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BOOK REVIEW: Discovery — “Fear Itself”

An original novel based upon the explosive new Star Trek TV series on CBS All Access!

Lieutenant Saru is a Kelpien, a member of a prey species born on a world overrun by monstrous predators…and a being who very intimately understands the nature of fear.

Challenged on all sides, he is determined to surpass his origins and succeed as a Starfleet officer aboard the U.S.S. Shenzhou.

But when Saru breaks protocol in order to prove himself to his crewmates, what begins as a vital rescue mission to save a vessel in distress soon escalates out of control.

Forced into a command role he may not be ready for, Saru is caught between his duty and the conflicting agendas of two antagonistic alien races.

To survive, he will need to seek a path of peace against all odds, and risk compromising the very ideals he has sworn to uphold….

Lt. Saru takes center stage in Fear Itself, the third novel from the Star Trek: Discovery line… and the final book on the Pocket Books publishing schedule, currently in limbo as the publisher and studio continue to negotiate over renewing the Star Trek novel license.

I have to be honest; it has taken me a few weeks to both finish the book — and to write this review — as I sought to savor the experience of the last novel on the publishing schedule for the foreseeable future. I hope you can forgive me this indulgence!

While I sincerely doubt this is going to be the end of the Star Trek book line (though the year-long radio silence on the matter is quite frustrating!), Fear Itself is certainly a well-earned entry in Trek‘s literary library. As both an adventure story and a character exploration of Saru, Fear Itself really serves as a solid prequel to Saru’s arc throughout the first season of Star Trek: Discovery.

Over the course of Discovery’s first fifteen episodes, we see Saru mature from a snappy coward in “The Vulcan Hello” to a more confident and sure-footed acting captain of the USS Discovery by the end of “Will You Take My Hand?,” set nearly a year after the series premiere.

Acting Captain Saru of the USS Discovery.

His is a character who really finds his mojo, and has one of the more subtle (but enriching) arcs of Discovery so far. Fear Itself shows us an earlier point in Saru’s career – four years prior to the Battle of the Binary Stars – in which he begins that journey.

While we do not learn a huge amount more about the Kelpians or Saru’s origins — something Discovery’s writers are likely reserving for the television series — we still receive a deeper appreciation for the character and his motivations through Saru’s actions, and we get a window into his mind during a tense situation.

We also dive further into the Saru/Burnham relationship, something also explored in 2016’s first Discovery novel, David Mack’s Desperate Hours. The bickering between the two featured in “The Vulcan Hello” and “Battle at the Binary Stars” is on full display in Fear Itself, but we get a better understanding of where that originates.

The first season of Discovery implied, but did not go into much detail, that Burnham and Saru are more alike than they first appear, and Fear Itself dives deeper into that idea, and adds satisfying layers to their relationship as it plays out in the show.

Leka Trion of Peliar Zel (left) and a 22nd century Tholian (right).

Author James Swallow does the best jobs of the three Discovery authors to date in absolutely nailing the character voices and the tone of Discovery. Doug Jones’s performance as Saru leaps off the page, as does Michelle Yeoh’s Captain Georgiou and Sonequa Martin-Green’s Michael Burnham. You can really see the characters in your mind’s eye speaking the lines, and the Discovery milieu is very well adhered to.

He also integrates a number of canon elements into the novel from later shows that fit seamlessly. The Tholians are the main antagonist, and it is a lot of fun to see Discovery characters going up against another of Star Trek’s more unique and beloved alien races. In addition, the Peliar Zel (who appeared in TNG’s “The Host”) and the Gorlans (who merit only the barest of mentions in “Mirror, Mirror”) each have big roles to play.

The other characters of the USS Shenzhou also appear, including a third appearance in the novels for Captain Phillipa Georgiou. Again, Georgiou is rendered in this novel most alike Michelle Yeoh’s performance on the screen, with all the shades of a determined captain and a leader of people who works to cultivate their best qualities and overcome their defects that Yeoh brought to the role.

Captain Phillipa Georgiou of the USS Shenzhou.

We may only have seen Prime Georgiou on screen for a short time, but she is absolutely one of Star Trek’s best captains. I hope the tie-in material continues to explore her character, while the on-screen version version of Discovery continues to follow Emperor Georgiou in future episodes.

Overall, if you are a fan of Discovery, I highly recommend pickup up Fear Itself. The action is well paced, the character moments land, and the story feels true to both Discovery and the wider Star Trek canon. As he has done so many times — seriously, go check out his other Trek novels! — Swallow has produced a fine book that will scratch the itch of any fan awaiting the return of more Trek to our televisions.

Here’s hoping we learn more about new Trek novels from Pocket Books soon — hopefully some kind of announcement might be made at STLV in August — because James Swallow’s Star Trek books are always a delight. It would be a real shame if there weren’t any more of them.

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If you liked Fear Itself, you should check out:

  • Desperate Hours by David Mack – The first Star Trek: Discovery novel is set one year before the Battle of the Binary Stars, and dives deeper into the Burnham/Spock relationship, with plot threads for Georgiou, Saru, and an appearance by Captain Christopher Pike’s USS Enterprise!
     
  • Drastic Measures by Dayton Ward – The second Star Trek: Discovery novel is set ten years before the Battle of the Binary Stars and ties into the classic Trek episode “The Conscience of the King” to give us a story of the prime universe’s Lorca and Georgiou dealing with the massacre on Tarsus IV.
    Leka Trionz
     
  • Terok Nor: Day of the Vipers by James Swallow – My personal favorite of James Swallow’s previous Trek novels, this story — which kicks off the Terok Nor trilogy, but is largely a standalone story — explores first contact between the Cardassians and Bajorans, which would eventually lead to the Cardassian Occupation.

Novel #4:
"The Way to the Stars"


Novel #5:
"The Enterprise War"


Novel #6:
"Dead Endless"


REVIEW: Eaglemoss XL — USS Enterprise NCC-1701-A

It’s been about five months since the last member of the XL Starships model starship series debuted, but today we’re back with a look at the latest entry in Eaglemoss’ larger-sized Star Trek collection, the Constitution-class USS Enterprise NCC-1701-A.

Making its first on-screen appearance in the final moments of Star Trek IV: The Voyage Home, this ship was a reuse of the original Constitution-class refit starship design introduced in the first Trek film, with the studio model repainted and relabeled to represent the second Kirk-era Enterprise in 1986.

The Enterprise-A is launched from Earth’s Spacedock. (‘Star Trek IV: The Voyage Home’)

Eaglemoss has released two versions of the refit Constitution-class in its subscriber-sized model program, a original Motion Picture version of the Enterprise in 2013, as well as the the Enterprise-A itself three years later — but now, they’ve added the movie-era ship to their XL Starships line, scaling up the starship to a 10.5″ length, more than double the size of the smaller editions.

Some of the previous XL Starships releases have faced criticism for seeming to be just enlarged versions of the standard size Eaglemoss productions, but in this case, the Enterprise-A stands apart — this ship is clearly a new sculpt compared to its smaller-sized predecessors.

From the bridge, to the saucer, to the secondary hull and nacelles, there are differences all over this model — in ways that both elevate and detract from the final presentation. While we’ll cover some of the fairly notable problem areas a bit further down in this review, let’s start with the standard “What about the windows?” question.

This model finally gets things right in this department, as just about all the sculpted windows found in the smaller editions have been removed in the XL edition, replaced with painted black or white window markings on the rim of the saucer and on the secondary hull.

Only a few textured portals are included in this version of the ship — the six blue windows on either side of the drive section, the circular docking ports, and a set of eight markings underneath the saucer — and all of them are painted properly without the alignment problems found on prior Eaglemoss releases.

It’s also good to see the correct presentation of the ship’s blue bussard collectors, which in all previous releases have been missing the ‘split’ at the front of the translucent nacelle caps.

This point of detail has been a sticking point with fans of the model series since the first version of the Constitution-class refit was put out in 2013, so it’s nice to see this part of the ship corrected for the larger-sized model.

The areas surrounding the deflector dish have also been much improved compared to the smaller editions, as the yellow portions of the ship are much closer in appearance to the original studio model, though the dish itself — while bright blue to emulate the look of the illuminated model as seen on camera — still lacks the radial markings included on the ‘real’ starship.

The photon torpedo launcher situated above the dish also receives a nice bit of two-toned paint on the XL edition, matching the original filming model; the smaller Eaglemoss versions of this ship remained unpainted in this area, leaving the launcher white.

The rear of the ship also does a good job representing the back half of the starship, including a fairly accurate recreation of the raised ‘rib’ running the top of the secondary hull, the blue coloring adorning the hull plating, and the Enterprise shuttlebay area.

Unlike the smaller version of this ship, the entire top half of the drive section — including the neck and nacelle struts — are made from die-cast metal, giving the ship a much more solid feel compared to the 3.5″ models.

Moving to the primary hull…. well, this is where we start to run into trouble.

The XL Enterprise-A (left, middle-right) versus the studio model’s saucer rim (middle-top and bottom).

Let’s start with the rim of the saucer section, which is unfortunately void of just about all detail found on the actual studio model — including detail that was present on the small-size Enterprise-A ships previously released.

The ‘real’ Enterprise-A model features three radial sets of grooves ringing the saucer, several clusters of rounded windows dotting the hull, along with a few airlocks and tiny text identifying the starship.

While the XL Enterprise-A carries over the white window markings from the subscriber releases, it drops the grooved textures all together — something that was on the smaller model — and adds the STARSHIP U.S.S. ENTERPRISE and UNITED FEDERATION OF PLANETS text to the rim in large lettering.

Without the rim textures and airlocks, this text seems very much out of place with the surrounding details missing. Just take a look at this Star Trek VI screencap, and you can see how much that rim detailing adds to the look of the starship.

While that is a bit of an annoyance, it’s not the biggest issue this model has — that takes us to the top of the saucer.

Strangely, the bridge module on the XL Enterprise-A is totally different from the starship seen in the three Star Trek films where this vessel appeared. What’s more: the bridge shape was correct on the smaller version of this ship, meaning that this new sculpt is actually less accurate than the 2016 edition.

We’re not sure what reference information Eaglemoss was using when they sculpted this edition of the Enterprise-A, but compared to the studio model used in filming, the actual shape of the bridge is way off from the ‘real’ starship — not to mention the notable color differences in the model’s paint work.

In addition, the two sets of hull markings on the top of the ship are unusually positioned compared to the studio model; the USS ENTERPRISE text in front of the bridge is positioned much too close to the center of the saucer, while the registry number to the rear of the bridge is about twice as large as it should be.

Normally we can give minor discrepancies a bit of leeway when it comes to the Official Starships Collection model series, but the issues with the saucer section on this larger Enterprise-A model are things that are difficult to overlook.

Here are some more photos of the new Enterprise-A model, including some additional comparisons to the Star Trek VI-era studio model:

The Constitution-class refit is many fans’ favorite version of the Enterprise, and while we shined a spotlight on some of the improvements found in this larger edition, the strange changes made to the saucer — changes that removed correct details found on the smaller Eaglemoss version — are a bit disappointing.

That being said, if you want to add the XL Starships version of the USS Enterprise-A to your collection, you can preorder now from Eaglemoss (for $74.95 in the US, and for £49.99 in the UK) — it’s already shipping to subscribers to the XL series in some areas.

The next XL release in Eaglemoss’ pipeline is the 9″ edition of Captain Sisko’s USS Defiant, so watch for our review of that “tough little ship” later this summer.

All Enterprise-A studio model photography comes from the ST-Bilder.de image gallery.

STAR TREK: ART OF JOHN EAVES Book Finally Announced

Back in February, we brought you an exclusive report detailing plans for a then-unannounced Art of Star Trek book expected in 2018, set to focus on the works of longtime franchise contributor John Eaves — and four months later, we now of the first official details on this forthcoming release from Titan Books.

Star Trek: The Art of John Eaves has been formally announced today by the publisher, and this upcoming hardcover release — written by author Joe Nazzaro, who most recently helmed the Star Trek Beyond – The Makeup Artistry of Joel Harlow — will span Eaves’ three-decade association with the Trek franchise, from his time on Star Trek V: The Final Frontier through Star Trek: Discovery.

A few preview pages of the book have also been revealed, including looks at Eaves’ concept design artwork from Star Trek: First Contact, the Xindi weapon from Star Trek: Enterprise, weaponry from Star Trek Into Darkness, and the revised USS Enterprise as seen in the Discovery Season 1 finale.

Formal information about the book hasn’t been fully revealed yet, but today’s announcement at StarTrek.com confirms The Art of John Eaves is targeted for an October 23 release in the United States — and we’ll be sure to let you know when preorder options are live.

Keep checking back to TrekCore for all the latest Star Trek book news!

'Star Trek: TOS Sketchbook'

'TNG Movies Sketchbook'

'The Art of John Eaves'

New Photos of McFarlane Toys’ Kirk, Picard TREK Figures

To wrap up this unexpectedly-busy Trek Tuesday, this evening we bring you the first official product photos of McFarlane Toys’ forthcoming James T. Kirk and Jean-Luc Picard action figures, hitting stores this month.

First revealed nearly a year ago at 2017’s Las Vegas Star Trek convention, the pair of 7″ captains arrives for sale on June 23 (UPDATE: Amazon has rescheduled to September 1) and are intended to be the first of several Trek figures that McFarlane is expected to produce under their relatively-new product license.

We were able to check out early packaging and accessory designs at 2018’s Toy Fair trade show back in February (the gallery above), but this week McFarlane Toys has released a series of photos featuring the final products in play-action poses.

In addition to the new images, the company also released official product descriptions of each figure, including a final breakdown of the included accessories accompanying the captains.

Captain of the USS Enterprise, Captain James Tiberius Kirk is one of the most renowned Starfleet leaders. Kirk leads his crew to the far reaches of space, Where No Man Has Gone Before. Regarded as a maverick, Captain Kirk strays from the path of Starfleet regulations, but only when the ends justify the means.

Captain Kirk is shown in his Command Yellow Starfleet uniform and will come with a Type II Phaser, a Communicator, and a Phaser Rifle. Figure Stands 7 inches tall and comes complete with multiple articulation points and a stylized brand specific base.

Captain of the USS Enterprise (NCC-1701-D), Captain Jean-Luc Picard shows that diplomacy can be just as effective as jumping head first into action. Despite his mastery of rhetoric, Picard is also known as an incredibly tactical Captain when faced with a violent threat. Captain Picard leads his diverse crew to seek out new life and new civilizations and to boldly go Where No One Has Gone Before.

Captain Picard is shown in his Command Red Starfleet (Type B) uniform and will come with a Type II Phaser and the Ressikan Flute, from the episode Inner Light. Figure stands 7 inches tall and comes complete with multiple articulation points and a stylized brand specific base.

The two actions figures are available for preorder now for $19.99 each.

McFarlane Toys:
Captain Kirk


McFarlane Toys:
Captain Picard


IDW Reveals ‘TREK vs. TRANSFORMERS’ Crossover Comic

IDW Publishing is continuing their multi-year Star Trek licensed property crossover comics this year with a newly-announced miniseries combining Captain Kirk’s Animated Series-era crew with the heroic robots in disguise in 2018’s Star Trek vs. Transformers.

Announced today via io9Star Trek vs. Transformers is coming this September as a four-issue tale from writers John Barber and longtime Trek comic scribe Mike Johnson, telling the crossover story with help from artist Philip Murphy and colorist Leonardo Ito.

A pair of spanning covers to Issue #1 from artist Philip Murphy

Per io9’s report, the story will start with the USS Enterprise encountering Optimus Prime and the rest of the Autobots near Klingon space, where the teams must join forces to save a dilithium mine under siege.

From writer Mike Johnson:

“This is a crossover several decades in the making, and we could not be more thrilled to bring it to fans.

John and I are having a blast writing the first meeting of Starfleet and Cybertronians, and Phil is the perfect artist to bring these two franchises together on the page.”

Two more variants by artists Derek Charm and Paulina Ganucheau

IDW is no slouch when it comes to Trek crossover adventures, with previous tales including the franchise mixing with Planet of the ApesDoctor Who, and Green Lantern — along with a later-cancelled effort at crossing The Next Generation with the world of Aliens.

Watch for our review of this miniseries when it arrives this September!

Kurtzman Signs CBS Deal to Expand TREK TV Development

Star Trek: Discovery executive producer and newly-minted showrunner Alex Kurtzman has signed on to a five-year deal with CBS Television studios, announced the studio today, to expand Star Trek television programming into multiple potential projects.

Here’s the official word from CBS’s press office today:

Alex Kurtzman, a prolific writer-producer of film and television and co-creator of STAR TREK: DISCOVERY, has extended his production agreement with CBS Television Studios through 2023. Under the agreement, CBS Television Studios will have exclusive rights to produce all television content created and developed by Kurtzman and his Secret Hideout production banner for the next five years. Heather Kadin serves as president of Kurtzman’s company, and Aaron Baiers is senior vice president of television.

As part of the new production deal, Kurtzman will supervise the expansion of CBS’ “Star Trek” franchise for television, developing new series, mini-series and other content opportunities, including animation. Under Kurtzman’s leadership, the newest addition to the franchise, STAR TREK: DISCOVERY, made an impressive creative and commercial mark in its first season. DISCOVERY launched to widespread critical acclaim and commercial success in the U.S. on CBS All Access and around the world. Production for season two of DISCOVERY is under way, and Kurtzman directed the premiere episode.

In addition to growing CBS’ “Star Trek” universe, Kurtzman and Secret Hideout will develop new, original series across the full spectrum of broadcast, cable and streaming platforms. As part of this process, Secret Hideout will expand its production operation, adding diverse voices and cultivating new creative talent to align with the company.

Jean-Luc Picard (Patrick Stewart) in “Star Trek: Nemesis.”

While CBS’s announcement doesn’t specify any particular Trek content, Entertainment Weekly’s James Hibbard reports that part of the franchise expansion could be a Patrick Stewart-led Picard-centric project — something which The Hollywood Reporter reports could be helmed by Kurtzman and recently-departed Discovery producer Akiva Goldsman.

As reported by THR: 

The new deal comes as rumblings about another Star Trek series, featuring Patrick Stewart reprising his role as Star Trek: The Next Generation’s Capt. Jean-Luc Picard, have been heating up. Sources say Kurtzman and Akiva Goldsman, who left Discovery after season one, are attached to the Stewart-led reboot.

CBS TV Studios declined to confirm the Stewart project as sources say a deal is far from completed and may not happen, despite the fact that the actor recently teased his potential return to the franchise.

https://www.youtube.com/watch?v=BEmkG4PgBiI

Meanwhile, Joe Otterson over at Variety has more to say about the potential Trek projects being considered by CBS, listing these possibilities from his sources:

1. A series set at Starfleet Academy from creators Stephanie Savage and Josh Schwartz. The duo most recently developed the CW’s reboot of “Dynasty” and previously created shows like “Gossip Girl” and Hulu and Marvel’s “Runaways.”

2. A limited series whose plot details are being kept under wraps.

3. A limited series based around the “Wrath of Khan” story. Khan’s full name is Khan Noonien Singh. He was famously portrayed by Ricardo Montalbán in both the original series episode “Space Seed” and again in the film “Star Trek II: Wrath of Khan.” Benedict Cumberbatch then played the character in the 2013 film “Star Trek Into Darkness.”

4. An animated series whose plot details are being kept under wraps.

The specific call-out of potential animation projects in CBS’s announcement certainly caught our interest as well, as the world of animated Trek has been explored many times over the last several decades — such as Star Trek: Final Frontier, a proposed mid-2000s animated show — but hasn’t resulted any new content since the classic Animated Series went off the air in the mid-1970s.

Finally, a report from Nellie Andreeva over at Deadline notes that we could possibly get some news about one project at the upcoming San Diego Comic-Con event in July:

There are no specifics about any of the projects at the moment though there is talk that one of the first shows would be an eight-episode limited series spinoff. Kurtzman and Co. may reveal some details at the upcoming Comic-Com convention.

Here’s Kurtzman’s official statement on today’s announcement:

Heather [Kadin], Aaron [Baiers] and I are thrilled to continue Secret Hideout’s amazing partnership with CBS Television Studios.

Since our first collaboration with ‘Hawaii Five-O’ almost a decade ago, Les [Moonves], David, and the full team at CBS Studios have been our foremost collaborators and champions, treating each project with integrity, supporting the creative visions and working breathlessly to make each episode of every show the best it can be.

CBS has also allowed us the great pleasure of reintroducing the world of ‘Star Trek’ audiences new and old, and we are very excited to keep working alongside them to expand that world.

We’ll be sure to bring you all the latest on these Star Trek franchise developments as news breaks!

Several New STAR TREK Books Revealed for 2018 and 2019

While we’re still waiting to hear about the status of the Star Trek tie-in novel line, the franchise’s publishing arm is continuing to expand into other realms, as several new books scheduled for the coming months have new previews for perusal ahead of their release.

First up is the just-released Star Trek and Next Generation “IncrediBuilds” book-and-model kits from Trek author Dayton Ward, which feature laser-cut wooden assembly kits and in-universe guidebooks to the two most well-known Trek starships, the original Enterprise and Galaxy-class Enterprise-D.

These are out now for $16.99 each, available at the Incredibuilds website (Original Enterprise, TNG Enterprise-D).

Due in October is an update to 2011’s Obsessed With Star Trek trivia book, a new paperback edition with more than 200 new Trek questions including content from the three Kelvin Timeline films (Star Trek 2009, Star Trek Into Darkness, and Star Trek Beyond).

This revision removes the built-in digital quiz game found in the first edition of the book, and instead will include printed answers to the questions in the new paperback release.

You can preorder Obsessed With Star Trek now at Amazon ahead of the October 16 debut.

January brings the second mass-market release of Eaglemoss’ Designing Starships hardcover starship publications, a collection of their model-line magazine content mixed with new material exclusive to this book.

Designing Starships Volume 2 includes concept art, interviews with ship designers and other creative contributors to the next wave of ships that this hardcover book will focus on. (Be sure to check out our review of the Designing Starships books from back in July!)

This book arrives January 9 and can be preordered at Amazon now.

An amusing pair of entries to the Trek literary world arrive in January, as illustrator Ethen Beavers brings the Federation to the 70+ year-old Little Golden Book children’s imprint for the first time.

I Am Captain Kirk (written by Frank Barrios) and I Am Mr. Spock (written by Elizabeth Schaefer) are each hardcover, 24-page illustrated publications meant for children under 5 years. The cover to the Spock-centric book hasn’t yet been revealed, but here are the descriptions for each young readers’ tale:

Whether making strange new discoveries at the farthest reaches of the galaxy or facing off against Klingons and other alien races, find out what makes Captain James T. Kirk the most famous starship captain ever. Star Trek fans of all ages will love this action-packed Little Golden Book featuring Captain Kirk and the crew of the USS Enterprise from the classic TV series in a unique retro art style!

A logical, brave, and brainy science officer, Spock is the pointy-eared Vulcan who completes the crew of the USS Enterprise on its five-year mission. Star Trek fans of all ages will love this action-packed Little Golden Book based on the classic TV series. This book will tell them everything they need to know about one of the most famous aliens of all time–with its fun, lighthearted text and unique retro art style!

While neither book is yet available for preorder, their January 8 release dates mean purchase links should be available soon – and we’ll let you know when they go up for sale.

Finally, March 2019 brings us another new release from Dayton Ward, the newly-announced Kirk Fu: An Introduction to the Final Frontier’s Most Feared Martial Art, a combat manual illustrated by artist Christian Cornia through publisher Insight Editions.

The book was revealed this week on the official Star Trek website, and more information was shared by the author on his personal blog as well:

That’s right, kids! Star Trek: Kirk Fu – An Introduction to the Final Frontier’s Most Feared Martial Art is part how-to and part loving tribute to the mighty Captain James Tiberius Kirk and the fighting moves that made him a Starfleet legend and hero to so many a fan.

Within the pages of Star Trek: Kirk Fu and in addition to “standard” punches and karate chops, you’ll also learn all about such classic moves as the Double Clutch, Rolling Thunder, and the Jimmy Wall Banger. I’d start limbering up now, if I were you.

Accompanying my pithy descriptions and other text will be the stylings of artist Christian Cornia, who has worked for Insight Editions on various projects in addition to creating all kinds of awesome stuff for other book and comic publishers, featuring such beloved characters as Scooby Doo, the Flintstones, superheroes and more.

The book will feature color illustrations as well as black-and-white drawings that show how each “move” is executed.

Kirk Fu is up for preorder at Amazon now, due for release March 5 of next year.

Keep coming back to TrekCore for the latest in Star Trek publishing news!

Anson Mount Describes First Days on DISCOVERY Set

Star Trek: Discovery newcomer Anson Mount, who takes on the role of Captain Christopher Pike in the upcoming second season of the show, isn’t just an actor — he’s also a nascent podcaster, hosting “The Well” for the last year with co-host Branan Edgens.

In today’s new episode of “The Well,” Mount shared some reaction to his first few weeks spent in Toronto on the Discovery sets, and his entry in to the Star Trek franchise, seemingly recorded during the filming of Episode 202, directed by Trek luminary Jonathan Frakes.

https://twitter.com/ansonmount/status/995086532771008512

It’s crazy, man. Getting cast in ‘Star Trek’ is not like getting any other job. It’s also like a right of passage that very few actors get to enjoy.

It’s nuts, ’cause you’re not just joining a cast, you’re joining a cultural touchstone… a big family. It’s amazing. Jonathan Frakes, who played Number One in ‘Star Trek: The Next Generation,’ he’s our current director for Episode 2.

Mount also referenced his time on AMC’s Hell on Wheels, where he co-starred with Next Generation and Deep Space Nine alum Colm Meaney (Chief O’Brien) for several seasons of the cable drama.

Of course I worked with Colm Meaney [on ‘Hell on Wheels’], and they’re constantly asking about Colm, and Marvin Rush, who was the [director of photography] on ‘Hell on Wheels,’ shot a lot of ‘Star Trek.’

https://twitter.com/ansonmount/status/1005150125373747202

Lastly, Mount also spoke about his reaction the scale of production on Star Trek: Discovery, luckily accompanied by his faithful dog, Mac, during the time away from home.

It’s also the biggest production I’ve ever been a part of, and I don’t just mean TV production — I mean, like, anything. We take up six soundstages, it’s enormous… the sets, just the whole machine of it all, sometimes running two [shooting] units at once.

The hours are killer. Really long hours. (Laughs) I’m up here with [my dog] Mac, and Mac has been very patient with the process — he gets a lot of attention on set. He snores at inopportune times, as usual.

We’re still waiting to get a good look at Mount in the role of Captain Pike, only glimpsed briefly in the early-production teaser video released by CBS Television Studios two months ago — hopefully we’ll see more of Pike sometime this summer.

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Meanwhile, though current production on Discovery Season 2 is about to go on break after the unexpected departure of series showrunners Gretchen Berg and Aaron Harberts, CBS is still moving ahead to keep Discovery in the Emmy conversation, releasing several videos this past week to highlight the work of the series’ makeup and prosthetics teams.

Here’s how Klingon L’Rell (Mary Chieffo), augmented humanoid Airam (Sara Mitich), and Andorian Shukar (Riley Gilchrist) are changed from their human to alien personas.

Keep coming back to TrekCore for more Star Trek: Discovery news as it breaks!

Eaglemoss Reveals Several More STAR TREK Ship Models

It’s been two months since the last big announcement of Eaglemoss’ upcoming Star Trek starship models, and we’re back today with another long list of new reveals from the Official Starships Collection, stretching from Earth’s 22nd Century to the far reaches of the Delta Quadrant!

First off comes two new ships for the Star Trek: Discovery catalog — following the USS Kerala and Bird of Prey — starting with the Nimitz-class USS Europa, seen destroyed by T’Kuvma’s forces at the Battle of the Binary Stars.

Discovery‘s sixth ship will be Sarek’s Vulcan cruiser seen in “Lethe,” the smaller ship which was damaged by an on-board explosion caused by a Logic Extremist terrorist.

The availability schedules for these ships, along with physical model images, have not yet been released.

From the ongoing “XL” series of larger-scale starships, three more Star Trek hero vessels are due this summer, starting with the refit Constitution-class USS Enterprise-A from the latter three Original Series films.

The Enterprise-A is starting to make its way to the XL Starships Collection subscribers, and some collectors have noted several inaccuracies to the actual studio model in this design —  we’ll have our review of this model in the coming weeks to weigh in on the matter.

Due out in July is the “XL” USS Defiant from Star Trek: Deep Space Nine, an enlarged build of the ship measuring about 8.5 inches in length.

The third new “XL” starship coming later this summer is the Excelsior-class USS Enterprise-B, commanded by Captain John Harriman, as seen in 1994’s Star Trek: Generations.

There’s no release date yet announced for the Enterprise-B, but this large model will measure in at over 10 inches in length.

Heading into the Kelvin Timeline, another Starfleet Academy-sourced special release is coming from the 2009 Star Trek film, this time the USS Kobayashi Maru freighter from the virtual simulation seen in that movie.

This is the second Academy-sourced model from this film, after the Klingon Battle Cruiser we reviewed last week.

Finally, for the monthly subscribers of the more standard-sized starship models, Eaglemoss has confirmed another nine additions to the ever-expanding fleet: three ships from Star Trek: Enterprise, two from the Original Series, one from The Next Generation, and three from Voyager.

This month sees the Niagara-class USS Princeton (#126) from “The Best of Both Worlds, Part II,” and the Eymorg starship (#127) from “Spock’s Brain”, arrive.

In July, two ships join the fleet, including the the OV-165 orbital vehicle (#128) from the Enterprise opening credits, and the TOS Remastered-version Tholian starship (#129).

August brings three more additions, including the Borg Probe ship (#130) from “Dark Frontier,” the pre-assimilation Earth survey vessel Arctic One (#131) from “Regeneration,” and the long-awaited “Warship Voyager (#132), which served as the ancient enemy of the Kyrian people in “Living Witness.”

Finally, two more ships were revealed for release this September — though only in digital form at the moment: Irina’s racing ship (#133) from the Delta Quadrant space-race episode “Drive,” and the 20th century Vulcan survey ship (#134) which crashed in rural Pennsylvania in “Carbon Creek.”

Phew! That’s a lot of models in just a few short months — and as we’re just over six weeks away from the annual STLV convention in Las Vegas, we’re sure that the Eaglemoss team will be announcing out another wave of ships when the event begins in August.

Keep checking back to TrekCore for all the latest in Star Trek merchandise news, and let us know in the comments below which of these upcoming releases may find a place in your fleet!

DISCOVERY Showrunners Berg, Harberts Out for Season 2

We have some breaking Star Trek: Discovery news this evening, as series showrunners Aaron Harberts and Gretchen J. Berg have been released from the series as Season 2 continues production in Toronto.

Harberts and Berg took over the series from original showrunner and series creator Bryan Fuller back in late 2016, helming the show from the premiere episodes of Season 1, and have served as the face of the series’ production team since mid-2017.

https://www.youtube.com/watch?v=OfB3C8QUdwY

The pair leave the series as of Episode 205, reports The Hollywood Reporter, and while they’ll be credited on their episodes of the next season of Discovery, the show will be led by executive producer Alex Kurtzman for the remainder of the season. Kurtzman, who got his start in the Trek franchise in the Kelvin Timeline film series, has been with Discovery since the show’s original announcement in late 2015.

Here’s more of The Hollywood Reporter‘s take on the situation, as writer Lesley Goldberg reports that the show was facing both “ballooning” budget issues and a writers’ room that was near the point of “[human resources] complaints” due to behaviors displayed by Harberts and Berg.

Sources say the decision to oust Berg and Harberts was based not on the creative but instead for leadership and operational issues. Production on Discovery’s first five episodes of season two are near completion, with Kurtzman likely taking over for episode six and beyond. Berg and Harberts, who were longtime collaborators with original showrunner Fuller, will likely still be credited on the episodes they oversaw.

Sources say the budget for the season two premiere ballooned, with the overages expected to come out of subsequent episodes from Discovery’s sophomore run.

Insiders also stress that Berg and Harberts became increasingly abusive to the Discovery writing staff, with the latter said to have leaned across the writers’ room table while shouting an expletive at a member of the show’s staff.

Multiple writers are said to have been uncomfortable working on the series and had threatened to file a complaint with human resources or quit the series altogether before informing Kurtzman of the issues surrounding Berg and Harberts.

After hearing rumors of HR complaints, Harberts is said to have threatened the staff to keep concerns with the production an internal matter.

In a year filled with high-profile members of the Hollywood community being taken to task for a wide variety of inappropriate behavioral issues, it’s unfortunate that Star Trek: Discovery now becomes part of that conversation.

https://www.youtube.com/watch?v=kO2o1AZdN5I

Also departing the series for Season 2 is executive producer Akiva Goldsman, director of “Context is for Kings” and Season 1’s finale “Will You Take My Hand?.” Goldsman had, as THR reports, “a management style and personality that clashed with the writing staff.”

CBS issued a comment to THR about the situation:

We’ve made some producer changes at Star Trek: Discovery. The series continues under the creative vision and leadership of executive producer and co-creator Alex Kurtzman.

Discovery remains on course for Season Two in 2019 with new and continuing stories that build on its successful premiere season.

The series is about to take a “a planned production hiatus” after Episode 205 is completed, not expected to impact delivery of the series to viewers in 2019, to allow Kurtzman to settle in as the new showrunner and straighten things out inside the Discovery production machine.

This shakeup at Discovery comes at a critical time in the year, just a few weeks before 2018’s San Diego Comic Con in late July — while the cast and crew has not yet been announced for this year’s event, this may impact the chances of seeing a repeat of 2017’s cast and crew panel while things get resolved behind the scenes.

We’ll continue to bring you the latest on the changes at Star Trek: Discovery as we learn more.