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Trek Comics Review: “TNG — Through the Mirror” #3

I always felt that Star Trek: The Next Generation was always missing a Mirror Universe episode. To me, it was a bit of a disappointment that Captain Picard and Commander Riker never got to experience inverted versions of themselves.

There are a number of reasons why I am unabashedly enjoying this series, but I’d like to just focus on two for now. We’re up to the third chapter of TNG: Through the Mirror by David and Scott Tipton, along with artists extraordinaire, J.K. Woodward and Josh Hood.

The first reason why I’m loving this series is that it’s a completely accurate rendering of not only the mirrored characters, but also their motivations. These are the characters that I would expect to see had a televised Mirror story in the TNG setting been created.

Let’s look at Picard. Picard is calculating, motivated by the security and welfare of his ship. He expects complete efficiency from his crew, holds their respect and is a cunning strategist in battle. What’s great about this description is that it can apply to both Picards on either side of the dimensional divide, but that only adds to its accuracy. From the Mirrored side, Picard ensures that his ship is secured through brutal raids, preying on passing ships unawares and, as we have seen in the previous two issues, is now extending that method of resourcing to the other universe.

Riker, on the other hand, instead of being the loyal and supportive first officer we know, intent on protecting his captain, the alternate Riker is a strong-armed thug who is clearly waiting for the right opportunity. He knows the captain will eventually make a mistake that he can exploit for himself.

My shameless favourite though, has to be Inquisitor Troi. Maybe I’m just hopelessly smitten by ‘bad girls,’ but this Troi is far from the sensitive and caring empath we know. The Mirrored version we meet in this series is deceitful and subversive, fully capable of employing her empathic abilities for not only personal gain but to render enemies helpless. She is a brilliant accomplice to Picard’s plans and her character is definitely my favourite character in the Mirror Universe.

It’s the guileful extrapolation of these character personalities that really holds my attention and it’s completely fair to say that the Tiptons’ interpretations of them are exact and perfectly fit my expectations.

My second reason for loving this series is its structure. Divided into two sections, the ‘A’ story looks at the after effects of the incursions from the ISS Enterprise crew (from the perspective of the USS Enterprise crew). It’s a larger story than its ‘B’ counterpart, drawn by Josh Hood this time. The last two ‘A’ stories were drawn by Chris Johnson.

We see the progression of the USS Enterprise crew making minor discoveries: a duplicate crewman in the first issue, security footage of their doppelgangers in the second issue and then, the third issue deals with a cunning plan to actually infiltrate and lure the USS Enterprise to prearranged location to presumably capture it for further replacement parts.

Their intelligence on the USS Enterprise is slight out of date, which gives rise to questions about how they obtained their information in the first place. With my curiosity piqued, I was perfectly primed for the encounter between Inquisitor Troi and Commander Riker from the USS Enterprise. (Hands down, the best three pages of the book.)

Story ‘B’ shows us Data’s continued hunt for Emperor Spock, set a few months earlier from the first story. It’s a slower pace and it has less pages, so it has a constantly interrupted feel to it — but it’s painted by J.K. Woodward, which means that all is forgiven.

It’s a good guess that this story explains how the crew of the ISS Enterprise know about the alternate universe. It makes sense as we know Spock would still be alive by the time of The Next Generation, and I’m very curious to hear what his rationale for self-imposed exile is and what happened after he lost the throne.

The covers this time around are more thematic and appeal to me, given my favourite part of the book.

  • Cover ‘A’ is a pair of parallel portraits of Riker and Troi. I especially love the nuance of sinisterism in Troi’s face. J.K. Woodward is a master of emotional expression and it almost looks as if Mirror Troi is staring daggers at her ‘sweeter’ twin.
     
  • Cover ‘B,’ drawn by Josh Hood, almost has the same exchange of emotions. Inquisitor Troi is staring around a corner at a happy Deanna and Will. There’s a sense of jealousy and hatred in this image and it’s wonderfully evocative of the exchange we see in the story.
     
  • The retailer-incentive ‘A’ cover is just a photo of Worf. I’ve said my piece about photo-covers in the past and I don’t want to repeat myself.
     
  • The retailer-incentive ‘B’ is by Peter McKinstry, and is a gorgeous rendition of Counselor Troi. Again – Troi is clearly the dominant theme in this book and that makes me very happy. McKinstry’s art is definitely awesome. I’d love to see him add to the interior pencilling in a future issue to get a sense of his story development skills.
     
  • Finally, there’s another Convention Exclusive cover (not pictured), which is simply a black and white version of Woodward’s ‘A’ cover.

This is a marathon of Trek comics. With an issue coming out every week, it’s a real testament to the creators of this book that they can manage to maintain a story of such high quality and, well, Trek-ness.

It comes down to the characters. It’s clear that both David and Scott have the measure of the characters from TNG well understood, as we can relate and appreciate not only how they react in this story but also how their mirror versions do. That’s an accomplishment of merit, to be sure.

Like I said, I always felt that TNG was missing a Mirror episode, but thanks to the Tiptons, J.K. Woodward, Josh Hood and all the other creators involved in the production of this series, I don’t feel like that any more.

Watch for my review of Star Trek: TNG — Through the Mirror #4 next week!

Nick Meyer Offers Hints on Secretive STAR TREK Project

Star Trek writer/director Nicholas Meyer has been involved with the franchise for over thirty-five years, dating back to his first role helming Star Trek II: The Wrath of Khan — and in he was involved in the early days of Star Trek: Discovery during Bryan Fuller’s tenure as showrunner on the series.

While he’s remained credited in the series in a ‘consulting producer’ role through the first season of Discovery, we really haven’t heard from Meyer in the months since Fuller’s departure from the project, as his role with the show seems to have diminished (or ended) since that time.

Almost a year ago, Meyer hinted towards another Trek project he was supposedly working on — a non-Discovery project — to TrekMovie.com in an interview from last June, which sparked much interested in the fan community:

Meyer: One thing that has nothing to do with Discovery is that I am working on another Star Trek project, but I can’t discuss that either.

TrekMovie: Are we talking more feature film because as far as I know, there is only one television project, I assume.

Meyer: You can assume.

Since that tantalizing statement, fans have wondered what exactly Meyer meant — perhaps a second television series, or a film, or even something on the literary side of the franchise? — but it’s been radio silence from Meyer regarding the situation ever since that interview was published… until now.

Meyer with DISCOVERY writer Kirsten Beyer in 2016.

Last night, speaking to an audience at the University of California, Irvine, at a public “Shakespeare and Star Trek” discussion, Meyer shared details about his Trek project for the first time — and thanks to exclusive coverage from this event, we can share his comments with you.

AUDIENCE QUESTION: A while back there were reports that you might be working on a ‘Star Trek’ miniseries, is there any truth to that, if you’re allowed to say anything about that?

MEYER: No, I can say something. I was hired to write a stand-alone ‘Star Trek’-related trilogy, [details of which] I can’t discuss or I’d have to kill you. [Laughs] I was writing it for CBS [All] Access… but at the moment CBS is at a war with Paramount/Viacom [about merging].

They’re in a power struggle which turned really nasty this past week when CBS decided to sue Viacom. So I don’t think my project is going anywhere in a hurry, because everything is on hold while they sort out this merger business. That’s my story and I’m stickin’ to it.

The “re-merger” of CBS and Viacom/Paramount under one roof would bring all of Star Trek‘s ownership back together again — as CBS manages the franchise’s television rights and the Viacom/Paramount theatrical film side of things.

Meyer’s comments regarding the situation are of course referring to this week’s escalating legal battle between the two companies, which began Monday when CBS filed suit against parent company National Amusements to try and shake themselves free of managerial control, followed by National Amusements’ “outraged” reaction to this legal action and the two companies heading to court today amidst the annual CBS upfront presentation to television advertisers occurring this afternoon in New York City.

The project, as Meyer mentions, is likely ‘on hold’ not due to the question of the Star Trek franchise’s status, but the overall corporate situation which doesn’t seem like it’ll be resolved anytime soon — and with the financial commitment that something like a new Trek production would surely require, it isn’t a surprise that things would be placed on pause until this kind of high-level structural situation gets resolved.

Meyer on the STAR TREK II set with William Shatner.

For obvious reasons, CBS isn’t commenting on the ongoing merger situation — they would not address questions on the topic in their early-May corporate quarterly earnings call, and president Les Moonves is even skipping today’s annual press event breakfast at the Upfronts for the first time as “the number of questions he could not answer outweighed the number he could,” said CBS Entertainment head Kelly Kahl to the assembled press — so we’ll have to wait and see how things shake out between the two corporations.

As for the Trek side of things, well, Meyer clearly is sticking to secrecy about his project, but these new comments are sure to stoke speculation about what he might be working on. A “standalone trilogy” could cover any variety of storylines, including the rumored (but not confirmed) Khan tale, but the writer remains tight-lipped about the details — but if and when more specifics become available, we’ll certainly bring you them here.

Keep checking back to TrekCore for all the latest in Star Trek news!

Special thanks to Alvaro Zinos-Amaro, author of the Hugo-nominated book TRAVELER OF WORLDS: CONVERSATIONS WITH ROBERT SILVERBERG, for his contributions to this report.

CBS Begins DISCOVERY Emmy Consideration Campaign

May brings the beginning of the end for the 2017-2018 television season, and it’s the time of year where studios and networks around the television spectrum are kicking off their awareness campaigns for their shows — along with series actors, writers, producers, directors, and members of every other part of the production team — for the annual Primetime Emmy Awards.

The annual awards ceremony doesn’t occur until mid-September, but the industry takes this time each year to launch huge marketing efforts to get their people and properties in front of Emmy voters, to score the coveted nominations in acting and production categories — and this year, Star Trek: Discovery is part of the mix thanks to CBS’s efforts to get the freshman series a shot at this year’s ceremony.

Image via eBay. (Source)

Promotional screener DVD sets of Discovery’s first season have begun to beam down to members of the Academy of Television Arts & Sciences, the Emmy Awards’ honorary organization, as part of the studio’s push to bring the newest Star Trek series into critical conversation during the annual nominating process.

A common publicity move for most Hollywood television productions, these screeners are mailed out to give potential Emmy voters a look at the series and advertise the various categories in which the show has been submitted for Emmy consideration by CBS — and of course, includes plenty of positive pull-quotes from different publications.

Image via eBay. (Source)

This year, CBS Television Studios has submitted Discovery for consideration in the following categories (as identified by the screener packaging):

  • Outstanding Drama Series
  • Outstanding Lead Actress in a Drama
    Sonequa Martin-Green (Burnham)
  • Outstanding Supporting Actor in a Drama
    Doug Jones (Saru), Jason Isaacs (Lorca), Anthony Rapp (Stamets)
    Shazad Latif (Voq / Tyler), Wilson Cruz (Culber)
  • Outstanding Supporting Actress in a Drama
    Michelle Yeoh (Georgiou), Mary Wiseman (Tilly), Mary Chieffo (L’Rell)
  • Outstanding Writing for a Drama Series
  • Outstanding Directing for a Drama Series
‘For Your Consideration’ DVD screeners. (Image provided by Reddit user hotdoug1.)

They have also submitted the series for additional categories, which will be part of the Creative Arts Emmy Awards which will be held prior to the Primetime ceremony this Fall:

  • Outstanding Guest Actor in a Drama Series
    James Frain (Sarek), Rainn Wilson (Mudd), Kenneth Mitchell (Kol)
  • Outstanding Guest Actress in a Drama Series
    Jayne Brook (Admiral Cornwell)
  • Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special
  • Outstanding Fantasy/Sci-Fi Costumes
  • Outstanding Visual Effects
  • Outstanding Production Design For a Narrative Period or Fantasy Program
  • Outstanding Main Title Design
  • Outstanding Music Composition For a Series (Original Dramatic Score)
  • Outstanding Cinematography For a Single-Camera Series (One Hour)
Image via eBay. (Source)

Of course, submitting for consideration is by no means a guarantee that the series will be officially nominated for the Emmys, but it’s promising to see CBS put their weight behind the show as the industry nears awards season.

We’ll find out Star Trek: Discovery gets an official nod from the Television Academy in one or more of these categories when the official nominee list is revealed June 12.

Trek Comics Review: “TNG — Through the Mirror” #2

Who doesn’t love a good mystery?

Star Trek: The Next Generation – Through the Mirror #2 hit the shelves this Wednesday and the crew of the Enterprise-D are still puzzled over the existence of the duplicate Lieutenant Jones that Worf encountered on the facility on Naia IV.

Of course, this involves a lengthy interrogation and a completely confused Worf when it turns out that the ship’s computer revealed that Lieutenant Jones had been at his duty station for the last seven months.

Before more about this issue can be discovered, however, the Enterprise receives a distress call from a damaged Andorian battlecruiser – and the mystery continues.

I’m enjoying the unique way in which this story is developing. It’s obvious to the reader what’s going on; clearly the Mirror Universe Enterprise crew have discovered a way to breach the dimensions and raid “our” side for much-needed materials and supplies. But the fun in reading this story is watching the prime universe crew put the pieces together and solve the mystery themselves — and it’s just as enjoyable to see the Mirror crew learn about this strange new universe at the same time.

The story is divided in two as with the first issue; present and past are both presented separately to share perspectives of the discovery on both sides of the mirror. The prime universe, as drawn by Chris Johnson in this issue, allows us to watch the reactions of the captain and crew of the USS Enterprise as they uncover evidence of security breaches, raided ships and impossible duplicates of themselves showing up on security footage.

The second story, set a few months prior to first story, is spectacularly painted by J.K. Woodward and shows the lead-up to the ISS Enterprise’s slow discovery of the existence of a parallel universe.

The clear point of this structure is to eventually bring the two sides to an inevitable meeting. But how each side gets there is definitely half the fun. For instance, Riker and Picard’s reactions are truly entertaining when they are presented with their first evidence of a parallel universe. But it’s the second story, titled “Ripe for the Plunder” that really catches my attention.

Considerably shorter — since painted stories take more to prepare than traditional comic illustration — the action revolves around Data and his investigation into the time of Emperor Spock. His detective work takes him to a mysterious jungle planet, Spock’s last known location.

The other half of the fun is picking out the tiny Easter eggs that are evidence of the fun that Scott and David Tipton are having in crafting this book. For example, on page 9, I want to know if the crewman off to the right of the panel (beside Commander Data) is a cameo appearance by Scott Tipton? Without glasses, of course. Also, the information broker in J.K. Woodward’s story is the same shady character from whom Dr. McCoy tried to purchase transport to Genesis in Star Trek III: The Search for Spock.

But characters like the librarian at Imperium Alpha — gotta love that twist on Memory Alpha — are difficult to identify and I wonder if that’s Woodward having fun too? While she just may be a stock character, she bears a strong resemblance to Majel Barret Roddenberry. I also can’t ignore the glowing figure in between both Rikers on the cover for next week’s issue either.

Is that a teaser about Spock in traditional Vulcan Kohlinar garb? There’s a lot of mystery on the part of the creators woven into this book which is enough to make me want to go back through the pages and see if I’ve missed anything else. Like, was that a Gorn guard? And who are the unknown men in robes who Data encounters? It’s good that there is only a week to wait for issue #3!

  • Cover ‘A’ is wonderful rendition of the parallel Datas facing each other. This is actually part of an entire tapestry-sized project that Woodward showed on his website and social media, a truly amazing piece of art when you see its entirety. These covers serve as slices of excellence and truly capture the intentions and ambitions of this comic.
     
    I’m always stunned by the clarity and accuracy of Woodward’s work. It walks the line between being completely realistic and still managing to convey a sense of fantasy that captures the attention and imagination of the reader. This is clearly my favourite cover.
     
  • Cover ‘B’ is a scene from the interior action as Riker and his away team board the Andorian battlecruiser and are attacked by a surviving Andorian crewmember. Lots of action in this scene and Chris Johnson does a good job of conveying its intensity.  I also like seeing covers that are representative of the story; it makes for a more enticing read.
     
  • The retailer-incentive cover ‘A’ is a photograph of the lovely Marina Sirtis in her role as Counselor Deanna Troi. I’m never a fan of a photo on a cover, even though Sirtis never fails to capture my attention!
     
  • The retailer-incentive cover ‘B’ is a wonderful portrait of The retailer-incentive cover ‘A’ by Peter McKinstry. I was introduced to this artist’s work last issue and am quite taken with it. I expressed last week that I hope that IDW keeps this artist on their roster as he is certainly gifted, particularly with Star Trek.
     
  • The convention-exclusive cover (not pictured), like last week’s, is a black and white version of Woodward’s ‘A’ cover. This is definitely would prove to be a great project experience for some aspiring colourist at a convention, at least that would be my aim for it.

The game is certainly afoot in this issue. The mystery deepens and we are drawn along as crews on both sides make their discoveries about their respective counterparts. It’s going to be an exciting three more weeks as we continue to learn more of the surprises the other universe has in store for both crews of the Enterprises!

Watch for my review of Star Trek: TNG — Through the Mirror #3 next week!

Galaxy-Class Upgrade for STAR TREK: BRIDGE CREW Game

Red Storm Entertainment’s Star Trek: Bridge Crew virtual-reality team game, set aboard a starship in the Kelvin Timeline Trek universe, debuted in 2017 for various VR gaming platforms and allows players to work as a team fighting battles and strive to succeed as Starfleet officers.

Before last year’s public launch, the company expanded the game to include a classic Star Trek mode, allowing players to take control of an Original Series-era Constitution-class starship… and now the game is venturing forward to the 24th Century with a new Galaxy-class Next Generation expansion!

Announced today on the official Playstation blog, Red Storm Entertainment’s Hunter Janes explained some of the major components of the new TNG-era upgrade, from uniforms and avatars to starship mechanics and the addition of alien opponents like the Romulans and the Borg.

We added the Enterprise (NCC-1701D) bridge and rebalanced our game to accommodate its new capabilities, we replaced the engineering position with a new role called “Operations” on the 1701D bridge (it’s now my personal favorite position) which focuses on crew management and maximizing ship buffs, we’ve added Romulans, we’ve put in the Borg, created TNG-era uniforms, gave players the ability to make their avatars Soong-type androids, put in new shield modulation and precision phaser fire mechanics, took a pass through our play spaces so that more solar systems will be utilized by Ongoing Voyages (our randomized Starfleet mission generator), and added two new Ongoing Voyages (“Resistance” and “Patrol”) complete with new voice work and unique mission mechanics.

Oh, and we also threw in some fan favorites such as a fully functional Planet Killer, complete with deadly anti-proton beam. So yeah, we’re adding a lot, and we think fans (old and new) are going to really have a great time playing through it all. A lot of very talented and smart people worked very hard on this, and I couldn’t be more proud of what they’ve accomplished.

The structure of “Resistance” was heavily inspired by classic rogue and roguelike games, which I think do a great job of driving tension, and challenges the player to travel across space to retrieve scattered anti-Borg prototypes to fight off a Borg Cube that’s happily assimilating and slaughtering everything in its path.

Along the way, crews are faced with randomly presented challenges that have to be completed with the knowledge that every second spent brings the Borg Cube ever closer. Warping to another solar system will buy you time, and each prototype successfully collected will provide you with a new tool for fighting the Borg… but each time you face the Cube, it’s adapted to your tactics and becomes ever more powerful. And the Cube gets very mean, very quickly.

Here’s a preview video, via IGN:

You can read a lot more about what’s coming at the PlayStation blog post. The Star Trek: Bridge Crew expansion for Next Generation gameplay debuts for PlayStation VR players on May 22, though the rollout for PC players is not expected until later this year.


Order Star Trek: Bridge Crew
for PS4 & PlayStation VR!

Trek Comics Review: “TNG — Through the Mirror” #1

Star Trek: The Next Generation returns to the Mirror Universe in Through the Mirror #1, a follow-up to last year’s Mirror Broken saga — and it’s the Star Trek comic we all want.

In as much as fans are wont to proclaim the Utopian vision of Star Trek as one of its major virtues, we are still drawn to the dark underbelly of the Mirror Universe in a perverse desire to see how our heroes are warped into villains.

The story by Scott and David Tipton is divided into a pair of parallel tales, first focused on Lieutenant Commander Worf (and a pair of security officers) who have beamed down to the mining facility on planet Naia VII for a routine follow-up check.

IDW Star Trek readers may remember the facility from the 2012 Star Trek / Doctor Who crossover Assimilation². The facility is a critical one, that supplies resources and manufacturing for the decimated fleet after the battle at Wolf 359. However, the base’s commanding officer reports to Worf that that they have discovered a decrease in stores and sundries, and he would like the team from the Enterprise to investigate.

It’s a fairly straightforward premise, drawn by Marcus To and colored by Brittany Peer, but one that would seamlessly fit into the beginning of any Next Generation episode. The draw, of course, is the Mirror Universe, and what promises to be a match-up between Captain Picard and ‘our’ Enterprise crew and the Mirror Picard we were introduced to in the Tiptons’ first series, Mirror Broken.

To’s pencilling is crisp and solid. No distractions or fancy tricks; it is focused work and full of energy. I can see the effort he takes in displaying the characters’ emotions. The expression of disdain on one of the Mirror Universe characters in his part of the story is particularly enjoyable — if you read Mirror Broken.

In the second half of the book, “Ripe for the Plunder,” the tale flashes back a few months — and jumps across dimensions to Picard and his Mirror Universe warship Enterprise. We get a hint of how the Mirror Next Generation crew begin to realize that there is more than just their own universe out there.

(When you remember that there have been multiple incursions in the 23rd century — most recently seen in Star Trek: Discovery —  it makes sense that must still be some of the Terran Empire’s classified information remaining for the wily Mirror Picard to pilfer.)

J.K. Woodward paints this part, following the art style of Mirror Broken, and once again the work is no disappointment. Painted work is so fascinating. I am a firm devotee of illustrator John Bolton’s work, for instance, but it never fails to surprise me how precise the work rendered by talented artists like Bolton and Woodward can be. Such is the case in this book.

I’m curious to see how the Tiptons will reconcile all of this with established Star Trek canon, especially with the new Discovery comic, Succession, which takes place in the aftermath of the first season of the television series. Factions vying for control after the apparent death of Emperor Georgiou, so with this story set more than a century later, will there be any ties to that story in this new tale? (Clearly, I have lots of questions!)

Still, it’s glorious stuff. I’ve always wanted to see the Next Generation crew interact with the Mirror Universe. The fact that the Tiptons take it one step further, actually having them interact with their quantum duplicates, makes this a story well worth anticipating — not just out of a sense of a return to this perversely fascinating place, but because we want to see if good will triumph over evil.

There is a great variety of covers for this book, and save for one are quite excellent in execution.

  • Cover ‘A’ is by J.K. Woodward, featuring a stoic pair of parallel half-face portraits of both Picards staring each other down. It’s not only technically brilliant but it also has an emotional resonance to it that certainly conveys the nature of the inevitable confrontation between the two captains. This one ranks as my favourite cover, and is the first of five covers which will span across all the issues of this minieries.
  • Cover ‘B’ is by Marcus To, centered on Worf’s action-packed chase that we see in the first story. A cover should convey some sense of the story in my opinion, so this is not only an excellent piece of work but also relevant. It’s good stuff.
  • The retailer-incentive ‘A’ cover is a simple photograph of Patrick Stewart’s Jean-Luc Picard. Of course, my problem with this is not only is it a photograph — depriving some artist of work — but it’s also the same autographed photo I have on my office door.
  • The retailer-incentive ‘B’ cover by Peter McKinstry is what the previous cover should have been; a thoroughly dramatic rendition of the Mirror Universe Picard — simple in execution and definitely striking. McKinstry and I are both fans of the British comic 2000 AD. He grew up wanting to draw sci-fi and space ships and now he does. It’s a great piece of work and I hope IDW keeps him on with other projects in the future.
  • The retailer-incentive ‘C’ cover is an exciting presentation of both Picards and Rikers from Mark Laming, locked in mortal combat with each other. Not only does this give us a flavour of the eventual face-offs that are about to come, it’s also a great cover to look at.
  • There’s also a convention-exclusive cover for this book, a black-and-white rendition of J.K. Woodward’s ‘A’ cover. It doesn’t lose any of its intimidating nature and, while I prefer the colour, the desaturated version gives the picture a stark quality that seems to enhance its confrontational essence. I’m looking forward to picking up this one myself.

Through the Mirror is an exciting tale, and I think it’s one that a lot of Star Trek fans will want to read, since it’s an aspect of the Trek universe ignored by The Next Generation. 

I’m eagerly anticipating the conclusion of this story, but with four more issues to go this month — and the Terra Incognita sequel series still to follow this summer — there’s plenty of TNG-era Mirror Universe adventure ahead of us.

Watch for my review of Star Trek: TNG — Through the Mirror #2 next week!

Today’s Medical Tech in DISCOVERY’s Sickbay Science

by Matt Hall

Why do you like Star Trek? I’ll bet if I threw that one out there I’d get a huge variety of reasons, since there’s a lot to like.

That said, those answers tend to fall into two different categories, from “its progressive, optimistic vision of the future” to “it’s a future where a huge variety of species come together to make the galaxy a better place in spite of their shortcomings.” Good, noble reasons. Reasons you might try out when convincing the skeptical or uninitiated.

Then there are the other reasons — the ones that maybe brought you in when you were younger that may be more emotional than high-minded… like “The space battles are awesome!” or the adventure of visiting different planets every week.

Let’s face it, the starships of Star Trek are pretty damned incredible. Able to travel faster than light, protect their crews from the vacuum of space and hostile enemies, able to house a whole community in relative comfort, simulate jazz bars on the holodeck, and make excellent replicated tea on demand. Starships are frickin’ awesome.

The classic TOS-era sickbay, recreated at the Star Trek Set Tour in New York.

There’s one technological marvel aboard ship that probably doesn’t get as much love as it should: sickbay. The engine room has a lot of glamour, science-wise, and the bridge is always where the action is — but dating back to the days of Leonard McCoy, sickbay is also a key part of any interstellar (ahem) enterprise, and it’s no stranger to Star Trek’s spooky ability to predict future technology.

The classic Trek series had its biobeds, and back in the 1960s, a display which combined heart monitor, blood pressure, body temperature, and a few other not-easily-identifiable measures of a patient’s well-being seemed pretty neat — and of course these days, those monitors are now commonplace in a modern hospital.

Beverly Crusher’s sickbay in The Next Generation brought 3D imaging, some very cool heart surgery, live brain simulations, and various therapeutic rays to do things like knit bones or speed up healing in the skin — and the launch of Voyager took it to the next level with the introduction of the Emergency Medical Hologram.

Brain scans from ‘The Next Generation,’ ‘Deep Space Nine,’ and ‘Voyager.’

Star Trek has never been shy in speculating about the future of medical technology… even if none of it ever seemed to help Miles O’Brien’s frequently-dislocated shoulder after kayaking in the holosuite.

I’ll admit that it’s a bit of a stretch to claim that dermal regenerators are about to leap off the shelves, but modern research has given us a few things that bring us a bit closer to the medical miracles of the 23rd and 24th centuries — in particular, 3D imaging. MRI or CT scans actually give us a look inside a patient without cutting them open.

While you may not have seen them in your doctor’s office or your local emergency room, there are a few little boxes of tricks that are gaining traction in hospital research labs — ones that as a scientist, I work with every day.

As you might have guessed by all my Star Trek sickbay fanboy stuff, my research is in medical imaging and medical technology. In particular, I’ve spent the last several years working on a thing called diffusion MRI, as part of a whole team in the UK’s National Physical Laboratory at University College London.

Stamets’ brain under scan in the Discovery’s sickbay.

I was excited to see what new medical surprises that Star Trek: Discovery would bring to the franchise, so imagine my delight when diffusion MRI turned up in the new series. Right there on my screen, I watched Sylvia Tilly work with Starfleet technology that’s just nearly right out of my own lab.

In last season’s “The Wolf Inside,” we see a number of scans of Paul Stamets’ brain — intended to illustrate the damage to his white matter from exposure to the spore drive — and the imagery was clear enough for someone like me to make a decent guess at how the images were created in Discovery’s sickbay.

Here’s the joyous moment: that’s all diffusion MRI imagery! These reconstructions of Stamets’ corpus callosum, a large white matter structure in the brain, are built using a technique called streamline tractography. We use that process in our lab pretty routinely, and even use the images when we work with neurosurgeons.

This is a real thing, that can be done right now, as this video illustrates:

Let’s rewind a bit, though, so I can explain a bit about how one goes about making a 3D map of someone’s white matter. White matter is essentially the ‘cabling’ of your brain, carrying signals from the grey matter and relaying them to places like your muscles when you want to move. (Grey matter is what does your cognitive processing, gets upset, feels happy, receives signals, stores memories, makes decisions, and all that other wonderful stuff your brain gets up to.)

It also carries sensory information and allows the different bits of the brain to exchange information. If your brain was the internet, grey matter is the servers, white matter is the cabling which links them to the peripherals and end users.

Stamets’ brain scan shows the corpus callosum, which is a very large extruded U-shaped tract which allows the two hemispheres of the brain to talk to each other. The close-up is good enough to see that this is constructed with the streamline algorithm I just mentioned, and rendered using straight-line segments. It’s pretty well segmented — in fact, you can see lots of lateral connections, which are easily missed in tractography.

Tilly reviews scans of ‘Ripper’ the tardigrade’s brain.

Tilly even states that the scan is showing “changes in gross white matter structure, caused by interactions with the mycelial network,” which is neat, because diffusion and tractography is exactly what you’d use to look for structural abnormality. I have to admit, though, that I haven’t seen a lot of work on diffusion MRI and the mycelial network — but conference season is starting up again, so you never know!

Here, you could compare Stamets’ scan to either a population average, or to earlier scans from his own brain taken before he took on tardigrade duty. It’s all right there — hats off to the show researchers.

Diffusion imaging a particular type of MRI which measures (you guessed it!) diffusion. The human body is full of fluids, and our brains sit in a bath of warm, salty water inside our skulls — and the water is always moving. The molecules jostle and bump into each other randomly and slowly move around in a more-or-less undirected way.

You might remember Brownian motion from high school; that’s the same phenomenon. Dust motes are jostled by the water and slowly spread out, and diffusion imaging allows us to measure how much jostling motion is going on — constructing an image which tells you how much jostling is happening in each pixel. The more jostling, the lower the signal and the darker the pixel.

Up close with Paul Stamets’ brain.

We can do a lot better than simply ‘dark vs. light,’ though: one of the cool things about the technique is that you can do this in 3D, and get a picture of how things are moving in different directions, in each pixel. From there you can estimate which directions have the most diffusion, and which have the least. There’s a difference between the high school Brownian motion and diffusion in a brain, however: the brain gets in the way.

Diffusing particles don’t just bump into each other, they bump into other things in the tissue, like cell membranes, processing architecture, and cabling — something particularly interesting, because it points in a particular direction.

Imagine being inside a narrow pipe: you can move along the pipe in either direction, but it’s hard to move across it. Flip that around, and if you could measure the direction particles diffuse the furthest, you tell what direction the pipe was pointing. With 50 or 60 different measurements, you can do exactly that.

What’s more, you can do it separately in each and every pixel in the image, ending up with images that look a bit like these (courtesy of my friend Donald Tournier’s MRtrix software):

If you look closely, you can see that there’s a little coloured blob in each pixel, which represents the diffusion in 3D. The peaks of the blobs are the directions of most diffusion. We can extract the directions corresponding to the peaks, and we’ve got our estimates of which direction the tissue points.

At this point, we’ve got a load of local orientations; a grid of tiny arrows which tell you which was diffusion is greatest. This works very nicely in cable-like structures like white matter, as we’re estimating local orientations and can even split out the directed tissue from the undirected fairly easily.

We’re not quite at Stamets’ scan yet, though, because there’s still one more thing to do: join those arrows together — this is called tractography. It starts with a 3D field of orientations, and builds up a set of continuous fibres.

There are actually a few different ways to do this, and some are more sophisticated than others, but one standard way is pretty much join-the-dots.

You pick a place to start, and then you follow the field by stepping along the local direction by a small distance, checking the new local orientation, turning in that direction and stepping on. You keep going until there no more directionality — or the structure takes a sharp turn, usually greater than 90 degrees.

Do this a few thousand times from a bunch of start points, and you can construct what’s called a tract — a big piece of white matter which looks like the sort of thing you’d find in a medical textbook — and with that in mind, we reach our lab’s version of Stamets’ brain scan:

This is a reconstruction of the corpus callosum using diffusion MRI and streamline tractography. It’s the same data from before, but with the streamlines built up. We’ve also added a 3D cortical surface from the same scan… which is there mostly to make it look cool. This isn’t Stamets’ brain, of course; it’s actually a scan of Kiran Seunarine, our resident tractography expert. (To the best of my knowledge, he’s not able to navigate the mycelial network yet…)

So if we’re not scanning for spore drive brain issues, why might you want to do this in real life? Well, one of the nice things about tractography is that it shows you the 3D structure in each individual patient, not just a textbook version of a brain. This might be interesting if you’re studying how brains change during aging or natural development, for example, but it’s also useful if something goes wrong: brain tumours, for example.

A growing tumour pushes the tissue around it aside or can grow right over the top of something else. If a surgeon is operating to remove it, the biggest risks are either not removing all or it — in which case it could grow back — or removing too much, taking some healthy tissue out as well.

There’s also the question of how you get to the thing in the first place. You want to avoid cutting through white matter, because once it’s gone, it’s gone — and a broken cable in the brain is like a broken cable in any other network. Information can’t get through, except in this case that blocked sensory information might be coming from your eyes or fingertips. You want that information to get through.

Tilly watches Stamets’ brain bloom with color after her spore treatment.

One of the things we do in our lab is tractography for neurosurgeons, used in reconstructing white matter around, say, a tumour, so the surgeons can use it to plan the procedure. The more information they can get, the better they can plan, and the better patients will recover.

Tilly also uses imaging to monitor how well a treatment is working, and we do that too. We also use diffusion imaging and tractography to look at brain maturation — from early childhood to adolescence — to learn more about what’s happening in healthy kids, and when they’re suffering from a disease like epilepsy or multiple sclerosis. There’s a lot you can tell from white matter.

Diffusion MRI technology is a little bit of 23rd century sickbay magic that’s actually already here. As far as I know, no one is using it to scan tardigrade brains quite yet, but I’m trying to see if my colleagues in the lab will let me render everything in Discovery’s pink and blue color scheme to bring that Starfleet feeling back down to Earth.

Matt Hall is a research scientist at University College London and the UK’s National Physical Laboratory working with advanced MRI technology to develop the tools needed to obtain the most detailed and accurate images possible of human tissue. He is part of a team of scientists and clinicians at The UCL Institute of Child Health who develop and apply new MRI methods, particularly for childhood illnesses.

The images in this article were created by Kiran Seunarine, a scientist with a background in design and visualisation — a modern-day Geordi La Forge who works with magnets instead of warp reactors.

REVIEW: Eaglemoss STAR TREK BEYOND Enterprise Refit

We’re back with a look at the first of two new Kelvin Timeline starship models due for 2018, Eaglemoss’ new Star Trek Beyond refit edition of the USS Enterprise!

The ship got its start in the 2009 Trek film, and was redesigned for Beyond under the eye of director Justin Lin, something we first covered in 2016 when the starship’s new look first debuted — the Enterprise was streamlined from stem to stern in anticipation of the confrontation above Altamid.

Eaglemoss has brought the Beyond starship to life in this new model, which features a great deal of the Enterprise upgrades in its 8″ length — and unlike some of the model line’s other variant releases, this is a totally new sculpt compared to their Star Trek (2009) model which debuted in 2014.

This new build is a definite necessity thanks to the number of changes to the original ship, which include added textural details to the saucer and secondary hull, the completely redesigned warp nacelles and swept-back struts, and stretched neck connecting the two halves of the ship. Even the rear shuttlebay door has texture, compared to the smooth dome seen on the 2014 model.

The one detail that isn’t very well represented is the new phaser emitters on the Beyond refit, however; the digital model in the film had nearly double the weapons banks of the original ship, beefed up for the Swarm Ship battle in the film, but there’s no sign of them on the saucer of the new edition.

While this version of the Enterprise only had a short life on the big screen, destroyed in the first act of Star Trek Beyond, it certainly seems to have a life to it that the original Kelvin Timeline Enterprise didn’t — with the reduction to the big, bulbous warp nacelles, now shifted away from the saucer, it really gives the Enterprise the ‘hot rod’ feel that was intended from the beginning of the Kelvin Timeline film series.

As for the window alignment issues that’s affected previous Eaglemoss releases? Well, this Enterprise is almost completely spared from that issue, thanks to having only a very few sculpted windows on the secondary hull… which don’t match the black paint that go with them. (Sigh.)

Here’s some more images of the new model:

We’ve also put together this comparison to the 2014 Enterprise model, based upon the ship as it appeared in the 2009 Star Trek film.

In addition to the structural changes, the Beyond edition also has a bit of a different color tone to the hull, and sports a number of additional spots of grey and blue in its design.

As for the Enterprise-A seen in the final moments of Star Trek Beyond? Don’t expect a physical model of that ship anytime soon, as Eaglemoss director Ben Robinson told us last summer that the company won’t be building that ship until they know what the future holds for the adventures of the Kelvin Timeline crew — something only recently starting to crystallize at Paramount.

That being said, if you’re on the hunt for another new Enterprise model, the new Star Trek: Discovery variant of the Constitution-class ship is expected from Eaglemoss within the next year.

In the meantime, this Star Trek Beyond refit of the Kelvin Timeline Enterprise is available now from the Eaglemoss web shop ($45 in the US and £24.99 in the UK), if you’re up for expanding your Federation fleet with this new variant.

Keep an eye on TrekCore as we’ll next be taking on the Kelvin Timeline special Klingon Battle Cruiser warship!

GIVEAWAY: ThinkGeek Captain Picard Facepalm Bust

We’ve all experienced it: that moment of stupefying frustration that makes you put your head in your hand, wondering how you can put up with it for even another second… and there may be no more famous ‘facepalm’ moment then Captain Picard’s frustration with a newly-human Q in “Deja Q.”

While the now-infamous image of Picard’s exasperation has become a well-known meme online over the last decade, and has appeared on T-shirts and other printed merchandise over the years, ThinkGeek (in partnership with Icon Heroes) hasnow brought the facepalm to the third dimension with their new desktop bust:

The bust measures 6″ tall and weighs approximately 1lb — it debuted online today and is retailing as a ThinkGeek exclusive — and we’ve got one of these Picard sculpts available to give away to one lucky TrekCore reader!

There have been so many funny moments in the Star Trek franchise, but we want you to think about your biggest laugh and answer the following question in the comments below:

From “The Cage” to “Will You Take My Hand?” — and all the episodes and films in between — let us know your favorite comedic Star Trek moment by Saturday night, and thanks to ThinkGeek, one of you lucky entrants will be able to add this Picard bust to your own collection.

Make your mark in the comments below, and watch for our winner notification on May 6!

IMPORTANT NOTE:

We will email our selected winner, drawn randomly from all entrants on May 6, and send a follow-up email 48-hours later to confirm mailing information. If we do not receive a reply within 24 hours of our follow-up, an alternate winner will be chosen.

Add TrekCore.com to your ‘safe senders’ list so we don’t go to your spam folder!

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Contest Rules

  • Contest runs through 11:59 PM Eastern on Saturday, May 5.
  • Only one comment per user; users with multiple comments will be disqualified.
  • This giveway is open to residents of USA and Canada only.

Upcoming STAR TREK: DISCOVERY Models, More Revealed

This year’s Destination: Star Trek convention in Dortmund, Germany kicks off today and as always Eaglemoss is there with a retail booth for local fans to check out their Official Starships Collection model line — and some previews of upcoming releases due later this year.

Eaglemoss director Ben Robinson has been showcasing some of the upcoming releases from their Star Trek: Discovery series, along with some exclusives planned for subscribers to the program, on Twitter today, starting with the Shepard-class USS Kerala, due around September, as the Discovery series takes a break for the summer.

Photo: Ben Robinson/Twitter (source)

Here’s the retail preview image featuring another angle:

Also on display is the Discovery-era Klingon Bird of Prey model, in a first public viewing:

Photo: Ben Robinson/Twitter (source)

Robinson also revealed for the first time some exclusive Discovery products only available to subscribers to Eaglemoss’ model programs, starting with the ISS Shenzhou, a relabeled edition of the first starship in the series (which we reviewed back in February).

Eaglemoss has a history of using existing model builds and relabeling them for the Mirror Universe, as they’ve done with the Constitution-class Enterprise, the Enterprise NX-01, and Ben Sisko’s USS Defiant.

Photo: Ben Robinson/Twitter (source)

Additional subscriber-only materials will include a Tardigrade figurine, ship scale comparison posters, and ship dedication plaques, including these “not-quite-final” USS Shenzhou and USS Discovery plaque recreations:

Photo: Ben Robinson/Twitter (source)

Finally, Robinson teased the forthcoming Discovery version of Captain Pike’s USS Enterprise, featured on the convention booth’s poster artwork. The ship itself is not expected to be available from Eaglemoss for some time, as production could not begin until after it debuted in the February Discovery season finale, but this gives some additional views of the digital model.

Photo: Ben Robinson/Twitter (source)

Keep checking back to TrekCore for all the latest in Star Trek product news!

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