an unusual combination of rank pips on his collar; one black and one solid pip representing the Lieutenant (junior grade) rank, and a provisional Starfleet rank badge with the same LT-jg rank, previously seen on Voyager‘s Maquis crewmen. (Perhaps he’s just bored at his remote posting and he thinks no one would notice!)
“Well I’ll be a Horta’s uncle!” is going to make its way into my regular idiom rotation.
Frex guesses that Dal might be a Sakarior a Talaxian, two species that fandom speculated about as possibilities when the first images of the purple alien were released.
There are hints of the Voyager theme during Vice Admiral Janeway’s holodeck recreation of the christening of the USS Protostar, a moment which also gives us our first moment with Captain Chakotay (and returning Voyager actor Robert Beltran) since his fuzzy hologram was first spotted in “Kobayashi.”
The Protostar was christened with a bottle of Chateau Picard wine, bearing the same label styling seen in Star Trek: Picard Season 1.
The Dauntless‘ Andorian officer Commander Tysses, played by Daveed Diggs, sounds so regal. I am interested in learning more about him!
“Don’t think we didn’t notice that!”, my eight-year-old shouted at the TV, when Dal gave a loving look to Gwyn when he knew she was safe from the bio chamber.
My kids got such a kick out of Jankom’s huge pile of hot dogs: food fit for Federation royalty! Hot dogs are a nice addition to the expanding canon of foods being ejected from a malfunctioning replicator.
What an exciting way to start this run of episodes! “Asylum” does a great job of setting the stakes and putting all the pieces on the board without feeling like a filler episode. Things seem to be moving already, and hopefully this momentum will be carried into the subsequent chapters of this adventure.
Star Trek: Prodigy will return with “Let Sleeping Borg Lie” on Thursday, November 3 on Paramount+ in the United States, and on October 28 in Latin America, Australia, Italy and the U.K. The series will arrive in France, Germany, Switzerland, and Austria in December.
We wrap up our coverage of New York Comic Con today with our last interview from the Star Trek: Prodigy press tour — and this time, it’s with the admirals leading the series into the newest frontier.
Along with a few other outlets, we sat down with the show’s creative leads — Kevin and Dan Hageman (pictured left and center, above) and director Ben Hibon (pictured on right) — to discuss the upcoming season, plans for future Trek stars to beam back (in animated form), Prodigy merchandise, and more.
L-R: Kevin Hageman, Ben Hibon, Kate Mulgrew (Janeway), Brett Gray (Dal), Jameela Jamil (Asencia), and Dan Hageman at New York Comic Con 2022. (Paramount+)
TREKCORE: Prodigy is aimed at younger viewers, to teach them about Star Trek as the Protostar kids are learning about Starfleet — but at the same time, the show sometimes goes really deep into canon and lore along the way. How do you keep those two ends of Trek storytelling balanced?
DAN HAGEMAN: I think the upcoming Borg episode is a good example of this — like, you think everybody knows the Borg, but we have to remember, “Well maybe someone doesn’t know the Borg, so what would Hologram Janeway say about them?” Run away, get out of there!
KEVIN HAGEMAN: Run away as fast as you can, right? But then, how do we do it? How do we have a reality where these kids survive the Borg?
KEVIN HAGEMAN: When we’re creating the stories, all we have is each other in our gut — we write for ourselves, you know? And of course, while we have the mindset of making sure nothing’s too much for a child, I want to entertain myself when I’m writing. I wanna watch this show!
DAN HAGEMAN: You know, sometimes we go a bit “too Star Trek” and we say, “This might be kind of boring for kids, let’s pull back.”
BEN HIBON: I think a lot of it can be done through visual storytelling. Those things are archetypes that we’ve seen kids understand, from both from sci-fi or other mythology. It’s more about just making sure you give enough information, both on the page and and in the visuals, to really let kids grasp the concept without having to over-explain.
The Protostar encounters a Borg cube in the November 3 episode. (Paramount+)
QUESTION: How does Prodigy explore new storytelling avenues in the Star Trek universe?
DAN HAGEMAN: It’s the first all-alien cast, and it’s the first bridge crew that’s ever gone through Starfleet. I think that’s what’s interesting.
KEVIN HAGEMAN: It makes it really colorful, right?
DAN HAGEMAN: Everyone in Star Trek is usually the best of the best, and these kids are the worst of the worst — but you want to see them grow!
KEVIN HAGEMAN: I think like in the, the first 10 episodes, you’re getting to know the cast of characters and hopefully liking them, and in the next 10, I think you’ll start falling in love with them. You’ll find that, you know, I think we’re the most, uh, we might become one of the most emotionally driven Star Trek shows.
DAN HAGEMAN: Well, Discovery’s pretty emotionally-driven…
KEVIN HAGEMAN: I’m not saying the other shows aren’t emotional, but we certainly go to emotional places.
DAN HAGEMAN: And meet them with heart and hope.
Rok-Tahk, Dal, and Gwyn on the Protostar bridge. (Paramount+)
QUESTION: Can you talk about how Dal and Gwyn’s friendship and connection evolves in these new episodes?
DAN HAGEMAN: I think they see something in each other that they’d like to be — if you look at Gwyn, she’s someone who hasn’t really had an uplifting childhood, and she’s had to grow up at a very young age. I think when she looks at Dal, she sees a childlike, carefree guy.
BEN HIBON: She’s also much more rigid than he is, I think, in her way. She’s certainly appreciating that the more chaotic nature that Dal offers. It’s attractive to her.
DAN HAGEMAN: And I think for Dal, when he looks at Gwyn, she’s very great at what she does — Dal talks a big game but he’s not really that great! [Laughs] He’s covering up a lot of flaws, and I think he sees the perfect person in Gwyn.
KEVIN HAGEMAN: They’ll realize that they’re better together than on their own, sort of like Kirk and Spock, you know? They made an amazing team together. If it was just Spock, like, The Adventures of Spock? He needs Kirk to be there with him, right?
Gwyn and Dal learn some surprising news about the purple-skinned youngster. (Paramount+)
QUESTION: Everyone’s got ‘their’ Star Trek show, the one that brought them into the franchise — what’s it like knowing that Prodigy is going to be that touchtone series for a new generation of kids?
KEVIN HAGEMAN: Well, we feel the pressure as we’re creating the show; we know that the show might help continue to carry that torch.
DAN HAGEMAN: Super proud, though. We’re very proud. Those moments where you can get kids’ synapses firing, when something boggles their mind, they think about it that night? That’s how most Trek fans start. They watch an episode and it sticks with them. You look at like what these Star Trek fans have grown up to become, like Star Trek science advisor Dr. Erin McDonald, who is a super badass astrophysicist.
KEVIN HAGEMAN: She has Voyager tattooed on her arm! She grow up on it, and that’s why she’s a scientist.
BEN HIBON: We always said that if we can start a conversation between generations, then we’ve made we made it right — because it’s about the new, but also about the legacy ideas. It’s about how exciting Trek can be with with diversity, with exploring, and with discovering and all of these things, right? If each episode can trigger a generational conversation, that’s what’s really exciting.
DAN HAGEMAN: It’s emotionally touching, because some of the early feedback we got was from Star Trek parents who were like, “I can now talk Star Trek with my kid!” People who talk Star Trek can talk Star Trek all day to each other, and it’s so touching — and you now have someone in your house that you can talk Trek with?
That will just make that relationship stronger.
Ronny Cox returns to voice Admiral Jellico in upcoming episodes. (Paramount+)
DAN HAGEMAN: Oh, he’s so excited. He’s been like, “When can I tell people? I can’t wait for people to find out!”
KEVIN HAGEMAN: And in Season 2 — we can’t tell you who — there are bigger legacy characters on the way. Pretty big.
DAN HAGEMAN: We can’t say anything more, but these are going to be some fun surprises.
KEVIN HAGEMAN: It’s not Picard. [Laughs] But it’s not just one, but two pretty big characters are coming back — and they’re not from the same Star Trek show. And Chakotay isn’t who I’m talking about.
DAN HAGEMAN: Someone asked me, “Are you just going to keep teasing us with Chakotay?” Well, we’re going to be teasing you, but we’re going to deliver the goods.
KEVIN HAGEMAN: But not in these next 10 episodes.
QUESTION: Lower Decks is jumping to live action in their Strange New Worlds crossover next year — any chance we’ll see Prodigy go live-action anytime soon?
KEVIN HAGEMAN: No, but we keep pushing!
DAN HAGEMAN: It would be fun.
BEN HIBON: It would be a challenge, though.
DAN HAGEMAN: It is amazing, though, thinking about it when I look at Ella Purnell and Brett Gray. I’m like, “Just paint Brett purple! And Ella? Just paint her white and give her some hair prosthetics!”
The Protostar flies above an icy planet. (Paramount+)
TREKCORE: Are you looking forward to seeing some Prodigy merchandise finally start rolling out? Have you read any of the tie-in books that are coming out next year?
KEVIN HAGEMAN: We’ve read synopses, and given some notes here and there, to make sure it’s all working with the show – but about merchandise, heck yeah! We’ve seen some sweet stuff that’s coming.
DAN HAGEMAN: Oh yeah, and there’s a Protostar starship, it opens up and the main engine pops out, there’s sound…
KEVIN HAGEMAN: We’re really proud of the Protostar ship, it’s awesome. Ben worked so hard on it.
This interview has been condensed and edited for clarity.
Star Trek: Prodigy will return with “Asylum” on Thursday, October 27 on Paramount+ in the United States, and on October 28 in Latin America, Australia, Italy and the U.K. The series will arrive in France, Germany, Switzerland, and Austria in December.
Star Trek: Prodigy returns this Thursday after an eight-month hiatus, and today we’ve got new images from “Asylum” for your review!
After escaping Tars Lamora and the Diviner for good, Dal and the USS Protostar crew are using the stolen starship to perform good deeds around the galaxy — but after Gwyn lost her memories of the Diviner’s evil plan, the team’s goal to contact Starfleet may end up causing more trouble than they can imagine when they reach their first Federation facility.
Here are fourteen images from this week’s new episode — released on StarTrek.com this morning — featuring a first good look at the Prodigy character design for Captain Chakotay (Robert Beltran), seen previously as a fuzzy hologram:
If you missed it during New York Comic Con weekend, here’s the trailer for Prodigy’s upcoming ten-episode run:
ASYLUM —At the edge of Federation space, the crew applies for asylum at a comm relay outpost, only for their starship to reveal its shocking true purpose.
Written by Kevin & Dan Hageman. Directed by Steve In Chang Ahn & Sung Shin.
Star Trek: Prodigy will return with “Asylum” on Thursday, October 27 on Paramount+ in the United States, and on October 28 in Latin America, Australia, Italy and the U.K. The series will arrive in France, Germany, Switzerland, and Austria in December.
In addition, stick around to hear Heather’s wish for a Lower Decks-style t-shirt subscription for the other Trek shows, and Alex’s theory about which other Star Trek: Voyager character he believes is most likely to show up in Prodigy.
WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, YouTube, and Spotify— and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.
Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!