We’re getting ready to head west to San Diego Comic Con — followed right after by the annual Las Vegas Star Trek convention next week — but before we go, here’s a quick roundup of all the latest Trek collectible news from the past few days!
First up: Vice Press returns to the Trek universe this week with their first new poster themed for one of the Next Generation films.
Florey’s new the 24×36″ First Contact poster will be available in two versions: a standard red-and-cyan edition (limited to 175 prints), and a red-and-black foil edition (limited to 150 prints).
The standard poster will cost $55 / £40, and the foil edition will be $65 / £50. Both will go live at the Vice Press website starting at 1pm ET / 10am PT / 6pm BST on Tuesday, July 23.
* * *
The Star Trek franchise will have an official advent calendar product for the fourth year in a row — and this year, it’s not one filled with models or collectible trinkets.
(Photo: Star Trek Wines)
For 2024, the team at Star Trek Wines has created a 24-bottle Star Trek advent calendar themed around the eight live-action television shows: The Original Series, The Next Generation, Deep Space Nine, Voyager, Enterprise, Discovery, Picard, and Strange New Worlds.
(Photo: Star Trek Wines)
Available to preorder today for $139.99, each bottle holds 187ml — or approximately 1/4 a standard-sized wine bottle — of either red, white, or rosé wine, each themed to a particular Trek character from one of the covered series.
The calendar is titled “Volume 1: The Series Collection,” so it seems like the company has plans for additional advent releases in the future. This year’s calendar is expected to ship in November.
* * *
The pin-masters at FanSets have quietly rolled out a number of new Star Trek pins, with both unexpected deep-cut releases and celebrations of Lower Decks Season 4.
First are a pair of science-specialist pins worn by Gillian Taylor and Montgomery Scott in Star Trek IV: The Voyage Home, available in both pin-back and magnet form for $23.95 each.
Next are a collection of new Lower Decks character pins highlighting the show’s most recent season for $9.95 each — as well as the arrival of T’Lyn to the Cerritos crew with an autographed pin signed by actor Gabrielle Ruiz for $50.
FanSets — STAR TREK: LOWER DECKS Season 4 Pins
1 of 7
T'Lyn Autograph Pin
Rutherford ('Parth Ferengi's Heart Place')
Tendi ('Parth Ferengi's Heart Place')
Grand Nagus Rom ('Parth Ferengi's Heart Place')
Leeta ('Parth Ferengi's Heart Place')
Moopsy ('I Have No Bones...')
Moopsy ('I Have No Bones...')
You can see all of FanSet’s newest Star Trek offerings in their web shop.
* * *
Master Replicas may be done with Star Trek starships, but they’re not out of the final frontier! After quickly selling out of their first run of Moopsy plushes earlier this year, the company is returning to the animated world of Star Trek: Lower Decks with a new Badgey plush.
(Photo: Master Replicas)
There’s nothing better to cuddle up to than this plush version of Star Trek: Lower Decks’ Badgey. Sure, he’s a psychopath who wants to kill us all, but rendered in 10” plush, he couldn’t be cuter or cuddlier.
Badgey is the second in Master Replicas Lower Decks plush series and joins Moopsy, which is back in stock after a sell-out first run. Pre-order now to get the first edition, which comes with a limited-edition Badgey card.
Available for preorder at the Hero Within booth (SDCC #1943) will be a Captain Picard “Darmok”-inspired jacket, as well as this grey “Utopia Planitia Development Team” jacket meant to represent the designers of the Galaxy-class USS Enterprise-D.
(Photo: Hero Within)(Photo: Hero Within)
A fifth jacket meant to honor the 30th anniversary of Star Trek: Voyager will also be up for preorder at SDCC, however not at the Hero Within booth — for this one, you’ll need to head to Hero Within’s Energize Lounge pop-up located at 332 J Street in the nearby Gaslamp district.
(Photo: Hero Within)
Keep checking back to TrekCore over the next week for more Trek updates — including a new interview with Wil Wheaton where we discuss Wesley Crusher’s return in Star Trek: Prodigy, more new merch, and all the Star Trek Universe news from San Diego Comic Con next weekend!
While the last two episodes of Star Trek: Prodigy focused on setting up Gwyn’s life-altering temporal paradox, these next two entries turn their attention to a big complicating factor: the mysterious entity that’s been offering help… and leaving confusing messages for our crew to decipher.
The result is two fun ship-wide adventures that expand the puzzle’s clues enough for our heroes to formulate one of their famous cockamamie plans, sending them on the next phase of this journey in a quite familiar way.
The opening sequence in “Observer’s Paradox” is in the form of intermingled interrogation scenes, which has become something of a modern Trek staple. It is used to great effect here as a recap of the road so far. It’s a great way to help the episode stand alone in future rewatches — sometimes you might not want to do a full season rewatch, but might just want to watch the “Aquatic Murf Episode” again!
Questioning Murf isn’t as enlightening as Janeway hoped. (CBS Studios)
The interrogations are done particularly well, with lots of humor from the questioned and great exasperated looks from the questioners. My kids got a taste of what I’ve been experiencing with all the great Trek callbacks when Dal (Brett Grey) tries coffee and says, “Mmm this is way better with sugar!” They all laughed and my daughter said “Remember, Mom? He spit it out last time!” (I’m very lucky to have her here to explain all these references to me!)
The Voyager-A observation lounge is a really sleek set, with lots of beautiful LCARS panels and a long modern conference table. I really enjoy the scenes with Admiral Janeway (Kate Mulgrew) and her senior staff; listening to adults calmly discussing issues is soothingly Trek-esque. I’m glad this scene in particular exists, showing that Janeway holds no animosity to the Protostar crew for the wormhole accident. A less-understanding captain might not be able to show such perspective here, but she shares the responsibility for what happened like the true leader she is — and her senior staff follows her lead. I love that.
It was a real treat also in this scene to get some animation to animation love with the EMH’s (Robert Picardo) shout-out to the crew of the USS Cerritos from Star Trek: Lower Decks. Here’s hoping we get to see just why the Doctor thinks they are so dysfunctional in that show’s upcoming fifth season!)
Zero gets too much information about the Doctor’s newest holonovel. (CBS Studios)
Prodigy updates the ‘M’ in ‘EMH’ to mean ‘mentor’ in this episode, as we get some classic Doctor verbiage. His “AAAH” program sounds like a self-help descendant of his social lessons with Seven of Nine, and he becomes an easy mark for distraction when Zero (Angus Imrie) asks to hear more about his latest holonovel. (Bringing this back as a plot point in “Imposter Syndrome” was an unexpected great touch.)
Zero’s line about the Doc being called away “probably to add more Rodrigos to his holonovel” was such a great snide EMH burn that it sounded like something that could have come straight out of Tom Paris’s mouth. I guffawed.
The dialogue throughout this entire episode is particularly snappy — even for Prodigy, which is generally a really tight show. “Observer’s Paradox” is the first episode credited to writer Jennifer Muro and we will see this trend continue through the other episodes this season she has penned. She brings a breezy, cool vibe to her writing that elevates the show in an interesting way.
Our crew needed to distract the doc because they are on “restricted access” after everything that happened; we catch up to them grumbling about it in the mess hall like the principal gave them a detention. Poor Zero gets blown off by Maj’el (Michaela Dietz) who chooses to sit at the Nova Squadron “cool kids” table instead of with our crew. A Voyager mess hall hasn’t felt this much like a high school cafeteria since Paris and Neelix’s ridiculous spaghetti fight!
Zero tries and fails to capture Maj’el’s attention. (CBS Studios)
Murf (Dee Bradley Baker) stealing things from the gang while they talk was cute and the spiral he crafts out of his bounty leads the group to reconcile the individual messages they have all received from this mysterious entity. The mystery of Murf’s language is one that Prodigy has been ripe to explore for a while, so having this excuse to do it is a great way to make it count. And it’s such a fun ride!
Ella Purnell’s adorable delivery of Murf’s various oots and ooms — and Jankom’s (Jason Mantzoukas) universal translator run amok — were delightful false starts before bringing in their big gun: Rok-Tahk (Rylee Alazraqui).
More snappy dialogue, as in a really fun aside Dal and Gwyn take the time to appreciate Rok-Tahk and her scientific process:
Dal: “Oh I love this part! She gets that look when she’s close to a breakthrough.” Gwyn: “Shh! She’s hypothesizing!”
Prodigy is such a celebration of people using their brains to solve problems. It’s refreshing — and it’s a real treat to finally get to see Cetacean Ops, as its plot relevance really drives home how it’s a working part of the ship (and not just a cool easter egg).
The control room is sparse with just a few LCARS stations, which is great because it doesn’t distract from the real lure: the expansive wrap around windows into the enormous tank of water, where Gillian the humpback whale lives — named of course after her species’ caretaker. And the homage to the greatest Star Trek movie of all time doesn’t stop there, as Rok-Tahk uses the idea that whale song sounds different underwater as a framework for her hypothesis about Murf. Spock would be so proud of her!
The control room in Voyager-A’s cetacean ops. (CBS Studios)
Rok-Tahk goes with Murf down to the water’s entry point and they jump in together. The underwater animation is really well done, both through the windows and inside the tank. Rok sinks in exactly the way you would expect a rock person to sink. A hug for luck is a sweet touch as Murf swims away… and transforms into a ethereally beautiful sea creature with a delicate tail and fins, bathed in a magical glow.
At this, my daughter let out a squeal of delight, the frequency of which made it only easily understood underwater. Murf’s first transformation last season got mixed reviews from my kids, at least until they got used to the “new” Murf. This transformation was a unanimous winner right away. An incredible surprise, executed perfectly. Murf and Gillian together is such a moment of pure Star Trek joy: we aren’t participants, but observers, of this unique communication between two vastly different life forms from different planets coming together and all we can do is just relax and take in the beauty of it all. A special scene.
As an aside, Murf’s new look took me back to my own childhood in the 1980s when the My Little Pony people invented “sea ponies” in a cynical attempt to sell more toys. Upon watching this episode, I suddenly wished Prodigy had that problem. I would pay a lot of money to get my hands on an “aquatic Murf” action figure (Gillian sold separately of course).
Anyway, now we seemingly have all the pieces of the puzzle, as Gwyn and Dal found the spiral in the database: a petroglyph from Chakotay’s heritage (tying back to “Tattoo” of all episodes!). And Murf adds “FIND ME” (Dal’s “Fin-dee me” made me laugh) and quantum coordinates. Gwyn bravely sets her temporal stabilizer to the coordinates and disappears.
Recalling Chakotay’s alien encounter in “Tattoo.” (CBS Studios)
Beautiful animation and direction as her Contact-esque experience elicits the same mix of panic and awe as Dr. Ellie Arroway’s trip through the cosmos in that film. After receiving the next, more ominous, message — “FIND ME BEFORE THEY DO” — Gwyn snaps back into our universe and knows where they have to go to find the source of the messages.
Meanwhile, as Tysess (Daveed Diggs) says, “strange things are afoot” at the Circle K in the cargo bay as Janeway and the senior staff wonder about the mysterious entity as well , while looking at the Infinity and it’s mysteriously-restored power. (A great some kind of here: a cascading photovoltaic loop.)
Janeway then gets orders from Admiral Buzzkill to collapse the wormhole. Jellico is the worst, but of course actor Ronny Cox continues to be the best at being the worst. The collapse of the wormhole, and seemingly all hope of finding Chakoay, is given the affecting moment it deserves: the bridge crew stands to honor both Chakotay and how Janeway must be feeling at this moment.
The memory Janeway has of the petrogliph, a gift from Chakotay, among her fabulous collection of easter eggs. The inclusion of a touch of a compact mirror, a nod to Kirsten Beyer’s story “Isabo’s Shirt” in Distant Shores (and to J/C shippers) as this was also a gift from Chakotay.
Kate Mulgrew does a beautiful job of meeting the gravity of the moment as, for the only time in all her years of playing Katherine Janeway, she lets her voice quiver when she gives the order to close the wormhole. But we can’t give up on Chakotay yet, not when both the Voyager-A senior staff and the Protostar gang wonder if he just might be our mysterious entity.
Janeway remembers her last moments with Chakotay. (CBS Studios)
Under the guise of astrometrics homework (“I can’t believe he fell for that!” my daughter laughed, when the EMH leaves them to it), the gang determine where in the galaxy the mysterious entity wants them to go and formulate a plan to get there. As is their way, they are going to “borrow” another ship — this time, the Infinity.
“Imposter Syndrome” opens with the seemingly nonsensical situation of the Protostar crew attacking Dal. My kids guessed that it was a dream until the “24 hours earlier” popped onto the screen. Ooh, I love the in medias res trope! My kids perked up at that as well — I’m not sure if they’ve ever encountered that particular plot device before, but they were into it. They thought it was really cool when we finally “caught up” to the beginning.
The idea of the holo-duplicates really shines. Rok-Tahk “tidying up the code” is a good enough excuse to me why they are so convincing (she’s definitely their science genius!). The who’s-who hijinks last just the right amount of time to maintain their maximum humor without the joke getting old. Dal vs. Dal, Jankom vs. Jankom, and Rok-Tahk plus Rok-Tahk are all interesting and enjoyable takes on meeting your double.
Double the crew, double the chaos. (CBS Studios)
The solution is a simple one — that is, when you have two Roks working together! — and it’s fun to see the shipwide holoemitter reset affect the EMH and the criminally underutilized Dr. Noum (Jason Alexander). However, I was disappointed when he asked the holodeck for a tropical retreat and we didn’t get to revisit Voyager‘s luau program.
(There just might have been a disconnect somewhere, in either time or budget, because instead of a tropical retreat the Tellarite was enjoying the same creekside country setting seen in last season’s chicken/fox/grain puzzle.)
We were treated to another familiar locale however as Rok recreated the Protostar in the holodeck because “It’s just easier to think here”. A lovely nod to her alone time in “Time Amok,” as this was her home for we don’t know how long, as she taught herself science.
The senior staff is cramping their style with all their support, as Janeway gives the gang a pep talk that is suspiciously faith of the heart-y while both organic and photonic crews are on the deck. Tysess gives them a support speech as well when he runs into Dal and Gwyn scouting, and inadvertently gives them the info they need to steal the Infinity. His hearty laugh is one of the best things I’ve heard so far this season, and this Andorian is becoming a low-key favorite character.
It’s the EMH, though, that could really thwart their plans — as the hologram corners the group as they rush to make it to the Infinity in time. Luckily, Maj’el proves herself as one of the team after all as she takes a deep breath… and inquires about opera lessons. I truly love that they distracted the Doctor like this two episodes in a row; he is such an easy mark and it’s hilarious. Maj’el and Zero’s psychic connection is wonderful, and I can not help but ship it.
One masked emergency-transport signal and some mixed-up holograms later, and our crew is blasting off on a ship by themselves again. It feels right!
Escaping on the Infinity. (CBS Studios)
Stay tuned for our next Star Trek: Prodigy review, covering Season 2’s “The Fast and the Curious” and “Is There in Beauty No Truth?” in a few days!
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
The gang at Factory Entertainment is back this month with the next entry in their line of Star Trek: The Next Generation prop replicas — a year after its prototype made a splash during the 2023 convention season.
Check out this exclusive video shared with TrekCore ahead of today’s debut, showing the medical tricorder replica’s functionality, sound, and display:
Factory Entertainment’s Mark VII Medical Tricorder replica features a working LED screen with active animation based upon which scan mode you select, lighting and sound which activate when you open the tricorder’s lower flap, and a removeable medical hand scanner with its own lighting and sound components.
The tricorder body itself is cast in a metal alloy (and weighs a hefty 1.4lbs!), while the hand scanner is made from machined aluminum — and is held inside the upper slot using integrated magnets when not in use.
The scanner will not just be a re-issue of the hand scanner from their 2022 hypospray set,as that version was based upon the TNG Season 1 / Season 2 design which had no green lighting around the scanner’s perimeter. This one is more accurate to the later-season version which does have the flashing green lights, as well as green lighting inside the scanner slot at the top of the tricorder body.
GEO, MET, and BIO scan modes. (Photos: Factory Entertainment)
Of note is the digital display, which can showcase one of three separate animated scan readouts (with designs based upon original tricorder display art created for The Next Generation).
The shape of the screen is a bit more square than those screen-used tricorder props, which Factory Entertainment tells us is due to the lack of commercially-available LED displays for the sizing required to be a more rectangular shape.
(Photo: Factory Entertainment)
The red “PWR” light is also a modification from the original design: rather than a flush light behind the applied surface graphic, the replica has a slightly protruding “PWR” light which was deliberately designed in as a way to quickly activate the ‘ratchet’ sounds which accompanies the opening flap — and to avoid any potential delay in sound activation using other flap-open detection methods.
Here’s what Factory Entertainment says about their medical tricorder reference research:
The original props ranged from rudimentary non-functional resin items, with flat two-dimensional decals to suggest details, to more elaborate hero props made with vac-formed plastic shells containing a limited amount of integrated electronics. Different Mark VII Medical Tricorder props were produced at different times over several years, resulting in some variances among them.
Factory Entertainment’s Mark VII Tricorder replica has been created after careful study of various source materials, including resources in the Paramount Archives and authenticated items in private collections. It is intended to capture the best features of all the different original Mark VII Medical Tricorder props in a single blended execution. The replica includes a removable Hand Sensor.
To replicate the effects seen on-screen, our replica uses a functioning LED screen with multiple user-selected animations, rather than the static slides used on the original props. None of the original props featured any audio. Audio has been incorporated into the both the Tricorder and the Hand Sensor to simulate the audio effects heard in the show, which were added in post-production as part of the soundtrack.
(Photos: Factory Entertainment)
The unit charges with USB power — the upper section of the tricorder (which houses the hand scanner) disconnects from the main body, and you simply plug a cable into the main body power-up. The battery in the body then powers the lighting in the upper section once reconnected. (The hand scanner is battery-powered.)
Like their other Next Gen prop replicas, the Factory Entertainment medical tricorder replica comes in its own wooden display case. But don’t fret, if you prefer to display the tricorder in its open mode out of its wooden case, sound and lighting shuts off automatically after 90 seconds so it won’t kill the battery.
Factory Entertainment — STAR TREK: TNG Medical Tricorder Prop Replica
For Star Trek fans headed to San Diego Comic Con this week, you can check out the nearly-final prototype tricorder at the Factory Entertainment booth (#2743), or you can also stop in and see the Factory Entertainment team at Creation Entertainment’s Star Trek: Las Vegas convention which runs August 1-4.
Check back to TrekCore often for the latest in Star Trek collectibles news!
The number of known Star Trek: Starfleet Academy cast members has risen to seven, as today Paramount+ has announced the next two additions to the upcoming series’ ranks.
The newcomers will be starring as Academy cadets, just like the Brooks/Shepard/Hawkins trio announced on July 9.
Karim Diané (Photo: Paradigm) and Zoë Steiner (Photo: Steph Cammarano)
Here’s today’s official press release on the casting.
July 18, 2024 – Paramount+ today announced that Karim Diané (One Of Us Is Lying) and Zoë Steiner (Significant Others) have joined the cast of the original series STAR TREK: STARFLEET ACADEMY. The upcoming series will follow the adventures of a new class of Starfleet cadets as they come of age in one of the most legendary places in the galaxy. Produced by CBS Studios, the new series will begin production later this summer.
Diané and Steiner will play cadets, joining previously announced cadets Kerrice Brooks, Bella Shepard and George Hawkins, as well as cast members Holly Hunter as the captain and chancellor of Starfleet Academy, and Paul Giamatti as the season’s villain.
STAR TREK: STARFLEET ACADEMY introduces viewers to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.
Diané recently starred in the hit series One Of Us Is Lying and opposite Gabourey Sidibe in 1266. He will next be heard in the This American Life podcast in the episode “Afrikanas.” Diané is a Guinean singer and actor who started his career as a contestant on The X Factor. After a series of short films, in early 2017, Diané landed his first recurring role in the second season of the series StartUp.
Steiner recently made her professional debut in the lead role of Hanna in Significant Others. Born and raised in Melbourne, Steiner was drawn to cinema and the films of Old Hollywood from a young age. Upon graduating from 16th StreetActors Studio in Melbourne, Zoë studied intensively under Lenard Petit at the Michael Chekhov Acting Studio in New York. She has trained with Carl Ford, Lisa Robertson, Iain Sinclair and Les Chantery. She is committed to raw, truthful storytelling. She holds a Bachelor of Arts from the University of Melbourne.
Like the other cadets, the studio has not yet revealed any details about these actors’ characters — not even their names — so stay tuned for more as the Star Trek Universe will reveal more about Starfleet Academyat San Diego Comic Con on July 27.
Star Trek: Starfleet Academy is in preproduction now.
Star Trek: Prodigy is back! The animated series’ second season contains an avalanche of references to previous Star Trek shows and movies to help center the show within the wider Star Trek canon, tease younger viewers about all the fun waiting for them in more than 900 other episodes of Star Trek, and reward the longtime fans and deepen their enjoyment of what they’re watching.
With 20 new episodes, we’ve revived our Canon Connections series to recap the references, callbacks, and other cool Star Trek ephemera from the season’s first four episodes: “Into the Breach,” “Who Saves the Saviors,” and “Temporal Mechanics 101.”
* * *
“Into the Breach, Parts I and II”
Polygeminus Rex — Rok is in the middle of a presentation when she receives her summons from Janeway, about how she has potentially invented a way to slow the reproductive rate of the tribbles. In her presentation, Rok namechecks both Edward Larkin (the idiot from the Short Trek “The Trouble with Edward”) and one of the tribbles scientific names, “Polygeminus Rex”(which appeared on a chart in Keiko O’Brien’s classroom in the first season of Deep Space Nine.)
The Doctor and his Holonovels — The Doctor makes his first appearance in Star Trek since “Endgame,” with the first of several of the famous “I’m a doctor, not a…” catchphrases — and a reference to his holonovel“Photons be Free” from the late Voyager episode, “Author, Author.”
Voyager-A — The Voyager-A is in drydock in orbit of Mars, strongly implying it is docked at the Utopia Planitia shipyards above that planet. The Doctor makes reference to the original Voyager being part of “a floating museum,” as seen in Star Trek: Picard’s third season.
Romulan Evacuation — The Doctor also namechecks the ongoing evacuation of Romulus, which at this point is being directed by Admiral Jean-Luc Picard to evacuate the Romulan homeworld (and surrounding colonies) to save people from the effects of the expected Romulan supernova.
Slipstream — The Voyager-A is equipped with a slipstream drive, a technology discovered by Voyager on its journey to the Alpha Quadrant (and seemingly perfected upon their return to the Alpha Quadrant).
Cetacean Ops — Seen in more detail later in the season. Prodigyis the second show to depict Cetacean Ops (after Lower Decks), a starship locale obliquely referenced in The Next Generation episode “The Perfect Mate,” after being initially created as a concept for the Star Trek: The Next Generation Technical Manual.
Turbolifts Move Both Ways — After many years of being seen in ship schematics and in action sequences like Discovery’s “That Hope is You, Part II,” it is only now confirmed in dialogue that turboliftsin the 24th century move both vertically and horizontally through the ship to get its passengers to their destination.
First Contact Protocols — Gwyn thoroughly reviews Starfleet’s First Contact protocols before arriving on Solum. These are the formal set of rules and procedures that govern the Federation’s First Contact processes, previously mentioned in episodes like DS9’s “Captive Pursuit,” and Discovery’s “Si Vis Pacem Para Bellum.”
Nova Squadron — Maj’el is a member of Nova Squadron, the elite corps of Starfleet Academy cadets established in the Next Generation episode “The First Duty.”
Vulcan Telepathy — Maj’el states that Vulcan telepathy is enhanced in the presence of other telepaths, something we’ve seen in previous Star Trek episodes like Voyager’s “Random Thoughts.”
Delta Radiation — Zero contends that warp cores are beautiful up close because of the delta radiation that they emit, which was first established in “The Menagerie, Part I” and seen in later Star Trek episodes like “In a Mirror Darkly, Part I.”
Sonic Toilet — After years of references to sonic showers in Star Trek, we get our first-ever reference to a sonic toilet. The bidet of the future, I suppose?
“Who Saves the Saviors”
Vulcan Headband — Maj’el hides her Vulcan heritage with a headband, just like Spock in Star Trek IV: The Voyage Home.
A Closed Loop — While discussing their need to make their trip to the future a closed time loop, so that the Protostar returns to Tars Lamora, Maj’el provides examples of other closed temporal loops: the Bell Riots (seen in the Deep Space Nine two-parter “Past Tense”) and the “Cochrane warp tests,”a reference to Zefram Cochrane’s first flight of the Phoenix in Star Trek: First Contact.
Vulcans Don’t Lie — Maj’el repeats the often-cited fact that Vulcans don’t lie, echoing Spock from episodes and movies past like Star Trek IV: The Voyage Home.
Galactic Traders – Dal and crew hide their identity from Captain Chakotay and Commander Adreek by posing as “galactic traders,” likely a winking nod to Kirk and Spock’s disguises on Organaia in “The Errand of Mercy.”
Hello Again, Old Friend… — When Dal lays eyes on the Protostar, he says “Hello again, old friend…” echoing Captain Jean-Luc Picard’s words upon returning to the USS Stargazer for the first time since it was abandoned after the Battle of Maxia in “The Battle.”
In Another Time… — Dal tells Chakotay that “I’d like to think in another time, we could have been friends.” The Romulan Commander said the same words to Captain James T. Kirk at the end of their battle in “Balance of Terror” (and to Captain Pike in the Strange New Worlds episode “A Quality of Mercy”).
Chronitons and Tachyons — As the timeline changes, Voyager detects chroniton emissions and tachyon irregularities, two common side effects of time travel as seen in episodes like Voyager’s “Before and After” and “Fury,” and The Next Generation’s “All Good Things…”
Vulcan Never Pinch or Hand Chop? — When Chakotay calls out Maj’el for her Vulcan Nerve Pinch of a Solum baddie, Dal says, “A Vulcan what? That was more of a hand chop. Everyone does that.” Surely a salute to the myriad of hand-chopping happening in Star Trek through the years.
“Temporal Mechanics 101”
Sacagawea — Gwyn’s shuttle was the Sacagawea. A shuttle of the same name was part of the complement of shuttles on Voyager, and appeared in Season 3 episodes like “Macrocosm.”
Cryptic Text Messages — Using a cryptic text message to set a character on a particular direction is a favorite of Wesley Crusher, as previously seen in Picard Season 2.
Quantum Signature — Gwyn’s quantum signature is displaced by changes to the timeline. The quantum signature is a specific marker for identifying which timeline someone originates from; it was explored in most detail in The Next Generation episode “Parallels.”
Interspatial Flexure — The wormhole is referred to as an interspatial flexure, a specific type of wormhole first named in Voyager’s “Counterpoint.”
Phase Discriminator Temporal Stabilizer — The Doctor invents a device that allows Gwyn to continue to exist in the timeline despite its changes, utilizing a phase discriminator. A similar armband allowed Picard, Data, Geordi and Deanna to travel between different temporal states in “Timescape.”
Stellar Cartography — Murf’s meeting with the mysterious light being (who later turns out to be Wesley Crusher) takes place in the ship’s Stellar Cartography lab, modeled off the version of Stellar Cartography seen in Star Trek: Generations.
We’ll be back with more Canon Connections soon, covering the next four episodes of Prodigy Season 2. Did we miss any of your favorite connections? Share them in the comments below!
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
Star Trek: Prodigy Season 2 one of the most scientifically-twisted storylines in recent memory — with multiple wormholes, travels to parallel universes, several rounds of time travel, temporal paradoxes, and more.
Guiding the series writers through this timey-wimey adventure is Star Trek franchise science advisor Dr. Erin Macdonald, who has spent the last several years helping out on different series behind the scenes — and is now on the upcoming Starfleet Academy series.
We had the opportunity to chat with “Doctor Erin” this week about her background, the challenges of balancing the science in science fiction, and more.
The 24th century version of Dr. Erin Macdonald, first seen in STAR TREK: PRODIGY Season 1. (CBS Studios)
TREKCORE: Famously, we know you’re a PhD in astrophysics, but I was wondering a little bit about what your focus was — or any particular research topics you’re interested in within that broad field.
DR. ERIN MACDONALD: Yeah, it’s broad, for sure! I started out as an undergrad doing research at the University of Colorado, where I was doing my undergrad degree, and I studied radio astronomy. That was my first sort of passion which was exciting for me because originally what got the bug in me to be an astronomer was Contact and Jodie Foster’s character, Dr. Ellie Arroway. The first time I got to go to a radio telescope and hit the button and the whole thing moved, I was like, “I did it. I’m in Contact. I’m Dr. Arroway!”
I did that, and then I was looking for PhD positions, and I really wanted to live overseas. My family’s from Scotland; we’d been there a bunch when I was a kid and I wanted to go back. I didn’t have time to study abroad when I was an undergrad, and their PhD programs fit what I was looking for just in terms of time and depth and all of that.
And so I applied to a bunch of them, and I ended up speaking with a professor at the University of Glasgow who had come from radio astronomy, but was now working in gravitational waves.
I’m looking for more people with this background,” he told me. “It’s mostly people with a engineering, science, physics background who are building detectors. Now, we need people who kind of understand the astrophysics side of it and why neutron stars do what they do and all of that stuff.”
So I got pulled into gravitational waves. I was with the LIGO Collaboration and this was all before their Nobel Prize-winning detection. It was a very small community at that time. And 2014 is when I left academia…. and in 2016, they detected them and won the Nobel Prize, which is fine. (Laughs)
— Star Trek on Paramount+ (@StarTrekOnPPlus) January 4, 2023
TREKCORE: I can see how that translates to the type of science used throughout Star Trek. So how did you land a job as the franchise’s official science advisor?
MACDONALD: I didn’t discover Star Trek until I was in college as an undergraduate. I didn’t grow up in a sci-fi household — I watched The X-Files in secret –but I like to joke that the Venn diagram of physics majors and Star Trek fans is almost a perfect circle.
I was very much exposed to Star Trek in my undergraduate and fell in love. I mean, it’s absolutely my alley. When I was living in Scotland, and I fell in love with Voyager — I just watched Voyager all the time because of Kathryn Janeway. I just loved her, and felt like she was a mentor to me. She was the type of woman I wanted to be.
Because I didn’t have a career plan — I just wanted to do a PhD, and I didn’t know what I was gonna do after that — I wanted to give up a lot. And every time I would, I would watch Voyager and I would be like, “Oh, Janeway would be so disappointed in me if I quit. I have to keep going!”
But I was also procrastinating a lot by watching Voyager, watching science-heavy episodes and trying to figure out how warp drive worked — really dissecting the science in the show. When I eventually got into aerospace engineering, I missed teaching so much that I would go to conventions and just give talks on the physics behind warp drive, that sort of thing… and that’s where those things began to intersect.
TREKCORE: So you have your head-canon ideas about how all the Star Trek science works, and now you get to actually invent those and put them into the show!
MACDONALD: Exactly!
TREKCORE: Prodigy Season 2 must have been very challenging because of how deep it goes into theoretical physics — and then spreads it out over multiple episodes versus, like, a science of the week. What was the process there?
MACDONALD: Thankfully, for Season 2 of Prodigy, I was involved pretty much right away — so as they were coming up with ideas like Chakotay’s struggle to power up the ship in “Last Flight of the Protostar.” I’m proud that we really drove home that dilithium is not the fuel for a starship — that you need matter and anti-matter, that’s how it works. I’m like, “Yes! We got that across.”
But really, all the time travel was a huge challenge, like that scene at the end of “Ouroboros, Part 2” when Wesley and Rok-Tahk and Zero are all trying to figure out the timeline. Like — that was us. We were sitting there and I just felt, “I feel like this can close… we don’t need to have sort of these branching wormholes that are just kind of like abandoned or snipped off. This can be one whole path for the Protostar to go through.”
So that’s how we ended up doing it — and the little touch that I just love so much is the badge that Dal leaves on the bridge to close the loop back to the series premiere. It’s just so good. As a sci-fi time-travel fan, I love that you can go back to watch the pilot and know how much more it means. I get chills thinking about it!
Dal learns about temporal mechanics. (CBS Studios)
TREKCORE: I have three kids, and they love Prodigy, and they were very excited to hear that I was talking to their Temporal Mechanics 101 professor! So this one’s from the kids: How do you know about so many different kinds of science — and how do you research outside your comfort zone?
MACDONALD: Well, one of the things you learn when you become a scientist is how to ask the right questions and interpret results — and how to know what is trustworthy.
If I get presented with a problem that I don’t know the answer to — which can happen, since I don’t have a background in biology or medicine — I either will call an expert, or I will try to find what information I can. Because I have scientific training, I have enough background knowledge that I can kind of filter through to the right answer, and then interpret that in a way that will make sense to everyone else.
The best training that I got in doing that was working at a science museum — that’s the best training you can get to be a science communicator. You’ll talk to all sorts of people there, from a five-year-old who just learned about black holes to a retired aerospace engineer who wants to hear about the Mars program… and you do that for hours a day, every day.
I learned a lot, and I got comfortable saying, “I don’t know.” That’s a huge hurdle to get over, especially if people are coming to you as an expert, to say “That’s a good question. I actually don’t know the answer. Let me look it up.”
TREKCORE: After that humble start, What does it mean to you, now that you have a wider reach as a science communicator and ambassador?
MACDONALD: It’s really wonderful — and I feel like it’s important for people to see that I am a multifaceted human. I have a lot of tattoos, I love heavy metal music, I play video games… but I’m also a scientist. I think the more representation we can get out in front of people where they can say like, “Oh, that’s cool. I can like all these things, and I can be a scientist, too!”
So many times, we feel like it’s a very monolithic identity that people are assigned as scientists. The best compliment I’ve ever been paid was when someone called me the “Julia Child of science,” and I was like “That’s what I wanna be!”
I want to be someone who is comfortable in their authentic self and their identity — because being a genuine, enthusiastic person can make people excited and also make hard things accessible. That’s what I love doing.
Introducing the concept of time travel to Starfleet cadets. (CBS Studios)
TREKCORE: So I don’t often get a chance to pick the brain of an astrophysicist — so let me ask you some science questions! Do you think time travel is possible?
MACDONALD: So I think time travel in terms of like, “Press a button and go anywhere!” is not possible. My training is on mathematical explanations of space-time — we have little coefficients in front of space, which means I can move within space as much as I want, in whatever direction.
Time, though, that’s a fixed constant — and there’s nothing we can do to manipulate that. Our current understanding doesn’t allow us to mess around with the time dimension… but there are ways that we can change it a little bit.
There’s the idea of time dilatation — that you can travel close to the speed of light, and experience time at a different rate, or gravitational time dilation, which I think people are most familiar with. There’s a great Voyager episode called “Blink of an Eye” about that, but more commonly people probably know Interstellar, right?
When you’re on the surface of a planet in a deep gravity well, you experience time differently than people outside that gravity well — and that is true. We experience time slower on the surface than GPS satellites, and they actually need to account for that time difference if you want to know exactly where you are.
That’s a practical application, but that’s us just experiencing time slower. We’re still not controlling it.
TREKCORE: What about multiple universes?
MACDONALD: I do believe in multiverses. My favorite multiverse theory is something called the dripping black hole theory, which is where you get a black hole in our universe, which then merge, then grow, then migrate to the center of galaxies — and that’s where we have supermassive black holes. All of this matter is falling into it, and it’s converting it into energy. It’s tearing it apart.
We don’t know what really happens in there, but the dripping black hole theory is that it reaches a critical mass or critical amount of energy, and it explodes, and it gives birth to it. That’s the Big Bang in another universe. And so now that expands, all of that energy starts condensing into matter, and then it continues expanding because of all of the material that’s continuing to fall into the parent black hole. And so it’s like this dripping black hole image like it’s black holes all the way down. That’s my favorite multiverse theory.
TREKCORE: So we probably couldn’t travel in between universes.
MACDONALD: Not yet. Not unless we could figure out how to get inside a black hole and not die! (Laughs)
Crossing universe? Probably not very likely. (CBS Studios)
TREKCORE: I’m assuming that your theories and views on that have changed since you first started watching Voyager, where I think they did an excellent job of being kind of “of the moment” with all these ideas. Do you have a favorite example of a cutting-edge idea that you’ve proposed for the modern Trek shows?
MACDONALD: We did some really fun stuff in Discovery, especially with the DMA and the idea of dark matter, gravitational waves, and all of that stuff — this sort of roaming black hole. Those were all sort of really interesting things. I also loved the challenge of the musical episode of Strange New Worlds.
It’s so funny because we have, you know as a Star Trek fan, there’s a lot of random, goofy episodes, and when I get presented with anything like that, I’m like… just don’t explain it. It’s fine.
But when Strange New Worlds wanted to do a musical, they insisted: “This is Star Trek, there’s going to be a scientific explanation for the musical.” So that’s how we ended up with the explanation about knitting multiverses together. It was a fun challenge, for sure.
Then, weirdly — and I haven’t really talked about this yet — there’s an episode of Prodigy where they land on a planet and Rok-Tahk goes, “Oh, it’s sulfur and hydrogen sulfide.” We were writing that when the Hyperion plant here in LA had an accident, and it smelled awful because of the hydrogen sulfide in the atmosphere.
So we knew exactly what chemicals they’d be smelling! (Laughs)
TREKCORE: What’s the most outlandish thing the writers have tried to slip past you? Have there been any times when you were just like, “Uh, no.”
MACDONALD: I will say that the most outlandish thing — they didn’t try to slip past me, but they definitely were like, “We’re sorry!” — was just the concept of the protostar drive in Prodigy, having the star contained within the ship.
I didn’t join the show until they already had their ideas planned out for Season 1, and they had the idea of the protostar engine very early on. We came up with a good explanation — that it’s this super dense, really hot material that doesn’t give off much energy — and then we used these gravitational compressors to condense it even further.
That causes it to start fusing — which happens inside a star — and that gives off the energy needed to build a wormhole for the warp bubble to go through. Then in Season 2, they said, “Oh, we’re actually going to build a protostar.”
TREKCORE: Like, come on, guys! (Laughs)
MACDONALD: It was exotic matter! (Laughs) Let’s do it. Sometimes it’s just easier to throw those words in there and just let it be.
‘Dr. Erin’ takes her cadets to the next level. (CBS Studios)
TREKCORE: And then with the ‘pretend’ science, how do you contribute to that? Like, when to call back to something like Worf’s universe hopping in “Parallels,” or the interspatial flexure from “Counterpoint”?
MACDONALD: I’m so glad you mentioned the interspatial flexure! “Counterpoint” is my favorite episode of all Star Trek. It’s my favorite one — and that scene is one of my favorite scenes in my favorite episode of all Trek.
TREKCORE: It’s one of Janeway’s best episodes.
MACDONALD: I have been wanting to work interspatial flexure into Star Trek as much as possible, and we did it twice in Prodigy — once in the finale, and one in my Temporal Mechanics 101 explainer video — and it makes me so happy. But, I mean, that is part of my job, too; to be the keeper of the Star Trek science and to really understand it.
Thankfully, I’m a fan, and I don’t have to go through 800 episodes every time we have a question about things. There are a lot of times I can just call up two or three episodes to watch to cover a certain topic.
TREKCORE: Right, yeah. We can find something to justify this.
MACDONALD: That went back to my first job, which was for the Burn in Discovery Season 3. I had to go back to research dilithium, and was like, “Okay, how have we talked about dilithium in the past? What can we do different here?”
TREKCORE: So we know future you teaches Temporal Mechanics 101 and Temporal Mechanics 201 — but what would be your dream class at Starfleet Academy?
MACDONALD: Definitely Warp Mechanics or Warp Theory, either as a student or teacher. But I really want to know all the details that humanity has figured out through the Cochrane era up until the ‘now’ of current Star Trek.
Since I was in graduate school, I’ve loved Starfleet Academy. That’s really all I wanted to do — but that wasn’t a job option, I bought a license plate frame for my car that said “Starfleet Academy Faculty member,” and still have it on my car today.
And now it’s legitimate!
This interview has been edited for length and clarity.
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
On this week’s episode of WeeklyTrek — TrekCore’s news podcast — host Alex Perry is joined by TrekCore’s own Jenn Tifftto discuss all the latest Star Trek news.
This week, Alex and his guest discuss the following stories from TrekCore and around the web — starting with a special interview with Prodigy creators Kevin & Dan Hageman.
In addition, stick around to hear Jenn’s opinion that more fans should just relax and enjoy their head-canon ideas, and Alex’s opinion that Star Trek: Prodigy Season 2 provides a superior adaptation to a story from a seminal Star Trek book series.<
WeeklyTrek is available to subscribe and download each week on Apple Podcasts, Google Podcasts, and Spotify— and we’ll be sharing the details of each new episode right here on TrekCore each week if you’re simply just looking to listen in from the web.
Do you have a wish or theory you’d like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!
The first season of Star Trek: Prodigy delighted Voyager fans as Kate Mulgrew and Robert Beltran extended the story of Kathryn Janeway and Chakotay — and to up the Delta Quadrant delights for year two, Robert Picardo returned to the final frontier to reprise his role as the Emergency Medical Hologram.
We had the chance to speak with Picardo as Star Trek: Prodigy beamed the Star Trek: Voyager star aboard the USS Voyager-A to mentor the animated series’ Starfleet hopefuls.
The Doctor meets one of his biggest fans. (CBS Studios / Netflix)
TREKCORE: How did you feel about reprising your role as the Doctor — and how do you think Prodigy handled the character?
ROBERT PICARDO: Well, because Kate Mulgrew and I are such close friends, I had heard the Prodigy team was thinking about Season 2 and were interested in bringing back the Doctor. She was very secretive, of course — we have to be with these sort of things – but I knew then that they were at least thinking about it.
So I wasn’t exactly surprised when they reached out to me. I didn’t know what I’d be doing, of course, but when I started to read the scripts, it was fun to see how well they used the character. How they played upon how much he loved talking about himself; that he was still self-absorbed and delighted to talk about whatever holo-novel he was working on.
They were writing very well for the Doctor as comic relief — but they also gave me some very nice dramatic moments, where his counsel is sought by Janeway… or hologram Janeway. Some moments where the chips are down, and he has to try and save Gwyn’s life, and all that. So I liked that it was fully fleshed out — there was his humorous side, but that in a dramatic situation, he still could make a serious contribution to solving the problem.
TREKCORE: Was it tricky to get back into character?
PICARDO: Well, the interesting coincidence is that during COVID — because this all started when they first approached me back during lockdown — I had started a YouTube channel, inspired by Brent Spiner who had done a hilarious video series. I just thought that was a great way to keep up your skills as a performer, but also give loyal fans little gifts of amusement.
My daughter Gina suggested I do something that was sort of Star Trek-related, and after thinking about it a bit I decided to start doing famous speeches from my time on Voyager, performed in a beautiful, natural setting. So I did these things I called ‘technobabble al fresco,’ like 20 or 30 of them. Most were word-perfect from Voyager episodes, but then I starting having some fun trying to fool the fans who were watching – and I would make up something that sound like it might have been from Voyager.
So when I heard from Prodigy, I had been doing this for a couple of months and the Doctor’s voice was already in my head — because I had reviewed some of Voyager, which I really hadn’t seen in a while, so that I could perform these videos in character.
TREKCORE: Did you have any input on the Doctor’s new animated look?
PICARDO: We get approval, so they sent it to me — and as I recall, only had maybe one note. I don’t remember what it was. They make us look trimmer and younger, obviously, so I like the way the character looks. I mean, I wish I looked that good!
You know, it’s more about capturing essences. Certainly they get a lot of our features right — I mean, Janeway is clearly identifiable as Janeway — but it’s important that we’re not photorealistic. That wouldn’t fit with the other art in the show.
So I think they found a very nice balance of taking all of our features and fitting them into the Prodigy world.
TREKCORE: Did you have to change your performance much to fit with the animated presentation?
PICARDO: Mostly I just tried to pitch my voice up into the same register as when I was doing Voyager. As I’ve gotten older, my voice has gotten lower, but even back in the day on Star Trek there was a lot of artifice that was intentional on my parts — like in Season 1 and 2, where the Doctor really talked like he was just listening to his own voice. I wanted him to be a bit more machine-like, in his posture and intonation, so that as he became more human everything would slowly and subtly change.
I don’t like my performance in the first two seasons of Voyager! (Laughs) You know, the rather snooty way that I talk, it just seems so mannered that now I think, “I can’t wait until I start to get a little more human!”
But I think it worked well for the character, because you wanted to see a newly-activated, never-tested artificial intelligence. It had to be something with a place to go. Once I understood the basic arc of what the writers had in mind, I was happy that I started with that artifice… but I still don’t enjoy most of my earlier episodes, for those personal reasons.
The Doctor back in action with Admiral Janeway and Captain Chakotay. (CBS Studios / Netflix)
TREKCORE: Have you ever been approached about coming back to Trek in live-action — would you be interested in that at all?
PICARDO: I was completely enchanted and delighted by all of my Star Trek colleagues from The Next Generation coming back for Picard Season 3, which was a spectacular success. Terry Matalas was an assistant to Brannon Braga on our show; what a brilliant job he did in conceiving that.
I thought they had carefully thought out where the characters were now, what had happened in the intervening years — how they had changed, how they had stayed the same, how they had grown. All of that was done so well that I wouldn’t be surprised if in the future, they do consider bringing some of the other legacy actors back. I’ve seen videos where Kate has tried to put Alex Kurtzman on the spot about it. (Laughs)
It would be delightful, of course, but there is zero talk that I am aware of — ZERO! — of a Voyager reunion, as much as I would love that. (Laughs) The fans, I think, would like it, after seeing what Picard did… even as a one-off thing, now that Star Trek is doing kind of what Star Wars is doing, with Section 31 and the amazing Michelle Yeoh.
I loved her character on Discovery, and I think it’s great that they can now take something and do what never seemed possible before. A reunion movie made just for the streaming platform, and not need to do a theatrical feature release? All of that seems possible, but like I said there’s zero talk that I’m aware of. I can’t speak for my Voyager colleagues, but have to think they’d all be interested in doing something like that.
Maj’el isn’t so impressed with the Doctor’s “Dirk Danger” holonovel pitch. (CBS Studios / Netflix)
TREKCORE: Then if Prodigy were to continue, I assume you’d enjoy spending more time as the Doctor in animation?
PICARDO: I hope! The Hagemans are just very good writers, and lovely people. The love Star Trek, they love the show, and most importantly, they love the new characters they’ve created — these would-be cadets. Their looks are all so unique, and so are their voices. The great thing about animation is that you can do things that are so imaginative… but are still a bit beyond what you could do in live-action. The look of the show is just delightful.
You could tell how it not only captures young audience members, but it’s the kind of thing where adults could watch it alone, or sit down and watch it with their kids — I think it’s a huge success, and I hope that Netflix pays attention to the response it’s getting.
The fans seem to love it, and hopefully the numbers are good enough that Netflix would decide to produce a third season. That would be great.
This interview has been edited for length and clarity.
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.
Beyond the big Star Trek Universe panels at San Diego Comic Con later this month, there’s another featured Trek event scheduled for the annual genre bash in California — this time, with another big sci-fi franchise along for the ride.
Star Trek franchise boss Alex Kurtzman will be joined by Doctor Who showrunner Russell T Davies on Saturday, July 27 at 5:30PM (Room 6A) for a panel set to kick off a co-franchise “Intergalactic Friendship Day” event on July 30. Attendees to the creator conversation will each receive a special Doctor Who x Star Trek poster designed by artist Dusty Abell.
Showrunners and Executive Producers Russell T. Davies and Alex Kurtzman Will Kick Off the Celebration with an Exclusive Conversation at This Year’s San Diego Comic-Con on July 27
July 12, 2024 – Through 15 doctors and over a dozen brave captains, sci-fi fans have travelled on journeys spanning the cosmos, and on July 30 fans will rejoice as the Doctor Who and Star Trek franchises come together to celebrate the creation of the inaugural Intergalactic Friendship Day. The celebration aligns with International Friendship Day which was established in 2011 with the idea that friendship between peoples, countries, cultures and individuals can inspire peace efforts and build bridges between communities.
Throughout both franchises’ long histories, there have been numerous on-screen nods to each other that delight fans, and now the two pop culture titans Doctor Who and Star Trek are joining forces to spotlight shared values of friendship, hope and fandom with fan celebrations, digital activations and special giveaways.
The collaboration will kick off at San Diego Comic-Con, where Alex Kurtzman, showrunner and executive producer of the Star Trekfranchise, and Russell T Davies, showrunner and executive producer spearheading the Doctor Who Whoniverse, come together for an exclusive creator-to-creator conversation about the art of storytelling in alternative universes and to celebrate the power of friendship.
In addition to the Saturday evening panel, there will also be a co-branded “gallery experience” in the nearby Gaslamp Quarter outside SDCC, running all convention weekend — featuring props and costumes from both Star Trek and Doctor Who history.
“Friendship is Universal,” an Exclusive Gallery Experience Featuring Star Trek and Doctor Who Costumes and Props, Will Be Running Through SDCC Weekend in the Gaslamp Quarter
Under the banner of “Friendship is Universal,” Star Trek and Doctor Who will operate a special celebratory gallery experience at 226 and 230 5th Avenue in the Gaslamp Quarter of San Diego. The gallery experience will feature original costumes and props from across the storied histories of both, highlighting themes of friendship and shared values between the two universes. There will also be photo opportunities for fans as well as special friendship bracelet giveaways.
“Friendship is Universal” activation hours of operation are Thursday, July 25 through Saturday, July 27 11:00 AM – 8:00 PM, and Sunday July 28 11:00 AM – 5:00 PM. Admission is free. “Friendship is Universal” is not an official SDCC activation, therefore no badge is required for entry.
After the setup in “Into the Breach,”Star Trek: Prodigy begins the overall arc of the season with two episodes of temporal shenanigans worthy of Star Trek‘s proud and varied history of mucking up the timeline.
The time travel conceits in “Who Saves the Saviors” and “Temporal Mechanics 101” are pulled off with an expert flare that gives the impression that not only was the internal logic of the time travel poured over for consistency, but also that it was done so with love for this kind of stuff: by time travel buffs, for time travel buffs.
Maj’el and Dal aboard the runaway Infinity. (CBS Studios / Netflix)
“Who Saves the Saviors” is one of the best episodes of the season, reveling in the playfulness of a good causal time loop while maintaining the seriousness of the high stakes. It picks up with Dal (Brett Grey), Zero (Angus Imrie), Jankom (Jason Mantzoukas) and Nova Squadron member Maj’el (Michaela Dietz) as they ride the Infinity through the wormhole. They land on Solum — 52 years in the future, yet still too early. As they recall, Janeway said they had to save Chakotay after he launches the Protostar, but the ship (and Chakotay himself) is still there.
They have four hours. The set up is clearly laid out, even for younger viewers, and the just-right timing they need adds to the adrenaline rush of it all. Maj’el is already proving to be a valuable addition to the group as she reminds them and the viewers of Starfleet’s temporal rules, while donning a classic Vulcan disguise — her headband made me grin.
Based on her name and character design alone, I was already predispositioned to love Maj’el, but getting to know her a little here cemented her standing as another Prodigy youth that I love and want to protect. By the end of the season, she was my son’s favorite character — sorry Rok-Tahk, he still loves you, too! Also, having someone in the gang that knows all the Starfleet “rules” makes things a lot easier in-universe… and for the younger viewers who this is all new to.
A destroyed Solum, 52 years in the future. (CBS Studios / Netflix)
Knowing the rules, it’s almost a relief when they get captured — as Zero reminds them that if they are in a prison cell, then they can’t interfere with previous events. But the relief only lasts for a second as they are led to a cell containing Chakotay himself. I have to admit it was a bit of a thrill to see Chakotay (Robert Beltran) finally, after trying to find him for so long. Dal greeting him with “Nice tattoo!” was a hilarious icebreaker that brought me back to the present.
Robert Beltran’s performance as Chakotay this season is really wonderfully nuanced. He’s the Chakotay we all know, but a little bit looser and with more presence. His performance reminds me of Jeri Ryan’s performance in Star Trek: Picard — taking the character we all know and extrapolating that to the character’s growth through the years we didn’t see. Prodigy Chakotay feels more lived in, and like Seven of Nine, I would be interested to learn more about what his life was like after Voyager returned home.
It’s also great to finally meet Adreek the beak, voiced with gravitas by Tommie Earl Jenkins. This beautifully animated birdman (an Aurelianof TAS invent) and original first officer of the Protostar is a character my kids and I have been curious about since we first saw a glimpse of him last season. He’s fascinating. Adreek is no-nonsense, and I love his straight man reaction to Jankom and his bird puns. My kids are very pun-y kids so they got a big kick out of those.
Commander Asteek and Captain Chakotay. (CBS Studios / Netflix)
The idea that our Protostar crew was always meant to help Chakotay and Adreek escape is philosophically poignant in a master-your-own-destiny sort of way. It’s also just a great time travel trope — who (besides Julian Bashir and his grandfather) doesn’t love a good predestination paradox?
Maj’el name drops two of Star Trek’s best examples: the Bell Riots and the Cochrane warp test from Star Trek: First Contact — which I found bold, lest this episode be compared to those masterpieces. Turns out their hubris is warranted, however, as this episode might not be as deep as “Past Tense” or as epic as First Contact — but it is a worthy addition to the canon and you can easily imagine “the Protostar incident” being used as an example in the future.
I share Zero’s sentiment of excitement (“Aha!”, they quiver) when they feel the rush of knowing that things will play out how they did originally. I love that Prodigy celebrates just how much fun this type of thing can be… though the title itself — a clever play on the Next Generation title “Who Watches the Watchers” — give away the game that all will not go as it should.
Prodigy once again makes great use of the tools at their disposal, literally in this case, as Jankom remotely controls his multi-mitt using Adreek’s tricorder. With it as their man on the outside they manage to take down the forcefield. This sequence had some great Evil Dead vibes and the prospective and multi-mitt vs. watcher droid confrontation were nicely choreographed.
The over the top distraction is also super fun and Zero’s adorable “ya-pow” is the new “pew-pew”. Angus Imrie’s choices are always as wonderfully unique as Zero themselves — besides “ya-pow” and the aforementioned excited, quivering Aha!, their absolutely inimitable delivery of the line “Star…fleet, what’s that?” had my kids absolutely rolling.
That made it even funnier that Zero called the EMH a bad liar last episode!
The gang watches as Chakotay pilots the Protostar away from Solum. (CBS Studios / Netflix)
All seems to be going according to plan until Chakotay spots a weapon that wasn’t there in the original timeline — thanks to Dal’s inadvertent actions — and manages to escape with Adreek and the Protostar. My youngest daughter gasped and said “That changes history!”, even before Maj’el helpfully tells us about spiking chroniton emissions and tachyon irregularities… both classic signs of a timeline being disrupted. So there wasn’t any confusion with my kids about just how bad this mistake was, even though they don’t know a chroniton from a tachyon.
Jumping back the present, we catch up with Gwyn (Ella Purnell) on Solum, as she challenges Asencia (Jameela Jamil) to the ancient Va’Lu’Rah ritual… as she learns what that actually means the same time we do. This ritual combat has as much grandeur as a kal-if-fee as they all gather on what is obviously a sacred spot. We hear echoes of the proud refrain spoken last season: “There is no barrier we cannot overcome, for we are Vau N’Akat”.
Solum is again shown to be strikingly beautiful. The delicate scrolling of the heirlooms are also in the clothing, the architecture, even mimicked in the landscape. We soon learn why that aesthetic is so ingrained in their culture as the scrolled dais lowers, and Gwyn is bathed in golden droplets that seem to defy gravity with a will all their own. Gwyn calls it “the source of our heirlooms,” and sure enough the droplets come together at the will of the combatants the same way the heirlooms morph.
Gwyn and Asencia face off. (CBS Studios / Netflix)
It seems like the psychic connection between the Vau N’Akat extends to — and derives from — their planet. That connection they all share makes the isolationist tendencies of some of the residents, while not sympathetic, at least understandable.
Gwyn vs. Asencia was a highlight in last season’s “Supernova, Part 1” and round two proves to be just as thrilling. Both are evenly matched, and they use the heirloom material to full benefit with just their minds. Swords and shields and projectiles: so cool. This should be a stage in a fighting video game!
Gwyn, being wiser than Asencia, realizes she doesn’t have to defeat her, just beat her back to the surface and she mind-morphs footholds to climb up. Unfortunately, this is when we catch up to the A-story: as the timeline is disrupted, we see Gwyn fade in and out and she can’t grab hold of her makeshift ladder. She falls to the bottom. The heirloom material lovingly breaks her fall.
Ilthuran, Gwyn’s future father, watches as she phases through time. (CBS Studios / Netflix)
In “Temporal Mechanics 101,” we get the full scope of the season’s big problem. The crew on the Infinity receive a mysterious message which leads them to Gwyn, and when they find her we learn that Gwyn is fading because she is out of phase with our reality. Her very existence is uncertain, as Maj’el explains, she is “proverbially trapped in Schrodinger’s box”, which was a reference my two older kids understood. (They explained what that meant to my youngest, but I think she got the gist of what was happening even without the primer.)
After some more glorious back and forth about the situation from our resident nerds Zero and Maj’el, we get the words that every lover of temporal mechanics wants to hear: “We have to build a time machine!”.
(Side note: We also learn that even though the timeline has been altered, the Infinity’s temporal shielding is preserving our reality for the meantime. Sure, why not!)
Dal humbles himself and asks Admiral Janeway (Kate Mulgrew) to send over the much referenced “Temporal Mechanics 101”. Prodigy makes a really whimsical choice here by showing us some excerpts of the lessons. Starfleet’s Dr. Erin, who first appeared last season — and is played by real life Star Trek science advisor, Dr. Erin Macdonald — is our guide through some really fun, intentionally corny, graphics and lectures about time travel.
Dr. Erin explains time to Starfleet cadets. (CBS Studios / Netflix)
Dal scrolls past what I assume to be the more “science-y” portions of the lesson for us as we get the bits most relevant to the situation. My kids were absolutely RIVETED by this as they intently listened to every word. What a fun insight for them about what a lesson at Starfleet Academy might actually be like. It’s the closest we will ever get and we all enjoyed every second of it — a definite highlight of the episode, with some great Star Trek jokes mixed in.
While Dal’s gang work to rescue Gwyn, her father Ilthuran (John Noble) — the present-day form of the Diviner — stays with Gwyn while she is phasing in and out. In a direct contrast to the events of “Terror Firma” last season, he promises to be there for her. While I get the premise here, I find the whole thing very confusing and I spend every second he’s on screen expecting him to flip. This isn’t Ebenezer Scrooge, who the ghost of Christmas past can show us wasn’t always a selfish jerk. The Diviner was a true villain: an enslaver of children, who left his own child to die on murder planet. I have a hard time squaring that circle.
The Infinity begins its time-travel journey to save Gwyn. (CBS Studios / Netflix)
Jankom — with a return to form of his true engineering style — and the rest of the crew pull off building the time machine and they make it back to present day. The animation of the equipment and H.G. Wells-style time bubble really pull off moving nowhere in space (while going backward in time) in a way that is still visually interesting and dynamic.
But Jankom is all out of miracles as he won’t be able to make the ship fly so they can get Gwyn back to the EMH on Voyager. Luckily, the magic mystery friend comes to the rescue and starts the ship. “Coulda done that earlier!”, quips Jankom in a meta line that made me laugh. Once everyone is safely home on Voyager, the EMH (Robert Picardo) is a doctor, not an exorcist, and he manages to devise a temporal stabilizer for Gwyn that keeps her rooted in our quantum reality. Cool!
Murf talks with a mysterious stranger. (CBS Studios / Netflix)
The episode ends with Murf (Dee Bradley Baker) meeting with a mysterious figure who is very reminiscent of Enterprise‘s “Future Guy.” However, so far, this mysterious figure has done nothing but try to help our crew so I remain optimistic that they are friend not foe.
Time will tell!
* * *
Stay tuned for our next Star Trek: Prodigy review, covering Season 2’s “Observer’s Paradox” and “Imposter Syndrome,” in a few days!
Star Trek: Prodigy Season 2 is available to stream now on Netflix globally (excluding-Canada, Nordics, CEE, Netherlands, Spain, Portugal, Poland, Russia, Belarus, and Mainland China). The show can also be viewed on SkyShowtime in the Nordics, the Netherlands, Portugal, Spain and Central and Eastern Europe.