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Get that Coffee Brewing! Kate Mulgrew Returns as Kathryn Janeway in STAR TREK: PRODIGY

Eighteen years after her last appearance in Star Trek: Nemesis, we’ve just learned that the most caffiene-fueled Starfleet officer will be back in uniform — in animated form, anyway — when Star Trek: Prodigy beams down to Nickelodeon in 2021!

Star Trek: Voyager legend Kate Mulgrew is officially returning to the role of Kathryn Janeway in next year’s Star Trek: Prodigy kids’ series, revealed today during the Star Trek Universe virtual panel held by New York Comic Con.

After seven years in the Delta Quadrant aboard the USS Voyager and a promotion to the admiralty (as seen in Nemesis and the Borg 4-D Experience at Star Trek: The Experience in Las Vegas), Mulgrew is once more voicing the Indiana-born Starfleet officer as part of the franchise’s next expansion into the animated arena.

NICKELODEON AND CBS STUDIOS ANNOUNCE
KATE MULGREW’S RETURN AS CAPTAIN JANEWAY
IN UPCOMING ANIMATED SERIES ‘STAR TREK: PRODIGY’

Nickelodeon and CBS Studios today announced that Kate Mulgrew (Star Trek: Voyager) will reprise her role as Captain Kathryn Janeway in Nickelodeon’s all-new animated series Star Trek: Prodigy. The news was revealed today as a surprise announcement during the Star Trek Universe virtual panel at New York Comic Con. Additional casting news will be announced in the coming months.

Kate Mulgrew stated, “I have invested every scintilla of my being in Captain Janeway, and I can’t wait to endow her with nuance that I never did before in Star Trek: Prodigy. How thrilling to be able to introduce to these young minds an idea that has elevated the world for decades. To be at the helm again is going to be deeply gratifying in a new way for me.”

Executive Producer Alex Kurtzman said, “Captain Janeway was held to a different standard than her predecessors. She was asked to embody an inhuman level of perfection in order to be accepted as ‘good enough’ by the doubters, but showed them all what it means to be truly outstanding. We can think of no better captain to inspire the next generation of dreamers on Nickelodeon, than she.”

“Kate’s portrayal of Captain Janeway is truly iconic, and has resonated with a global audience for many years,” said Ramsey Naito, President, Nickelodeon Animation. “We can’t wait to see her bring this character to life in a whole new way, while continuing to be an inspiration for both new and loyal fans.”

Admiral Janeway sends the Enterprise-E to Romulus in “Star Trek: Nemesis.”

While we still don’t quote know when the series will be set — based on today’s news, we’re assuming it will be after Janeway’s return from the Delta Quadrant — this can pretty clearly rule out speculation of a 23rd Century setting for the show.

Star Trek: Prodigy will be the second vehicle to showcase a returning Voyager character, after Jeri Ryan’s reprisal as Seven of Nine in Star Trek: Picard earlier this year — and as an animated show, it seems likely (as with Star Trek: Lower Decks) that Mulgrew is likely not the only familiar voice we’ll hear in the upcoming series.

What do you think of today’s casting news for Star Trek: Prodigy? Are you excited to see how Kathryn Janeway will be apart of the kid-catered storyines? Let us know in the comments below!

Check Out This New STAR TREK: DISCOVERY Season 3 Trailer, Plus: A Sneak Peak of the Season Premiere!

We’re just a week away from the long-awaited return of Star Trek: Discovery, and today we have not one but two new looks at the upcoming third season for you to pour over as the final days count down!

First, at the end of this week’s Star Trek: Lower Decks finale, CBS All Access debuted a new trailer for the upcoming season, which includes a look at Michael Burnham (Sonequa Martin-Green) back in command gold aboard the Discovery, adventures with newcomer Book (David Ajala), and the starship Discovery itself both crashing to a planet’s surface, and kicking into the mycelial network with their unique spore drive engine.

On top of that new preview, as part of today’s virtual New York Comic Con panel, CBS has also just released a new clip from the upcoming season premiere — entitled “That Hope is You” — featuring Michael Burnham’s arrival to the far future, still wearing her Red Angel suit from the Season 2 finale, as she collides with the ship piloted by Cleveland “Book” Booker on her way out of the time-travel wormhole.

As they both fall to the nearby planet’s surface following their mid-space collision, Burnham has to fight to get the Red Angel suit’s protective systems back online before she crashes…

Keep an eye out for any more Star Trek: Discovery Season 3 news as it breaks here at TrekCore, and you can watch the entire New York Comic Con virtual panel here!

The entire 13-episode third season of Star Trek: Discovery kicks off next Thursday with “That Hope is You” on CBS All Access, CTV SciFi Channel and Crave, following globally on Netflix on Friday, October 16.

STAR TREK: LOWER DECKS Review: “No Small Parts”

with Jim Moorhouse and Ken Reilly

Star Trek: Lower Decks concludes its ten-episode first season with a barnstormer of a season finale that delivers on the laughs, the feels, and the surprises — all while providing a perfect cap to the season that nods back to each of the previous nine episodes. The first season of Lower Decks has been a triumph, and “No Small Parts” is no exception.

Responding to a distress call from the USS Solvang, the Cerritos is attacked by Pakled traders — who have upgraded their technology significantly since the Enterprise encountered them in The Next Generation — and the crew must work together to avoid the destruction of the Cerritos.

The Cerritos is overwhelmed by Packled forces. (CBS All Access)

Major spoilers for the Lower Decks season finale below! 

There is a lot packed into the 27 minutes of this episode, but it all feels earned and explicitly builds upon the characters and stories that have been developed over the first season. A number of characters and their relationships are moved onto the next stages: Boimler gets that promotion he wanted, Mariner and Freeman finally learn to see the value each other brings to the table, and we’re given a finale that feels truly consequential.

It remains to be seen how much of it will hold. It seems unlikely, for example, that Boimler will remain aboard the Titan for very long, and that Rutherford will be out of commission for more than a few episodes next season.

Shaxs is with the Prophets now. (CBS All Access)

For an animated comedy, though — where the format typically keeps its characters’ development stuck in amber (like in The Simpsons, American Dad, Family Guy, and the like) — the decision to kill off a major character like Shaxs is a big one; a surprisingly poignant move showcasing that the characters on Lower Decks have earned your emotions as well as your laughs.

And in the season’s waning minutes, we get two big legacy character appearances, of course, as Captain Will Riker (Jonathan Frakes) and Commander Deanna Troi (Marina Sirtis) — truly the Stan Lees of the Trek franchise — come riding to the rescue on the USS Titan, a ship we finally get to see on-screen after 18 years.

Captain Riker (Jonathan Frakes) and Commander Troi (Marina Sirtis) arrive just in time. (CBS All Access)

Following the Star Trek: Picard season finale back in March, this is the second time we’ve had Captain Riker save the day — a moment we certainly enjoyed! — but the feeling of didn’t-this-just-happen? have been a bit less prevalent if Lower Decks was airing in it’s originally-planned schedule following Star Trek: Discovery Season 3.

That said, while it’s always a joy to see Riker and Troi back in action, this time in animated form, it’s a true thrill to finally see the Luna-class USS Titan (NCC-80102) in canon for the first time.

Introduced in cover artwork for Simon & Schuster’s Star Trek: Titan novel series, the fan-designed starship created by artist Sean Tourangeau is a beautiful ship finally made ‘real’ with it’s first-ever on-screen appearance in Lower Decks — three years after Eaglemoss brought the book-cover-only design to the physical world as part of the Official Starships Collection.

The Luna-class USS TITAN (NCC-80102), finally seen on-screen. (CBS All Access)

Trek Trope Tributes

  • In the opening visit to Beta III, Captain Freeman tells Landru to be quiet or she will “paradox you into destroying yourself,” which is effectively how Kirk and Spock defeated Landru the first time around in “The Return of the Archons,” along with a few other adventures featuring Those Old Scientists.
     
  • Captain Freeman has conversations with both Ransom and Mariner during this episode about the common trope of Starfleet fixing a problem on a planet, leaving, and not bothering to follow up and see if the problem remains fixed.

Canon Connections

Landru and The Red Hour

The episode begins with the Cerritos revisiting Beta III, where Landru (“The Return of the Archons”) has once again taken control of the planet’s population.

Gamesters of Triskelion

Freeman tells Ransom that she “hate[s] seeing a perfectly good society get destroyed by a Gamester of Triskelion or whatever,” referencing the Gamesters from the episode of the same name.

Pakleds and the Kalla System

Lower Decks reintroduced the Pakleds! And though significantly upgraded “with the weapons from 30 different species” — including Bajoran, Romulan, and Ferengi — the nose of their new behemoths are recognizably the same ship that the Enterprise first made contact with in “Samaritan Snare.”

The main events of this episode take place in the Kalla System, which was referenced to be a part of Pakled territory in The Next Generation episode “Firstborn.”

Exocomp

“No Small Parts” features a new crew member for the Cerritos – an Exocomp named Peanut Hamper. The Exocomps were introduced in The Next Generation episode “The Quality of Life,” as robots with emerging sentience.

That sentience has extended to the point where they can join Starfleet *and* piss off their dads.

Parents in Starfleet

While trying to determine what the impact will be of the crew knowing that Mariner is Freeman’s daughter, Mariner mentions that Wesley Crusher worked with his mother aboard the Enterprise, and “maybe everyone will be cool with it!”

It quickly becomes clear they are not cool with it.

First Contact Day

Ransom says the Pakleds are carving up the Cerritos like a “First Contact Day salmon,” referring to the holiday celebrating first contact between the humans and the Vulcans.

Mariner’s Contraband

Mariner’s contraband, stored in the walls of the ship, includes a club used by Worf to fight on the holodeck, a fencing sword, her bloody bat’leth from “Second Contact,” and even the infamous Spock Helmet!

Starfleet Funeral

Shax’s funeral mirrors that of others seen in Star Trek (“The Sound of Her Voice,” “Tears of the Prophets,” Star Trek II: The Wrath of Khan) by featuring a torpedo coffin with a Federation flag draped over it.

Armus

“I’m going to feed you to an Armus!” Mariner tells Boimler after he accepts a promotion to the Titan. This is the second reference this season to the creature who killed Tasha Yar in “Skin of Evil,” another first-season story where the lead ship’s security chief is killed.

Saurian

The USS Titan has a Saurian first officer. Saurians have been seen most recently in Star Trek: Discovery, where Lieutenant Linus is a member of the Discovery crew.

These Are The Voyages…

Riker apparently continues to enjoy watching the adventures of Captain Archer’s Enterprise NX-01 on the holodeck.

“I was watching the first Enterprise on the holodeck,” he says. “You know, Archer and those guys? What a story. Those guys had a long road, getting from there to here.” Yes, folks, Faith of the Heart is now canon.

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Other Observations

  • In a nice tribute to The Animated Series, in the opening sequence on Beta III Captain Freeman is holding a PADD with pictures of Kirk and Spock in their Filmation animation designs, right out of the 1970’s show.
     
  • Ransom – like us – refers to the 2260’s as “the TOS era,” but rather than meaning The Original Series like us fans he means ‘Those Old Scientists’ – you know, Spock, Scotty etc. who discovered a lot of new civilizations!
     
  • This episode adds another California-class ship to the fleet (briefly) – the USS Solvang, commanded by Captain Dayton who previously appeared in “Much Ado About Boimler” commanding the ill-fated USS Rubidoux.
     
  • “No Small Parts” has references to each of the season’s previous nine episodes, demonstrating how – despite being episodic – each episode built on the last to bring us to this big, exciting finale.
Those Old Scientists. (CBS All Access)
  • The Enterprise has a Captain Picard Day – and apparently, the Cerritos has a Captain Freeman Day.
     
  • It’s unclear if Badgey met his end in this episode or not, but it’s cool that Lower Decks has its own recurring holographic villain with a particular grudge against one of our heroes.
     
  • The Titan crew are all wearing the First Contact-era uniforms, implying that Starfleet has two uniform styles in use at the same time — certainly something we’ve seen before in live-action Star Trek shows.
     
  • Boimler has a circular image — a collectors plate, maybe? — of Commander Ransom on display in his quarters aboard the Titan.
     
  • Captain Freeman is not a fan of shiny ship upgrades; “I hate it when a ship gets repaired and comes out looking all Sovereign-class,” she tells the starbase engineer.
Lieutenant j.g. Bradward Boimler, helmsman of the USS Titan. (CBS All Access)

Now with all ten episodes available to view, I believe that Star Trek: Lower Decks has had one of the strongest first seasons of any Star Trek show to date. The characters have resonated, the show has taken interesting and unique approaches to Star Trek staples, and most importantly, it’s been funny. I absolutely cannot wait for the second season (already in production).

Now, give me warp — in the factor of five, six, seven, eight!

New Images From the STAR TREK: LOWER DECKS Season Finale: “No Small Parts”

This week brings us to the tenth and final of Star Trek: Lower Decks’ premiere season, and we’ve got a round of new photos from “No Small Parts” here for your review today!

In this new episode, Ensign Boimler (Jack Quaid) spills the beans on Ensign Mariner’s (Tawny Newsome) secret — that she’s the daughter of the Cerritos’ captain — while Ensign Rutherford (Eugene Cordero) tries out some new functions of his Vulcan implant, and Ensign Tendi (Noel Wells) teams up with an Exocomp crewmember, a sentient device first seen in TNG’s “The Quality of Life.”

Here are eight new photos from this week’s season finale:

Finally, if you didn’t catch it at the end of “Crisis Point,” here’s the preview for this coming week’s season finale episode of Star Trek: Lower Decks.

NO SMALL PARTS — Season finale. The U.S.S. Cerritos encounters a familiar enemy. Tendi helps a struggling recruit find her footing.

Written by Mike McMahan. Directed by Barry J. Kelly.

Star Trek: Lower Decks returns for its Season 1 finale on Thursday, October 8 with “No Small Parts” on CBS All Access and CTV Sci-Fi Channel. International distribution for the series has not yet been announced.

STAR TREK: LOWER DECKS Review: “Crisis Point”

with Jim Moorhouse and Ken Reilly

After parodying a classic Star Trek trial episode in last week’s “Veritas,” this week’s “Crisis Point” sets its sights much higher — parodying the thirteen Star Trek movies — to hilarious effect.

After being ordered to go to therapy, Ensign Mariner (Tawny Newsome) discovers that Boimler (Jack Quaid) has developed a holodeck program of the Cerritos crew, and decides to create some therapy of her own by developing a scenario in which she can act out her frustrations with her mother, Captain Freeman (Dawnn Lewis)… taking her lower-decker crewmates along for the ride.

“Crisis Point” is a loving send-up of the Star Trek movies, with fun moments and tics that are unique to the films. And with only one episode left this season, it helps that we’ve had time to get to know the Cerritos characters and what makes them tick as Mariner pushes her rebelliousness to the absolute brink, and discovers she doesn’t much like what she finds there.

Structured around the movie spoofing — including a multitude of Kelvin Timeline-esque lens flares — “Crisis Point” is a Mariner story, as Lower Decks continues to explore the psyche of a character whose natural inclination is to push back as far and as quickly as she can from the strictures of her mother, and of Starfleet. Mariner creates a holodeck program in which she portrays the villain, ‘Vindicta,’ invading, crashing, and ultimately leading to the destruction of the holographic Cerritos.

Mariner’s reckless behavior is too much even for her friends; even fun-loving Tendi (Noel Wells) leaves the holodeck in disgust after witnessing how Mariner is acting out her fantasies. But ultimately, it’s Mariner — or rather, the simulated version of the character within the Cerritos holodeck program — who causes the real Mariner to see that she’s gone too far.

While literally facing off against herself but in the position of the villain, Mariner realizes she really does enjoy being in Starfleet, that she’s the person who insists on casting herself as the villain, and that she would prefer to be the heroic simulation of the character and not the evil Vindicta.

I’m not sure the “Mariner realizes she needs to tone it down” storyline has too much more life in it without some growth or evolution to the character, but the exploration we’ve gotten for the character through nine episodes this season has been fascinating. Mariner is both the reckless rebel and the Kirk-like skilled Starfleet officer, and there is literally a fight taking place within her between those two personas. That was, quite literally, the plot of this week’s episode!

In addition to Mariner’s character growth, there are also nice moments for Tendi and Rutherford. We’ve known Tendi is an Orion since the series pilot, but this is the first episode to really address why she differs from the previous portrayals of Orions in Star Trek as, in Tendi’s own words, “capitalist, hyper-libertarian gangster pirates.” Many Orions are like that, Tendi explains, but just not her.

It’s a sweet moment, and I’m glad it came nine episodes in rather than right up front to allow the character to establish herself rather than just serve as a proxy for what we think we know about Orions.

And in another moment where Lower Decks turns a traditional comedy trope on its head — in this case the idea that you have a free pass to tell your boss anything you want —  and Rutherford (Eugene Cordero) uses that opportunity to tell Chief Engineer Billups (Paul Scheer) how much he admires him. I would enjoy seeing the Rutherford/Billups bromance (or something more?) translate from the holodeck and into the actual show. It was sweet.

Trek Trope Tributes

  • Mariner fights a holographic version of herself, representing one of many times in Star Trek where a character has faced off against themselves (“The Enemy Within,” “Whom Gods Destroy,” “Second Chances,” “Deadlock,” Star Trek VI: The Undiscovered Country, et al).
     
  • “Time to take this puppy off its leash. Warp me!” is a funny moment that plays off all the big inspiring-captain moments from the Star Trek movies — as well as Captain Freeman’s attempt to create her own catchphrase (“Warp me!”) as seen in opening teaser of “Envoys.”
     
  • So. Many. Beautiful. Lens. Flares.
     
  • Vindicta joins Khan and Chang as yet another Trek movie villain who enjoys quoting Shakespeare to our heroes.
     
  • The Cerritos has a giant door that drops during an emergency that requires the crew to evacuate from the ship.

  • Mariner begins her script rewrite with the line: “Interior. Rickety catwalk. Night.” There have been many rickety bridges and catwalks seen on Trek throughout the years (“Second Chances,” “Caretaker,” Star Trek: Nemesis), but most famously the one resulting in Captain Kirk’s death in Star Trek: Generations, a moment alluded to during Mariner-as-Vindicta’s battle with her holographic duplicate.
     
  • Like all great Star Trek movies, our hero ship crashes (like the various Enterprise destructions in The Search for Spock, Generations, and Star Trek Beyond)… but in classic Lower Decks style, the saucer section just gets rolled around the planet’s surface like a tossed coin.
     
  • The opening and closing credits to Mariner’s holodeck program riffs on the previous Star Trek movies – the opening music is a Lower Decks twist on the musical overature at the start of The Wrath of Khan, with the crew’s closing sign-off straight out of The Undiscovered Country.
     
  • The final reveal, that perhaps Vindicta survived the destruction of the Cerritos, complete with the camera pushing in through a forest towards a torpedo-like capsule, is of course a fun reference to the closing shot of Star Trek II: The Wrath of Khan.

Canon Connections

Xon

In a real fourth-wall-breaking moment, Mariner describes Boimler as “Kind of a Xon to be honest – probably weren’t going to make the final cut,” referring to the Vulcan science officer slated to star in the aborted Star Trek: Phase II sequel series, who was replaced by Spock for The Motion Picture when Leonard Nimoy agreed to return.

David Gautreaux, who was cast as Xon for ‘Phase II,’ later appeared as Commander Branch on the Epislon IX station, killed by V’Ger in ‘The Motion Picture.’

Leonardo da Vinci

Apparently, Starfleet holodecks have a standard Leonardo da Vinci program, as the Cerritos’ version of the famous Renaissance artist matches that of the da Vinci who made friends with Janeway aboard the USS Voyager, played by veteran character actor John Rhys Davies in “Scorpion” and “Concerning Flight.”

Pah Wraiths

Shax refers to the Bajoran demons featured prominently in ‘Star Trek: Deep Space Nine’ when he tells Vindicta that, “When you get to hell, tell the Pah Wraiths that Shax sent ya… special delivery straight from Bajor!”

Orions

Tendi explains that the Orions, previously seen in ‘Star Trek’ as slavers, pirates, and rebels, “haven’t been pirates for over…FIVE YEARS.” And she accurately describes many of the members of her race as “capitalist, hyper-libertarian gangster pirates.”

Holodeck Matter

When Tendi leaves the holodeck, the blood spattered on her from the simulation immediately disappears. This matches the way in which the holodeck has been seen to function in episodes such as TNG’s “Ship in a Bottle,” as well as when the EMH leaves his sickbay on Voyager without his mobile emitter (“Projections”).

Toby the Targ

Vindicta tells simulated Mariner she knows her Halloween costume for many years was Toby the Targ.

B’Elanna Torres was established to have a Toby the Targ plush, and it was later revealed in the ‘Voyager’ episode “Author, Author” to be a popular line of children’s stories. (Molly O’Brien had a plush targ as well, though named “Piggy” — we’ll buy that it’s the same character!)

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Other Observations

  • The planet that Mariner ‘liberates’ in the cold open features mammalian and reptilian characters who, while they are not referred to as such, look a lot like the Anticans and the Selay from TNG’s first-season episode “Lonely Among Us.”
     
  • Paul F. Tompkins, who co-hosts the official Star Trek podcast The Pod Directive with Tawny Newsome, voiced food-focused avian psychotherapist Dr. Migleemo aboard the Cerritos. (“It’s the 80’s, dude! We don’t have psychiatric problems!”)
     
  • Cerritos improv speaker Winger Bingston, Jr., receives a special ‘and’ credit in the Crisis Point holo-movie opening titles.
     
  • When the Crisis Point: The Rise of Vindicta holoprogram begins, the aspect ratio of the episode changes to more closely match that of the Star Trek movies.
     
  • In addition to the music, credit sequences, lens flares, and aspect ratios, the episode features another movie-going tribute in the very subtle grainy lines and splotchy film effects drawn into the animation throughout the holodeck’s film simulation. A beautiful touch.

  • The spoof of the Enterprise shuttle approach scene from Star Trek: The Motion Picture, here featuring an endless loop of spinning images of the Cerritos, might be one of the funniest scenes in the show to date.
     
  • Jean-Luc Picard may have won the Academy marathon as a Freshman back in the day, but Captain Carol Freeman holds the Academy hydro-scoot speed record.
     
  • When the simulated crew walks onto the bridge of the Cerritos, you can hear the distinctive sound effects of the Kelvin Timeline USS Enterprise playing in the background — and it’s lighting-filled warp trail comes right out of the final moments of Star Trek Into Darkness.
     
  • Vindicta’s ship looks quite like a a modified Klingon D-7 battlecruiser.
     
  • “You can do all sorts of beaming stuff in a movie!” Rutherford stammers, a sly wink at one of the more criticized parts of Star Trek (2009) and Star Trek Into Darkness, where characters seem to beam halfway across the galaxy when the plot demands it.

Star Trek: Lower Decks gears up for its season finale with a strong penultimate entry to the year, masterfully spoofing what we love — and what we love to hate — about Star Trek movies, all while also delivering us another character study of Mariner and the internal conflict waging within her.

I am curious how the episode’s final act, in which Boimler discovers that Mariner is Freeman’s daughter, will play into the season finale — or the forthcoming second season — of the show. I can’t believe there’s only one more episode to go this season!

Star Trek: Lower Decks returns on October 8 with the tenth and final episode of its first season on CBS All Access in the United States and CTV Sci Fi Channel in Canada. Additional international availability for the series has not yet been announced.

Win a Copy of STAR TREK: PICARD Season 1 on Blu-ray!

We’re just a few days away from the first season of Star Trek: Picard beaming down on Blu-ray in the United States, and it’s time for a few of our loyal TrekCore readers to win a copy as we head into the fall!

This contest has ended and winners have been notified.

 

Landing on October 6, the three-disc Blu-ray set features over 2 hours of bonus features on top of the ten first-season episodes — including the Short Trek prequel tale “Children of Mars,” making its way to physical media for the first time.

Thanks to our friends at Paramount and CBS Home Entertainment, we’re about to make your month as we’ve got six copies of Star Trek: Picard Season 1 to give away to half a dozen of our American readers, and all you have to do is follow the steps below for your chance to win!

Join us on social media and answer the following question:

You can enter by sharing your answer in one of two ways!

Follow us on Twitter and tweet @TrekCore using the hashtag #PicardBlu…

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…or you can follow us on Facebook and then leave a comment on this post.

You have until midnight (Eastern time) on Monday, October 5 to get your entry in — we’ll reach out to the six winners via Twitter or Facebook after the contest closes to arrange for fulfillment.

*   *   *   *

Due to restrictions from the distributor of this Blu-ray release, this contest is limited to entrants in the United States only. Good luck to all who enter!

The comments section of this article will not be considered for contest entries.

New STAR TREK: LOWER DECKS 109 Images: “Crisis Point”

This week brings us to the ninth episode of Star Trek: Lower Decks, and we’ve got your next round of new photos from “Crisis Point” today!

In this new episode, Ensign Mariner (Tawny Newsome) takes over Ensign Boimler’s (Jack Quaid) holodeck program to create a holonovel starring the USS Cerritos crew — “Crisis Point: The Rise of Vindicta.”

Here are 11 new photos from this week’s episode, along with one previously-released image:

Finally, if you didn’t catch it at the end of “Veritas,” here’s the preview for this coming week’s new episode of Star Trek: Lower Decks.

CRISIS POINT — Mariner repurposes Boimler’s holodeck program to cast herself as the villain in a Lower Decks style movie.

Written by Ben Rodgers. Directed by Bob Suarez.

Star Trek: Lower Decks returns Thursday, October 1 with “Crisis Point” on CBS All Access and CTV Sci-Fi Channel. International distribution for the series has not yet been announced.

STAR TREK: LOWER DECKS Review: “Veritas”

Star Trek: Lower Decks serves up its trial episode, as Mariner, Boimler, Rutherford and Tendi find themselves amidst what they believe to be a trial of the USS Cerritos’s senior officers on K’Tuevon Prime.

Asked to recount their individual perspectives of various random events, “Veritas” comes the closest of any Lower Decks episode to replicating its namesake, the original “Lower Decks” episode from The Next Generation.

Each of our lower-deckers have only a part of the full story, which told from each of their unique perspectives provides us with a complete view of one mission: the rescue of Clar (Kurtwood Smith, returning for another Star Trek role) from the Romulan Star Empire.

You see, it turns out neither the lower-deckers nor the Cerritos senior officers are being put on trial – they’re being celebrated for the rescue of Clar from the Romulans! “Veritas” is an exceptionally fun episode, and a true ensemble tale, providing a nice story for each of the four ensigns and appearances and great moments for all the senior officers.

The idea of the fundamental misunderstanding between Clar and the ensigns that it’s a party instead of a trial is a colossal stretch, even for an animated comedy, but it’s done so well and it’s so funny that the total absurdity of it gets a complete pass from me.

“Veritas” mixes a lot of funny one liners with great character moments and a stirring Boimler speech to great effect. And, this episode re-introduces a fan favorite – Q! Yes, John de Lancie returns to voice the omnipotent trickster in a hilarious cameo appearance. Mike McMahan, when he teased Q’s appearance said that it would be a quick cameo, and it is, but honestly it’s the perfect amount of Q.

We get some fun jokes and John de Lancie gets to briefly flex his Q muscles, but it’s not the focus of the episode. That feels right for a Lower Decks take on Q, as much as I could happily listen to de Lancie in the role for a full 24 minutes.

Trek Trope Tributes

  • The opening of the episode is a riff on the trial scene from Star Trek VI: The Undiscovered Country. The ensigns are raised on a platform towards a light on the ceiling and emerge into a tall courtroom with onlookers all around them, the judge wielding a heavy metal gavel, and a lone prosecutor with a metal eye patch. One of guest actor Kurtwood Smith’s previous roles was in that movie, playing the Federation President.
     
  • As previously mentioned, this episode is the closest in structure to The Next Generation episode “Lower Decks” that inspired the show, as we see each ensign’s perspective on an overall whole that is only revealed to the viewer at the end of the episode.
     
  • And of course, Q puts humanity on trial — though with Shaxs and T’Ana in the mix!
     
  • Mariner calls out that we’ve not seen a lot of Earth of the 24th century. “We’ll have to live on Earth where there’s nothing to do except drink wine and hang out at vineyards and soul food restaurants!” she says, referring to Picard’s family vineyard and Sisko’s Creole Kitchen in New Orleans, two of the most visited destinations on Earth in Star Trek — though creole cooking and soul food aren’t quite the same thing.

Canon Connections

Roga Danar

The ensigns are discussing the “biggest all time badass.” Mariner picks Khan (“dude was a space seed!”) but Boimler is more partial to the Angosian freedom fighter Roga Danar (from the TNG episode “The Hunted.”)

Romulan Neutral Zone

The map of the Romulan Neutral Zone given to the Cerritos by the Clicket includes the Romulan symbol introduced in ‘Star Trek: Nemesis.’

Denobulans

Denobulans, the race of Doctor Phlox from ‘Enterprise,’ get a shout out. Specifically, Shax warns about “Denobulan flesh eating bacteria on your peen,” which sounds, ahem, bad.

Vulcan Warp Sled

Shax, Rutherford, and Billups infiltrate the Vulcan museum to steal a 23rd century Romulan Bird of Prey in a Vulcan Warp Sled, first seen in ‘Star Trek’ transporting Spock to the USS Enterprise in ‘Star Trek: The Motion Picture.’

Vulcan Weapons

In addition to the Vulcan Warp Sled, a Vulcan phaser (seen previously in Enterprise) can be seen on the ground next to “Spock and Spock” after Rutherford incapacitated them with the Vulcan neck pinch.

Security Officer

The security officer at the Vulcan Museum is wearing the same protective equipment as Starfleet security officers in ‘Star Trek III: The Search for Spock.’

Museum Ships

In addition to the old Romulan Bird of Prey, also present in the starship museum are a Klingon D-7 battlecruiser (TOS), a Ferengi shuttle (DS9), a Jem’Hadar attack ship (DS9), a Federation worker bee (‘The Motion Picture’), a Tholian web spinner (TOS) a Type VI shuttle craft (TNG), a Galileo-type shuttle (TOS), and a Vulcan survey craft (‘Star Trek: First Contact’).

Romulans

The Romulan bridge seen in this episode matches that from The Next Generation episode “Face of the Enemy.” We also see a Romulan D’Deridex class warbird outside the show’s opening credits, the Romulan homeworld Romulus, Romulan disruptor rifles, and the boxy TNG-style Romulan uniforms.

Remans

We also get our first mention of the Remans since they were last seen in the ‘Star Trek: Enterprise’ episode “The Aenar.”

Salt Vampire

Mariner warns Ransom that he is unknowingly romancing a Salt Vampire, the race of aliens seen in the first episode of the Original Series that aired in the United States, “The Man Trap.”

Spock Two

“Did Kirk know about that giant Spock on Philos?” Boimler asks, referencing the — and I can’t believe I’m saying this — 50-foot Spock from the Animated Series episode “The Infinite Vulcan.”

Boimler also references “Sub Rosa,” to really round out his references to some excellent episodes of ‘Star Trek’ — “Did Doctor Crusher know about that ghost in the lamp thing from that Scottish planet that she hooked up with that one time?”

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Other Observations

  • The voice cast for this episode includes Kenneth Mitchell, another returning Trek vet most famous for playing the characters of Kol and Kol-Sha on Star Trek: Discovery, who voiced both a Federation Guard and a Romulan Solider in “Veritas.”
     
  • After several references in Star Trek: Picard — and a Gorn figurine in Captain Freeman’s office — we finally see a Gorn in one of Rutherford’s lucid moments between blackouts. A Gorn wedding no less, complete with Vasquez Rocks.
     
  • To distract the Vulcan guard so Shax can steal the Romulan bird of prey, Rutherford is encouraged to do “the fan dance,” a clear reference to Uhura’s similar dance used to distract the residents of Nimbus III in Star Trek V: The Final Frontier.
     
  • While dangerously low on oxygen, Billups refers to the events of two episodes of The Next Generation — both “Time’s Arrow, Part II” (with “Mark Twain’s got a gun!”) and “Skin of Evil” (with “Tasha! No! The garbage bag’s behind you!”).
     
  • We get another California-class ship – the USS Alhambra – named after a city in the state. The crew of the Alhambra look disturbingly similar to the Cerritos, but despite thinking she’s in a parallel dimension Dr. T’Ana, is merely on the wrong ship.

I loved “Veritas.” The perfect Lower Decks take on a trial episode complete with Q as voiced by John de Lancie, Kurtwood Smith, Kenneth Mitchell, and great scenes for all our main ensigns and supporting bridge crew to boot?

It sounds like it’s all too much, but the plotting is tight, the dialogue concisely funny without being overly fast, and the references on point. Two episodes from the Season 1 finale, Star Trek: Lower Decks is serving up some great, funny Star Trek.

Star Trek: Lower Decks returns on October 1 with “Crisis Point” on CBS All Access in the United States and CTV Sci Fi Channel in Canada. Additional international availability for the series has not yet been announced.

New STAR TREK Novels Centering on Troi, Crusher, Dax and Kira Announced for 2021 from First-Time Trek Writers

It’s been relatively quiet on the Star Trek book front the last few months, but today a new announcement from publisher Gallery Books/Simon & Schuster today is introducing a pair of new voices to the Trek novel landscape, each of whom will be revisiting some of the iconic female characters of series past.

Announced today by StarTrek.com writer Swapna Krisha via Syfy FANGRRLS, there will be new books focused on the women of Star Trek: The Next Generation — Deanna Troi and Beverly Crusher — and of Star Trek: Deep Space Nine — Kira Nerys and Jadzia Dax — are on the way in 2021, and from a pair of writers who are no stranger to published fiction, but new additions to the roster of Star Trek storytellers.

Star Trek: Deep Space Nine — Revenant by Alex R. White will center on Dax and Kira, and Star Trek: The Next Generation — Shadows Have Offended by Cassandra Rose Clark will focus on Deanna Troi and Beverly Crusher (and Worf as well), in a story set during the final season of TNG’s seven-year run.

Authors Alex R. White and Cassandra Rose Clarke.

Here’s the official news release from today’s announcement:

GALLERY BOOKS TO PUBLISH NEW STAR TREK NOVELS BY AWARD-WINNING AUTHORS ALEX R. WHITE AND CASSANDRA ROSE CLARKE

Gallery Books, a division of Simon & Schuster, has acquired two original Star Trek novels by authors Alex R. White and Cassandra Rose Clarke.

These acquisitions mark the addition of two critically acclaimed genre fiction authors to the Star Trek publishing program, bringing new and diverse voices to the roster and book content.

Alex R. White’s (A Big Ship at the Edge of the Universe; Alien: The Cold Forge) novel, REVENANT, is based on Star Trek: Deep Space Nine and prominently features fan-favorite characters Jadzia Dax and Kira Nerys.

Cassandra Rose Clarke’s (Star’s End) novel, SHADOWS HAVE OFFENDED, is a thrilling standalone novel featuring fan-favorite characters Deanna Troi, Beverly Crusher, and Worf, set in Star Trek: The Next Generation’s epic seventh season.

On the acquisition, senior editor and licensing manager Ed Schlesinger said, “For decades, the Star Trek franchise has been at the forefront of diversity and inclusion, and we’re truly thrilled to be introducing Alex’s and Cassandra’s distinct and acclaimed voices to the ST novel program.”

“Star Trek has always struck me as a universe with a place for everyone: empathetic, intelligent, empowered and vibrant,” White says, “Those stories were there for me when I needed to hear them, and I’m privileged to tell the next set all these years later.”

Clarke echoed White’s affinity for the Star Trek franchise. “I imprinted on The Next Generation at an early age, and it continues to be my favorite Star Trek series to this day. Those characters have been an enormous source of joy, inspiration, and comfort throughout my life, and I am honored to have this chance to send them on a brand new adventure.”

The books will be published with World English rights, in a deal brokered by Connor Goldsmith at Fuse Literary (Alex R. White) and Stacia Decker at Dunow, Carlson, and Lerner (Cassandra Rose Clarke).

While there’s no cover art yet for these upcoming novels — we’ll be sure to share when they’re revealed! — you can preorder TNG: Shadows Have Offended now at Amazon ahead of it’s planned April 2021 release.

Book Review: ‘STAR TREK THE MOTION PICTURE – INSIDE THE ART & VISUAL EFFECTS’

Star Trek has certainly cornered the market in recent years on comprehensive coffee table books and reference tomes, and with the September release of Star Trek: The Motion Picture: Inside the Art & Visual Effects, the franchise is again seeing its history preserved and celebrated in ways one could only dream.

Long celebrated by many as a misunderstood classic, Star Trek: The Motion Picture is well-known for its stunning visual style and the turbulent work that translated that vision to the screen.

In this beautiful, oversized book written by Jeff Bond and Gene Kozicki, the duo expertly carve through 40-plus years of history, anecdotes and images to weave both a familiar cataloging of the film’s production history, as well as some new takes on how it all came together.

The 192-page book is divided into nine easily digestible chapters focused on various elements of the film. From designing the refit Constitution-class Enterprise and V’ger to showcasing Vulcan on the big screen for the first time, the research and historical framing of the work is superb.

One of the more interesting elements in the book is the authors’ attempt at “rehabilitating some of the reputation” of Robert Abel & Associates, who are known in the annals of Trek as the visual effects house that basically couldn’t get the job done originally. The book goes into detail on hiring of Abel  — who had gained some notoriety for his original work on a Levi’s commercial (photos included! — but was clearly not equipped to upscale his work to the magnitude required for The Motion Picture.

Known as ASTRA (‘A Star Trek Robert Abel’) his group was eventually replaced by the famed VFX legend Douglas Trumbull, along with John Dykstra’s company Apogee — who were left with an impossibly short runway of about 10 months to produce the high-concept effects required to tell the film’s ambitious story.

Abel & Associates are lauded by the authors for the storyboarding and design work that was utilized on the film, but the attempt at rehabilitating their reputation was a tall task in the face of Robert Abel’s work being described by associate producer Jon Povill as “an endless song and dance that he’d be up and running in one more month.”

Ultimately, Povill’s account of director Robert Wise leaving their final meeting in January of 1979 saying, “I want that guy off the show. I never want to see or talk to him again,” is pretty damning in the case for reputation rehab.

That is but one behind-the-scenes anecdote in a book packed with them, as well as literally hundreds and hundreds of photos from the fabled production team at work beating deadlines and creating an artistic vision that has stood the test of time. From candid snapshots to frame-by-frame storyboard art, the book is a feast for the senses.

One of the standout elements in the book includes a 63-photo, 20-page spread on “V’ger’s Temple” that focuses on the creation and design of Star Trek’s original saucer section walk and the exploration of V’ger’s secrets. The model work and design of the hexagonal pathway for the crew connecting from the Enterprise hull to V’ger’s core is impressive to see in its evolving forms.

Other standout imagery in the coffee table book includes:

  • Multiple behind-the-scenes photos of the Enterprise refit model being filmed in drydock
  • Art and model work detailing V’ger concepts from early days to finish product, including the abandon memory wall sequence
  • Concept art, behind-the-scenes photos and set schematics of the Klingon bridge sequence early in the film

The book also includes an introduction dissecting the “Aborted Launch” of Planet of the Titans and Star Trek: Phase II (which is also extensively covered it the great 1997 Star Trek: Phase II – The Lost Series publication).

To say this book is comprehensive would do it a disservice.

In the end, Star Trek: The Motion Picture – Inside the Art & Visual Effects is a fully-realized history of the oft-misunderstood classic film that paved the way for Trek’s ongoing (and seemingly never-ending) legacy.

Jim Moorhouse is the creator of TrekRanks.com and the TrekRanks Podcast.
He can be found living and breathing Trek every day on Twitter at @EnterpriseExtra.