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EXCLUSIVE: TrekCore Interviews CBS-Digital, Part II

A few weeks ago CBS invited TrekCore to talk with the CBS Digital team responsible for the wondrous restoration and remastering of Star Trek: The Next Generation in high definition. Craig Weiss and his team were very generous with their time and answered a huge number of questions, often very technical in nature. I hope you enjoy the resulting interview and leave with a greater understanding and appreciation for the monumental effort that this project represents, and of the wonderfully talented people who are working tirelessly behind-the-scenes to make it happen. Feel free, as usual, to leave comments and questions below.

Mike & Denise Okuda

CBS Digital: TNG Remastered Interview, Part 2

Interviewed by Adam Walker for TrekCore.com

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TrekCore: How does Season 2 stand up so far, have you managed to track everything down?

Craig Weiss: Season 2 – actually – because they truncated the delivery schedule, Season 2 was handled by another vendor. Basically, Season 2 was handled outside.

TrekCore: I see – so the film itself was handled outside?

Craig Weiss: Yes. For that season, that was done… and the visual effects were handled by Dan Curry and the original group on that one. We were so busy with everything else, that due to the schedule we weren’t going to be able to do both seasons at the same time.

TrekCore: Moving on to when you actually scan the film through. Are all the archive negatives being scanned box-by-box or do you just pick out the bits that made it into the final cuts of the episodes?

Wendy Ruiz: We’re transferring only the film dailies that they used back in the day when they first transferred the film, but they transferred them to 1-inch dailies. We are in turn up-rezzing and cross converting those 1-inch dailies to HD and we’re having our scanners only scan on those 1-inch… now to those HD-D5s that match the picture, so we’re strictly working with what the editors worked with back in their day.

Bruce Golin [CBS Digital Producer]: The challenge initially was that there’s no road-map back to original negative because this show was mastered on videotape. We have EDLs [edit decision lists], we don’t have negative cut lists. So, the reason for uprezzing 1-inch dailies to D5 is to preserve the time code, and to relay some negative in HD back to those upconverted tapes, simply to preserve time code, which is our only reference for assembly.

Wendy Ruiz: We’re trying to cut down on the excess amount of film we’re going through. There’s an excess of 70 boxes per episode, so doing it this way, we kind of save ourselves some time so instead of going through everything, we only go through what we need.

TrekCore: When the film is played back through and captured digitally, what resolution is it captured at? One of the most popular questions we’ve had is ‘are you future-proofing for 4K resolution’?

Craig Weiss: No, at this point we are working in HD. If, in the future, there is a request to go back to 4K or something – at that time we’ll address it. We have – the most important thing – the time code of how the show was mastered, which has been the bulk of trying to figure this out. So we can go back and remaster the film in 4K. Due to just time and the schedule, there would be no way for us to be able to manage that kind of data for an HD release at this point. And nobody really knows what the specs for 4K are going to be, or for 4K televisions. So we decided we didn’t want to scan with today’s technology and then a year from now the specs might be different so we’d have to re-do it, so we decided to just stay within the specs for this Blu-Ray project.

TrekCore: Once you have a full resolution video, what’s the next step in the restoration process? Do you step through the film frame-by-frame touching up the details?

Wendy Ruiz: Once we’ve scanned all the footage, we go to an editor who will conform the picture to match the standard-def that aired on the network. From there, once we’ve conformed, we’ll put together the pieces – any missing items there, we’ll go on the hunt to find any missing material – it will then go on to color correction, where we’ll try to match the notes that we see as to the mood of the show for a given episode. After that, it will go into DRS [Dust Removal System] – dirt removal where it will take off any dust and dirt that are on the show – positive/negative dirt – any additional fixes, any boom microphones that are left in the show, and set pieces that might have been left. We’re removing pieces that had originally been left in during the network release. This time around, we’re catching all those boom mikes, we’re catching all those set pieces that had been left behind and making sure those don’t appear in the [remastered] show.


Dan Curry preferred to shoot at 30 frames per second in the episodes where he was the VFX Supervizor (such as ‘Datalore‘). This posed an extra challenge for lead compositor Eric Bruno…

TrekCore: How are you dealing with some of the miniature photography that was shot at 30 frames per second. What program are you using to convert it to 24 frames? Do you use Autodesk Smoke? Are the results indistinguishable from native 24 fps footage?

Eric Bruno: Yes, the two main VFX supervizors on the show were Dan Curry and Rob Legato. Rob Legato liked to shoot at 24 frames per second and Dan Curry liked to shoot at 30 frames per second. So basically, every other episode, one is 24 one is 30 – for the visual effects. So, yes, we had to – on all the episodes that were shot at 30 by Dan Curry – we had to put a 125% speed up on each of those elements so that they matched the original. We’re using Autodesk Smokeand Flame to do those speedups. For the most part, they are indistinguishable from the original. If and when there are artefacts from the speed-up process, we take them out and clean them up if they are noticeable.

TrekCore: Well this is a whole lot of work which isn’t really appreciated. It’s such a simple issue on paper, but it seems like a lot of work is involved in getting around that.

Eric Bruno: Every other episode is at 30 frames per second. And you’re talking 7 layers per ship, 10 layers for this, 5 layers for that and each one has to be sped up to match the original timing.

TrekCore: If we can move on to reassembling the footage. How long does it take to rescan the film from any given episode?

Sarah Paul: It usually takes a week to do all the production and all the visual effects. A week for each episode. And if you conform the episode, it will take another week.

TrekCore: And with regards to adding in new VFX. How long would it take to, for example, add in a phaser beam to a scene?

Eric Bruno: It really depends on the scene. If it’s a simple phaser that lasts for a second and is going straight, we could knock it out in an hour using Flame. If it’s multiple phasers, maybe an hour and a half. If the light is reflected it may take half a day. It really depends on the scene itself and the complexity of what’s happening.

A full breakdown of the many components which go into creating a CG phaser beam,
from effect 056 on episode 20, ‘Heart of Glory

TrekCore: So this really gives us a great idea of the amount of time it takes to remaster a given episode. Obviously it’s depending on the amount of visual effects, but half a day for a phaser beam is certainly a lot more than I was expecting. From some of the feedback we’ve had a lot of fans seem to think it’s a job that could be knocked out in half an hour.

Craig Weiss: No

Eric Bruno: Even the simplest phaser scene, by the time you’ve set it up and got all the elements in there… in any visual effects scene, even the easiest shot is an hour on your best day.

Craig Weiss: And another thing that’s really important here – in order to honor and stay faithful to the original material – even something as simple as a phaser beam, the R&D that they put into … because a lot of that was hand-drawn back then and they used different techniques, so we had to spend a lot of R&D time in order to match that. The amount of noise, the color, the look and feel. So something as simple as what would be a phaser beam, there’s a lot of R&D time and work that went into getting the right look and building a system that is consistent throughout. You know, sometimes the simple things are even more difficult because you have to go back and recreate what was originally done, but recreate that same flavor.

A nice breakdown of the different elements which go into creating a phaser beam from effect 056 on episode 20, ‘Heart of Glory‘. As Eric Bruno and Craig Weiss explain, even the simplest phaser shot requires a lot of R&D to get a consistent look throughout the show.

TrekCore: With that in mind, are there any differences between the editing process you’re using with TNG Remastered and a series which would be produced today for television?

Craig Weiss: I think… well most shows today are no longer shot on film, so they’re not transferring film. And, today just in terms of efficiency – everything is shot now with cinematic digital camera. So that stuff comes right out of the camera right to the editor – the efficiency and time it takes to actually edit a show, conform a show, is night and day compared to how it was 25 years ago. We’re kinda having to emulate the way they did it 25 years ago, but if you were to do the same show today it would be a completely different workflow. We wouldn’t shoot models, of course, we’d do CG. So like Eric’s saying – you have 8 layers just for one shot, but if we did it in CG it would be done with one pass, so to speak.

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Order TNG - "The Best of Both Worlds" Feature Blu-Ray today!


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EXCLUSIVE: TrekCore Interviews CBS-Digital, Part I

A few weeks ago CBS invited TrekCore to talk with the CBS Digital team responsible for the wondrous restoration and remastering of Star Trek: The Next Generation in high definition. Craig Weiss and his team were very generous with their time and answered a huge number of questions, often very technical in nature. I hope you enjoy the resulting interview and leave with a greater understanding and appreciation for the monumental effort that this project represents, and of the wonderfully talented people who are working tirelessly behind-the-scenes to make it happen. Feel free, as usual, to leave comments and questions below.

Mike & Denise Okuda

CBS Digital: TNG Remastered Interview, Part 1

Interviewed by Adam Walker for TrekCore.com

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Craig Weiss: I’ll give you a kind of roster of who we have in the room here. There’s myself, Eric Bruno – who’s our lead compositor, Niel Wray – who’s our head of 3D, Max Gabl – who’s our matte painter and Sarah Paul who is our Overseeing VFX Coordinator on this massive project.

TrekCore: Thanks so much for inviting us to talk to you all. We’ve had such a huge response to the call out for questions – hundreds of emails and questions have come through, and fans are very excited to have their questions answered by you all.

Craig Weiss: We will do our best to answer what we’re involved with and if we don’t have an answer for something, we’ll see if we can find that answer for you.

TrekCore: So I thought we could follow the [remastering] process through chronologically from start to finish. Let’s kick off straight away with talking about the film negatives. Is the film material you are scanning always in the same condition, or do you have to sometimes do more cleaning or baking of the film before it’s useable?

Sarah Paul: The film is not all in the same condition. There are a lot of times where it’s been damaged, and Eric [Bruno] – for instance – on episode 116 with the Starbase, he had to actually go in and fix it. So [the film] has been in all different kinds of stages. Some that looks really good, and some that has sort of been through the bad stages of life.

TrekCore: Is it typically footage which has been used more than once which is likely to be damaged, or is it just arbitrary?

Craig Weiss: Probably arbitrary. I think most… maybe the VFX… it just depends, a lot of the production footage was scanned once or twice and put away in a can in a salt mine for 25 years, so that stuff is remarkably in really great condition. I mean, typically a lot of these shows over the years – every time they wanted a new transfer, they would just run the film through again and again – something like “I Love Lucy” has been through telecining so many times. But Star Trek – actually was pretty much – once it was mastered for the original airing, was put away and I think that’s kind of it.


The sheer scale of the project becomes apparent when you see just how many boxes of reels of film the team have to sift through

Sarah Paul: Occasionally, they would have taken pieces from the film from certain episodes and put it with future seasons and that’s when we’re brought into situations where the film gets lost or misplaced or mislabelled and we’re searching for elements, and those tend to be a little bit more tattered and not in as great shape. For instance, the starbase from one of the movies wasn’t in the best condition…

Craig Weiss: And one more person just joined us – Wendy Ruiz from Mastering

TrekCore: So, continuing on a bit more about the conditions in which the film negatives were stored. What is the implication of that environment on the film after all these years – it’s 25 years for some of the film – with regards to dust and corrosion and fading?

Wendy Ruiz: So far – because of the method of storage – we have not seen any major damage to the elements. It’s more like maybe the cans were a little on the crushed side. The boxes are pretty well intact. There is no real chemical [damage] or seepage – we’re not seeing much of that. The cans are a little bit crushed, the boxes are falling apart. We’re doing a level of triage to the elements where we’re restoring the packaging so that future generations – when they have to go back to the film – it’s in a better condition than we received it in.

TrekCore: What happens to the film itself when it’s been scanned for the remastering?

Wendy Ruiz: We hang on to the film until we no longer need the elements, and then we return it to storage where we’re currently keeping [the film] here in Burbank. Once the project is fully completed, that’s when it will all go back to the salt mines.

TrekCore: Sometimes – and Sarah’s already touched on this – footage is seen from the Star Trek Movies which is reused in TNG, like the Starbase for example. Is it always possible to find this footage, as Paramount is responsible for the motion pictures?

Sarah Paul: You mean like the Starbase from Star Trek III?

TrekCore: Yes, and I know there were a couple of other effects used [apart from the starbase]…

Sarah Paul: Right. Usually what I have to do is contact the Paramount archive… and I tell them what I’m looking for and what scene. They have a catalogue there and they know what I need and they send it over and I put it up, look at it, and if it’s what I need we put it in the show!

TrekCore: Wow, so you scan [these scenes] from the original camera negatives of the movie then?

Sarah Paul: Yes, we do.


To remaster this iconic scene from Season 1’s “11001001”, CBS Digital’s Sarah Paul contacted the Paramount archive and got the original camera negatives from Star Trek III

TrekCore: A question for Sarah. Could you tell us a little bit about the notes you have to interpret. We saw some of these on the bonus features from Season 1. They seem almost like a different language. [How difficult is it] to find the footage and which takes are filed where? Are bits of film strewn everywhere, or are they kept together in their respective episodes?

Sarah Paul: For the most part, they are kept in their respective episodes. But there’s an occasional shot here and there which maybe they shot when they were shooting the next episode, or the previous episode. And sometimes I have to go through the notes, and sometimes it’s just a little bit of a pencil note written in the corner which tells me it was from another episode. So then I’ll have to go through ALL the visual effects O-negs for that episode looking for one particular shot.

TrekCore: The two seconds which were lost from Season One – I still find it remarkable that from the whole first season, you were only missing two seconds. How does that get separated?

Sarah Paul: I think they sent it out to be cleaned. That particular shot.

Wendy Ruiz: That film had been damaged in that particular case. The notes say that it went off to Technicolor and from there there’s no information where it went.

TrekCore: I see, so is that a unique situation or have you encountered the same problems with some of Season 2?

Sarah Paul: Season 1 stuff, yes – there was some stuff where they cut off just one shot, sent it out to be cleaned or fixed and sent it back. But there was always a little note or something telling me what roll it might be on. It’s just that one shot of Riker that I could not find.

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Order TNG - "The Best of Both Worlds" Feature Blu-Ray today!


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Paula M. Block & Terry J. Erdmann: TNG 365 Interview, Part 2

Over the years, Star Trek non-fiction literature has amassed numerous famous authors whose works are adored by fans the world over. Without doubt, two of the greatest are Paula M. Block and Terry J. Erdmann. Terry and his wife Paula have had a long and distinguished career writing Star Trek non-fiction. Some of their highlights include the iconic Star Trek: Deep Space Nine CompanionStar Trek: Action!The Secrets of Star Trek: Insurrection and Star Trek: The Original Series 365.

On the eve of the release of their latest tome, Star Trek: The Next Generation 365, we caught up with Paula and Terry to talk about their beautiful tribute to TNG in it’s 25th Anniversary Year.

Paula M. Block and Terry J. Erdmann

Paula M. Block & Terry J. Erdmann: TNG 365 Interview, Part 2

Interviewed by Adam Walker for TrekCore.com

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TrekCore: For both of you – do you have any personal favorite photos in the book, or stories behind them?

Paula & Terry: There are so many! Terry’s favorite is a shot that the show’s science consultant Naren Shankar offered us of the “young guns”—four now-famous/then-novice writers locked in a slightly goofy, brotherly embrace, with “I-can’t-believe-I-do-this-for-a-living” expressions on their happy faces. Paula’s is one of those Eric Alba shots—a gorgeous close-up of the lit hero Enterprise model in all of its glory. We believe neither of them has ever been published before. We love all of the behind-the-scenes shots we found: Troi reading “Women Who Love Too Much” on the bridge, Locutus “assimilating” the script from an upcoming episode, Gene Roddenberry and actress Jean Simmons sharing a quiet moment during “The Drumhead.” And we finally found the shots that prove Mick Fleetwood was an Antedean! That was quite a coup! Paula had looked for shots of him without the rubber head for years—and she finally found them, buried in a stack of old black and white contact sheets!

TrekCore: With your strong connection to DS9 (through the famous “DS9 Companion”), is there a chance that you could start work on “DS9 365” in the near future?

Paula & Terry: We’d love to. It depends on how well this book does—and how much fan interest there might be in Deep Space NineDS9 was never as popular as its two predecessors, although it arguably was a more critically acclaimed series. Publishing a full-color book of this quality is an expensive proposition, so there needs to be evidence that the fans will be there to welcome it to their shelves. We hope it happens, but we read so many comments from fans that say they never got into DS9 because “it was too dark,” or some such, that we’re not holding our breath. It’s a shame; we suspect most of those commentators didn’t give the show a chance, so they don’t know the wonders that they missed.

TrekCore: Ronald D. Moore wrote a beautiful introduction to the book about how he first came to write for TNG, and “TNG 365” itself is peppered with wonderful quotations from the people behind the show. Could you give our viewers an idea of the different creative people you spoke to whose interviews make it into the book?

Paula & Terry: Isn’t Ron’s intro great? He has gone on to write and produce lots of prestigious shows and he’s very respected in the industry—but he still wears his heart on his sleeve when it comes to Star Trek. He didn’t think twice when we asked him if he’d write the intro.

We set out from the beginning to make TNG 365 different from the classic TNG tomes that went before. As we contemplated the show’s upcoming anniversary, we reflected on all of the talented people who’d been interviewed over the years—and we decided to concentrate on the ones who hadn’t. The dozens of men and women who’d labored behind the scenes: the scribes; the artists; the designers and tinkerers; the technicians and toilers; the directors; the assistants. Collectively the show couldn’t have existed without this group, and we wanted to pay homage to these behind-the-scenes people, as many as we could, within our limited span of page spreads. Plus we gave a special nod to the work of the actors who went on to direct episodes, especially Jonathan Frakes, who got the ball rolling in that regard. We didn’t get to everyone on our “wish list,” but we feel we put together a pretty comprehensive study of how much work—and fun—went into producing that hour of television each week.

TrekCore: Some of my favorite shots in the book are the candid behind-the-scenes photos of the filming and direction of TNG. Were these shots taken by official photographers? How on earth did you find such candid shots – they seem like such rare treasures.

Paula & Terry: As we mentioned above, the studio’s television publicity/marketing department sent a photographer to the TNG set—but only for one day per episode. The photographers caught the action during filming—and sometimes they caught what was going on behind-the-scenes. These photos are treasures, but they aren’t as rare as you’d think; they just haven’t been used before. We were thrilled to have access to them.

TrekCore: Do you have many excess images that ultimately didn’t make it into the book? How hard was it to make those decisions of what makes the final cut?

Paula & Terry: Mostly just the opposite. There weren’t that many excess interesting images—generally, just a couple good ones and a bunch of ho-hum ones. For example: there might be 27 shots of Marina Sirtis walking down a corridor, but only one or two where she’s wearing a fleece jacket because it was cold on the set during rehearsal. She looked cute in the jacket! Or we’d find a bunch of standard shots of the actors hitting their marks prior to shooting—and just one from that sequence where Jonathan Frakes sticks his tongue out at the photographer. Those were the ones we wanted—and used.

And then there were the episodes where the photography didn’t tell the story. There were countless photos of comedian Joe Piscopo for “The Outrageous Okona”—he was popular at the time—but only a couple of Okona himself (Billy Campbell). We like Billy Campbell, but there was no way to do him justice. There were no photos at all of Minuet (Carolyn McCormick) from “11001001”—the photography was all of the Bynars—and most people think of her as a pretty important character. That was frustrating. And then there’s “Home Soil.” For some reason, a photographer was never assigned to that episode—so there are literally NO still photos.

TrekCore: Was the standard format of the book in some ways limiting, as TNG has many more episodes than TOS?

Paula & Terry: We had limited space to work with—there are 178 hours of TNG, and we had just 365 spreads to fill. For the first book we were able to allocate up to four spreads per episode because there were only 79 episodes. Here, we quickly realized that assigning just one spread per episode would take nearly half of our page count. So we were very careful about how many spreads we gave each episode. Obviously we gave more spreads to the more important episodes, like “The Best of Both Worlds” and “The Inner Light.” At one point we actually considered putting two of the less important episodes on a single spread here and there—but we quickly gave up on that idea. Each episode deserves its own spread. In the end, we think we did them all justice.

TrekCore: You mention in your foreword that you’ve used screengrab technology with the DVDs for shots where photos don’t exist. Do you wish you could have had access to HD quality images from the remastered episodes of TNG (like you did with the HD screenshots for the TOS book)?

Paula & Terry: As we mentioned above, we’d have loved to have more of the remastered images,but it wasn’t possible. And by the way—there were no framegrabs or “screenshots” in the TOS book. Most of those wonderful TOS photos that had never been seen before came from a very expensive project that the licensing department conducted many years ago. In order to find new images for the licensees, the department struck new 16-millimeter copies of the TOS masters—which were then carefully cut up, frame by frame, and mounted into slides. Once again, Marian scanned them for us. They were beautiful—you could actually see things like how the phaser effects were hand-painted over a series of frames. But, as mentioned, it was very expensive. It would have been impossible to do that with all the episodes of TNG.

TrekCore: Please tell us about the projects you working on at the moment! Do you have any other Trek related works in the pipeline for the future?

Paula & Terry: At the moment, we have only one writing assignment—as the entertainment columnists for our small town newspaper. It’s really fun. We get to review anything we want, from “Downton Abbey” to local rock concerts to the release of the TNG Blu-ray sets. Plus, from time to time, we consult on various writing projects. And, of course, we’re always to open diving into new books.

TrekCore: You’ve both devoted a huge chunk of your professional lives to Star Trek. What keeps bringing you back to the franchise, and how do you feel it has affected you personally?

Paula & Terry: We’re fans—we admit it. We met at a science fiction convention nearly thirty years ago. Gene Roddenberry’s altruistic dreams of the future are as attractive today as they were when they first hit the airwaves. Some people wonder if we’re getting a little bored, or even too old for our fannish predilections…but heck—you know that resistance is futile!

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My thanks to both Paula and Terry for taking the time out of their busy schedules to talk to us. Be sure to order your copy of TNG 365 today through Amazon, just click on the links below.

We’ll be publishing our full review of TNG 365 shortly, so stay tuned for our verdict!

TNG Blu-Ray Season 1 Star Trek: The Next Generation 365 is available to buy now:

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Amazon FR

Paula M. Block & Terry J. Erdmann: TNG 365 Interview, Part 1

Over the years, Star Trek non-fiction literature has amassed numerous famous authors whose works are adored by fans the world over. Without doubt, two of the greatest are Paula M. Block and Terry J. Erdmann. Terry and his wife Paula have had a long and distinguished career writing Star Trek non-fiction. Some of their highlights include the iconic Star Trek: Deep Space Nine CompanionStar Trek: Action!The Secrets of Star Trek: Insurrection and Star Trek: The Original Series 365.

On the eve of the release of their latest tome, Star Trek: The Next Generation 365, we caught up with Paula and Terry to talk about their beautiful tribute to TNG in it’s 25th Anniversary Year.

Paula M. Block and Terry J. Erdmann

Paula M. Block & Terry J. Erdmann: TNG 365 Interview, Part 1

Interviewed by Adam Walker for TrekCore.com

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TrekCore: For those fans who know nothing about the “365” format, could you tell us a bit about it, and how you came to be involved with “TOS 365” with Abrams Books, a project which led on to the amazing “TNG 365” which will be released next month?

Paula & Terry: Abrams came up with the idea for the first book—they wanted it as part of their very successful “365” series of coffee table books. These books are quite unique, full of stunning images. They’ve done 365 books on all sorts of subjects: the Beatles, the punk music scene,TNG 365 CoverNew York City, Star Wars, astronomy, Andy Warhol…. All different, but what they have in common is their unique dimensions—9 and ¼ inches wide by 6 and ¼ inches tall—and their format: 365 spreads, each featuring a beautiful full-page photo and a facing page of anecdotal information about the photo.

Once Abrams obtained the license to publish a Star Trek book like that from CBS (the current rights holder for all Star Trek consumer products, including publishing), they asked CBS who might be a good candidate as author. Paula had overseen Star Trek publishing for the studio for nearly two decades, and had co-written Star Trek behind-the-scenes books with Terry, who worked as a publicist on several Star Trek films. When Abrams came knocking, we accepted as a team.

TrekCore: Please tell us a bit about the inspiration behind “TNG 365”. What propelled you to compile this amazing resource? You mention in the foreword that whilst writing “TOS 365” you always hoped that a positive fan reaction would allow you to create a version for TNG… The book’s release coincides with TNG’s 25th Anniversary. Is that just a happy coincidence, or did you plan it that way?

Paula & Terry: There are no coincidences! Our editor, Eric Klopfer, began talking about a TNG version of the book when we started turning in text and photos for the first one. He realized how cool that book was turning out, and promised that if TOS 365 was embraced by the fans, we’d do it again. When we pointed out to him that 2012 was TNG’s 25th anniversary, he was more committed than ever.

TrekCore: The book contains a huge number of never-before-seen photographs. As a website which covers Star Trek media, we were shocked at just how many shots were new to us! Where do you find the photos? And can you give us an idea of how long it took to compile the collection? Who takes the photos?

Paula & Terry: The studio’s publicity/marketing department assigned photographers to do still coverage of TNG while the series was filming. We knew the studio had binders and binders full of imagery; the licensing department had provided many of those images to licensees for use in their products over the years. Paula was familiar with what had been used and she worked very hard to steer us away from the ones that had been seen over and over again. In the hopes of finding something new, she took an especially close look at the black and white photography. The licensees had always requested color shots. So while many of the color images repeatedly appeared in books and magazines over the years, very little of the black and white photography was used at all. On any given day on the TNG set, the assigned still photographer would shoot both color and black and white film, generally using one or the other to cover different angles, or even different scenes. It was in the black and white where we found many of the rarest behind-the-scenes shots, like early versions of costumes and hairstyles, cast and crew indulging in unscripted and rather unorthodox behavior, and actors attending script readings and rehearsals in non-regulation attire.

And there’s another reason why these rare photos didn’t surface earlier—back when the show was in production, the studio didn’t like to release too many “behind-the-scenes” images because they felt that it would give away “the magic.” They wanted people to focus on the show, not on how the show was made. These days, no one worries about that. The magic has been transformed into nostalgia.

TrekCore: You both have had a long and distinguished relationship with Star Trek reference books. What keeps bringing you back to the genre?

Paula & Terry: Well, for one thing, very few working authors say “No” when a book offer comes up! Contrary to belief, authors are rarely wealthy! Seriously, though, we love Star Trek in all its various permutations, so we’re always happy to say yes to a request to do a new Star Trek book. We’ve been fans for decades—and always will be.

TrekCore: How does working on a non-fiction book differ from working on the Strange New Worlds short story collections, for example?

Paula & Terry: Fiction and nonfiction are very different animals and most authors tend to tame either one or the other. Paula worked on the Strange New Worlds books primarily as an editor—although she did get to include a Star Trek short story in Volume One that she’d written as a fan. Which is not to say we wouldn’t like to write fiction—we both have bits and pieces of stories that we’ve started over the years—but we never seem to have time to finish them before a new nonfiction book commission comes up. Not that we’re complaining about being too busy!

TrekCore: Looking through the book, I can’t help but feel it’s the perfect companion to the newly released TNG Remastered Blu-rays. Have you seen the Blu-rays yet, and if so – what are your thoughts?

Paula & Terry: It’s a great companion to the new remastered sets. We heard about the Blu-ray remastering project while we were writing and hoped we could get a few images for the book, but our timing was off. We did get one really cool image late in the game—a shot of Denise Crosby’s stand-in modeling the actual hairclip that inspired Geordi’s visor. As for the Blu-rays themselves, we went to a movie theater to see the two remastered TNG episodes that were shown as a special event. They looked sensational. The Okudas and Dan Curry and the rest of the team are doing a wonderful job!

TrekCore: What kind of work goes into creating such a huge tome as “TNG 365”? Could you give us an idea of the effort and planning required?

Paula & Terry: We had a year to work on it, which was barely enough time. As with the last book, we had to work counterintuitively. With most books, the text comes first and dictates what illustrations to insert. But the 365 books are driven by the imagery. We spent hours and hours in the studio archives, working on light boxes and squinting through loupes (alas, much of the photography hasn’t yet been digitized) to find the shots we wanted. Then it was up to Marian Cordry, the archivist at CBS Consumer Products, to scan all the images for us. It was a huge job and we owe her a huge debt of thanks for all those nights she spent in the office!

But we didn’t stop there, of course. We interviewed dozens of people who’d worked on the show, and asked if he or she had any unique personal photos hidden away in a forgotten box or two. Production designer Richard James provided some great sketches, and visual effects producer Dan Curry gave us free access to his storyboards from the show, as well as some fantastic paintings. Prop making company MEL gave us a lot of material, shots of the props under construction or completed. And effects associate Eric Alba unearthed a treasure trove of candid photos that he’d taken while he was working on the show. We really appreciated it when artists Andrew Probert and Rick Sternbach—who established many of the iconic visual elements of the show—provided us with beautiful color sketches and paintings. And whenever we were stuck for an idea, scenic artist Michael Okuda stepped right in with an inspiration. After we had all of this, our task was to figure out what to say about each image. That’s when we started frantically writing.

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TNG Blu-Ray Season 1 Star Trek: The Next Generation 365 is available to buy now:

Amazon US
Amazon CA
Amazon UK
Amazon DE
Amazon FR

TNG-R Season 2: Hi-Res Cover Art & More Features Details

CBS has provided us with a nice high-resolution look at the artwork on the gold-colored Season 2 release of the Star Trek: The Next Generation Remastered Blu-Rays, set to hit stores on December 4. Click the image below to view the art in high resolution.

TNG Season 2 Blu-Ray Cover Art

Whilst the wording of an official press release is still under wraps, CBS has sent us a revised “teaser” description of the box-set contents:

  • All 22 second season episodes, brilliantly retransferred from original film elements into Hi-Def
  • Also includes an extremely rare, extended version of “The Measure of a Man,” widely regarded as one of the best Star Trek: The Next Generation episodes.
  • Long lost first cut of episode reconstructed in high definition with extended scenes including new visual effects and audio mixes.
  • “Hybrid extended cut” using the high-definition version of the original television episode, plus rough VHS video of deleted scenes and different camera angles from that episode’s “lost” first cut.
  • Amazing visual effects, painstakingly re-created from original film elements.
  • A wealth of exclusive special features

As we teased in the last article, the set will include some incredible surprises which we can’t reveal just yet, however expect a great collection of original never-before-seen content from 1988 to the present day to be included!

Order Star Trek: The Next Generation Season 1 Blu-Ray today!



Order Star Trek: The Next Generation Season 2 Blu-Ray today!




TNG-R Season 2 Coming in December + Bonus Features Announced

CBS have today announced an official release date for the sophomore season of Star Trek: The Next Generation on blu-ray. The 5-disc set is due for release on December 4 in the U.S. and Canadian markets. Furthermore, an initial outline of bonus features has also been published to give fans an idea of what’s to come on the set:

  • Episodic Promos
  • Gag Reel
  • Audio Commentary on “Q Who” with Dan Curry, Rob Bowman and Mike Okuda
  • Audio Commentary on “The Measure of a Man” with Melinda Snodgrass, Robert Scheerer and Mike Okuda
  • Featurette: Reunification: 25 Years After The Next Generation (HD)
  • The Measure of a Man (HD Extended Version)
  • Featurette: Making It So: Continuing The Next Generation (HD)
  • All SD features originally included on the DVD release

CBS should be releasing a more detailed breakdown of these features in due course. Be prepared for some amazing surprises in the Season 2 set… whilst we can’t publish any of the details just yet, I assure you that the TNG-R Season 2 Blu-Rays could quite easily go down in Trek history as the BEST Star Trek home entertainment release ever produced. Watch this space!

Finally – a quick note on our interview with CBS Digital. I spoke to the multi-talented crew headed up by Craig Weiss last Friday. I was able to put many of your questions to Craig and the team, and will be publishing the interview in full starting next week. Thanks to everyone for all their emails and questions!

Order Star Trek: The Next Generation Season 1 Blu-Ray today!



Order Star Trek: The Next Generation Season 2 Blu-Ray today!




STAR TREK: TNG Season 1 Replacement Discs Coming Soon to Correct Audio and Visual Effects Issues

After the quick action of CBS to resolve the anomalies with the Master Audio track in the Star Trek: The Next Generation — Season 1 Blu-Ray set, replacement discs are due to start shipping shortly to those customers who have called the hotline.

UK customers who purchased their sets through Amazon should have already received notification of replacement stock being sent, and in Australia Season 1 was given it’s official release today – with corrected sets.

TrekCore can also now reveal that in addition to the corrected audio, CBS also took the opportunity to fix a small handful of SFX mistakes that crept into the first season. Amongst them are a missing phaser beam from the Klingon-heavy episode Heart of Glory – now reinserted into the fixed Season 1 sets.

CBS have really gone out of their way to make these sets perfect in every possible way, going to the additional expense of re-editing the masters to fix these small FX issues that crept through.

If you haven’t already requested your replacement discs, you can do so by contacting the disc replacement companies in your region:

  • North America: email phe.stng@bydeluxe.com OR call 877-335-8936
  • Europe: email stng@sonydadc.com OR call 01992 657 739 (UK)

Order Star Trek: The Next Generation Season 1 Blu-Ray today!



Order Star Trek: The Next Generation Season 2 Blu-Ray today!




TNG-R Season 2: Second Audio Commentary will be for ‘Q Who?’

New rumors have surfaced today that in addition to the new audio commentary recorded for “The Measure of a Man” (see our earlier article), the second season Blu-Ray set will sport another brand new commentary track, this time from the fan-favorite episode “Q Who?“.

Fans have long-since been clamoring for new audio commentary tracks on some of the more popular episodes, so it’s wonderful to see CBS taking fan opinion on board so much!

If the “Measure of a Man” commentary is anything to go by, we can most likely expect Mike Okuda to be participating again, bringing his wealth of knowledge of the Star Trek universe with him. Any predictions about the other participant(s) would be pure guesswork, however as work progresses on Season 2, we expect CBS will eventually issue a full listing of bonus features where all these details will be confirmed.

Order Star Trek: The Next Generation Season 1 Blu-Ray today!



Order Star Trek: The Next Generation Season 2 Blu-Ray today!




TNG Remastered: Ask Your Questions for CBS Digital!

Next week CBS has invited TrekCore to talk with the CBS Digital team responsible for the stunning restoration and remastering of Star Trek: The Next Generation in high definition.

Creative Director Craig Weiss and his team will be discussing the entire remastering process beginning with retransferring 35mm negatives and ending in authoring brand new Blu Ray masters. Along the way we will be talking about all of the different techniques they employ to produce the finished product, including how they are rebuilding visual effects from original elements, the color correction methods they use as well as artistic choices they have to make along the way.

I’d love to hear about any questions you may have for the CBS Digital team. They can be as technical and specific as you like – directed to any member of the team responsible for the remastering process.

Send in your questions by posting a comment below, tweeting us @TrekCore, posting on our Facebook portal or emailing me directly (adam@trekcore.com). I can’t promise to ask every question that is submitted, but hopefully we’ll be able to cover a good number of them!

‘Measure of a Man’ Special Audio Commentary included in S2

Fresh on the heels of the announcement that CBS have produced a new extended-cut of the classic season two episode ‘The Measure of a Man’, TrekCore can now confirm that plans are in place to include a new audio commentary on this episode for the Blu-Ray release of Season 2 later this year.

Fans have long since been clamoring for new audio commentaries on some of the more famous episodes of Star Trek: The Next Generation, so this latest news should be well received all-round.

The audio commentary will feature the episode’s original writer, Melinda Snodgrass, who will be speaking alongside episode director Robert Scheerer and TNG Remastered Consultant Mike Okuda (Mike was also a Scenic Artist during TNG’s second season, before being promoted to Scenic Art Supervisor & Technical Consultant in season 3).

In other news, now that CBS have finished piecing together the extended edition of ‘The Measure of a Man’, a copy has been dispatched to original writer Melinda Snodgrass who will be watching it for the first time whilst simultaneously tweeting her feedback from tomorrow (Friday 17th) at 8pm Pacfic. Be sure to follow her reactions by locking on to the hashtag #extendedmeasure or visiting her feed at https://twitter.com/MMSnodgrass. Big thanks to Robert Meyer Burnett for persuading her into doing the Trek tweetathon! TrekCore will of course bring you a full summary of her comments as and when they are published!