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Trek Comics Review: STRANGER WORLDS #2

gl2-coverBuy Stranger Worlds #2

One of the least expected pieces of dialogue I’ve ever read in a comic was Hal Jordan expecting Sinestro to plant a bat’leth in his back.

It’s an unexpected and unlikely piece of comic engineering to meld these two properties together, but that’s the type of thing you’ll read in Stranger Worlds #2, this month’s chapter of the new Star Trek / Green Lantern crossover.

And it works.

Mike Johnson delivers another entertaining fun story in his treatment of these two properties; and while you can’t take this as canon, it’s definitely enjoyable.

Don’t get me wrong – Johnson isn’t disrespectful to either of these two properties; just because they don’t play a part in each other’s mainstream universes, it doesn’t mean that Johnson is forcing them to fit into each other’s respective continuum. In fact, it’s the opposite, with care, he finds details that from each continuum that make the story work in this issue.

For example, in the opening sequence, we see a classic match-up between arch-nemeses, Jordan and Sinestro fighting over the Manhunter relic they discovered. It holds a clue to restoring their partially-functioning rings in this universe. This scene is filled with classic repartee that you would expect from any regular Green Lantern book. However, we also see Kirk’s tactical response to the situation coupled with Spock’s cool reasoned advice. This all takes place in a matter of a few panels but already a reader gets a sense of the familiar qualities that make both these properties memorable.

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The main objective in this issue is to find the Oa that exists in the new reality the Green Lanterns have found themselves in. If it exists, then all of the Lanterns, regardless of their place in the spectrum, would be able to recharge their dwindling rings.

Of course, if Sinestro gets to it first, then his ability to lead the Klingon Empire to dominance in the galaxy is certainly assured.

Both Star Trek and comics fans are incredibly attentive to their continuities. It’s these two groups that writers in both fandoms respect and fear. The respect comes from their historical knowledge of the property and their awareness about the subjects. A real comic reader would not only have an innate sense of the correctness of the characters but also the plausibility of their responses to a given situation.

There’s no way that the other Green Lanterns could ignore a threat like Atrocitus. So when word of his attack on a starbase gets back to Earth, Kilowog, Guy Gardner and John Stewart take the first warp-capable transport to rendezvous with the Enterprise. It’s not only understandable but expected.

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IDW is making the most out of its Star Trek license. But this isn’t just about the respectful way in which the license if being maintained, it’s also an example of the savvy relationship-building with other publishing houses like DC Comics. This is fine collaboration – a literal creative nexus point combining the properties and talents of three dynamic idea factories. If you think about, this comic – while fun and entertaining in its own right – is an example of what other creative companies should be doing with their properties.

Mike Johnson makes the two properties work seamlessly. Kirk completely respects Jordan’s impulsiveness and Carol Ferris’s relationship with Montgomery Scott is completely acceptable. Mike has made permutations of the character relationships that I wouldn’t have expected but am completely entertained by.

So when a fateful villain arrives unexpectedly at the end of the book, released by Atrocitus, the leader of the Red Lanterns of rage, I was completely taken by surprise. Even though that particular incarnation of the villain is a tender spot with me, Johnson exploits it well for this particular storyline. I need to sit on his shoulder and watch him create. It would be a lesson, that’s for sure.

Turning to the art, Angel Hernandez’s clean, dynamic lines serve this book very well. His paneling paces the action well and accelerates the reader through the story. Hernandez’s art makes this book flow.

As usual, there are a variety of covers to go with this title.

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  • The regular cover by Angel Hernandez is a fateful one with Sinestro in the foreground and a crashing Enterprise behind him. Definitely a very dramatic cover and certainly captures the accuracy and the intensity of the story.
  • The artist’s edition variant cover – also by Hernandez – is a deliciously evil rogue’s gallery of villains. Sinestro, Larfleeze, and Atrocitus, grinning and standing menacingly over an outstretched Star Fleet hand must have been a lot of fun for Hernandez to draw. The black and white compilation really shows off Hernandez’s skill to its best. Out of the three covers, this is the one I enjoyed the most.
  • The retailer-incentive cover by Jen Bartel is also enjoyable. A stylized rendering of Carol Ferris as Star Sapphire and Lieutenant Uhura fighting alongside each other is dynamic and striking.

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This book is a delight to read. It’s an unexpected combination of franchises, but the combination of talent and careful attention to characters and the qualities that these successful properties possess make it a successful one.

FIRST LOOK: New ENTERPRISE Blu-ray and DVD Box Sets

The first Star Trek box sets of 2017 are in stores now, and it’s a return to the 2150’s with Enterprise on DVD and Blu-ray!

After more than a decade, CBS has released the first North American re-issue of Star Trek: Enterprise on DVD (though multiple sets have been put out in Europe over the years), as well as the first complete-series Blu-ray collection of the show since the season Blu-ray sets finished their run in 2014.

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Both new box sets contain the full four-season run of the prequel Trek series, with all of the previously-released DVD and Blu-ray disc content from past sets. Not included on the DVD collection are the Best Buy DVD bonus discs from the original 2005 debut, however those video features are part of the Blu-ray contents.

In addition, Shuttlepod One: Declassified – the only bit of retailer-exclusive bonus material from the 2013 Season 1 Blu-ray release – is also missing from the sets, a Best Buy-only streaming presentation never released on disc in North America. While this is a disappointment, it’s not a surprising exclusion based on previous CBS home releases.

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The Enterprise DVD collection is comprised of 27 discs across two disc cases; a now-familiar, oversized Epik Pak case holds the first three seasons, while a standard six-disc case contains Season 4 inside the glossy slip box.

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The cover artwork for each case is certainly a striking design, featuring both the ship and crew in some of the best-looking Enterprise packaging CBS has ever released.

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As we’ve seen throughout the last year, CBS really loves the Epik Pak case style, and the first three seasons are stacked up in the removable disc trays inside the first large case.

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As for the new four-season Blu-ray collection, the smaller number of discs (only 24, compared to the DVD set’s 27) means that the whole series can fit into one Epik Pak case, with the same artwork as the outer slipcover.

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Unlike the UK Enterprise Blu-ray box first released in 2013, the North American set doesn’t arrive inside a heavy, protective outer box; this new set has just a simple paper slipcover to surround the plastic disc case – which easily starts to show damage around the thin edges.

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As with all the other Epik Pak releases, the full Enterprise Blu-ray disc stack is removable from the outer case, so be careful when you’re opening the shell case so the discs don’t fall to the floor.

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If you’ve been holding off on picking up Star Trek: Enterprise, now’s the best time to pick up these seasons in these full-series collections – and unless you prefer to import from the UK (as the Blu-ray discs are region-free), this is the cheapest price the series has ever featured in North America on either disc format.

The hours of newly-filmed bonus features created for the Enteprise Blu-rays alone make the set worth the sub-$80 price — from the hour-long ‘In Conversation’ discussion with Rick Berman and Brannon Braga, to the full-cast reunion roundtable, to remarkably-candid interview segments with the cast and crew (including the rarely-heard-from Jolene Blalock).

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Netflix and other streaming services will always allow for quick and convenient revisitation to Star Trek: Enterprise, but with the depth of behind-the-scenes material on the Blu-ray release, we’re always going to recommend you invest in the full story of Star Trek: Enterprise for your home collection

The new Enterprise DVD set is available now, and while the Blu-ray box is exclusive to Best Buy for a few more weeks, you can preorder the Amazon release (due February 14) from our link below.

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Order the
Star Trek: Enterprise
DVD Collection!



Order the
Star Trek: Enterprise
Blu-ray Collection!


Trek Comics Review: WAYPOINT #3

waypoint3-coverOrder Waypoint #3

Set in the milieus of Voyager and Deep Space Nine, the two stories included in this month’s Star Trek: Waypoint #3 are equal measures of sweet and simple.

While these stories are hardly the edge of adventure or Borg-defeating action stories, they have an appeal that reminds us of the relationships formed between these characters. Every now and then, it’s good to remember that Gene Roddenberry wanted to export humanity to the stars, bringing with them their vices as well as their virtues.

Is that wrong for Star Trek? I don’t think so. The great thing about having fifty years of this amazing universe is that there are a great deal of settings in which to create stories. It’s a writer’s delight and there’s plenty of room for a couple of charming tales.

The other thing that I really appreciate about this comic is that it gives writers and artists a good amount of exposure. The Star Trek angle aside, I see what IDW is doing with this and it’s a damn good thing.

The first story is titled The Wildman Maneuver and features everyone’s favourite Captain’s Assistant, Naomi Wildman in a carefree child’s fantasy tale in which only she can rescue Voyager by securing the vital coffee needed by Captain Janeway to wake up and save the crew from enslavement.

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Written by Mairghread Scott and drawn by Corin Howell, this story gives some love to one of the show’s minor but adorable cast members. Anyone who has known a precocious and imaginative child can’t help but be amused by the adventure of young Miss Wildman. There is a precious innocence about this story that is not only refreshing but enough to give you that ‘feel-good’ vibe for the rest of the day.

This isn’t a sophisticated story by any stretch of the imagination, but its virtue is that it forces the reader to enjoy simpler things. Plus, the ‘comic-within-a-comic’ definitely has a witty but subtle appeal that is impossible to overlook. Corin Howell’s work demonstrates wonderful alacrity in the way she switches from the child-like etchings of Wildman’s (sorry … ‘Wild-Man’) comic to the rendering of Naomi’s actual life on board Voyager.

The second story, Mother’s Walk, has more serious overtones about Major Kira’s observance of Bajoran ceremony that highlights the bonds between mothers and daughters. With the loss of her mother during the Cardassian Occupation, of course this is a ceremony Kira believes she will be unable to perform, yet for the steady stream of volunteers from her DS9 crewmates to stand in her mother’s stead.

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Cecil Castellucci is the writer behind this tale and she strikes a chord with many female Trek fans as they reflect upon their own relationships with their own mothers. But moreover, there is a military theme in this short story as well when a reader considers the resiliency of women in occupied warzones. What is striking in this story is the mention of how threatened the Cardassians felt by the collective willpower of the Bajoran women determined to observe the rite of Shar D’an.

As usual, IDW has a variety of covers for their titles.

  • The standard cover by Daniel Warren Johnson is a generic scene of the Voyager bridge crew crash-landing on a planet’s fiery surface. Aside from the obvious Voyager story in the book, there is no other relationship, so it seems somewhat of a capricious choice.
  • The subscription cover is another generic one; the assemblage of the DS9 crew as featured in the latter seasons of the show, as indicated by Kira’s hairstyle. Drawn by David Messina, this is a solid piece of work.
  • The retailer incentive is a gorgeous photograph of Jeri Ryan’s Seven of Nine. While I tend not to like photos on comic covers, for some reason, I really couldn’t find anything disagreeable with it.

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The commonality between the two stories is the close-knit bonds amongst both crews. Though the lion’s share of attention tends to fall on TOS and TNG, it is good to see these two worthy franchises represented. But of course, this is the whole purpose of Waypoint: to enjoy a wider range of Trek and to allow a variety of fan preferences. After all, there is a whole wide universe of Trek to ejoy out there.

Simple and sweet. Yeah … that’s how I’d see this pleasant section of the Star Trek universe.

STAR TREK BEYOND Nominated for Best Makeup Oscar

“Oscar-Nominated Star Trek Beyond” is now a reality – the Academy of Motion Picture Arts and Sciences has officially released their nominations for this year’s Academy awards, and Star Trek Beyond joins the party with a nomination for best Makeup and Hairstyling.

Beyond‘s biggest competition in this three-way race for Oscar gold is DC’s Suicide Squad, but the tour de force alien population of Starbase Yorktown – helmed by makeup and prosthetic artists Joel Harlow and Richie Alonzo make Beyond the film to beat this year. Also nominated is Swedish comedy-drama film A Man Called Ove.

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Joel Harlow – with his wife Cindy – appear in character as a pair of Vulcan citizens aboard Starbase Yorktown.

Star Trek Beyond is far from the first Star Trek film to be nominated for one of the movie industry’s highest awards; six other Trek movies have also been put up for Oscars, starting all the way back with The Motion Picture. 2009’s Trek reboot, however, is the franchise’s only win to date, for the makeup work in that film.

This year’s Oscar ceremony will be broadcast on Sunday, February 26.

STAR TREK ONLINE Launches Season 12: ‘Reckoning’

STAR TREK ONLINE will kick off its seventh anniversary with the release of Season 12 – “Reckoning.” The newest chapter releases on PC January 26 and will follow on Xbox One and PlayStation 4 at a later date. Season 12 celebrates Star Trek Online’s upcoming anniversary with giveaways and mini-games, plus two new space queues, a new Research and Development System category and a featured episode titled “Of Signs and Portents.”

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This year’s anniversary event for Star Trek Online offers captains the opportunity to complete in-game missions to earn exciting rewards, including the new Tier 6 Lukari Science Vessel, which the community selected the design for last fall.

Players can also participate in two daily missions (‘Omega Molecule Stabilization Daily’ and ‘Party Patrol’) to earn special rewards and play the ‘Omega Molecule Stabilization’ mini-game with Q to earn materials to construct crafting kits. Festivities also include server-wide giveaways for in-game items, which will take place soon on a daily basis leading up to the anniversary event release.

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“Reckoning” continues the mission from Star Trek Online’s latest update, “Agents of Yesterday: Artifacts.” Under the leadership of Captain Kuumaarke, the Lukari have set out on a journey to investigate some unusual activity in an unexplored region of the Alpha Quadrant.

Upon further inspection, they discover data that suggests weaponized use of protomatter. Fearing the Tzenkethi are behind this, they put out a call for help to the Alliance, who tasks captains from across the galaxy to help the Lukari prevent a looming cataclysmic attack.

Mission details for “Reckoning” will be revealed in the new featured episode, “Of Signs and Portents,” which will also feature the game’s first appearance of General Rodek, voiced by actor Tony Todd.

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The update also unlocks an expansive amount of content for captains to explore, including a new reputation, a new crafting school in the R&D System to create kits and modules, two brand-new space queues (“Gravity Kills” and “The Tzenkethi Front”) and a full space battlezone that has the Alliance pitting itself against the Tzenkethi in a desperate bid to stop the production and deployment of protomatter weapons.

Stay tuned for more Trek gaming news here at TrekCore!

‘Sarek’ Cast as DISCOVERY Moves Off May Schedule

As STAR TREK: DISCOVERY begins rehearsals this week in anticipation of next week’s launch of filming, CBS has confirmed today that the series — rescheduled from January to May 2017 back in September — is now warping off the springtime CBS All Access Schedule.

In a statement released to multiple media outlets today (including Variety), CBS made the following comments regarding this second delay:

Production on ‘Star Trek: Discovery’ begins next week. We love the cast, the scripts and are excited about the world the producers have created. This is an ambitious project; we will be flexible on a launch date if it’s best for the show.

We’ve said from the beginning it’s more important to do this right than to do it fast. There is also added flexibility presenting on CBS All Access, which isn’t beholden to seasonal premieres or launch windows.

While this additional push-out of the DISCOVERY debut will likely be a disappointment to fans, EW’s James Hibberd offered the following commentary which may factor into the reason for a new shift:

This switch has a few reasons behind it, a key one is that recently cast star Sonequa Martin-Green is on AMC’s mega-hit The Walking Dead, which is airing its current season through April. There’s a concern about marketplace confusion if CBS were to ramp up promoting her as the star of a new sci-fi show while her horror hit is currently on the air.

The other reason is there’s still a lot of careful deliberation continuing to go into making Discovery special, from the choice of directors, to set design, to the special effects. While May would have been a strong premiere month for the project since Discovery will launch on the CBS broadcast network before moving to the streaming service (May is a ratings surge month), given that Discovery will normally live on All-Access, there’s no pressure to fill a specific time slot.

That being said, we now do not know when CBS plans to release the series – but with filming just days away, we’re likely to hear another debut projection from CBS before too long.

In addition to the calendar changes, CBS also announced this morning that English actor James Frain has been cast as Sarek (son of Skon, son of Solkar) in the new series, making him the fourth actor to portray the Vulcan Ambassador – and father of Spock – in the Trek franchise.

More notably, however, this casting brings the first previously-known Trek character into the DISCOVERY fold, connecting back to Bryan Fuller’s comments back in August that Amanda Grayson “maybe” will factor into the show (though while there’s been no word on that character’s official appearance, having Sarek around will open that door quite easily).

Frain has been most recently spotted on GothamTrue Detective, and the genre favorite Orphan Black (video above).

Meanwhile, we’re still waiting official CBS confirmation of Sonequa Martin-Green’s casting in the lead role, widely reported by multiple outlets in December.

Sunday STAR TREK News Roundup: DS9 Documentary and DISCOVERY Updates, Jaylah TREK Comic, Ship Collectibles

As we continue to barrel towards the launch of STAR TREK: DISCOVERY later this year, there are a few updates on both that series and Trek of days past we have to bring you to look forward to in 2017.

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STAR TREK: DEEP SPACE NINE producer Ira Behr’s forthcoming documentary on that Trek series, first announced back in August, now has an official website and Twitter account.

https://twitter.com/DS9Doc/status/807387477568679936

DS9: WHAT WE LEFT BEHIND is expected to debut from 455 Films – the same production team behind Chaos on the Bridge and For the Love of Spock – this year, and documentary producer Adam Nimoy released the following information via email in December.

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Roddenberry.com, after completing their 2016 “365 Project” highlighting rarely seen photo and documentary releases around the original Star Trek series and film productions, have begun 2017 with the next generation of that project… focusing on thirty years of THE NEXT GENERATION.

Their ongoing TNG flashback posts can be found on their official Facebook account, with most also being shared on their Twitter feed as well.

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STAR TREK: DISCOVERY is just a few days away from the official launch of filming, as International Alliance of Theatrical Stage Employees union has January 24 slated as the first day of contracted production with the Toronto-based union. DISCOVERY will be filming at Pinewood Studios in Toronto, with sets built on their 45,900-square-foot “mega stage” at the facility.

Announced stars Michelle Yeoh and Chris Obi are already posting from Toronto on social media, with Yeoh already receiving “fan mail” (addressed to her, care of ‘Green Harvest,’ the production title of the series), and Obi showing off some DISCOVERY edibles.

https://www.instagram.com/p/BPKIxQDA051/https://twitter.com/obidon1/status/819302427967033344

CBS has also released a first ‘virtual reality’ promotion for the series, with the below 360° video highlighting Enterprise starships of days gone by.

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Ongoing Star Trek comic writer Mike Johnson first hinted that we’d get a Jaylah origin story back in October, but has now confirmed that February’s STAR TREK: BOLDLY GO #5 will be an origin story for the STAR TREK BEYOND heroine – with cover art by George Caltsoudas.

https://twitter.com/mikecomix/status/810348582893023232

We’ll have our review of this upcoming issue when released next month.

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Eaglemoss’ Official Starship Collection is releasing their jumbo-sized, 11-inch version of the original Enterprise next week in the UK (available for order here in the UK, and here in the USA for February arrival), and now have previewed an upcoming Enterprise-D edition as well.

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Project lead Ben Robinson confirmed on Twitter that their are plans to release more of these ‘jumbo’ ships in 2017, with the Enterprise-E next on their agenda. Also expected are the other Enterprise starships, along with both Voyager and the Defiant, based on sales success.

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Stay tuned for more Trek news!

Trek Comics Review: “Boldly Go #4”

bg4-coverOrder Boldly Go #4

Mike Johnson and Tony Shasteen will always have my unrelenting gratitude for making the Kelvin Timeline something that I can enjoy.

Star Trek: Boldy Go #4 is the final issue in the Borg encounter story arc but four issues isn’t enough for this story. As much as I enjoyed reading it and the resolution, it was over too soon.

It’s like it needed just one more issue to properly display Spock’s assimilation encounter with the Borg or the joint battle with the Romulan Fleet. Johnson had a great story here and like all things enjoyable, this just ended too fast, too soon.

When we last left the intrepid crew of the USS Endeavour (Yeah … it’s weird it’s not the Enterprise but logically it adds a layer of authenticity to the recent events of the Kelvin Timeline), Spock had been taken captive by the Borg, Captain Kirk had taken the ship into the Neutral Zone and a Romulan fleet was prepared to defend their home system against the Borg ship searching for the anomalous Narada – the ship that initiated the Kelvin Timeline in the first place.

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Which, of course, is one of the reasons why I think this story works so well. In my opinion, part of the reason why the 2009 film received a negative response from some viewers was that it felt sudden and tried to create a bond with Star Trek fans in a matter of a couple of hours who had a bond with a fifty-year franchise. Yet by recalling an incident that is now six years into Trek history, Mike Johnson has built upon that and generated a sense of greater access for readers in terms of back history and integration into the main universe.

I imagine there was a similar response by Marvel fans when the Ultimates Universe was created back in 2000. However, while the J.J. Abrams film in 2009 might have given fans the impression that it was to supplant the original franchise, the recognition of the Narada incident as a temporal branching now gives it a sense of legitimacy to allow it to co-exist with the original timeline. Johnson’s work is giving it further breadth.

Johnson and Shasteen’s portrayal of the Romulans in this universe was an act of creative initiative. To introduce a race into the comic that Paramount hasn’t in their introduced in their films yet if an act of creative initiative. Not to mention the creation of new crew characters like Valas, who for some reason, I instantly liked and related to strongly.

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Maybe it’s because she represents the welcoming attitude that the United Federation of Planets is supposed to represent that long-time Trek fans would appreciate. She is a unique outlier and I sense that we are going to see future stories that are based around her. Also, as I indicated the last time I reviewed this comic, bringing the Borg into the Federation years before the Next Generation era is also a bold story development.

Johnson’s portrayal of characters is completely believable. Zachary Quinto’s voice is very present when I read his verbal engagement with the Borg during the assimilation process; it’s uncanny and highly entertaining.

Tony Shasteen expressed concerns in an interview section in this issue about whether or not he could properly do the Borg due justice in his rendition of them; in my opinion, he can leave those doubts behind about properly illustrating the iconic Borg. He certainly had their number as his illustrations depicted the Borg as a hegemonic race made up of various technological parts. His detail and attention to their structure was excellent.

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  • Look at the covers for this issue. The regular cover by George Caltsoudas certainly has a stark appeal to it that matches the ruthlessness of the Borg. The display of Spock’s assimilation not only fills the reader with a sense of trepidation but also communicates the severity of the situation.
  • Tony Shasteen’s subscription variation is a straightforward portrayal of Zoe Saldana’s Nyota Uhura with her current assignment record in the background. This is in a series of crew portrayals that I would love complete and all-together. Perhaps IDW will arrange for a special print of all these? I hope so.
  • The first retailer incentive cover is a photo-cover. Karl Urban’s McCoy graces this cover in a typical heroic pose. I’m not a fan of photo-covers as I think they should be the sole medium of comic artistry but as photos go, it’s acceptable.
  • The second retailer incentive cover is another of Marc Laming’s paper doll series. This one is of Spock, and it’s the accouterments that I love to see in these covers. After all, the uniforms are just clothes, but the choice of items like Spock’s 3D chessboard or the portrait of the TOS crew are wonderfully personal and communicate a real understanding of the character. Simply because of the nod to Shatner and company, I have to say this one is my favourite.

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These creators’ interpretation of events after the third Kelvin film has taken the crew to new heights and they even manage to make the absence of the Enterprise an authentic and workable element in their storytelling. With their ingenuity, action and character interpretation, they manage to bring a sense of dynamism to Kelvin Trek that makes it not only accessible to die-hard prime Star Trek fans like me, but also incredible enjoyment.

Even though this Boldly Go #4 seemed hurried, I still love it and I’m eagerly anticipating what the next arc will be.

Hemsworth: Abrams Has “An Amazing Pitch” for TREK 4

More talk of a Star Trek Beyond sequel is out this week from actor Chris Hemsworth, who notably played George Kirk – the father of Chris Pine’s James T. Kirk – in the 2009 film which rebooted Star Trek for the big screen – and who is expected to return in a planned TREK 4.

In a brief conversation with MTV News at the Golden Globes this past Sunday, Hemsworth made his first public comments on the sequel announcement – and while he’s not yet sure how George will return to the Trek universe, he’s already spent some time discussing the project with producer J.J. Abrams.

MTV NEWS: “What about ‘Star Trek’ – is that going to happen, do you think?”

HEMSWORTH: “Yeah, yeah. I’m not sure, exactly, of the dates, but I’ve spoken to J.J. [Abrams], and he’s got an amazing sort of pitch on the whole thing… [but] I don’t know [how George Kirk is returning].

But that one’s a little further off than the Marvel stuff [I’m involved in now].”

Hemsworth recently completed filming on Thor: Ragnarok – with fellow Trek actor Karl Urban – and is approaching the upcoming mega-sequel Avengers: Infinity War with Marvel Studios in the coming months.

STAR TREK 4 has been announced by Paramount Pictures, but no filming or release schedule has yet been confirmed by the studio.

Zoe Saldana “Really Hopes” We’ll Get a STAR TREK 4

In a new interview with IGN released tonight, Star Trek Kelvin Timeline actress Zoe Saldana expressed her hopes that the crew of Chris Pine’s Enterprise will be back for another film, despite the less-than-stellar box office returns of 2016’s Star Trek Beyond.

I really hope there is [going to be another film]. It’d be crazy to limit the longevity of a show that has had a fifty year life – and on – to stop just because they had a bad box office turnout.

Especially when people were talking about how amazing [Beyond] was. I would love… I would always come back, to get an opportunity to be with all my friends until we’re fifty, sixty? I would be so happy.

Back in October, Pine expressed his desire to reunite with Hemsworth again – but for those of you wondering about the fate of the late Anton Yelchin’s Chekov, producer J.J. Abrams confirmed that the character will not be recast after the actor’s death last summer for any follow-up film.

First announced by Paramount Pictures back in July (ahead of the Star Trek Beyond release), the next sequel film is expected to see the return of Chris Hemsworth’s George Kirk, killed in the 2009 Trek debut – but as of yet the fourth Kelvin Timeline film has yet to be placed onto Paramount’s release schedule.