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Chris Pine and Idris Elba Fight for the Captain’s Chair in New STAR TREK BEYOND Omaze Charity Video

It’s that time of the week again! The Star Trek: To Boldly Go contest continues throughout August, and this week we get some more time with Chris Pine and Idris Elba on the bridge of the Enterprise, fighting for the STAR TREK BEYOND captain’s chair.

For the next three weeks, one person who contributes $10 or more to the Star Trek: To Boldly Go Omaze Campaign will be chosen at random to be part of the crew. Each of the six crew members will be flown to Vancouver to visit the closed set and meet the cast of STAR TREK BEYOND. There have been three winners (and two announced) so far, so time is running out!

Afraid you won’t make it into the crew? Don’t worry. Supporters will also be automatically entered to with the once-in-a-lifetime grand prize: a walk-on-role in STAR TREK BEYOND.

Enter to win here: Omaze.com/StarTrek.

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While we first saw the “Washington” production codename in the wild back in June, here’s our first look at it in use on the STAR TREK BEYOND clapper used in filming this video.

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Scotty Will Have a Smaller Role in STAR TREK BEYOND

In a new interview with the UK’s Metro websiteSTAR TREK BEYOND actor and co-writer Simon Pegg revealed that he’s reduced Montgomery Scott’s role in the upcoming film due to the demands of his scripting role.

There is a lot of pressure [to finish the script]. The way movie-making works these days is that as soon as you have a structure, when all the sets and the physical aspects of the film are locked in, the dialogue and stuff is always a moveable feat. We’ll be writing it right up until the edit, I think.

The pressure to get a kind of set structure is on, but for everything else, it’s a work in progress.

I feel like [Scotty’s role will be] less, because I’m going to have to be on set all the time anyway, as a writer, so I should write myself out so I can have time to be the writer.

Some have speculated that BEYOND would become a Scotty-heavy film due to Pegg’s influence on the script, but his comments today certainly seem to point the other direction.

STAR TREK BEYOND is filming now in Vancouver and is due out July 8, 2016.

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STAR TREK BEYOND Casting Extras in Dubai

As you know by now, STAR TREK BEYOND will be traveling to the Middle East this fall for Star Trek‘s first overseas shoot — and this week local fans and movie buffs in Dubai are lining up to nab coveted background extra roles in the upcoming production.

https://www.youtube.com/watch?v=dw5drB04YXI

Miranda Davidson Studios held the first of a three-day casting call for “the largest feature film to shoot in Dubai in five years” today, with the open call running through August 13.

Local reporter Marwa Harwad of GulfNews.com went through the casting process today, and shared her experiences online:

Earlier in the year, we learned that “Washington” was the code name for the production, as seen on some signs in Vancouver, where the movie had also filmed. Sure enough, signs around Dubai Studio City, Soundstage B, declared a “Washington casting” was taking place, all but confirming our suspicions. A strict no-photo, no-video policy was in place, and enforced.

Someone walks in with a little whiteboard with my name and phone number on it. I’m led into a cramped room where a singular studio light is aimed towards a blank wall, and a really kind and encouraging woman is taking photographs. I stand tall in the glare of the spotlight and smile. I’m told to show my teeth, even though I look cuter with my mouth shut.

After a couple more profile shots, I’m asked to take off my shoes and go next door for measurements. As they measure me from head-to-toe, my mind is whirring with possibilities of what I would be wearing for this potential extra role. An alien costume? A metallic leotard? A high-tech robot suit?

They took all the standard measurements — height, shoulders, crown, bust, waist, sleeve inseam. But intriguingly, they also measured my ‘glove’, or the space between my wrist and the tip of my middle finger, and my ring finger. (Was Idris Elba going to propose to me? Or was this a sign that the extras would have to wear some sort of full armour?)

At the end of it all, they put me in a couple of blazers to see which one fell right on my shoulders, jotted down my shoe size, and sent me on my way.

One of the casting hopefuls told us that they won’t know if they’ve made the cut for another few days, until at least after the end of the week’s casting sessions.

Are you reading this and you’re in Dubai? Then get over to Dubai Studio City and try your luck at getting a part in “Washington” — that is, STAR TREK BEYOND.

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The STAR TREK ENCYCLOPEDIA Returns in 2016!

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Back in the days when VHS tapes were the only way to rewatch episodes of your favorite series, and when the closest thing to tablets and smartphones were the plastic padds used by Star Trek characters, fans had one massive repository of Trek knowledge available at their fingertips: the Star Trek Encyclopedia.

Three editions of the Star Trek Encyclopedia were released throughout the 1990s, with the final version out in 1999 — when the Dominion War was still raging, when the Voyager crew had barely begun to know Seven of Nine, when Commander Data was still alive… and before Jonathan Archer and the Enterprise NX-01 even existed in Rick Berman’s mind.

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CBS and publisher becker&mayer! have today announced that a long-anticipated fourth edition of the Star Trek Encyclopedia is being planned for launch in 2016.

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This new two-volume, hardcover printing is going to be over a thousand pages long, with over three hundred pages of new content covering Deep Space Nine Season 7, Voyager Seasons 5-7, all of Star Trek: Enterprise, the final TNG film Star Trek: Nemesis, and even the rebooted J.J. Abrams film universe launched in 2009.

becker&mayer! showcased two pages of redesigned, placeholder data from their new Encyclopedia page design, full of color and clean-looking text, but retaining the same entry style of the classic editions.

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It’s a delight to see a new Star Trek reference publication in this day and age, and the resurrection of the Star Trek Encyclopedia is long overdue. While the rather high price-tag may restrict demand to niche collectors, fans of previous reference books (especially from the Okudas) will be queuing up to add this one to their collections.

The new edition of the Star Trek Encyclopedia is due out next fall, presumably scheduled to include information from STAR TREK BEYOND (due out in July 2016). Stay tuned to TrekCore for more information on the release over the next year.

Joe Gatt Won’t Be Aboard for STAR TREK BEYOND

Star Trek Into Darkness actor Joe Gatt revealed today that his cybernetic alter ego, Science Officer 0718, will not be part of the returning Enterprise crew in STAR TREK BEYOND.

Our friend Jim Moorhouse (aka @EnterpriseExtra) reported live from this week’s Creation Entertainment Star Trek Convention tonight, where Gatt spoke on stage about how his planned appearance in BEYOND didn’t make the final story.

The “major revision” Gatt referenced is likely the now-discarded script written by Roberto Orci, Patrick McKay, and J.D. Payne, which was tossed after the trio left the project and Simon Pegg took over the story (with Doug Jung).

The ongoing Star Trek comic series explored the artificial being’s origin story in last year’s two-part I, Enterprise tale — which may now be the last chapter of his story.

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Trek Comics Review #48: “Deity, Part 1”

Our Trek Comics editor Patrick Hayes is back with a review of this month’s issue of IDW Publishing’s Star Trek comic series: the first chapter of “Deity,” the next adventure in the new Five Year Mission.

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We’ve got another pair of covers to add to your collection (if you’re going to go all Kivas Fajo on this issue).

  • The regular cover is by Tony Shasteen, who’s also the interior artist. This features a super close-up of Sulu, with Uhura and Scotty behind him. The trio have a starfiled behind them including four planets and, what appears to be, an explosion. The art is really good, as Shasteen is, but the coloring isn’t working. When I look at this image I’m instantly drawn to the swirls of colors on Sulu’s face, and then it’s the same on Uhura. It seems too random. The shape of these colors and their combinations lessens the image.
  • The subscription cover is a photo cover of Simon Pegg as Montgomery Scott. He’s got his hands behind his back, looking concerned about something that’s occuring off to his left. He looks great and the background, with all the technology, looks awesome. However, if one were to look to the right it appears that Dr. McCoy is also in the shot; I assume it’s the doctor and not Spock because the person’s arms are crossed. With this extra person included in the image it seems as though this was created at the last minute — there really wasn’t any other picture of Scotty to be found where he was solo?

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The first half of Mike Johnson’s “Deity” opens with Sulu being called into Kirk’s ready room where the captain tells the helmsman that he’s going to lead an away team down to one of the planets of the Banks-216 system. He’s allowing Sulu to lead because “…one thing I’m sure of is that you’ll be the captain of a starship one day. The more experience you have in every facet of the ship’s operations, the better prepared you’ll be.”

Just as Sulu is ready to leave and pick his team, Scotty enters to show off a new piece of technology he’s created: a holographic screen to allow survey teams to watch native civilizations without being seen, such as in the beginning of Star Trek: Insurrection. The next page deals with whom Sulu chooses and then it’s off to the planet’s surface where the adventure begins.

It was extremely smart of Johnson to include certain elements from previous Trek incarnations: he keeps Kirk off the planet (as captains are supposed to do on The Next Generation), he nudges Sulu toward becoming a captain (Star Trek: The Undiscovered Country), and technology from the ninth film. Doing this allows him to bring Trek 2.0 up to where the original Trek left off more quickly.

It was also nice to see the focus taken off the big three characters and fall on Sulu, Scotty, and three other characters. Every member of the away team contributes to the understanding of the civilization they encounter, though none of them are prepared for what happens, and Page 14 is pretty spectacular.

Helping with the mystery of the story was having an untranslatable race. By having the natives’ speech be so foreign the universal translator is worthless draws readers into the story more; they’re trying to discover what’s going on just as much as the crew is — and if the language wasn’t creating some tension, the occurrence on 18 certainly will.

I’m confident that Johnson will have a logical explanation for what’s going on, but this looks like something Lovecraftian.

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This is Tony Shasteen’s best Star Trek work to date. The familiar characters look great, as they always do, but the addition of three new crewmembers shows he is adept at creating individuals that haven’t appeared on the big screen. I was especially pleased with Ferdowsi’s look; drawing him in the likeness of NASA engineer Bobak Ferdowsi really sets him apart from anyone else from the film franchise.

Scotty is the big standout of the classic characters, with some amazing facial expressions, particularly when showing Kirk his invention and on Page 18. Even if there were no dialogue, Shasteen flawlessly communicates what Scotty is saying and feeling.

The real show stopper of the issue is the natives’ structure first encountered on 7. I’ve never seen anything like this in a Trek comic and it’s both alien and familiar, which is the perfect pairing for a Trek civilization. I was so glad that the story allowed Shasteen to go up close to the landmark to show readers what is on it, and to give him the opportunity to add sweet little details into the object. I really like the angle of the third panel on Page 12, and 14 is a terrific “Uh, oh” moment.

The aliens have a very specific look. They’re bipeds, but, as with the structure, they’re a combination of alien and familiar things. Without spoiling them, this type of lifeform hasn’t been shown before that I can recall, with only a species from the animated Star Trek series episode “Jihad” coming the closest; those these characters are much more sophisticated looking. Their size is also impressive, and their wearing of jewelry and paint slick. I really like the way they look.

The only mark against this work is the five pages that feature photo backgrounds on board the Enterprise that look unbelievably fuzzy compared to the sensational linework of the characters.

I just wish Shasteen wouldn’t continue to use photos for backgrounds.

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Some nice work on this issue from David Mastrolonardo. The planet that the team goes to has some excellent work done on the tall grass, with realistic light and dark shades on the blades to make them incredibly realistic. I also like the ominous colors on the strucuture–it draws attention and makes the reader a little off balance. Electricity is a key component on this world on 14 – 18.

It’s an incredibly powerful coloring job that matches the dramatic events. As with my cover concerns, the shading on some characters’ faces seems too random, almost like their Rorschach-lite, such as on Sulu at the bottom of 1 and Kirk at the bottom of 4. This occurs infrequently, but still caught my eye.

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Dialogue and helmsman’s log (the same font), sound effects, the natives’ speech, and the last page’s “To Be Continued!” are created by Neil Uyetake. I was especially taken with the natives’ speech. I love seeing new fonts that infer speech, but is so alien there’s no chance in understanding it. I loved their scratchings of font.

Justin Lin Blows Up the Damn Ship in This Week’s New Omaze Video

It’s that time of the week again! The Star Trek: To Boldly Go contest winner has been chosen — and this time director Justin Lin makes his first appearance on the USS Enterprise sets, rebuilt in Vancouver for STAR TREK BEYOND.

For the next three weeks, one person who contributes $10 or more to the Star Trek: To Boldly Go Omaze Campaign will be chosen at random to be part of the crew. Each of the six crew members will be flown to Vancouver to visit the closed set and meet the cast of STAR TREK BEYOND. There have been three winners (and two announced) so far, so time is running out!

Afraid you won’t make it into the crew? Don’t worry. Supporters will also be automatically entered to with the once-in-a-lifetime grand prize: a walk-on-role in STAR TREK BEYOND.

Enter to win here: Omaze.com/StarTrek.

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We don’t get any preview of the STAR TREK BEYOND production, but here’s a great shot of Idris Elba taking a ride in the Enterprise captain’s chair.

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Caught ya!

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First Spy Shots from Action at STAR TREK BEYOND Set

Vancouver filming tracker Susan Gittins at YVRShoots has been keeping tabs up north on the STAR TREK BEYOND shoot in town, and she flagged our attention this afternoon to showcase several tantalizing shots from the outdoor greenscreen set.

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This white-haired performer was on set July 16 for rehearsal with director Justin Lin, and as we’ve mentioned previously, we believe this to be at least part of Sofia Boutella’s look.

In addition, she also nabbed a shot of Lin and this unnamed actor, made up with face and head appliances as a new alien for BEYOND.

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Finally, she also posted a host of new shots from the set construction, revealing some new angles on the massive build at Kent Hangar Field.

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See a whole bunch of additional photos over at YVRShoots.com.

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Trek Comics Review: New Visions #7

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Our Trek Comics editor Patrick Hayes returns with a review of this month’s issue of New Visions, IDW Publishing’s Star Trek photobook comic series.

Five images selected and created by John Byrne comprise this issue’s frontpiece: a bullet-like ship silently sits in space, Captain James T. Kirk look concerned as he sees something before him, Gary Seven concentrates on an unseen object, the Enterprise flies forward leaving an unusual visual wake, and Spock attempts to meld with Ambassador Xahd as Scotty watches.

Some good teases featuring a former guest star and a new alien species.

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Standing before the Guardian of Forever, Kirk has made an unusual request of the entity which tells him, “But what you wish to attempt is impossible for one man.” Kirk responds as he dives into the portal, “I know. That’s why I need to recruit a very special ally!”

The scene moves to Earth, 1971, as Gary Seven ends his conversation with a vacationing Roberta Lincoln and Kirk enters through the office’s transportation device. The captain reveals that he travelled via the Guardian, which causes some obvious distress to Seven, and that he needs Supervisor 194’s assistance.

Ten days previously the Enterprise received the Dhoraxi ambassador, Xahd. The Federation had been at war with this species, but hostilities have ended. Kirk does something on Page 7 that he shouldn’t have, though it does allow him an opportunity to save a large group of individuals with Seven’s help.

This story by John Byrne provides an excellent outing to focus on Kirk and allow Gary Seven to guest star. I’ve always enjoyed Gary Seven and seeing him team-up with Kirk was great. I liked how Kirk gave him a few headaches (Pages 4 and 14), and the sequence that occurs on 23 and 24 gives Kirk some nice heroic moments, with 28 having him in full action mode.

Seven gets some nice lines, with my favorites being with the new character introduced on Page 20. This character might be a little over the top for some, but this is exactly the type of character I would expect to see on a 1960s television show. Though he didn’t resemble the actor, I heard Ken Curtis’ voice whenever this individual spoke.

The aliens in this issue had a cool way of speaking and a unique way of attacking others. I’d be more than welcome to seeing them in a future issue.

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There’s a second tale titled “4860.2” which follows the events on the Enterprise after Kirk does that “something” on Page 7. If readers weren’t feeling any love for the rest of the crew in the first installment, this ten paged story has Scotty, Spock, and Mister Kyle getting some good moments.

Page 37 has one character demonstrating a famous ability that’s always fantastic to see. The final two pages place a terrific period on an individual’s contributions, with the final page having one character speaking another’s famous phrase for just the right humorous effect.

Also included is a three page preview of the next issue’s “The Survival Equation.” It features the return of Sherry Jackson’s character, still wearing her William Theiss costume. Take all my money now, Mr. Byrne.

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John Byrne chooses images from the series’ episodes, manipulates them, and creates several new characters and settings. A good example of an expanded setting is the first panel which features the Guardian and Kirk in their iconic poses, with two-thirds of the panel shows the crumbling structure that once housed/protected the device.

Page 19 has a very familiar look for Trek fans, but Byrne tweaks it just enough, as the set dressers would have done in the 1960s, to make it appropriately fit the story. And the final two pages would have blown an entire episode’s budget for its design and depth.

The Dhoraxi have a really cool look. They would have been difficult to create in the ’60s due to their slender bodies and the unique look of their appendages. I initially had some concerns about the characters’ movement, but some dialogue on Page 6 successfully addresses this and made them all the more creepy. I really like what was demonstrated at the bottom of Page 22, which was a trait beyond films until the 1990s, making this inclusion in a 1960s’ show all the cooler. Their ships have a neat appearance that completely fits with the Dhoraxi’s nature.

The new character that is introduced on 20 cracked me up with every close-up. I’m of the generation where these types of characters were common in all forms of entertainment and I can’t suppress a smile every time I look at this individual.

Kirk and his crew look terrific, as they always do, with stand out images being Kirk in the fourth panel on 16, Spock on 37, Scotty at the bottom of 5 (Love the outfit!), and McCoy on 6. Getting to see these characters in new stories is always great, but having Robert Lansing run around with Kirk was awesome. My favorite images of him are on 4, 14, and 30: his poses and expressions perfectly match the dialogue. The individual that appears on the final pages was a delightfully unexpected treat.

Guardian speak, dialogue, the series’ introduction, opening titles and credits, Beta Five’s voice, sounds, and a shriek are used by John Byrne to tell his story. I always like when a letterer uses a different font for characters that shouldn’t sound like normal human beings, and the Guardian and Beta Five have subtle changes to differentiate them.

Outdoor STAR TREK BEYOND Set Continues to Grow

That giant outdoor build for STAR TREK BEYOND effects work continues to climb into the Canadian sky, as new photos from our friends in Vancouver have captured an enormous leap in size from our last look at the set.

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You can see the initial footprint of the construction site in this aerial photo from May — check out that shipping container in the bottom right for a sense of scale. Since then, the location has bloomed from a bare plywood skeleton to a large structure seen here the other week, and now we have some more shots of what’s going on at the Kent Hangar Field location.

Our spy Bob Glassford was able to capture this image of the set’s evolution, showcasing artificial trees and rocks being adorned to the wooden structure.

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The trees and boulders certainly seem reminiscent of the Squamish forest location north of Vancouver, where location filming took place at the end of June. Could this be a planned effects stage to match material already filmed in the Stawamus Chief woods?

Since Bob’s photo was taken a few days ago, there’s been even more change to the KHF build site. Thanks to Chris van Cauwenbergh, we can see that the rolling ‘hills’ of plywood have been coated in  topsoil, making the set look more like damaged earth than an artificial structure — and shipping containers have been moved in front of the set to block prying eyes.

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There’s also a massive skeletal framework of steel and wood built up around the set — which is still being expanded by crane — as well as additional construction to the side of the ‘broken ground’ build.

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Just what is it that they’re building up in Vancouver? The way the ‘ground’ is shaped looks like some sort of impact site, especially with the loads of damaged trees added to the set — maybe some kind of downed space vessel?

It’s still going to take some time to figure out what’s being constructed, as there’s still work to be completed here. But until we know more, speculate away in the comments below!

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