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Trek Comics Review: “Boldly Go #8”

Mike Johnson and Ryan Parrott give us something in Star Trek: Boldly Go #8 that’s been sorely missing from the classic Trek era: zero-gravity combat!

I don’t want to leave out artist Megan Levens on the credit list, as she was the one who visualized the scene for us, but I have to say, that out of all the scenes in this book, that’s the one that really snared my attention.

This is the continuation of a two-arc story as the crew of the Enterp — urk, I mean, Endeavour — along with their trusty underclassmen cadets, attempt to uncover the mystery of the assassinated Romulan delegate. There’s definitely a lot more to this issue than the previous one and we see a good deal of character building along with some exciting combat scenes that culminates with a very entertaining resolution.

It’s a very neatly tied up story that really entertains and welcomes the non-Terrans back to the Federation, which in my opinion, is a dimension that the Kelvin Timeline really doesn’t explore too well.

As I mentioned before, we begin this story with a great space combat encounter with James Kirk and entourage investigating a mysterious spacecraft lurking in the hidden folds of the space, outside the Babel Station where the delicate peace summit has been threatened by the assassination of the Romulan ambassador. The suspect? None other than one of the young Starfleet cadets: Shev, the son of the Andorian ambassador, no less.

There is some exceptional interplay between the characters in this issue. We see Spock mollifying and stalling the Romulan delegation as they are in a hunt for young Shev, who has escaped from custody with the help of Jaylah. The cadets rally to the defence of their own as they recruit Dr. McCoy to allow Vulcan cadet T’Laan the chance to gain access to the body of the Romulan ambassador for some very unique forensic evidence.

We see a lot of involvement from a great deal of the usual cast in addition to the supporting members. It’s certainly a team effort in terms of contributions and performances.

We even get a hint of potential future storyline as Kirk comes face-to-face with his former first officer, Commander Valas, now returned to the Romulan Empire and a member of the Delegation. Why did she readily give up her Starfleet commission — seen in an early Boldly Go issue — and leave the Enterprise? Clearly Mike and Ryan have some future plans in exploring this plot.

There’s also some very entertaining humour in this book as well. When Kirk and his team board the enemy shuttle, Kirk’s big reveal towards the end of the story, and McCoy’s usual banter in the face of danger and even in his ability to charm a coroner into allowing him access to the morgue – there are some funny moments in this book that not only amuse but also speed the plot along quite nicely. In short, this is a very enjoyable read and certainly an engaging story.

There is a great number of cover variants for this book. As a side note, I’d love to know the decision-making process involved in selecting not only the type of covers for a given comic, but also the number. It seems that there is a random amount of covers per book and it would just be good to know how the powers-that-be (aka, editor Sarah Gaydos) determine criteria for this choice.

  • Megan Levens has the honour for the regular cover this month. It’s a gorgeous realization of zero g combat. Ducking asteroids, phaser fire and all sorts of acrobatics make this definitely an engaging and exciting one for readers to want to pick up this book.

  • The subscription cover by Vincenzo Federici features the cadets in a battle-ready pose and probably is the cover that should have gone as the regular one as it seems to be more story-relevant. It’s a fairly dynamic one as well and like I said, it makes me wonder what the criteria for selecting these covers could be.

  • The retailer incentive cover is another publicity photo of Zoe Saldana and John Cho from Star Trek Beyond. Again, this is a photo, and has no place on a comic cover. If you’re going to spend the money, spend it on a good artist’s work.

  • The second retailer incentive is an amazing rendition of Zachary Quinto’s Spock by Cryssy Cheung. This is a gorgeous likeness and is the type of work that IDW should be investing in rather than photos. Leave this as the sole retailer incentive cover – it’s gorgeous and this artist’s work needs more paid exposure. This is definitely my favourite cover and I’d like to see more of this artist’s work.

  • The final cover is a representation of the Funko POP! version of James T. Kirk, and I can’t say that I’m impressed. I prefer covers to either be a stylized or related design that adds to the story or a reader’s appreciation of the characters in some way — rather than a platform for tie-in merchandising.

All in all, there’s a lot to this issue that really entertains a lot of different levels. There’s exciting combat sequences, humour, themes of loyalty and friendship and even a little bit of mystery and intrigue that could develop into future storylines down the line.

Star Trek: Boldly Go #8 had it all and it’s one that Johnson, Parrott and Levens should be proud to take credit for.

McFarlane Toys Lands STAR TREK: DISCOVERY Toy License

High-quality toy and collectible company McFarlane Toys has become one of the first major merchandising partners for the upcoming Star Trek: Discovery series, CBS Consumer Products and McFarlane announced today.

The merchandising license will also extend to the previous chapters of the Star Trek franchise, including the Trek films.

From today’s announcement:

Star Trek: Discovery figures, role-play weapons and accessories will be created by McFarlane Toys, it was announced today. McFarlane Toys will also create merchandise spanning the entire Star Trek universe, ranging from Star Trek: The Original Series and Star Trek: The Next Generation to the feature films.

The initial line will highlight two of Trek‘s most-iconic characters, Captain James T. Kirk and Captain Jean-Luc Picard, who will be represented by fully articulated 7-inch figures. These figures will debut in window-box collector packaging and feature such familiar accessories as phasers and communicators. Various characters from the highly anticipated Discovery and other Trek adaptations will follow.

Star Trek is hands down one of the most-groundbreaking and innovative franchises in the history of entertainment, said Todd McFarlane, owner and CEO of McFarlane Toys. “We plan on carrying that forward with our upcoming toy lines, giving fans a fresh and detailed look, that their favorite characters deserve.”

In addition, from Veronica Hart, senior vice president of CBS Consumer Products:

“We are excited to sign McFarlane Toys as the first licensee for Star Trek: Discovery. Its commitment to quality and dedication to fans is the perfect combination to bring this line-up of products to life. We know Star Trek fans worldwide are looking forward to it as much as we are.”

McFarlane Toy’s upcoming Star Trek offerings are expected to debut in Spring 2018.

Trek Comics Review: TNG – MIRROR BROKEN #1

I’ve been waiting for this for months.

The FCBD debut issue of Star Trek: The Next Generation – Mirror Broken which arrived May 6 was just an appetizer that promised a feast of all sorts of Trek variety that was to come: and I was not disappointed!

In the precursor story, we got a sense of the Next Generation characters in the Mirror Universe: scheming, self-satisfying, and always on the look-out for the next opportunity.

I love how the Tiptons remind the reader of the alternate universe as seen in the TOS episode “Mirror, Mirror.” It doesn’t just remind us of the original story, but it also nostalgically coaxes you to hurriedly turn the page to see how the universe has changed since the days of the ISS Enterprise NCC-1701.

After all, Picard is captain of the rusted-out bucket, the ISS Stargazer. Why isn’t he at on the command deck of the ship we know he is supposed to captain? That’s the beauty of David and Scott Tipton’s writing; it invites us to participate whole-heartedly rather than forcing the story down our throats. It is a subtle technique and definitely very welcoming.

This universe’s twisted version of the Federation – the Terran Empire – is failing. After Spock’s rise to power (thanks to the inter-dimensional intervention of the Captain James T. Kirk we all know) failed to garner the Empire the resolve it needed to protect itself from the combined alliances of the other galactic powers, we are flash-forwarded to Picard’s era, and see a brooding Picard sitting in his quarters of the ISS Stargazer, musing on the value of patience.

While Picard broods, contemplating the moves he needs to make, we are treated to Woodward’s painting expertise as he shows us Stargazer, fully dilapidated and pathetic. It is not the luxurious ship that we normally associate Picard with, which makes the scene subtly intriguing. Woodward also places Picard fully at home within the shadows. We want to know more about this dark Picard and what he has in mind.

When he emerges into the light, we get a real sense of the privateer in this version of Jean-Luc Picard. But what is more engaging, if you’ll excuse the pun, is the same sense of resolve we have grown to expect in our Picard. Meticulous and detailed, his is the outward aspect of an officer, but he is no gentleman. In fact, this is a mercenary, bent on ‘profit and power,’ to use the Tiptons’ own words.

However, there is still some familiar interplay between the principal characters like Data and Picard. Though this Data was rescued from mines by his captain, they still have an ersatz friendship of sorts. Where Picard feels invested in Data’s self-improvement, his motivations for such evolution are clearly in Picard’s own interests. The subtle yet noticeable differences like La Forges’s visor, Troi’s rank of ‘Inquisitor’ — rather than ‘Counselor’ — and Picard’s combat style are accents that make this comic such an excellent draw.

In fact, this book plays out like a true episode. It sets the scene for the crew to come together, as they begin to establish themselves in a true mirror fashion of the crew that we already know.

The only thing that stands out in my mind as we begin this voyage through the looking glass is that six issues isn’t going to be enough. We have only been introduced to about half of the crew that we know we are bound to meet. In order to fully appreciate them – as well as the ones we have already been introduced to – they need more than thirty pages for us to fully learn how different the Tiptons have made them.

Let’s take a look at the twisted covers from the other side of the looking glass!

  • First, we have the regular cover, painted by J.K. Woodward – which I want to own! It’s the perfect rendition of the alternate Picard. It’s important to remember that these characters are not just simply evil – they are simply amoral. The expression on this Picard completely reveals this alternate attitude. He is ambitious and is willing to do anything to accomplish his own aims. This is Woodward’s forte: he can paint a likeness complete with accuracy but also with emotional intent. It’s a glorious cover and definitely my favourite.
  • The subscription cover, by George Caltsoudas, is a stylized representation of the alternate Troi. In this universe, she is but Picard’s loyal creature, ready to use her empathic powers to discern loyalty or lies at his command. She is also not above using them for her own manipulative purposes. In this cover, I didn’t see that. Caltsoudas has skill, but in this case, I don’t think his style fits the type of character that this Deanna Troi is.
  • The first retailer incentive cover by Joe Corroney is definitely an excellent choice for this series. This is also my first introduction to Corroney’s art and it is certainly impressive. A Borg-modified Data and an imposing Picard are seen on this cover and both represent an excellent warped view of these alternate characters.
  • Finally, the second retailer incentive cover by Adam Rosenlund is another first introduction for me. His is an interesting blend of propaganda-ish colours and mayhem-rich poses. This is a crew of piratical bad-asses intent on dominating whatever they can and this cover reflects this.

This is a feast of variable delicacies. The physical differences are just enough to make these well-loved characters intriguing but the real meal is in seeing them react to situations in different behavioural ways. Troi is like a vicious guard dog while Data is still on a quest for realizing his own identity, he does so in a completely callous and mechanical nature, evaluating human behaviour for all its vices rather than virtues.

It is a completely original re-purposing that a true Star Trek fan will love to devour. Issue #1 is available now, and it’s a chance to not only re-visit a fan-favourite storyline, but to also see the delectable dish that Woodward and the Tiptons have prepared for us.

Dig in!

Breaking Down the New STAR TREK: DISCOVERY Trailer!

It’s been a long road, getting from November 2015 to this week’s first reveal of live-action footage from Star Trek: Discovery – and now that we’ve finally gotten a look at the show, it’s time to break down what we saw and highlight some of the details that you may have missed!

We’ve got over 100 screencaps of the trailer up in our Discovery gallery, and below we’ve picked out some of the most interesting and intriguing moments from the short amount of footage released by CBS.

*   *   *

The crew and allies of the USS Shenzhou:

First officer Michael Burnham (Sonequa Martin-Green).
A young Michael Burnham, studying under Sarek, on Vulcan (?).
Captain Philippa Georgiou. (Michelle Yeoh)
Ensign Connor. (Sam Vartholomeos)
Lieutenant Saru, “biologically purposed… to sense the coming of death.” (Doug Jones)
Two alien members of the Shenzhou crew (blue alien played by Jimmy Chimarios).
A uniformed crewmember – either robotic in nature, or wearing an advanced helmet.
Federation Ambassador Sarek. (James Frain)

*   *   *

The starship USS Shenzou itself:

Capable of atmospheric flight, similar to the NX-01 and USS Franklin.
Registry number: NCC-1227.
The Shenzhou at high warp (bottom); this view is quite similar to the NX-01’s profile (top).
A corridor inside the ship’s primary hull.
The Shenzhou’s bridge (top), reminiscent of the USS Kelvin’s bridge (bottom) from the 2009 ‘Trek’ film.
The Shenzhou’s bridge appears to be located on the underside of the primary hull.

*   *   *

The state of Starfleet uniforms and technology:

Command in gold/blue; sciences in silver/blue; operations in copper/blue.
Rank signified by notation on the uniform insignia.
A version of the well-known Starfleet Command logo appears on multiple technologies.
Burnham in a fully-functional thruster suit, off to check out the Klingon vessel.
Burnham in some kind of medical or stasis chamber.
The Shenzhou’s transporter includes a digital ‘grid’ effect in dematerialization.
Flip communicators are present and accounted for.
The Shenzhou’s viewescreen is a true window and includes holographic capabilities – spotting the Klingon ship.
A look at the Shenzhou’s tactical display…
…and a sensor display swarming with Klingon warp signatures.
Sarek appears to Burnham via hologram.

*   *   *

The Klingons – and yes, they are Klingons – also take their place as the series’ adversaries:

Klingon leader T’Kuvma. (Chris Obi)
Other Klingons in T’Kuvma’s circle.
An ancient Klingon sarcophagus floats through the ship.
A fierce, armored warrior – perhaps from inside that sarcophagus.
Burnham faces the warrior on the hull of the Klingon vessel.
The Klingons scream to warn Sto-vo-kor that a warrior is on the way.

*   *   *

An away mission to a desert world:

Georgiou and Burnham trudge through the desert to a beam-out point.
The wild skyline of the desolate planet.
An alien resident of the desert world.
Georgiou calls for beam-out.

Surprisingly, we haven’t yet seen any sign of the actual USS Discovery starship yet, nor cast members Jason Isaacs, Anthony Rapp, or any of the other crew from that vessel.

That could simply be due to the filming timeline – meaning that there’s no meaningful footage yet available for that area of the story – or that the Discovery side of things is a major plot point that CBS isn’t yet ready to share.

Keep coming back to TrekCore as we continue to follow Star Trek: Discovery news as it breaks… and let us know your thoughts — or point out anything we missed! — in the comments below!

First Live-Action STAR TREK: DISCOVERY Trailer Debuts!

In New York City today, CBS debuted the first live-action trailer for Star Trek: Discovery, coming this fall on their CBS All Access streaming platform.

If you’re not able to watch the YouTube version above, here’s an alternate:

In addition to this wild new trailer – from which we’ll have high-resolution screencaps as soon as we can get them! – CBS also announced more news about the upcoming show:

  • Originally planned for a 13-episode run, Discovery has been expanded to a 15-episode first season.
  • Rumored back in 2016, the network confirmed today that Talking Trek, a post-episode discussion show, will accompany the series as it debuts this fall.

The additional commitment of two additional episodes is the most tangible evidence you can find in the industry when it comes to studio support. CBS will literally be pouring millions of extra dollars into the production arm for those additional episodes, showcasing a level of support a showrunner could usually only dream of.

There is still no word on an official release date (beyond ‘this fall’), but it was reconfirmed that the first episode will be broadcast on CBS.

CBS also released this new promotional poster for the series:

That’s the big news out of New York today – so watch the trailer, and sound off in the comments below with your thoughts!

First STAR TREK: DISCOVERY Production Photo Released

The internet is abuzz with anticipation today ahead of CBS’s ‘upfront’ presentation this afternoon – their annual event showcasing the company’s upcoming shows for advertisers – and the hope that we’ll get our first real look at Star Trek: Discovery.

Ahead of today’s big event, CBS has shared their very first production photo from the forthcoming Star Trek series (released through EW), featuring the Shenzhou captain Philippa Georgiou (Michelle Yeoh) along with fellow Starfleet officer Michael Burnham (Sonequa Martin-Green) in heavy-duty desert gear.

Captain Philippa Georgiou and first officer Michael Burnham in the desert. (CBS)

It’s not quite clear from the photo where the pair are located – perhaps planet Vulcan? – but each seems to have on hand the expected Starfleet gear, with flip-style communicators and a tricorder large enough to require a carrying-case.

Pre-TOS Starfleet gear: communicator and tricorder.

In another surprise, EW reports that this scene (and others yet to come) was actually filmed on location in Jordan! 

Stay tuned this afternoon for what is to be a big day for Star Trek: Discovery news!

Trek Comics Review: STRANGER WORLDS #6

The final issue of Stranger Worlds, and this combined DC Comics/IDW endeavor has been a blast of a ride!

Mike Johnson and Angel Hernandez have my complete respect for making this story work. It’s a difficult task to meld two properties from different publishing houses together, but by paying attention to the common literary elements in the two properties, they gave this storyline rings … uh, I mean, wings.

It flew too fast, though – at least, that’s my impression. There was a tremendous amount of work in the last five issues for this epic level series of confrontations to be over so fast.

In last month’sst issue, we see classic face-offs between Khan and Kirk, Sinestro and the senior Green Lanterns – and, of course, Hal Jordan; and we see the Enterprise crew manage a miracle in combat against overwhelming amounts of Klingon Birds of Prey. Well, the Kelvin Universe ones, at least.

In last month’s issue, we saw the Green Ring find a new bearer with Captain Kirk. It makes sense that Kirk should be chosen as the next fearless ring-bearer in this reality. But that’s a trademark of Mike Johnson: he is able to match up the character traits between both franchises to create workable and believable plot lines simply by through his expert knowledge of both franchises.

Still, I would have liked to have seen this series of confrontations (Kirk vs. Khan, Sinestro and Parallax vs. the Green Lanterns, etc.) take place over two books. There were too many battles to be resolved in just one book; it needed to be savoured and enjoyed. After all, Khan and Sinestro are our heroes’ greatest nemeses, and they deserved a more grandiose conflict.

(And on a side note: I noticed that Parallax wasn’t referred to by his name, simply the “Yellow Entity.” Hmm, copyright issues?)

Still, it was enjoyable. I especially enjoyed the little possible teaser for more DC / Star Trek goodness at the end of the story. I hesitate to describe any more, but suffice it to say that it is a nifty thing to consider but doubtful that even Mike Johnson could make it work.

There was something off about Angel Hernandez’s usually stunning work in this book. I noticed a lack of definition in some of the background panels. For example, when the other Green Lanterns look on, there is a lack of facial features.

While one may explain this as being obscured by the spill of ring energy being thrown around, it simply gave me the impression that the scene had been rushed somewhat. Still, Hernandez has clean, beautiful lines in his art. It’s fresh, dynamic and usually very exciting.

What was interesting in this book is the number of open storylines Johnson has left for us. They are definitely very clever and certainly lend themselves to opening up a third volume of this entertaining crossover.

The variant covers for this book include work from some creators I’ve never seen before. It was definitely enjoyable to be introduced to new art.

  • The subscription cover (above, center) is by George Caltsoudas. His work has a very identifiable style and I especially enjoyed the pulp fiction feel it had to it. In the past, I’ve described Caltsoudas’s work as having an art deco appeal. In this case, there is a definitely an aspect of another period of comic art and even Hal Jordan’s domino mask is drawn in a very 1940’s pulp serial fashion.

  • The retailer incentive cover (right) is by Elizabeth Beals. I can’t say that I enjoyed this cover too much. It had too much of a soft, plushy texture to its imagery. Killowog looked like a creature from a fairy tale book cover and Guy Gardiner’s expression seemed more impish or pixie-like than his usual braggadocio attitude. The Enterprise seemed too stunted and short as well.

  • For my favourite cover, I’d have to go with Angel Hernandez’s regular cover (left). It’s a classic pose and exactly the type of attitude you’d want to see displayed by the Green Lanterns and the crew of the Enterprise.

While this has been a very entertaining series, I’d have to say that the last issue seemed rushed. Definitely a thrill-ride with a lot of action and some very innovative possibilities for future storytelling, but for a series of final encounters with arch-nemeses galore, I would have liked to see more drawn out conflict.

I’d like to see more of Khan’s Augments, squadrons of Klingon soldiers on the ground, fueled by Khan’s red ring of rage and even more from the Guardians in this reality. After all, they are some of the most powerful beings in the universe. Why couldn’t they offer more in this combat?

Like I said, both Johnson and Hernandez have my respect for the work they did on this book, but don’t take my word for it.

Have a read and see for yourself — or preorder the trade paperback, coming in September — and sound off with your thoughts in our comments section below!

REVIEW: Section 31 – “Control”

No law…no conscience…no mercy. From the New York Times bestselling author David Mack comes an original, thrilling Section 31 novel set in the Star Trek: The Next Generation universe!

Amoral, shrouded in secrecy, and answering to no one, Section 31 is the mysterious covert operations division of Starfleet, a rogue shadow group pledged to defend the Federation at any cost.

The discovery of a two-hundred-year-old secret gives Doctor Julian Bashir his best chance yet to expose and destroy the illegal spy organization.

But his foes won’t go down without a fight, and his mission to protect the Federation he loves just end up triggering its destruction.

Only one thing is for certain: this time, the price of victory will be paid with Bashir’s dearest blood.

Dedicated “for all those who dare to oppose the invincible in the name of freedom,” author David Mack prefaces his latest novel set in the Star Trek universe with the preceding sentence before Section 31: Control even begins. It is a telling sentence that prepares readers for the 352-page journey they are about to begin. Then, all hell breaks loose.

Crafting a masterful spy thriller in the vein of Three Days of the Condor, Mack peels back layers upon layers to reveal the far reaching impact of Section 31’s true origin. Control is a terrific spy novel that includes clandestine meetings and old friends, with dramatic and far-reaching revelations for the Federation, its allies and enemies, and humanity today.

Immediately thrusting the reader into the action, Control opens as Bashir makes his final attempt to take down his foe. The former Chief Medical Officer of Deep Space 9 is face-to-face with his final obstacle, a familiar visage that ultimately proves his undoing. Before the climatic struggle, Mack flashes the novel back ten days earlier, as readers learn of the events that led to this moment – turns out taking down Section 31 will be more difficult than defeating the Borg or the Dominion.

Agent Harris, of the 22nd Century ranks of Section 31. (ENT: “Affliction”)

Marveling at all the possibilities Section 31 presented when Luther Sloan first appeared and uttered its name, fans relished the history of the organization when the Enterprise NX-01’s armory officer, Malcom Reed, was approached to join its ranks centuries earlier. Mack takes full advantage of the intelligence agencies past as he reveals each layer of the onion from the early days of Starfleet, the formation of the Federation and its logical conclusions, all in service to the goal of its creation.

Weaving a narrative between the 22nd and 24th centuries, Mack discloses the true origins of the mysterious Federation intelligence agency that appears to answer to no one. Readers soon learn at the middle of the agencies efforts is control – think of Hal 2000 on steroids. While Julian Bashir possesses a genetically-enhanced intelligence, even his mind might not be enough to allow a favorable outcome. In the end, Bashir is only human.

I’ve known your greatest weakness from the beginning. You’re a romantic. A fool governed by your passions.

Bashir remains the same idealist he was on DS9. But now he has been hardened as he continued his shadow war on Section 31. While his humanity might be an asset, it also becomes a hindrance, as he struggles with doubt for putting his former patient, Sarina Douglas, on their current path. What’s worse, Mack will elicit that uncomfortable dread Bashir experiences in his readers as they feel Sarina’s pain during one particular harrowing moment she must endure.

Julian Bashir and Sarina Douglas. (DS9: “Chrysalis”)

Familiar faces appear as Bashir must solicit the help of longtime acquaintances and one unexpected face from the long-destroyed Enterprise-D. Both bring unique skills and perspective to the proceedings and Bashir’s mission. Fighting a covert intelligence agency with an artificial intelligence at its core will require individuals who know a thing or two about each.

If you want to kill Section 31, you’ll need to turn their greatest strength against them – transform it into their most dire weakness. They thrive on secrecy, on anonymity, just as the Obsidian Order once did.

Bashir receives sage advice from the former plain and simple tailor of DS9, now the Castellan of Cardassia, as his mission and struggle continue. Safeguards thwart Bashir and friends plans at every turn, leaving him and the others on the run, playing defense for most of the novel.

One of the more fascinating chapters comes near the end of the story as Mack pens it in easy to read, digestible computer code. It’s a wonder to watch the story’s antagonist determine threats to its existence and its logic in its actions to neutralize said threats.

Enjoying Section 31: Control should not be difficult for all readers, those familiar with Star Trek and not familiar alike. However, Mack does write to his audience, rewarding longtime fans of the franchise and current ongoing novels with numerous references – many of which have been impacted by the revelations in this novel. It’s this type of narrative that allows the story to take on more of an epic feel and would make a terrific television mini-series.

Bashir’s first exposure to Sloan and Section 31. (DS9: “Inquisition”)

Efforts to destroy Section 31 will come at a price, which is one of the true enjoyments of Pocket Book’s ongoing Star Trek novels set post-Voyager. There are long-term consequences to each adventure and decision made by characters that only DS9 truly enjoyed during its seven-season run; now all three of the 24th century based series boast long-lasting repercussions that affect each future novel in the series.

Fallout from the culmination of events to take down Section 31, including the previously noted opening to the novel, will leave mouths agape at what has occurred and what it means for the future of the characters. Heartbreaking might be the word best to describe Control’s epilogue, none no worse than on the story’s protagonist.

How much of the final outcomes were destined to play out as it does? Who were the pawns on the chess board, and more importantly, who was playing the game? While Section 31: Control appears to wrap up nicely, Mack leaves readers with something to think about as they read the final pages of this story.

Trek Comics Review: TNG – MIRROR BROKEN #0

Buy Mirror Broken #0

It’s good to be bad.

I mean, it’s so easy to explore other character arcs and variations and this is because comics are an incredibly versatile storytelling medium. Exemplary Star Trek writers, Scott & David Tipton reunite with painter extraordinaire J.K. Woodward to deliver what will surely prove to be one of their greatest collaborative efforts.

There’s been a great deal of hype over the much-anticipated release of Star Trek: The Next Generation – Mirror Broken #0 this last Free Comic Book Day – and it is well-deserved as we look at this revisit to a well-loved storyline that is a true fan-favourite.

The Mirror Universe is a story that originally saw light with the Jerome Bixby original series episode “Mirror, Mirror” in 1968, and was probably one of the most popularized renditions of a science fiction story to feature this concept at the time. While the storyline was picked up again in Star Trek: Deep Space Nine and then in Star Trek: Enterprise about thirty-five years later, it really hasn’t gotten a lot of attention outside of those two shows; it was a bit of an abandoned storyline during the seven years of the Next Generation – aside from Diane Duane’s non-canon novel Dark Mirror.

Of course, that’s where Mirror Broken now comes in. With the flexibility that comic storytelling offers, now that oversight can be rectified and we can return to TNG to visit the crew of the Enterprise-D… or their twisted doppelgangers, that is, and see what the alternate universe looks like in this iteration of Star Trek.

In this introduction to the six-issue mini-series, we find ourselves in the engineering section of the dilapidated ISS Stargazer with none other than Lieutenant Reginald Barclay. But this is not the timid and paranoiac Barclay that we know from the prime universe; no, this Barclay is a schemer and quick to pounce on an opportunity to further his career.

The Stargazer is a rusting hulk of a ship past its prime. It is forced into duty in order to protect the shrinking Terran Empire core planets. On solar system patrol, Barclay muses that the weakness and indecision of the Spock-era reforms are to blame for the Empire’s current condition and he sees only the need to secure his position against the inevitable collapse that is about to come. From him, we can determine that this is a dominant way of thinking in the Terran Empire.

That’s in the first three pages.

The Tiptons deftly bring their readers up to speed in an incredibly short amount of time. They re-familiarize them with the state of the Terran Empire and introduce us back to this universe with considerable ease. Their experience with other Star Trek titles from IDW notwithstanding, it’s clear that this not just simply another story assignment but one that is told with the idea that this is a labour of love. The Tiptons have a love for this franchise, and this respect comes out in the intricate nuances of the dialogue and internal monologues. They reveal the innermost changes of these characters in a fascinating way.

For example, the dialogue between Barclay and Picard on page four presents a vastly different, yet thoroughly entertaining Picard than what we are used to in the regular universe. Rather than the discrete yet assertive Picard, we meet one whose conversation is laced with an insinuating and ascorbic humour that masks a cold and calculating member of the patrician class of humanity. This Picard reeks of corrupt aristocracy and his speech is that of a man used to getting his own way.

J.K. Woodward’s stunning artistry perfectly captures this corruption with his skill in painting likenesses,  facial expressions and body language. He paints Barclay with the aspect of a beaten dog; hungry for any opportunity that comes his way. Picard is the model of privilege gained illicitly; in peak physical condition and with a constant look of amusement and condescension on his face. Data is a renegade machine driven to obtaining perfection through any means possible – even through the use of Borg technology.

(Be sure to check out our Mirror Broken interview with Woodward, if you missed it!)

However, the jewel of his Mirror Universe characterization in this book has to be the new version of Deanna Troi. Clearly less than an officer and more of Picard’s creature, Troi is a true femme fatale who uses her sexuality — as well as her empathic powers –in service of her captain. In only two pages, we see her as a real threat who promises subtlety and manipulation as her deadliest weapons. Out of all the newly realized characters in the alternate universe, she is the one that presents the most danger on board the Stargazer.

Of course, being on board the Stargazer is the biggest question teased by this introduction. Obviously, this is the primer for some action that is about to come that will see Picard in control of the ship that fans have associated with him, the Enterprise-D, or this universe’s variant. But there are other questions too: what of La Forge? Where is Riker? The concept art that is included with this issue also opens up additional questions, particularly the mind-blowing portrayal of Doctor Crusher and her apparently sadistic son, Wesley. The image of Picard in personal combat with Riker is also tantalizing and my fear is that six issues will not be enough to adequately explore all of the aspects of the mirror universe.

Still, being able to re-explore this universe through the TNG perspective is a wonderful freedom made possible through the flexibility of this medium of storytelling. I’m confident that wherever the talented combination of Tipton and Woodward take us will be to a place of great entertainment and respectful of the franchise. After all, we’re only about twelve pages of storytelling in and we’ve just scratched the surface.

I’m looking forward to re-visiting this storyline and I’m not going to feel bad about it.

Well… maybe just a little.

Thursday STAR TREK: DISCOVERY News Roundup

We’ve got a roundup of different Star Trek: Discovery news bits today, from CBS’s corporate leadership to new statements from one of the show’s freshman cast members.

Now that the feared WGA Writers’ Strike has been averted, CBS appears to be feeling more comfortable again targeting a Fall 2017 premiere window for Star Trek: Discovery.

CBS President Les Moonves restated the corporation’s plans to launch Discovery on CBS All Access later this year at yesterday’s Milken Institute Global Conference. Reader Michael Wong was in attendance and shared this quote from Moonves:

In addition, Moonves reiterated previously-stated comments that the series’ funding was largely supported by Netflix licensing for global distribution, and that CBS All Access was chosen as the show’s home in the USA based on previous streaming performances of the other Trek television properties on Netflix.

CBS also held its 2017 Q1 corporate earnings call this afternoon, but did not discuss Star Trek: Discovery during the hour-long presentation.

Meanwhile, former showrunner and Discovery developer Bryan Fuller spoke about his goals to cast a highly-diverse cast for the series in an interview with CBR.com this week.

“We were very adamant early on about that cast, not just in terms of race but also in terms of gender. Janeway (of ‘Star Trek: Voyager’) carved a nice path as did Majel Barrett (Nurse Christine Chapel in the original ‘Star Trek’ series) in 1966, in the original pilot. So it was important for ethnic inclusivity and gender inclusivity (to be upheld in casting).

I was very excited to cast Michelle Yeoh before I left. I was pushing very hard for Sonequa Martin-Green to be cast before I left. So I feel like there’s a lot of wonderful diversity represented in the show, and I’m excited to see how it turns out.”

Fuller left his position at Star Trek: Discovery in late October after the required commitment to the series interfered with his position leading Starz’ television adaptation of American Gods, which debuted last weekend in the United States.

Actress Clare McConnell, who joined the Klingon cast of Discovery last week, spoke to Toronto’s Metro News about her new role, which she reveals has been in place since December.

“I’m very excited. I’ve known since December, so I’ve been hiding it from all my friends,” McConnell exclaimed.

McConnell got the role after just one audition, and although she wasn’t required to speak any Klingon for it, as soon as she got the role she was thrown into lessons with a dialect coach.

Virtually all information about the series is being kept under tight lock and key, but McConnell could say that sets for the ships looked incredible and her character has a very cool costume.
McConnell said there’s an atmosphere on set that everyone wants to get it right, because Star Trek is such a beloved series.

“Each series is such a classic thing, but also such an innovative thing,” she explained. “The actors have really been encouraged to make it their own. I’ve even been encouraged to make the Klingon language my own.”

For those of you dismayed about CBS supposedly “just now” casting new roles for the in-production series, this story should serve to dispel that myth: hiring and announcement timelines don’t appear to be so related.

Check back to TrekCore often for the latest Discovery news!